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Le Père Goriot est un roman d’Honoré de Balzac, écrit en 1834, dont la publication débute dans la Revue de Paris et qui paraît en 1835 en librairie. Il fait partie des Scènes de la vie privée de la Comédie humaine. Le Père Goriot établit les bases de ce qui deviendra un véritable édifice : la Comédie humaine, construction littéraire unique en son genre, avec des liens entre les volumes, des passerelles, des renvois. (Résumé par Wikipédia) Le Père Goriot (English: Father Goriot or Old Goriot) is an 1835 novel by French novelist and playwright Honoré de Balzac (1799–1850), included in the Scènes de la vie privée section of his novel sequence La Comédie humaine. Set in Paris in 1819, it follows the intertwined lives of three characters: the elderly doting Goriot; a mysterious criminal-in-hiding named Vautrin; and a naive law student named Eugène de Rastignac.

Le père Goriot by Honoré de Balzac

On cuisine ensemble les produits de saison et on échange nos recettes en direct avec les chefs de la région.

Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur <a href="http://www.radiofrance.fr/?at_campaign=desc_podcast&at_medium=lien_RSS">Radio France</a>.

On cuisine ensemble les produits de saison et on échange nos recettes en direct avec les chefs de la région. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France.

On cuisine ensemble les produits de saison et on échange nos recettes en direct avec les chefs de la région.

Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur <a href="http://www.radiofrance.fr/?at_campaign=desc_podcast&amp;at_medium=lien_RSS" rel="noopener noreferrer">Radio France</a>.

On cuisine ensemble France Bleu Berry

The Woodpeckers is a wonderful introduction to the world of bird study for the young naturalist, covering such topics as how he finds food, courting, how he builds his nest, the interesting ways he uses his different body parts as tools, among other topics discussed in the book. If you wish to investigate further, the <a href="http://www.gutenberg.org/ebooks/35062">online text</a> has a few diagrams and an Appendix that contains more technical information such as detailed descriptions of the different species of North American woodpeckers which were not read as part of this audiobook. (summary by Laura Victoria)

The Woodpeckers is a wonderful introduction to the world of bird study for the young naturalist, covering such topics as how he finds food, courting, how he builds his nest, the interesting ways he uses his different body parts as tools, among other topics discussed in the book.If you wish to investigate further, the online text has a few diagrams and an Appendix that contains more technical information such as detailed descriptions of the different species of North American woodpeckers which were not read as part of this audiobook. (summary by Laura Victoria)

The Woodpeckers is a wonderful introduction to the world of bird study for the young naturalist, covering such topics as how he finds food, courting, how he builds his nest, the interesting ways he uses his different body parts as tools, among other topics discussed in the book. If you wish to investigate further, the <a href="http://www.gutenberg.org/ebooks/35062" rel="noopener noreferrer">online text</a> has a few diagrams and an Appendix that contains more technical information such as detailed descriptions of the different species of North American woodpeckers which were not read as part of this audiobook. (summary by Laura Victoria)

Woodpeckers, The by Fannie Hardy Eckstorm (1865 - 1946)

Plenty of princesses have been cursed by wicked witches, but the curse placed on this princess by her evil aunt is an unusual one: it removes all the princess's gravity. What can break the curse before the princess floats away? Perhaps the best thing for her would be to fall in love, but how a person with no gravity can fall in anything is just the problem.  (summary by LauraFox)

Plenty of princesses have been cursed by wicked witches, but the curse placed on this princess by her evil aunt is an unusual one: it removes all the princess's gravity. What can break the curse before the princess floats away? Perhaps the best thing for her would be to fall in love, but how a person with no gravity can fall in anything is just the problem. (summary by LauraFox)

Light Princess, The by George MacDonald (1824 - 1905)

