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Dr. Sheri Chinen Biesen is Professor of Film History at Rowan University and author of Through a Noir Lens: Adapting Film Noir Visual Style (Columbia University Press, 2024), Blackout: World War II and the Origins of Film Noir (Johns Hopkins University Press, 2005), Music in the Shadows: Noir Musical Films (Johns Hopkins University Press, 2014), and Film Censorship: Regulating America’s Screen (Columbia University Press, 2018). She received her Ph.D. at the University of Texas at Austin, M.A. and B.A. at the University of Southern California School of Cinema-Television and has taught at USC, University of California, University of Texas, and in England. She has contributed to the BBC documentary The Rules of Film Noir, Turner Classic Movies’ Public Enemies, NPR, Warner Bros. Gangster Collection, Film Criticism, Historical Journal of Film, Radio and Television, Film and History, Film Noir: The Directors, The Netflix Effect: Technology and Entertainment in the 21st Century, Hollywood on Location, Literature/Film Quarterly, Netflix Nostalgia, Quarterly Review of Film and Video, Film Noir: The Encyclopedia, Gangster Film Reader, Film Noir Reader 4, The Historian, Television and Television History, Popular Culture Review, served as Secretary of the Literature/Film Association, Founding Chair of the ‘Stars & Screen’ Film & Media History Conference, serves on the editorial board of Film Criticism, and edited The Velvet Light Trap.
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Dr. Sheri Chinen Biesen is Professor of Film History at Rowan University and author of Through a Noir Lens: Adapting Film Noir Visual Style (Columbia University Press, 2024), Blackout: World War II and the Origins of Film Noir (Johns Hopkins University Press, 2005), Music in the Shadows: Noir Musical Films (Johns Hopkins University Press, 2014), and Film Censorship: Regulating America’s Screen (Columbia University Press, 2018). She received her Ph.D. at the University of Texas at Austin, M.A. and B.A. at the University of Southern California School of Cinema-Television and has taught at USC, University of California, University of Texas, and in England. She has contributed to the BBC documentary The Rules of Film Noir, Turner Classic Movies’ Public Enemies, NPR, Warner Bros. Gangster Collection, Film Criticism, Historical Journal of Film, Radio and Television, Film and History, Film Noir: The Directors, The Netflix Effect: Technology and Entertainment in the 21st Century, Hollywood on Location, Literature/Film Quarterly, Netflix Nostalgia, Quarterly Review of Film and Video, Film Noir: The Encyclopedia, Gangster Film Reader, Film Noir Reader 4, The Historian, Television and Television History, Popular Culture Review, served as Secretary of the Literature/Film Association, Founding Chair of the ‘Stars & Screen’ Film & Media History Conference, serves on the editorial board of Film Criticism, and edited The Velvet Light Trap.
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