Irma and Karen chat about the upcoming Ubud Writers and Readers Festival. 

Then Karen talks to Kylie Needham about how a short story turned into her debut novel, the joys and challenges of writing for television and the screen, the collaboration of the writers’ room and the vulnerabilities of the process, what writing scripts taught her about moving the narrative forward, whether authors should get involved with screen adaptions of their work, the inequality and sexism of television in the 2000s, and a beautiful moment with a literature high school teacher decades later.

About Kylie
Kylie Needham is an award-winning screenwriter. She has won two AWGIE (Australian Writers’ Guild) Awards for television scriptwriting, and her work has been published in several literary journals. Her first novel, Girl in a Pink Dress, published in 2023, won the MUD Literary Prize for the best debut literary novel by an Australian author, and also won the MARION Writers Prize for Fiction.

Irma and Karen chat about audio books.

Then Karen speaks with Finegan Kruckemeyer about how he got his first break as a playwright, the difference between writing for young people and adult audiences, how much freedom there is in the parameters of commissioned works, why he acts out his scripts, why a school production of one of his plays blew him away far more than the professional production, how he goes about writing both comedy and big issues, why he doesn’t enter the rehearsal space, advice on how to get started as a playwright, and how his wife’s illness and a new puppy led to writing his first novel.

About Finegan
Finegan Kruckemeyer is one of Australia’s most prolific playwrights and has written more than 100 commissioned plays for children and adults that have been performed all over the world. He’s received many awards for his work as a playwright, including the 2017 Mickey Miners Lifetime Achievement Award for services to international theatre for young audiences, and the 2015 David Williamson Award for Excellence in Australian Playwrighting. He’s recently had his first novel published: The End and Everything Before It.

Irma chats to agent Jacinta di Mase about what agents do to earn their 15%, the intricacies of contracts – including rights reversion, world rights, backlists and rising royalties, how an agent can fight for an author over cover design and choosing a title, the dos and don’ts of submitting to agents, the extent of editorial feedback to expect from agents, how the submission process to publishers works, the ins and outs of foreign rights, what a co-agent is and why they’re important, how film/TV deals are negotiated, how Covid transformed the industry for the better, and why a meeting at Allen & Unwin with Clementine Ford turned out to be one of the highlights of Jacinta’s career.

About Jacinta
Jacinta di Mase has a background in bookselling and publishing, and worked for ten years in two of Australia’s premier literary agencies, before setting up her own agency, Jacinta di Mase Management, in 2004. The agency represents a diverse range of writers and illustrators across all areas of the publishing market, including fiction, non-fiction, and books for children and young adults.

Karen and Irma chat about the ins and outs of contracts.

Then Irma talks to Hilde Hinton about the way her work polarises people, how an argument with her brother (actor Samuel Johnson) led to her first novel, why Lego is an important part of her writing process, how novels can make space for important conversations about big topics like mental illness and suicide through joy rather than the sadness, how AI has revolutionised the way she researches, the ways in which writing her debut changed her feelings about her mother, why she formulated a three-book plan (and pulled it off), not being timid during the editing process, and how eating milk bottle lollies with Tony Birch in a green room led to a watershed moment.

About Hilde
Hilde Hinton’s critically acclaimed debut novel, The Loudness of Unsaid Things, made a number of bestseller lists, when it hit the shelves. Her next book was Heroes Next Door, written with her brother Samuel Johnson. Hilde’s second novel, A Solitary Walk on the Moon, was published in May 2022. She is currently head down bum up, working on her third novel, currently untitled, to be published in May 2025. 

Irma and Karen reveal exciting new partnerships with Ubud Writers and Readers Festival and Writers Victoria.

Then Karen chats with Beejay Silcox about literary criticism in Australia – what good critics endeavour to do, the blowback from a tough review, what is lacking in Australian criticism, the impact of shrinking page space, the inability to make a sustainable career out of criticism, and her deep regret over one particular review. And then on judging the Stella Prize – how the process works, the role of chair and how the panel is selected, how a shortlist and then a winner is decided, and the alchemy of a strong process.

About Beejay
Beejay Silcox is an Australian writer and literary critic. She is the Artistic Director of Canberra Writers Festival, and was chair of the 2024 Stella Prize judging panel. Her literary criticism regularly appears in national and international arts publications, and her award-winning short fiction has been published in several literary magazines. She also teaches creative writing. 

Irma tries to convert Karen to writing program Scrivener.