The Roaring Girl is a rip-roaring Jacobean comedy co-written by Thomas Middleton and Thomas Dekker and first published in 1611. The play is a fictionalized dramatization of the life of Mary Frith, known as "Moll Cutpurse", a woman who had gained a reputation as a virago in the early 17th century. (The term "roaring girl" was adapted from the slang term "roaring boy", which was applied to a young man who caroused publicly, brawled, and committed petty crimes.) The play combines the exploits of the cross-dressed Moll with the amorous adventures of a trio of merchants' wives, and the forbidden romance between Sebastian Wengrave and Mary Fitzallard. (Summary by Elizabeth Klett and Wikipedia) Cast Sir Alexander Wengrave: <a href="https://catalog.librivox.org/people_public.php?peopleid=4705">Algy Pug</a> Sebastian Wengrave: <a href="https://catalog.librivox.org/people_public.php?peopleid=6930">Nolan Fout</a> Mary Fitzallard: <a href="https://catalog.librivox.org/people_public.php?peopleid=6544">Amanda Friday</a> Sir Davy Dapper/Sir Beauteous Ganymede/Fellow/Tailor/Coachman: <a href="https://catalog.librivox.org/people_public.php?peopleid=4267">Ric F</a> Sir Adam Appleton/Sir Thomas Long: <a href="https://catalog.librivox.org/people_public.php?peopleid=2911">David Lawrence</a> Goshawk: <a href="https://catalog.librivox.org/people_public.php?peopleid=6882">David Isenhower</a> Laxton/Second Cutpurse: <a href="https://catalog.librivox.org/people_public.php?peopleid=7079">Chuck Williamson</a> Greenwit/Sergeant Curtilax: <a href="https://catalog.librivox.org/people_public.php?peopleid=3242">peac</a> Ralph Trapdoor: <a href="https://catalog.librivox.org/people_public.php?peopleid=2624">David Nicol</a> Mistress Openwork: <a href="https://catalog.librivox.org/people_public.php?peopleid=6548">Kristingj</a> Mistress Gallipot: <a href="https://catalog.librivox.org/people_public.php?peopleid=3536">Arielle Lipshaw</a> Jack Dapper: <a href="https://catalog.librivox.org/people_public.php?peopleid=7165">LucentBirch</a> Gull/First Cutpurse: <a href="https://catalog.librivox.org/people_public.php?peopleid=6689">Tiffany Halla Colonna</a> Mistress Tiltyard: <a href="https://catalog.librivox.org/people_public.php?peopleid=3615">Lucy Perry</a> Master Openwork: <a href="https://catalog.librivox.org/people_public.php?peopleid=1492">mb</a> Moll/Neatfoot/Yeoman Hanger: <a href="https://catalog.librivox.org/people_public.php?peopleid=1295">Elizabeth Klett</a> Master Tiltyard/Lord Noland: <a href="https://catalog.librivox.org/people_public.php?peopleid=3157">Tricia G</a> Master Gallipot/Sir Guy Fitzallard: <a href="https://catalog.librivox.org/people_public.php?peopleid=4738">Leonard Wilson</a> Narrator/Tearcat: <a href="https://catalog.librivox.org/people_public.php?peopleid=6754">Todd</a> Audio edited by: Elizabeth Klett

The Roaring Girl is a rip-roaring Jacobean comedy co-written by Thomas Middleton and Thomas Dekker and first published in 1611. The play is a fictionalized dramatization of the life of Mary Frith, known as "Moll Cutpurse", a woman who had gained a reputation as a virago in the early 17th century. (The term "roaring girl" was adapted from the slang term "roaring boy", which was applied to a young man who caroused publicly, brawled, and committed petty crimes.) The play combines the exploits of the cross-dressed Moll with the amorous adventures of a trio of merchants' wives, and the forbidden romance between Sebastian Wengrave and Mary Fitzallard. (Summary by Elizabeth Klett and Wikipedia)CastSir Alexander Wengrave: Algy PugSebastian Wengrave: Nolan FoutMary Fitzallard: Amanda FridaySir Davy Dapper/Sir Beauteous Ganymede/Fellow/Tailor/Coachman: Ric FSir Adam Appleton/Sir Thomas Long: David LawrenceGoshawk: David IsenhowerLaxton/Second Cutpurse: Chuck WilliamsonGreenwit/Sergeant Curtilax: peacRalph Trapdoor: David NicolMistress Openwork: KristingjMistress Gallipot: Arielle LipshawJack Dapper: LucentBirchGull/First Cutpurse: Tiffany Halla ColonnaMistress Tiltyard: Lucy PerryMaster Openwork: mbMoll/Neatfoot/Yeoman Hanger: Elizabeth KlettMaster Tiltyard/Lord Noland: Tricia GMaster Gallipot/Sir Guy Fitzallard: Leonard WilsonNarrator/Tearcat: ToddAudio edited by: Elizabeth Klett

