The boys replace their drum heads with pie filling, write elevator music for record execs, and use the scientific method to conduct an autopsy on the corpse of Warrant’s 1990 hair metal anthem, “Cherry Pie.”

The boys learn to swim with Bill Hicks, write a dystopian diatribe against celebrity culture, and use the scientific method to conduct an autopsy on the corpse of Tool’s 1997 alt-metal epic, “Ænema.”

The boys wear animal print cod pieces with circular saw blades, score a spot on Tipper’s Filthy Fifteen mixtape, and use the scientific method to conduct an autopsy on the corpse of W.A.S.P.’s 1984 controversial classic, “Animal (F**k Like A Beast).”

The boys break format to review Megadeth’s sixteenth studio album, The Sick, The Dying… And The Dead!

The boys break format to discuss woefully irresponsible celebrity parents, watch 1981’s Halloween II, and get mauled by apex feline roommates.

The boys fall for the “popcorn bucket in the lap trick” at the movie theater, piss on the Alamo while wearing Sharon Osbourne’s knickers, and toss around a few biopic candidates they’d like to see on the big screen.

The boys pass gas on the intercom at WalMart, conflate flatulence with Freud’s Oedipus complex, and use the scientific method to conduct an autopsy on the corpse of The Doors’ 1967 art-rock epic, “The End.”

The boys engage in more public drunkenness, innocently dehumanize people with cap guns, and use the scientific method to conduct an autopsy on the corpse of Anthrax’s 1987 thrash classic, “Indians.”

The boys engulf themselves in Marilyn Manson’s groin, woodshed Smoke on the Water for music class, and use the scientific method to conduct an autopsy on the corpse of The White Stripes’ 2003 garage-rock hit, “Seven Nation Army.”

The boys squeeze into their wive’s red tights, rediscover a lost episode, and call Mother mooch to rave about Black Sabbath’s 1975 experimental masterpiece, “Sabotage.”