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Forty years on from 1984 and the release of the John Hurt-starring big screen adaptation of George Orwell’s novel, Ellen E Jones and Mark Kermode explore dystopian visions from British film and TV.

Mark speaks to film critic Kim Newman about the literary roots of the dystopia, from 1984 to A Clockwork Orange. And he talks to actor Brian Cox about how, in a career that has included roles as Dr Hannibal Lecter and Logan Roy, the prophetic 1968 TV play The Year of The Sex Olympics remains one of the projects he is most proud of.

Meanwhile, Ellen talks to Ngozi Onwurah, the director of landmark film Welcome II The Terrordome. Released in 1995, the radical British dystopian tale was the first feature directed by a black woman to get a UK cinema release. Ellen and Ngozi discuss why Welcome II The Terrordome was so prescient.

And Ellen also speaks to Kibwe Tavares, who co-directed new film The Kitchen, about a dilapidated housing estate in a near-future London, with Get Out star Daniel Kaluuya.

Producer: Jane Long

In the year of a Presidential election, Ellen E Jones and Mark Kermode investigate the murky world of American Elections on screen.

Donald Trump's victory in the 2016 Presidential election, inspired many film lovers to reconnect with two films - John Frankenheimer’s 1962 political thriller, The Manchurian Candidate, and David Cronenburg’s 1983 adaptation of Stephen King’s sci-fi horror The Dead Zone. Both films are steeped in subterfuge, conspiracy and corruption.

Mark speaks with politically engaged comedian Greg Proops to ask why two movies from the 20th century seem so relevant to 21st century politics. Former Obama speech writer turned podcaster Tommy Vietor talks with Mark about the relationship between fictional presidents and real life PR.

Ellen takes a look at the iconic and beloved drama The West Wing, and how it affects real world opinions on American politics and presidents. She speaks with West Wing writer Paul Redford to talk about what this portrayal of the perfect President does to real life democracy and the mindset of the electorate. Does it give us something to aim for? Or might it distract us from what’s really going on?

And Professor Kristina Riegert talks about the wealth of academic research that The West Wing has been the focus of - political compromise is just as essential on screen as it is in real life.

Producer: Freya Hellier

Ellen E Jones and Mark Kermode explore depictions of alcohol in film and television over the years, from the hilarity of Dudley Moore in Arthur, to the tragedy of Nicolas Cage in Leaving Las Vegas.

Mark is joined by Little White Lies magazine's Hannah Strong to celebrate some of the most iconic drinkers in cinema, from Bridesmaids to Jaws. And he speaks to actor Richard E Grant about playing one of the definitive screen drunks in Withnail And I, despite famously not drinking himself.

And Ellen looks at Hollywood's changing attitudes to booze, starting with the most sober time in history - in theory - Prohibition-era America. She speaks to critic Christina Newland and to writer Simone Finch, whose TV show Single Drunk Female offers a refreshingly modern depiction of sobriety.

Details of organisations offering information and support with alcohol and addiction are available at bbc.co.uk/actionline.

Producer: Jane Long

As Bristol claymation legends Aardman's new film hits screens, Ellen E Jones and Mark Kermode look at the enduring appeal of the most painstaking and time-consuming art form conceivable - stop motion animation.

Ellen talks to director Guillermo del Toro about his 2022 Oscar winner Pinocchio, as well as some of his favourite stop motion films, from Jason And The Argonauts to The Nightmare Before Christmas.

And Mark speaks to animation professor Maureen Furniss and up-and-coming animator Joseph Wallace about why stop motion is so subversive - and so cool.

Producer: Jane Long

At this festive time of year it’s hard to escape those classic double acts and their equally classic Christmas specials, think Morecambe & Wise, the Two Ronnies, French & Saunders. In this episode, Ellen E Jones and Mark Kermode explore the origins, legacy and evolution of the double act across film and TV, both in front of and behind the camera.

Guests include one half of a very famous double act, whose members have both gone on to have incredibly successful careers beyond the partnership but in very different ways. He is the Fry in Fry & Laurie, a genuine national treasure - Stephen Fry.

Producer: Tom Whalley

Ellen E Jones and Mark Kermode celebrate the life and career of the much-loved Liverpudlian screenwriter and director Terence Davies, who died earlier in 2023 at the age of 77.