The Roaring Girl is a rip-roaring Jacobean comedy co-written by Thomas Middleton and Thomas Dekker and first published in 1611. The play is a fictionalized dramatization of the life of Mary Frith, known as "Moll Cutpurse", a woman who had gained a reputation as a virago in the early 17th century. (The term "roaring girl" was adapted from the slang term "roaring boy", which was applied to a young man who caroused publicly, brawled, and committed petty crimes.) The play combines the exploits of the cross-dressed Moll with the amorous adventures of a trio of merchants' wives, and the forbidden romance between Sebastian Wengrave and Mary Fitzallard. (Summary by Elizabeth Klett and Wikipedia) Cast Sir Alexander Wengrave: <a href="https://catalog.librivox.org/people_public.php?peopleid=4705" rel="noopener noreferrer">Algy Pug</a> Sebastian Wengrave: <a href="https://catalog.librivox.org/people_public.php?peopleid=6930" rel="noopener noreferrer">Nolan Fout</a> Mary Fitzallard: <a href="https://catalog.librivox.org/people_public.php?peopleid=6544" rel="noopener noreferrer">Amanda Friday</a> Sir Davy Dapper/Sir Beauteous Ganymede/Fellow/Tailor/Coachman: <a href="https://catalog.librivox.org/people_public.php?peopleid=4267" rel="noopener noreferrer">Ric F</a> Sir Adam Appleton/Sir Thomas Long: <a href="https://catalog.librivox.org/people_public.php?peopleid=2911" rel="noopener noreferrer">David Lawrence</a> Goshawk: <a href="https://catalog.librivox.org/people_public.php?peopleid=6882" rel="noopener noreferrer">David Isenhower</a> Laxton/Second Cutpurse: <a href="https://catalog.librivox.org/people_public.php?peopleid=7079" rel="noopener noreferrer">Chuck Williamson</a> Greenwit/Sergeant Curtilax: <a href="https://catalog.librivox.org/people_public.php?peopleid=3242" rel="noopener noreferrer">peac</a> Ralph Trapdoor: <a href="https://catalog.librivox.org/people_public.php?peopleid=2624" rel="noopener noreferrer">David Nicol</a> Mistress Openwork: <a href="https://catalog.librivox.org/people_public.php?peopleid=6548" rel="noopener noreferrer">Kristingj</a> Mistress Gallipot: <a href="https://catalog.librivox.org/people_public.php?peopleid=3536" rel="noopener noreferrer">Arielle Lipshaw</a> Jack Dapper: <a href="https://catalog.librivox.org/people_public.php?peopleid=7165" rel="noopener noreferrer">LucentBirch</a> Gull/First Cutpurse: <a href="https://catalog.librivox.org/people_public.php?peopleid=6689" rel="noopener noreferrer">Tiffany Halla Colonna</a> Mistress Tiltyard: <a href="https://catalog.librivox.org/people_public.php?peopleid=3615" rel="noopener noreferrer">Lucy Perry</a> Master Openwork: <a href="https://catalog.librivox.org/people_public.php?peopleid=1492" rel="noopener noreferrer">mb</a> Moll/Neatfoot/Yeoman Hanger: <a href="https://catalog.librivox.org/people_public.php?peopleid=1295" rel="noopener noreferrer">Elizabeth Klett</a> Master Tiltyard/Lord Noland: <a href="https://catalog.librivox.org/people_public.php?peopleid=3157" rel="noopener noreferrer">Tricia G</a> Master Gallipot/Sir Guy Fitzallard: <a href="https://catalog.librivox.org/people_public.php?peopleid=4738" rel="noopener noreferrer">Leonard Wilson</a> Narrator/Tearcat: <a href="https://catalog.librivox.org/people_public.php?peopleid=6754" rel="noopener noreferrer">Todd</a> Audio edited by: Elizabeth Klett

Roaring Girl, The by Thomas Middleton (1580 - 1627) and Thomas Dekker (c.1572 - 1632)

Join filmmaker Chris Butel as he interviews filmmakers, photographers and storytellers about their creative process and the different projects that they are working on.

Stories Through The Camera

Please open https://hotaudiobook.com ONLY on your standard browser Safari, Chrome, Microsoft or Firefox to download full audiobooks of your choice for free.
 
Let Us Tell You a Story.
We've got more than 400,000+ incredible audiobooks that will take you anywhere you want to go.
We have it all! Bestsellers, classics, award-winners, romance, thrillers, Fiction, business, bios, young adult and more. What do you want to listen to?
Take your books anywhere with our free apps for iOS and Android. Listening on-the-go has never been faster, easier or more enjoyable.
We've introduced patent-pending technology that allows our members to listen in a whole new way.
Start a book on your smartphone, pick up where you left off on your laptop and even fall asleep while listening on your tablet - you'll never lose your place.
With more than 1,000,000 downloads and counting, we know you'll love it.

Note: The authors receive royalties paid by the audiobook service provider for this free offer. If you do not want your audiobook to be in the podcast please send us an email to info@hotaudiobook.com.

Please open https://hotaudiobook.com ONLY on your standard browser Safari, Chrome, Microsoft or Firefox to download full audiobooks of your choice for free. Let Us Tell You a Story. We've got more than 400,000+ incredible audiobooks that will take you anywhere you want to go. We have it all! Bestsellers, classics, award-winners, romance, thrillers, Fiction, business, bios, young adult and more. What do you want to listen to? Take your books anywhere with our free apps for iOS and Android. Listening on-the-go has never been faster, easier or more enjoyable. We've introduced patent-pending technology that allows our members to listen in a whole new way. Start a book on your smartphone, pick up where you left off on your laptop and even fall asleep while listening on your tablet - you'll never lose your place. With more than 1,000,000 downloads and counting, we know you'll love it. Note: The authors receive royalties paid by the audiobook service provider for this free offer. If you do not want your audiobook to be in the podcast please send us an email to info@hotaudiobook.com.

You Can Listen to Any Audiobook in Sci-Fi & Fantasy, Sci-Fi: Contemporary of Your Choice

The cutting edge, the beating heart, the bleeding artery, from the Heart of world culture London's West End.

Presented by Australia's own, ex Mt Scopus son, multi award winning, internationally renowned virtuoso pianist, and composer, Warren Wills, the show will be on every Sunday. The show features music, chat, interviews, gags and all the info you could ever want from the Arts pulse, that is London.

