In s3e3, Ann Shafer and Ben Levy talk with James Wehn, Van Vleck Curator of Prints, Drawings, and Photographs at the Chazen Museum of Art at the University of Wisconsin, Madison, about prints, museums, curatorial work, and Israel van Meckenem. Episode photo: Eric Baillies Israhel van Meckenem (German, c. 1445–1503). The Angry Wife, c. 1495/1503. Engraving. Sheet (trimmed to plate mark): 16.7 x 11.1 cm. (6 9/16 x 4 3/8 in.). National Gallery of Art, Washington, D.C.

In s3e3, Ann Shafer and Ben Levy talk with James Wehn, Van Vleck Curator of Prints, Drawings, and Photographs at the Chazen Museum of Art at the University of Wisconsin, Madison, about prints, museums, curatorial work, and Israel van Meckenem. Episode photo: Eric Baillies Israhel van Meckenem (German, c. 1445–1503). The Angry Wife, c. 1495/1503. Engraving. Sheet (trimmed to plate mark): 16.7 x 11.1 cm. (6 9/16 x 4 3/8 in.). National Gallery of Art, Washington, D.C.

In s3e3, Ann Shafer and Ben Levy talk with James Wehn, Van Vleck Curator of Prints, Drawings, and Photographs at the Chazen Museum of Art at the University of Wisconsin, Madison, about prints, museums, curatorial work, and Israel van Meckenem. Episode photo: Eric Baillies Israhel van Meckenem (German, c. 1445–1503). The Angry Wife, c. 1495/1503. Engraving. Sheet (trimmed to plate mark): 16.7 x 11.1 cm. (6 9/16 x 4 3/8 in.). National Gallery of Art, Washington, D.C. &nbsp;

s3e3 on Israel van Meckenem with curator James Wehn

Why do fine art prints (etchings, woodcuts, lithographs, screenprints, etc.) and printmaking draw such fervent practitioners, collectors, and fans? Find out how prints were the first internet disseminating images since the mid-15th century. Find out why it takes a village to make, sell, study, and collect these affordable beauties. Who are all these people in the print ecosystem, anyway?

Series one looks at prints and printmaking and how they fit in in the context of museums, the market, critiques, and the print ecosystem. Series two offers a history of prints and printmaking in the West. Series three offers interviews with the people who perform various roles in the print ecosystem. Join us and find out why prints and printmaking occupy the best little corner of the art world. We'll turn you into a fan, too.

Platemark offers a bit of art history, artistic creativity, and introduces listeners to artists, printers, dealers, print publishers, gallerists, art historians, curators, and scholars.

Host Ann Shafer is a curator specializing in prints and printmaking. Formerly she was a curator at the Baltimore Museum of Art and the National Gallery of Art. She's a podcaster, blogger, and organizer of the Baltimore Fine Art Print Fair (baltimoreprintfair.com).

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Visual Arts

Why do fine art prints (etchings, woodcuts, lithographs, screenprints, etc.) and printmaking draw such fervent practitioners, collectors, and fans? Find out how prints were the first internet disseminating images since the mid-15th century. Find out why it takes a village to make, sell, study, and collect these affordable beauties. Who are all these people in the print ecosystem, anyway? Series one looks at prints and printmaking and how they fit in in the context of museums, the market, critiques, and the print ecosystem. Series two offers a history of prints and printmaking in the West. Series three offers interviews with the people who perform various roles in the print ecosystem. Join us and find out why prints and printmaking occupy the best little corner of the art world. We'll turn you into a fan, too. Platemark offers a bit of art history, artistic creativity, and introduces listeners to artists, printers, dealers, print publishers, gallerists, art historians, curators, and scholars. Host Ann Shafer is a curator specializing in prints and printmaking. Formerly she was a curator at the Baltimore Museum of Art and the National Gallery of Art. She's a podcaster, blogger, and organizer of the Baltimore Fine Art Print Fair (baltimoreprintfair.com).

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s3e3 on Israel van Meckenem with curator James Wehn

s3e3 on Israel van Meckenem with curator James Wehn

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