From an astonishing trilogy of early short films, to his final feature, 2021’s Benediction, Terence Davies seamlessly blended personal recollections with wider essential truths. His subjects ranged from autobiographically inspired portraits of postwar working-class life in Liverpool in films like Distant Voices Still Lives and The Long Day Closes, to intimate portraits of real-life authors, most remarkably the American poet Emily Dickinson in A Quiet Passion.

Mark speaks to Scottish actor Jack Lowden, who played poet Siegfried Sassoon in Benediction, about his relationship with Davies. He also talks to critic and historian Lillian Crawford about why the director's work resonates so deeply for so many.

And Ellen discusses Davies' relationship to his hometown with two fellow Scousers - author and screenwriter Frank Cottrell-Boyce, and actor Tina Malone, who starred in The Long Day Closes.

Producer: Jane Long

Ellen E Jones and Mark Kermode don their red raincoats to celebrate the 50th anniversary of haunting British thriller Don't Look Now.

Originally released in 1973, Don't Look Now is a spine-tingling psychodrama in which Donald Sutherland and Julie Christie play a married couple grieving the death of their young daughter in Venice. Adapted from a story by Daphne du Maurier and directed by Nicolas Roeg, the film manages to be an eerie occult chiller, a heart breaking meditation upon love and grief, and a shaggy dog story with a grisly sting in its tail.

Ellen speaks to Allan Scott, who co-wrote the screenplay for Don’t Look Now with his partner Chris Bryant, about his memories of the film, including its notorious sex scene, and about his long working relationship with Nicolas Roeg.

And Mark talks to two filmmakers for whom Don't Look Now has been a touchstone. Writer, actor and director Alice Lowe reveals how the film, and an encounter with Nicolas Roeg, influenced her black comedy thriller Prevenge.

And the director of Another Round, Thomas Vinterberg discusses the impact Don't Look Now has had on his work, and the new resonance he finds in the film following the tragic death of his own daughter.

Producer: Jane Long

To celebrate 50 years of the Bruce Lee classic, Enter the Dragon, Ellen E Jones and Mark Kermode look at the unsung heroes of cinema, stunt artists.

Mark talks to stunt choreographer on the Oscar winning film Everything Everywhere All at Once, Daniel Mah, and stunt historian Scott McGee about the history of stunts in Hollywood and how the Hong Kong style influenced cinema.

Ellen then speaks to journalist Brandon Streussnig and veteran stunt woman La Faye Baker about why stunt performers deserve awards recognition for their contributions to film.

Producer: Freya Hellier

Ellen E Jones and Mark Kermode look to the silver screen to finally answer a big question. Cats or dogs - which are best?

In the cat camp, Ellen enlists the help of film critic and author of the definitive book Cats On Film, Anne Billson. They discuss their favourite film felines, from Alien to Catwoman.

Ellen also speaks to director Ceyda Torun and cinematographer Charlie Wuppermann, who are the married couple behind Kedi, an acclaimed documentary looking at street cats in Istanbul from the cats' own perspective.

And in the canine corner, Mark talks to second generation animal trainer and co-ordinator Teresa Ann Miller about her career and unique upbringing surrounded by some of Hollywood's most famous animals. They discuss Teresa's work on 2014 Hungarian drama White God, which included a memorable and moving scene featuring 200 real dogs, as well as what it's like to grow up with Cujo in your backyard.

Mark also speaks to Toby Rose, who is the creator of the Palm Dog - an award given every year to the best dog performance in a film at the Cannes film festival. They discuss why dogs deserve more acclaim and what exactly makes for a Palm Dog-winning performance.

Producer: Jane Long

Ellen E Jones and Mark Kermode delve into the relationship between gaming and the movies, with help from a crack squad of video game experts.

Mark is joined by pop culture critic Kayleigh Donaldson, who helps guide him through the messy and complicated history of game adaptations on the big screen, from Super Mario Bros to Doom. He also speaks to Duncan Jones, director of the first video game film to cross $400m at the international box office - 2016's Warcraft. They discuss the challenges of adapting the cult role-playing game for a cinema audience.

And Ellen asks the big question of whether video games can be considered an art form on the same level as film. To help her on her quest, she first speaks to critic Kambole Campell about why games get called 'cinematic' and whether the gaming world has auteurs.

Ellen then talks to cinephile and game director Sam Barlow, about his highly successful - and highly innovative - video games Her Story, Telling Lies and Immortality. Sam explains how experimental directors like Nicolas Roeg and Peter Greenaway have influenced his work, which employs live footage of actors, rather than motion capture or graphics.

Producer: Jane Long