Kenny Holmes and Matt Schrader interview Carlos Rafael Rivera about leaving an accounting degree to pursue music, learning about scores AND songs under Randy Newman, and shares a video he recorded in 2017 while going to see SCORE: A FILM MUSIC DOCUMENTARY in theaters in New York. Oh, and we discuss creating the music of Netflix's #1 all-time miniseries THE QUEEN'S GAMBIT.

What it’s like to play in Hollywood scoring sessions?

Fernando Arroyo Lascurain is a violinist for film scoring sessions (and a brilliant composer as well, who composed the music for Blockbuster: The Story of James Cameron). He breaks down the current state of the scoring session world amid Covid-19 changes, as well as the magic that happens when 100 musicians get perfectly in sync.

Is there anything you’ve ever wanted to know about orchestras? Let us know and we’ll break down in a future episode!

Andy Grush and Taylor Newton Stewart (better known as the composing duo THE NEWTON BROTHERS) preview their upcoming miniseries MIDNIGHT MASS on Netflix. How Andy came to be a series regular, and why they recorded the cover of a classic song inside a car.

While Internet service in Los Angeles allows (there was a Spectrum Cable outage) we also talk about their rise with director Mike Flanagan on the Haunting of Hill House and Haunting on Bly Manor, and what kind of series they're hoping to do next. The Newton Brothers!

Cristobal Tapia de Veer is a Chilean-born composer working in Montreal, Quebec, Canada.

His family fled Chile during the military coup of the 1970s, and ended up in France and then eventually in Montreal.

Cristobal's pop band ONE TON signed to Warner Music in 2001, before he turned his attention back to film and TV scoring.

He has scored the British TV series UTOPIA, Amazon Prime's ELECTRIC DREAMS, the finale of Netflix's BLACK MIRROR season 4, and most recently HBO's smash hit miniseries THE WHITE LOTUS.

In this interview for MORE SCORE with Robert Kraft, Cristobal talks about his artistic and idiosyncratic approach to scoring, and how he draws from other artistic mediums to inform sounds that are often strange and create a unique emotional effect.

Kenny and Robert begin the show discussing recent scores they've been checking out including Jordan Peele's take on Candyman by composer Robert Aiki Aubrey Lowe and HBO's popular series The White Lotus by composer Cristobal Tapia de Veer.

Subscribe to MORE SCORE on Patreon for year-round interviews, film music talk and even cool merch: http://Patreon.com/MoreScore

Then, 9x Oscar-nominated composer and friend of the show James Newton Howard (News of the World, Jungle Cruise, Raya and the Last Dragon, Fantastic Beasts series, Batman Begins, The Dark Knight, King Kong, The Hunger Games series, The Sixth Sense, Signs) joins the show sharing why he dropped out of USC after three months on a music scholarship, revealing a question he once asked that immediately got him fired from an early film scoring gig, discussing how he connected with Metallica to collaborate for Jungle Cruise and why that may not be the last time they work together, and defining the most important skill a film composer should master.

This episode is presented by Spitfire Audio

Follow us on Twitter @ScoreThePodcast or send Kenny and Robert your questions for the mailbox at [email protected]

Hosts: Robert Kraft & Kenny Holmes

Executive Producer: Matt Schrader

Coordinator: Carol Kuswanto

© 2021 Epicleff Media

Robert (an award-winning songwriter!) and Matt (not one) take a trip down memory lane and tell some stories behind iconic songs on the past few decades in this music video review!

PLAYLIST:

Beat It, Michael Jackson (1982)

In another loaded double-guest episode, Kenny and Robert begin the show chatting with World Soundtrack Awards Film Composer of the Year nominee Nainita Desai (The Reason I Jump, For Sama, American Murder: The Family Next Door) about her early years working as an engineer and mixer, overcoming "imposter syndrome," the art of writing music for documentary and keeping the authenticity of true stories and why she was caught by surprise when she learned she was nominated by the WSA.

Subscribe to MORE SCORE on Patreon for year-round interviews, film music talk and even cool merch: http://Patreon.com/MoreScore

Later, award-winning composer and record producer Dan Romer (Luca, Beasts of the Souther Wild, Beasts of No Nation, Wendy, Superman and Lois) joins the show to sharing what he learned about scoring Italian influenced music, revealing what motivated him to create unique sound palettes for his scores, and details what happened with No Time To Die and why being replaced on that film only made him stronger.

This episode is presented by Spitfire Audio

Follow us on Twitter @ScoreThePodcast or send Kenny and Robert your questions for the mailbox at [email protected]

Hosts: Robert Kraft & Kenny Holmes

Executive Producer: Matt Schrader

Coordinator: Carol Kuswanto

© 2021 Epicleff Media

Jeff Cardoni has scored some of the biggest television shows of the past decade like CSI: Miami, Silicon Valley, The Kominsky Method and the upcoming series Heels on Starz! We also talk to him about the moment that could have ended his career in a Denny's parking lot, and writing purposely bad pop songs for the movie "Just Friends." Also, why he almost performed his Cornholio impression for Mike Judge!

Robert and Kenny begin the show discussing the nominees for the 2021 World Soundtrack Awards, including many former guests and friends of the show. Kenny also shares why Blake Neely had an exciting and unexpected surprise while watching the Tokyo Olympics over the weekend.   

Subscribe to MORE SCORE on Patreon for year-round interviews, film music talk and even cool merch: http://Patreon.com/MoreScore 

Later, Emmy-nominated composer Rupert Gregson-Williams (Aquaman, Wonder Woman, Hacksaw Ridge, Veep, Catch 22, The Crown, Behind Her Eyes and more) joins the show sharing his early stories of growing up with his brother and fellow A-list composer Harry and why they only recently collaborated on a project after many years of success as solo composers, detailing why a particular cue on The Crown was his most challenging job to date, and revealing why Adam Sandler prefers to skip spotting sessions on his films.

This episode is presented by Spitfire Audio

Follow us on Twitter @ScoreThePodcast or send Kenny and Robert your questions for the mailbox at [email protected]

Hosts: Robert Kraft & Kenny Holmes

Executive Producer: Matt Schrader

Coordinator: Carol Kuswanto

© 2021 Epicleff Media