The boys drive a stake in the heart of hair metal, become reluctant icons of Generation X, and use the scientific method to conduct an autopsy on the corpse of Nirvana’s revolutionary 1991 juggernaut, “Smells Like Teen Spirit.”

The boys ditch the kabuki makeup and spandex for Dr. Martens and flannel, trade their libido for self-loathing, and use the scientific method to conduct an autopsy on the corpse of KISS’ grungy 1997 single, “Jungle.”

The boys attend a Super Bowl halftime show in the rain, watch reruns of Hee Haw, and give props to a few of their favorite under-appreciated guitar heroes.

The boys finally put their years of medical school debt to use, deliver an overwrought eulogy, and use the scientific method to conduct an autopsy on the corpse of Kip Winger’s controversial hit, “Seventeen.”

The boys elevate from the norm, abandon fear, and hunt for crossed signals in the flickering light of Rush’s 1981 masterpiece, Moving Pictures.

The boys sing silly love songs, imagine the Beatles in the 70s, and wonder if it’s better to burn out or fade away.

The boys engage in a nuanced and thoughtful discussion about AC/DC’s ridiculously randy lyrics.

The boys confuse Cleveland for Cooperstown, kick out a bevy of boomers, and debate who should stay and who should go in the Rock & Roll Hall of Fame.

The boys write shorter songs, hire a big shot producer, and examine five thrash bands who attempted to duplicate Metallica’s path to success.

The boys head south for the winter, listen to swamp rock, and shoot the breeze with multi-talented lead vocalist and songwriter, Jennifer Lauren of the band Diamonds and Whiskey.