What happens when you trade a job at Kinko's for a career as one of the art world's most provocative curators? In this episode, Ann sits down with the legendary Nato Thompson to explore how he navigates the complex intersections of community, culture, and the "art ecosystem." They dive into his latest mission—The Alternative Art School—where he is dismantling the myth of the solitary genius and building a global, accessible sanctuary for creatives. From the rise and fall of NFT hype to the deeply collaborative parallels between his work and the printmaking community, Nato shares why lean-in community support is the ultimate fuel for any artistic journey. Join them for an energizing look at how to find your calling by embracing the "crazy" and connecting with the collective.

IG: @NatoThompson, @thealternativeartschool

www.thealternativeartschool.com

In s2e37, Ann and Tru continue their History-of-Prints conversation about Venice in the 18th century. This is part two of three in which we talk about Canaletto. While often remembered as a topographical painter of postcards, Canaletto was, in fact, a master of curated reality. In this segment, they examine how Canaletto transformed the ordinary streets and canals of Venice into grand, cinematic scenes. Whether using the camera obscura to manipulate perspective or painting en plein air, he captured the "Venetian Vibe" with a meticulous yet lively brush. We take a deep dive into his Capricci—imaginative visions and cityscapes that felt more like Venice than the city itself—and discuss how his work became the ultimate souvenir for travelers seeking to bottle the spirit of the floating city.

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David Barthold's journey as a printmaker began at age 13, took him through the legendary studio of Atelier 17 in Paris, and eventually led to a hiatus that ended in a burst of lino-cut street art during the pandemic.

In this episode, we explore the life and work of a native New Yorker who refuses to stay in one lane. We dig into his early start learning under Ruth Leaf as a teenager and honing his craft at Oberlin and in France; printmaking as protest and how the pandemic pushed David out of the studio and onto the streets of Park Slope, using wheat-pasted portraits of figures like RBG and George Floyd to engage his community; David's transition from painting back to the "grease and gears" of the print studio, and why he finds spontaneity in such a technical medium; and building the ecosystem understanding the vital role of community, shared spaces, and the mentors who keep the print world spinning. David's work is a masterclass in how a centuries-old medium can strike at the heart of contemporary culture.

Follow David's street art and studio updates on Instagram: @DavidFBarthold

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Step into the sun-drenched world of 18th-century Venice as we explore the "theatrical splendor" that defined an era. In this episode, Ann and resident expert Tru Ludwig dive into the vibrant Venetian art scene, where the city itself served as both a stage and a muse. We set the scene by discussing the transition from the heavy Baroque style to the airy, spontaneous Rococo and the rise of the "Grand Tour." Discover why 18th-century Venice wasn't just a destination, but a living, breathing entity where reality and imagination blurred through the medium of etching, catering to a new generation of connoisseurs seeking the direct, autographic hand of the artist.

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What happens when a rare book library is also a working machine shop? This week, Ann sits down with the formidable Amelia Hugill-Fontanel, Associate Curator at the Cary Graphic Arts Collection at RIT. Amelia isn't just a keeper of history; she's a "press fixer" who maintains a fleet of functional 19th-century printing presses. We dive into the incredible legacy of Melbert B. Cary Jr., the intersection of historical type and 3D-printing innovation, and the inspiring rise of women in the traditionally "macho" world of iron hand presses. Whether you're a letterpress obsessive or a curious novice, Amelia's journey to curator and mechanic is a masterclass in keeping the history of the graphic arts alive and spinning. One print at a time.

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https://www.rit.edu/carycollection/ @ameliafont1 @ritcarycollection Cover image: Jiageng Lin

In this episode of Platemark, Ann sits down with Betty Winkler to explore her dual career as a master of carborundum collagraphy and a dedicated art therapist. They dive into her technical innovations—such as her preference for plexiglass plates—and discuss her book, which aims to demystify this tactile, non-toxic printmaking method. Betty shares how her background in the collaborative world of the print studio seamlessly informs her work in therapy, viewing both as powerful tools for communication and healing.

From the grit of the carborundum to the deep emotional layers of trauma therapy, Betty's journey is a testament to the idea that creativity is a fundamental human trait. Whether you are a seasoned printmaker or curious about the intersection of art and psychology, this interview offers a fascinating look at a life dedicated to the plate and the person.

www.bettywinkler.com

www.yamaprints.net

Find out more about EMDR therapy here: https://parnellemdr.com

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Get ready to leave the white-cube gallery behind. In our latest episode, we're stepping into the wild, mythic world of Dennis McNett (AKA Wolfbat). For over 30 years, Dennis has been carving out a career that defies every "standard" artistic path. Dennis doesn't just make art—he builds universes. He is a modern-day storyteller who reminds us that when you combine woodcuts with community and a bit of "Wolfbat" energy, art has the power to transform entire towns.

Wolfbat Studios

IG: @wolfbat

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In this episode, Ann sits down with Sangmi Yoo—artist, educator, and Professor of Printmaking at Texas Tech—to discuss how she navigates the "in-between." Her work isn't just about ink on paper; it's about how we build our identities out of architecture, memory, and the ghosts of colonial history.

www.sangmiyoo.com

IG: @sangmiyooliving

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What is the "secret sauce" that gives a print its soul? In this episode, Ann sits down with Professor Stephen Hoskins to decode the complex chemistry and 500-year history of printmaking inks. From Old Master soot to the cutting edge of 3D-printed textures, we're diving deep into the science, sustainability, and tactile future of our craft's most foundational element.

Stephen Hoskins's website: https://stephenhoskins.com/

University of the West of England: https://cfpr.uwe.ac.uk/

CFPR Editions: https://cfpreditions.uwe.ac.uk/

Top 10 Printing Museums in Europe: https://cfpr.uwe.ac.uk/cfpr-seminar-european-printing-museums-a-personal-top-ten-prof-stephen-hoskins-26-may-2020/

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Celebrating her 100th interview in the third series, Ann is in the hotseat and is being interviewed by her friend Stacy Kincaid. The discussion covers the podcast's origins, challenges, and key moments. Ann reflects on her diverse career and shares insights into the technical and creative aspects of podcasting, including her commitment to providing visual references for listeners. The conversation spans personal anecdotes, professional highlights, and future aspirations for the podcast and printmaking community.