SHOW PRESENTED AND PRODUCED: Warren Wills
PRODUCTION MANAGER: Alan Taylor-Shearer

The cutting edge, the beating heart, the bleeding artery, from the Heart of world culture London's West End. Presented by Australia's own, ex Mt Scopus son, multi award winning, internationally renowned virtuoso pianist, and composer, Warren Wills, the show will be on every Sunday. The show features music, chat, interviews, gags and all the info you could ever want from the Arts pulse, that is London. SHOW PRESENTED AND PRODUCED: Warren Wills PRODUCTION MANAGER: Alan Taylor-Shearer

The London Beat

Gestartet ist das Projekt zunächst als Geschenk an meine Frau, in den Jahren danach hat es jedoch immer mehr Zuhörer*innen gewonnen.
Ich hatte euch eingeladen einmal ALLE Märchen der Gebrüder Grimm zu hören. Verteilt auf 24 Episoden pro Adventszeit. 
Das hatten wir nach 10 Jahren geschafft!

Aber ich kann und will nicht aufhören. Darum geht es jetzt mit den Märchen von Christian Andersen weiter.
Hierbei handelt es sich nicht um ein „Best-off“ der bekanntesten Geschichten! 
Jede Geschichte wird gelesen, auch wenn sie mal merkwürdig, langweilig, surreal, abgedreht, unrealistisch oder unverständlich ist.
Denn das macht dieses Projekt so spannend. H.C. Andersen hat eben nicht nur Kindermärchen sondern auch Geschichten geschrieben, die sehr spannend, witzig, gruselig, brutal, romantisch oder weise sind.

Also lasst euch überraschen von dem was euch in den nächsten 24 Tagen erwartet.

Für alle kleinen Zuhörerinnen gibt es außerdem jeden Tag einen "Kinderklassiker" der Gebrüder Grimm.
Und wer dann immer noch nicht genug bekommen kann, darf mich gern kontaktieren, habe nun ein großes Archiv an gelesenen Märchen.
Man findet mich als jannebaer auf Instagramm.

Gestartet ist das Projekt zunächst als Geschenk an meine Frau, in den Jahren danach hat es jedoch immer mehr Zuhörer*innen gewonnen. Ich hatte euch eingeladen einmal ALLE Märchen der Gebrüder Grimm zu hören. Verteilt auf 24 Episoden pro Adventszeit. Das hatten wir nach 10 Jahren geschafft! Aber ich kann und will nicht aufhören. Darum geht es jetzt mit den Märchen von Christian Andersen weiter. Hierbei handelt es sich nicht um ein „Best-off“ der bekanntesten Geschichten! Jede Geschichte wird gelesen, auch wenn sie mal merkwürdig, langweilig, surreal, abgedreht, unrealistisch oder unverständlich ist. Denn das macht dieses Projekt so spannend. H.C. Andersen hat eben nicht nur Kindermärchen sondern auch Geschichten geschrieben, die sehr spannend, witzig, gruselig, brutal, romantisch oder weise sind. Also lasst euch überraschen von dem was euch in den nächsten 24 Tagen erwartet. Für alle kleinen Zuhörerinnen gibt es außerdem jeden Tag einen "Kinderklassiker" der Gebrüder Grimm. Und wer dann immer noch nicht genug bekommen kann, darf mich gern kontaktieren, habe nun ein großes Archiv an gelesenen Märchen. Man findet mich als jannebaer auf Instagramm.

grimmiger Advent

意識の低いデザイナーの女3人が、生きてるだけで3億振り込まれたい雑談配信です

かいちょ→webデザイン
山田チサン→グラフィックデザイン
ふくやま→UIデザイン

Twitter: @same_chaneel

意識の低いデザイナーの女3人が、生きてるだけで3億振り込まれたい雑談配信です かいちょ→webデザイン 山田チサン→グラフィックデザイン ふくやま→UIデザイン Twitter: @same_chaneel

さめちゃんねる

இலக்கியத்தின் நுழைவாயில்

இலக்கிய ஒலி

Проект библиотеки имени В. В. Маяковского "Маяковка. Читаем — слушайте". Читает режиссёр Борис Казаков.

Маяковка. Рассказы Чехова

These stories are fictional accounts of murder and other crimes in various iconic settings of San Diego and/or Orange County California.

Sonny's Stories

Each episode will pair a dynamic mayor and a special guest and explore local leadership, cross sector partnerships, and strategies to better our communities through the compound lens of racial equity and inclusion with host, Alaina Beverly, Assistant Vice President for Urban Affairs, University of Chicago and MSNBC commentator.

Our Mayors Podcast

Um podcast criado por Henrique Wanderson, o menino dos bordados

Ponto Outubro

Production sonore autour du conte par l'association Paroles.

Contes Ecceterra

Babel Parish Radio is an interview series from The Babel Tower Notice Board, an online journal for experimental writing past, present and future. Hosted by editors Richard Capener and Chloë Proctor, Babel Parish Radio features conversations with writers, curators and performers of the most exciting literature published today. Find out more on thebabeltowernoticeboard.com.

Babel Parish Radio

Il podcast a cura de La Bottega dei traduttori che racconta storie di traduttori, traduttrici e traduzioni (e non solo!) che non sapevate di voler conoscere! Ogni episodio è dedicato a un tema specifico ed è raccontato direttamente dai protagonisti dell'editoria italiana.

