In this episode of Platemark, Ann sits down with Betty Winkler to explore her dual career as a master of carborundum collagraphy and a dedicated art therapist. They dive into her technical innovations—such as her preference for plexiglass plates—and discuss her book, which aims to demystify this tactile, non-toxic printmaking method. Betty shares how her background in the collaborative world of the print studio seamlessly informs her work in therapy, viewing both as powerful tools for communication and healing.

From the grit of the carborundum to the deep emotional layers of trauma therapy, Betty's journey is a testament to the idea that creativity is a fundamental human trait. Whether you are a seasoned printmaker or curious about the intersection of art and psychology, this interview offers a fascinating look at a life dedicated to the plate and the person.

www.bettywinkler.com

www.yamaprints.net

Find out more about EMDR therapy here: https://parnellemdr.com

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Get ready to leave the white-cube gallery behind. In our latest episode, we're stepping into the wild, mythic world of Dennis McNett (AKA Wolfbat). For over 30 years, Dennis has been carving out a career that defies every "standard" artistic path. Dennis doesn't just make art—he builds universes. He is a modern-day storyteller who reminds us that when you combine woodcuts with community and a bit of "Wolfbat" energy, art has the power to transform entire towns.

Wolfbat Studios

IG: @wolfbat

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In this episode, Ann sits down with Sangmi Yoo—artist, educator, and Professor of Printmaking at Texas Tech—to discuss how she navigates the "in-between." Her work isn't just about ink on paper; it's about how we build our identities out of architecture, memory, and the ghosts of colonial history.

www.sangmiyoo.com

IG: @sangmiyooliving

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What is the "secret sauce" that gives a print its soul? In this episode, Ann sits down with Professor Stephen Hoskins to decode the complex chemistry and 500-year history of printmaking inks. From Old Master soot to the cutting edge of 3D-printed textures, we're diving deep into the science, sustainability, and tactile future of our craft's most foundational element.

Stephen Hoskins's website: https://stephenhoskins.com/

University of the West of England: https://cfpr.uwe.ac.uk/

CFPR Editions: https://cfpreditions.uwe.ac.uk/

Top 10 Printing Museums in Europe: https://cfpr.uwe.ac.uk/cfpr-seminar-european-printing-museums-a-personal-top-ten-prof-stephen-hoskins-26-may-2020/

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Celebrating her 100th interview in the third series, Ann is in the hotseat and is being interviewed by her friend Stacy Kincaid. The discussion covers the podcast's origins, challenges, and key moments. Ann reflects on her diverse career and shares insights into the technical and creative aspects of podcasting, including her commitment to providing visual references for listeners. The conversation spans personal anecdotes, professional highlights, and future aspirations for the podcast and printmaking community.

"It's not just about the mechanics; it's about the way the colors breathe together on the metal." — Mark Elliott Johnson

In this episode of Platemark, host Ann Shafer talks with artist Mark Johnson who shares his extensive experiences working with Krishna Reddy, a master in simultaneous color printing (viscosity printing). The conversation reveals insights into Reddy's creative process, his philosophical approach to art and teaching, and the technical intricacies of his printmaking methods. The episode also touches on Johnson's own journey, the influence of Reddy's teachings on his career, and the continuing relevance of Reddy's techniques in contemporary printmaking. Don't miss Mark's stellar video on simultaneous color printing made for PCNY's spring 2025 exhibition of the work of Krishna Reddy curated by Sarah Burney.

https://www.markelliottjohnson.com

PCNY video link: https://www.youtube.com/watch?v=8cSgvqHjTO8

PCNY catalogue: https://issuu.com/ipcny/docs/web-krishna_reddy_publication

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Since 1915, the Society of American Graphic Artists (SAGA) has survived world wars, the Great Depression, and the digital revolution by doing one thing: keeping the press rolling. In this episode of Platemark, we're going behind the scenes of the cornerstone of American printmaking with three powerhouses who have steered the ship—Diego Briceno, DeAnn Prosia, and Esther Schwalb.

We dive into SAGA's gritty 110-year evolution, from its origins as a Brooklyn etching club to its current status as a national titan championing inclusivity and technical mastery. Discover the secrets behind their longevity, the "radical community" that supports artists for a $75 annual membership, and why this legacy is more vibrant today than ever before. Plus, don't miss the SAGA 90th Annual Exhibition, Ink and Impressions, on view at the Housatonic Museum of Art now through February 16, 2026.

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https://sagaprints.com/

SAGA members images through the years.

Welcome to Platemark, where we dive into the creative minds shaping the art world. This week, we connect with Chuck Webster, an exceptional artist whose deep and impulsive connection to drawing is both therapeutic and transformative. From publishing his own childhood sketches to constantly finding inspiration in sources ranging from Russian folk art to urban graffiti, Chuck's work is a fascinating dialogue between instinct and refinement. Join us as he opens up about his cathartic process, how content magically emerges from form, his love for experimenting with vintage materials, and how his passion for history and antiques informs his rich, multi-layered approach to drawing, painting, and printmaking. Get ready to be inspired to view art as Chuck does: an endlessly evolving and deeply personal adventure.

https://www.chuck-webster.com/

IG @chuckwebster

Planthouse Gallery

Wingate Studio

Jungle Press

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Ready to be globally inspired? On this episode of Platemark, Ann connects with the visionary Amé Bell, Director of David Krut Projects, who wears the hats of artist, historian, and curator. From the bustling print studios of Johannesburg, Amé brought South African voices to the world stage by curating the 2022 Venice Biennale Pavilion. They dive into the profound journey of collaborating with artists, how digital spaces are rewriting the rules of curating, and even get a peek at Amé's other passion: podcasting! Find out what it takes to make a moment in art history and the enriching impact of printmaking on artists' lives.

IG @_amebell_

https://davidkrutprojects.com/about

@davidkrutprojects

Chopped Liver podcast on Spotify

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In this episode of Platemark, Ann converses with Yashua Klos, a passionate artist finding new connections through collaborative printmaking. They discuss his unique woodblock collage technique, his journey of self-discovery, and the impact of reuniting with family. We talk about the nuances of his artistic process, the emotional resonance of his work, and the importance of representation in the art world. Don't miss this insightful conversation that intertwines personal growth, artistic expression, and the vibrant community of printmaking.

Cover image: Sean Pressley

Artist's IG: @yashuared

Artist's website: www.yashuaklos.net

Sikkema Malloy Jenkins Gallery: https://www.smjny.com/yashua-klos

Wingate Studio: https://wingatestudio.com/project/yashua-klos

Neiman Center: https://www.neiman.arts.columbia.edu/klos-yashua-1

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