Craig and John play “How Would This Be a Movie?” looking at three articles in the news.

A band of pensioners pull off an audacious jewel heist – but is it a Working Title comedy, or something darker? Where does the story begin and end? What’s the MacGuffin?

A researcher investigates sleep paralysis and visions of an Italian witch. Is the movie a straightforward horror thriller, and if so, how do you make the audience care about your hero?

A revenge porn king is confronted by his victims. But would the movie version be an investigation (like Spotlight), or a tale of personal justice (like Taken)?

We also need your suggestions for finding a non-coffeeshop place to write when sharing a studio apartment.

Links:

You can download the episode here: AAC | mp3.

Craig and John discuss the impact of Star Wars knocking down all the records, both for the industry and big-screen sci-fi.

We also look at yet another start-up that promises to separate hits from flops, the shocking revelation that critics are humans, and three new WGA proposals. Finally, we look at ways to let an audience know a character’s name.

Note: This is also the long-promised vaginosis episode.

Links:

You can download the episode here: AAC | mp3.

With Craig out of town, John invites Aline Brosh McKenna and Rawson Marshall Thurber over to discuss three of the best-picture contenders and their unusual scripts. None of them have classic protagonist-antagonist setups, and all three upend expectations of narrative structure. We talk about both how they work and why they work.

Also this episode, what lessons we learned from 2015.

Craig is back next week for a normal episode in which we’ll discuss Star Wars, Scriptbook, the WGA amendments and character names.

Links:

You can download the episode here: AAC | mp3.

In preparation for our live show with screenwriter Lawrence Kasdan, we’re re-running this episode from the Scriptnotes archive.

Craig and John spend the entire episode discussing and dissecting RAIDERS OF THE LOST ARK, looking at both its structure and scene work.

This amazing and iconic 1981 film established so much of what we expect of out movie heroes and set pieces – but a lot of what it does would have a hard time getting through modern studio development. Five-minute exposition scenes! Nazi monkeys! Helpless heroes at the climax!

And yet it works so well. There are great lessons to be learned for screenwriters in every genre.

Links:

You can download the episode here: AAC | mp3.

Doc McStuffins creator Chris Nee joins Craig and John to answer listener questions that have nothing to do with screenwriting.

On the romance side: How do you break up with someone? Should you follow a boyfriend to Boston? Is it better to love or be loved?

On the life side: What lessons did it take until our 40s to learn?

Links:

You can download the episode here: AAC | mp3.

John and Craig welcome special guests Malcolm Spellman, Natasha Leggero, Riki Lindhome and Alan Yang to the third annual Scriptnotes Holiday show, recorded live on December 9th, 2015 in Hollywood.

Malcolm Spellman is a producer on EMPIRE, and one of our most popular Scriptnotes guests ever. He also set a new record for swearing.

Riki Lindhome and Natasha Leggero are the co-creators and stars of ANOTHER PERIOD on Comedy Central. We discuss pitching their show off a presentation video, and the challenge of producing a show with a huge cast of very busy comedy stars.

Alan Yang is the co-creator (with Aziz Ansari) of MASTER OF NONE on Netflix. We discuss how the show came to be, and the challenge of being “the (blank) guy” on a writing staff.

Huge thanks to our amazing audience, and the Writers Guild Foundation for organizing the event.

Our next live show is January 25, with special guests Lawrence Kasdan (screenwriter of RAIDERS OF THE LOST ARK and STAR WARS: THE FORCE AWAKENS) and actor-writer-director Jason Bateman. The night is a benefit for Hollywood Heart. (Link below.)

Links:

You can download the episode here: AAC | mp3.

Craig and John discuss three new entries in the Three Page Challenge, looking at how simple mistakes and confusing word choices can hurt the read.

Also this week, a follow up on functional revenge, a brand-new version of Highland, and Craig gets big laughs on The Daily Show with Trevor Noah.

Links:

You can download the episode here: AAC | mp3.

Craig and John discuss epic world-building, and the promises and pitfalls for writers attempting to create fictional universes.

From Gotham to Hogwarts, Middle Earth to Narnia, world-building is at the heart of some of our biggest movies and series, but are we creating settings for our stories, or stories for our settings? We also discuss the differences between portals, lived in worlds and just-beneath-our-noses.

Also this week: whether a screenwriter is better off with a poorly-reviewed hit or a well-reviewed flop.

Links:

You can download the episode here: AAC | mp3.

John and Craig talk romantic comedies with screenwriter Tess Morris, whose film Man Up is unapologetically part of the genre.

We discuss what distinguishes rom-coms from other comedies, and why they get singled out for disdain and death-of articles.

Also this week: Amazon Storywriter, overused dicks, and follow-up on Whiplash.

Links:

You can download the episode here: AAC | mp3.

John and Craig take an in-depth look at two scenes in Damien Chazelle’s WHIPLASH to see how conflicts were structured – and what changed from script to shooting.

In follow-up, we discuss the myth vs. reality of Zola, and what we mean by a character having agency.

We’re having a live holiday show in Los Angeles! It’s December 9th in Hollywood, with special guests Riki Lindhome, Natasha Leggero and Malcolm Spellman. Tickets will sell out, so be sure to click the links below.

Links:

You can download the episode here: AAC | mp3.