Il podcast a cura de La Bottega dei traduttori che racconta storie di traduttori, traduttrici e traduzioni (e non solo!) che non sapevate di voler conoscere!Ogni episodio è dedicato a un tema specifico ed è raccontato direttamente dai protagonisti dell'editoria italiana.

Il podcast a cura de La Bottega dei traduttori che racconta storie di traduttori, traduttrici e traduzioni (e non solo!) che non sapevate di voler conoscere! Ogni episodio è dedicato a un tema specifico ed è raccontato direttamente dai protagonisti dell'editoria italiana.

Tradustorie

Die Aktualität seiner Sprache, Prosa und Kunstkritik
Do, 02.02.2017 – Sa, 04.02.2017
ZKM Vortragssaal

Das ZKM | Karlsruhe, das Museum für Literatur am Oberrhein und die Carl-Einstein-Gesellschaft / Société Carl Einstein e. V. veranstalten im Februar 2017 zum ersten Mal eine Carl-Einstein-Konferenz in der Jugendstadt des Autors. Die Tagung fragt nach den Potenzialen von Einsteins Schreiben, seinen zeitgenössischen Einflüssen und den Nachwirkungen seines Werkes für die Literatur- und Kunstgeschichte.
Der Dichter, Kunstkritiker, Ausstellungsmacher und politische Aktivist Carl Einstein (1885-1940) ist 1888 bis 1904 in Karlsruhe aufgewachsen, lebte zwischen 1905 und 1928 in Berlin und danach in Paris, bevor er sich ab 1936 in Katalonien dem Spanischen Bürgerkrieg anschloss.
Die Rezeption des Werkes von Carl Einstein gilt als Auszeichnung für Insider, denn obwohl er Zeitgenosse, Kritiker und Promoter der modernsten Kunst gewesen ist und u. a. mit Franz Pfemfert (Die Aktion), dem Galeristen Daniel-Henry Kahnweiler oder dem Künstler Georges Braque eng befreundet war, wurden seine publizierten Schriften und nachgelassenen Aufzeichnungen erst spät wiederentdeckt. In seiner Heimatstadt Karlsruhe gibt es kaum eine Einstein-Erinnerungskultur. Der Schriftsteller steht exemplarisch für die Vertreibung der intellektuellen, jüdischen Elite in Deutschland in der ersten Hälfte des 20. Jahrhunderts.
Einstein wird als »Prophet der Avantgarde«, als Revolutionär in Literatur und Politik angesehen, aber eben auch als »Halbvergessener« bezeichnet, denn sein prekäres Leben und der Suizid auf der Flucht vor den Nazis erschwerten die Spurensuche nach seinem Werk. Mittlerweile sind die Arbeiten und die Person Einstein Dank der Carl-Einstein-Forschung in den Klassiker-Kanon der Kunstgeschichtsschreibung aufgerückt. Trotzdem bietet sein Werk beständig Anlass für Neuentdeckungen. So zählen Einsteins Lyrik, Kunstkritik und prosaische Schriften zu bedeutenden Zeugnissen einer Epoche der Moderne, in der er zu einem einflussreichen Vermittler im Kulturtransfer zwischen Paris und Berlin wurde und als Autor eine bis heute relevante Sprache der modernen Kunst prägte.
1912 veröffentlichte Einstein »Bebuquin oder die Dilettanten des Wunders«. Der als »Anti-Roman« konzipierte Text nimmt Dada und Surrealismus vorweg. 1915 erschien mit der »Negerplastik« eine Blickfelderweiterung gegenüber der Ästhetik der sogenannten primitiven Kunst. 1926 brachte Einstein das überaus erfolgreiche Übersichtswerk »Die Kunst des XX. Jahrhunderts« heraus. Typischerweise oblag die Kunstgeschichtsschreibung der Gegenwart damals den nicht-akademischen Fachvertretern. Als Kunstkritiker mit spitzer Feder begleitete Einstein den Expressionismus, Kubismus, Konstruktivismus und Surrealismus und war eine der prägenden Figuren der deutschen Kunstszene der 1920er Jahre. Einsteins Werk umfasst literarisches und wissenschaftliches Schreiben, Briefe sowie Interview-Aufzeichnungen, die einen Ausdruck sowohl seiner Zeit als auch seiner individuellen Ausdrucksweise vermitteln.