Then Irma chats to children’s creators Anna Walker and Andrea Rowe about how authors and illustrators work together (or don’t!), why illustrator notes are a no-no, the profound impact of picture books on both adults and children, the biggest mistakes that new writers and illustrators make, what to expect from the editing and publishing process, how to network and build connections in the industry, the effects of crippling self-doubt, why we should all be library lurkers, the failures of literary festivals in relation to children’s authors, the devastating impact of a public complaint on Andrea’s debut book, and why Anna jetted off to New York for a publishing lunch.

About Anna and Andrea
Anna Walker is an illustrator and author of picture books. Using traditional mediums, she creates stories inspired by the quiet and sometimes joyful details of life. Her books include Florette, (New York Times/New York Public Library Best Illustrated Book), Mr Huff, (shortlisted for the Prime Minister’s Literary Awards and winner of a CBCA Award), and, most recently, A Life Song with Jane Godwin, which has been shortlisted for the Australian Book Industry Awards.

Andrea Rowe is an award-winning children’s author, ghost-writer and copywriter. She has published three children’s books – Jetty Jumping, Sunday Skating and In the Rockpool – and has won or been shortlisted for several major awards, including the CBCAs. She has another six picture books currently in production and has been awarded the prestigious May Gibbs Fellowship for 2024. Andrea is also Founding President of the Peninsula Writers’ Club.

Irma and Karen discuss author websites.

Then Karen chats with Kris Kneen about writing into deeply uncomfortable spaces and confronting issues like fatness and identity, how to write sex well, why they’re always switching up genres, how to deal with disappointment over missing out on awards, why they almost gave up writing entirely, and the moment that changed their life.

About Kris
Kris Kneen has written erotica, fiction, short-stories, poetry, memoir, non-fiction and scripts for film and documentaries. They have previously been published under the name Krissy Kneen, and their most recent book, Fat Girl Dancing, was shortlisted for the Victorian Premier’s Award in the non-fiction section. Their collection of poems, Eating My Grandmother, won the Thomas Shapcott Poetry Prize in 2015, and their other works have been shortlisted for many prizes.

Irma and Karen talk about prepping for radio interviews. 

Then Karen chats to Diana Reid about how writing scripts has informed the way she works as a novelist and her approach to being edited, what it was like to be thrown into the spotlight with her bestselling debut novel, how its extraordinary success affected her, advice on how to handle publicity interviews, why writing her second novel was so much harder, how she feels about being called Australia’s Sally Rooney, why COVID was such a positive time for her as a writer, and how the first time she met Helen Garner she was so overwhelmed she began sobbing uncontrollably.

About Diana
Diana Reid burst onto the literary scene just after COVID with her debut novel, Love & Virtue, which won many awards and earned her the title of Best Young Novelist in 2022. Diana followed up soon after with her second novel Seeing Other People. She is currently living in London and finishing her next novel. 

Karen and Irma chat about point of view and writing from multiple perspectives.

Then Irma talks to Peter Papathanasiou about his very long and convoluted journey to publication, how his debut was rejected by 100 agents and took 10 years to get published, why his goal was to get published in the UK first and advice for other writers about how to do the same, how he successfully pitched his own book for screen, the challenges of the book-to-screen process, the devastating impact of being dropped by two agents and then picking himself back up again, and how specialising in law has helped him write crime fiction.

About Peter
Peter Papathanasiou was born in northern Greece in 1974 and adopted as a baby to an Australian family. His debut book was a memoir, Little One, which he followed with three linked crime fiction novels, The Stoning, The Invisible, and most recently The Pit. The Stoning was longlisted for the prestigious UK Crime Writers’ Association Dagger Awards and the Indie Book Awards. Peter’s writing has also appeared in many publications, including The New York Times, Guardian UK, and The Sydney Morning Herald. 

'Irma and Karen talk about the ins and out of book marketing.

Then Karen chats with Melinda Smith about winning the Prime Ministers Literary Award for poetry, the potential of TikTok for poets, how arts grants have sustained her writing and how to write a good application (all the details), how form (or lack thereof) influences the writing of a poem, why poets are not featured much in festival line-ups, sources of inspiration, the important art of poetry editing, and advice for how to get published as a poet.

About Melinda
Melinda Smith is one of Canberra’s (and Australia’s) most famous poets. She’s also an editor, teacher, arts advocate and event curator. Melinda has had seven collections published. In 2014 she won the Prime Minister’s Literary Award for 'Drag down to unlock or place an emergency call'. She is also a former poetry editor of The Canberra Times.