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Richard McVetis is an embroiderer, who is fascinated with time. Each of his, often monochromatic cuboid, pieces is meticulously made to explore the subtle differences that emerge through the ritualistic and repetitive nature of sewing.
More recently, he has taken inspiration from his family’s mining heritage to investigate a story of race and class through stitch. The artist says that he uses making ‘to understand the world, to give material form to abstract ideas, making the intangible tangible’.
Richard has shown his work around the globe and has been shortlisted for a number of prizes including: the Jerwood Drawing Prize, and the Loewe Craft Prize in 2018. He currently has a solo show, Shaped by Time, running at Farnham’s Craft Study Centre.
In this episode we talk about: his new show in Farnham; the joy of slowing down and developing patience; drawing with thread; the majesty of the hand; his love of simplicity; the subjectivity of time; gender politics and embroidery; growing up in a mining community and how that has fed into his work; his other career in retail design; and why he never sews in public.
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By Delizia Media4.8
4545 ratings
Richard McVetis is an embroiderer, who is fascinated with time. Each of his, often monochromatic cuboid, pieces is meticulously made to explore the subtle differences that emerge through the ritualistic and repetitive nature of sewing.
More recently, he has taken inspiration from his family’s mining heritage to investigate a story of race and class through stitch. The artist says that he uses making ‘to understand the world, to give material form to abstract ideas, making the intangible tangible’.
Richard has shown his work around the globe and has been shortlisted for a number of prizes including: the Jerwood Drawing Prize, and the Loewe Craft Prize in 2018. He currently has a solo show, Shaped by Time, running at Farnham’s Craft Study Centre.
In this episode we talk about: his new show in Farnham; the joy of slowing down and developing patience; drawing with thread; the majesty of the hand; his love of simplicity; the subjectivity of time; gender politics and embroidery; growing up in a mining community and how that has fed into his work; his other career in retail design; and why he never sews in public.
Support the show

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