///

The Topicality of his Language, Prose, and Art Criticism
Thu, 02.02.2017 – Sat, 04.02.2017
ZKM Lecture Hall

The ZKM | Karlsruhe, the Museum für Literatur am Oberrhein and the Carl Einstein Society will host a conference on Carl Einstein in February 2017, to be held for the first time in the town of his youth. The conference asks about the potential of Einstein’s writing, his contemporary influences and the aftermath of his work in literature and art history.
The writer, art critic, exhibition organizer, and political activist Carl Einstein (1885-1940) spent his early years, from 1888 to 1904, in Karlsruhe. Between 1905 and 1928 he lived in Berlin and later in Paris, before joining the Spanish Civil War in Catalonia in 1936.
The reception of Carl Einstein’s work is considered something of an insiders’ feat. Although he was a contemporary critic and promoter of modernist art and a close friend of Franz Pfemfert (Die Aktion), the gallerist Daniel-Henry Kahnweiler, and the artist Georges Braque among others, his publications and manuscripts have been rediscovered only relatively recently. In his hometown Karlsruhe, a commemorative culture concerning Carl Einstein is still missing. The writer represents in exemplary fashion the expulsion of the intellectual Jewish elite in Germany in the first half of the 20th century. Einstein is regarded as a »prophet of the avant-garde«, as revolutionary in literature and politics, but has also been called »half-forgotten«. His precarious life, and his suicide during his flight from the Nazi regime, remain complicating factors in the search for traces of his literary remains.
Thanks to the extensive research work undertaken over the past thirty years, Carl Einstein’s name and works have been canonized in art historiography. His work continues to offer new insights, however. His poetry, art criticism and prose bear witness to the classical modern period. In the inter-war years he became an influential mediator for the cultural transfer between Paris and Berlin and as an author he shaped a specific language for modern art.
In 1912 Einstein published »Bebuquin oder die Dilettanten des Wunders«. This text was conceptualized as an »anti-novel«; as such it anticipated Dada and Surrealism. His essay »Negerplastik«, which opened a new perspective on so-called Primitive Art, appeared in 1915, succeeded in 1926 by a very successful survey of modern art, entitled »Die Kunst des XX. Jahrhunderts«. At that time it was customary that mainly non-academics wrote about contemporary art. As an art critic wielding a sharp pen, Carl Einstein accompanied relevant movements of contemporary art, such as Expressionism, Cubism, Constructivism, and Surrealism, and was an influential figure within the German art scene of the 1920s. Einstein’s work comprises literary essays and texts of art criticism, studies of art history and art historiography, letters and interview recordings that reveal both the tension of his epoch and his individual expression.

Die Aktualität seiner Sprache, Prosa und Kunstkritik Do, 02.02.2017 – Sa, 04.02.2017 ZKM Vortragssaal Das ZKM | Karlsruhe, das Museum für Literatur am Oberrhein und die Carl-Einstein-Gesellschaft / Société Carl Einstein e. V. veranstalten im Februar 2017 zum ersten Mal eine Carl-Einstein-Konferenz in der Jugendstadt des Autors. Die Tagung fragt nach den Potenzialen von Einsteins Schreiben, seinen zeitgenössischen Einflüssen und den Nachwirkungen seines Werkes für die Literatur- und Kunstgeschichte. Der Dichter, Kunstkritiker, Ausstellungsmacher und politische Aktivist Carl Einstein (1885-1940) ist 1888 bis 1904 in Karlsruhe aufgewachsen, lebte zwischen 1905 und 1928 in Berlin und danach in Paris, bevor er sich ab 1936 in Katalonien dem Spanischen Bürgerkrieg anschloss. Die Rezeption des Werkes von Carl Einstein gilt als Auszeichnung für Insider, denn obwohl er Zeitgenosse, Kritiker und Promoter der modernsten Kunst gewesen ist und u. a. mit Franz Pfemfert (Die Aktion), dem Galeristen Daniel-Henry Kahnweiler oder dem Künstler Georges Braque eng befreundet war, wurden seine publizierten Schriften und nachgelassenen Aufzeichnungen erst spät wiederentdeckt. In seiner Heimatstadt Karlsruhe gibt es kaum eine Einstein-Erinnerungskultur. Der Schriftsteller steht exemplarisch für die Vertreibung der intellektuellen, jüdischen Elite in Deutschland in der ersten Hälfte des 20. Jahrhunderts. Einstein wird als »Prophet der Avantgarde«, als Revolutionär in Literatur und Politik angesehen, aber eben auch als »Halbvergessener« bezeichnet, denn sein prekäres Leben und der Suizid auf der Flucht vor den Nazis erschwerten die Spurensuche nach seinem Werk. Mittlerweile sind die Arbeiten und die Person Einstein Dank der Carl-Einstein-Forschung in den Klassiker-Kanon der Kunstgeschichtsschreibung aufgerückt. Trotzdem bietet sein Werk beständig Anlass für Neuentdeckungen. So zählen Einsteins Lyrik, Kunstkritik und prosaische Schriften zu bedeutenden Zeugnissen einer Epoche der Moderne, in der er zu einem einflussreichen Vermittler im Kulturtransfer zwischen Paris und Berlin wurde und als Autor eine bis heute relevante Sprache der modernen Kunst prägte. 1912 veröffentlichte Einstein »Bebuquin oder die Dilettanten des Wunders«. Der als »Anti-Roman« konzipierte Text nimmt Dada und Surrealismus vorweg. 1915 erschien mit der »Negerplastik« eine Blickfelderweiterung gegenüber der Ästhetik der sogenannten primitiven Kunst. 1926 brachte Einstein das überaus erfolgreiche Übersichtswerk »Die Kunst des XX. Jahrhunderts« heraus. Typischerweise oblag die Kunstgeschichtsschreibung der Gegenwart damals den nicht-akademischen Fachvertretern. Als Kunstkritiker mit spitzer Feder begleitete Einstein den Expressionismus, Kubismus, Konstruktivismus und Surrealismus und war eine der prägenden Figuren der deutschen Kunstszene der 1920er Jahre. Einsteins Werk umfasst literarisches und wissenschaftliches Schreiben, Briefe sowie Interview-Aufzeichnungen, die einen Ausdruck sowohl seiner Zeit als auch seiner individuellen Ausdrucksweise vermitteln. /// The Topicality of his Language, Prose, and Art Criticism Thu, 02.02.2017 – Sat, 04.02.2017 ZKM Lecture Hall The ZKM | Karlsruhe, the Museum für Literatur am Oberrhein and the Carl Einstein Society will host a conference on Carl Einstein in February 2017, to be held for the first time in the town of his youth. The conference asks about the potential of Einstein’s writing, his contemporary influences and the aftermath of his work in literature and art history. The writer, art critic, exhibition organizer, and political activist Carl Einstein (1885-1940) spent his early years, from 1888 to 1904, in Karlsruhe. Between 1905 and 1928 he lived in Berlin and later in Paris, before joining the Spanish Civil War in Catalonia in 1936. The reception of Carl Einstein’s work is considered something of an insiders’ feat. Although he was a contemporary critic and promoter of modernist art and a close friend of Franz Pfemfert (Die Aktion), the gallerist Daniel-Henry Kahnweiler, and the artist Georges Braque among others, his publications and manuscripts have been rediscovered only relatively recently. In his hometown Karlsruhe, a commemorative culture concerning Carl Einstein is still missing. The writer represents in exemplary fashion the expulsion of the intellectual Jewish elite in Germany in the first half of the 20th century. Einstein is regarded as a »prophet of the avant-garde«, as revolutionary in literature and politics, but has also been called »half-forgotten«. His precarious life, and his suicide during his flight from the Nazi regime, remain complicating factors in the search for traces of his literary remains. Thanks to the extensive research work undertaken over the past thirty years, Carl Einstein’s name and works have been canonized in art historiography. His work continues to offer new insights, however. His poetry, art criticism and prose bear witness to the classical modern period. In the inter-war years he became an influential mediator for the cultural transfer between Paris and Berlin and as an author he shaped a specific language for modern art. In 1912 Einstein published »Bebuquin oder die Dilettanten des Wunders«. This text was conceptualized as an »anti-novel«; as such it anticipated Dada and Surrealism. His essay »Negerplastik«, which opened a new perspective on so-called Primitive Art, appeared in 1915, succeeded in 1926 by a very successful survey of modern art, entitled »Die Kunst des XX. Jahrhunderts«. At that time it was customary that mainly non-academics wrote about contemporary art. As an art critic wielding a sharp pen, Carl Einstein accompanied relevant movements of contemporary art, such as Expressionism, Cubism, Constructivism, and Surrealism, and was an influential figure within the German art scene of the 1920s. Einstein’s work comprises literary essays and texts of art criticism, studies of art history and art historiography, letters and interview recordings that reveal both the tension of his epoch and his individual expression.

Die Aktualität seiner Sprache, Prosa und Kunstkritik
Do, 02.02.2017 – Sa, 04.02.2017
ZKM Vortragssaal

Das ZKM | Karlsruhe,&nbsp;das Museum für Literatur am Oberrhein und die Carl-Einstein-Gesellschaft&nbsp;/&nbsp;Société Carl Einstein e.&nbsp;V. veranstalten im Februar 2017 zum ersten Mal eine Carl-Einstein-Konferenz in der Jugendstadt des Autors. Die Tagung fragt nach den Potenzialen von Einsteins Schreiben, seinen zeitgenössischen Einflüssen und den Nachwirkungen seines Werkes für die Literatur- und Kunstgeschichte.
Der Dichter, Kunstkritiker, Ausstellungsmacher und politische Aktivist Carl Einstein (1885-1940) ist 1888 bis 1904 in Karlsruhe aufgewachsen, lebte zwischen 1905 und 1928 in Berlin und danach in Paris, bevor er sich ab 1936 in Katalonien dem Spanischen Bürgerkrieg anschloss.
Die Rezeption des Werkes von Carl Einstein gilt als Auszeichnung für Insider, denn obwohl er Zeitgenosse, Kritiker und Promoter der modernsten Kunst gewesen ist und u. a. mit Franz Pfemfert (Die Aktion), dem Galeristen Daniel-Henry Kahnweiler oder dem Künstler Georges Braque eng befreundet war, wurden seine publizierten Schriften und nachgelassenen Aufzeichnungen erst spät wiederentdeckt. In seiner Heimatstadt Karlsruhe gibt es kaum eine Einstein-Erinnerungskultur. Der Schriftsteller steht exemplarisch für die Vertreibung der intellektuellen, jüdischen Elite in Deutschland in der ersten Hälfte des 20. Jahrhunderts.
Einstein wird als »Prophet der Avantgarde«, als Revolutionär in Literatur und Politik angesehen, aber eben auch als »Halbvergessener«&nbsp;bezeichnet, denn sein prekäres Leben und der Suizid auf der Flucht vor den Nazis erschwerten die Spurensuche nach seinem Werk. Mittlerweile sind die Arbeiten und die Person Einstein Dank der Carl-Einstein-Forschung in den Klassiker-Kanon der Kunstgeschichtsschreibung aufgerückt. Trotzdem bietet sein Werk beständig Anlass für Neuentdeckungen. So zählen Einsteins Lyrik, Kunstkritik und prosaische Schriften zu bedeutenden Zeugnissen einer Epoche der Moderne, in der er zu einem einflussreichen Vermittler im Kulturtransfer zwischen Paris und Berlin wurde und als Autor eine bis heute relevante Sprache der modernen Kunst prägte.
1912 veröffentlichte Einstein »Bebuquin oder die Dilettanten des Wunders«. Der als »Anti-Roman«&nbsp;konzipierte Text nimmt Dada und Surrealismus vorweg. 1915 erschien mit der »Negerplastik« eine Blickfelderweiterung gegenüber der Ästhetik der sogenannten primitiven Kunst. 1926 brachte Einstein das überaus erfolgreiche Übersichtswerk&nbsp;»Die Kunst des XX. Jahrhunderts« heraus. Typischerweise oblag die Kunstgeschichtsschreibung der Gegenwart damals den nicht-akademischen Fachvertretern. Als Kunstkritiker mit spitzer Feder begleitete Einstein den Expressionismus, Kubismus, Konstruktivismus und Surrealismus und war eine der prägenden Figuren der deutschen Kunstszene der 1920er Jahre. Einsteins Werk umfasst literarisches und wissenschaftliches Schreiben, Briefe sowie Interview-Aufzeichnungen, die einen Ausdruck sowohl seiner Zeit als auch seiner individuellen Ausdrucksweise vermitteln.

///

The Topicality of his Language, Prose, and Art Criticism
Thu, 02.02.2017 – Sat, 04.02.2017
ZKM Lecture Hall

The ZKM | Karlsruhe, the Museum für Literatur am Oberrhein&nbsp;and the Carl Einstein Society will host a conference on Carl Einstein in February 2017, to be held for the first time in the town of his youth. The conference asks about the potential of Einstein’s writing, his contemporary influences and the aftermath of his work in literature and art history.
The writer, art critic, exhibition organizer, and political activist Carl Einstein (1885-1940) spent his early years, from 1888 to 1904, in Karlsruhe. Between 1905 and 1928 he lived in Berlin and later in Paris, before joining the Spanish Civil War in Catalonia in 1936.
The reception of Carl Einstein’s work is considered something of an insiders’ feat. Although he was a contemporary critic and promoter of modernist art and a close friend of Franz Pfemfert (Die Aktion), the gallerist Daniel-Henry Kahnweiler, and the artist Georges Braque among others, his publications and manuscripts have been rediscovered only relatively recently. In his hometown Karlsruhe, a commemorative culture concerning Carl Einstein is still missing. The writer represents in exemplary fashion the expulsion of the intellectual Jewish elite in Germany in the first half of the 20th century. Einstein is regarded as a »prophet of the avant-garde«, as revolutionary in literature and politics, but has also been called »half-forgotten«. His precarious life, and his suicide during his flight from the Nazi regime, remain complicating factors in the search for traces of his literary remains.
Thanks to the extensive research work undertaken over the past thirty years, Carl Einstein’s name and works have been canonized in art historiography. His work continues to offer new insights, however. His poetry, art criticism and prose bear witness to the classical modern period. In the inter-war years he became an influential mediator for the cultural transfer between Paris and Berlin and as an author he shaped a specific language for modern art.
In 1912 Einstein published »Bebuquin oder die Dilettanten des Wunders«. This text was conceptualized as an »anti-novel«; as such it anticipated Dada and Surrealism. His essay »Negerplastik«, which opened a new perspective on so-called Primitive Art, appeared in 1915, succeeded in 1926 by a very successful survey of modern art, entitled »Die Kunst des XX. Jahrhunderts«. At that time it was customary that mainly non-academics wrote about contemporary art. As an art critic wielding a sharp pen, Carl Einstein accompanied relevant movements of contemporary art, such as Expressionism, Cubism, Constructivism, and Surrealism, and was an influential figure within the German art scene of the 1920s. Einstein’s work comprises literary essays and texts of art criticism, studies of art history and art historiography, letters and interview recordings that reveal both the tension of his epoch and his individual expression.

Carl Einstein Re-Visited

With Also Youth

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Bonjour à toutes et à tous,
Vous êtes pile à temps pour votre podcast : 10H47 L'heure du comics !
Ici on blague en parlant de notre passion : les comics !
On abordera également tout ce qui tourne autour de ce média dans la bonne humeur, la joie et les vannes !

Bonjour à toutes et à tous, Vous êtes pile à temps pour votre podcast : 10H47 L'heure du comics ! Ici on blague en parlant de notre passion : les comics ! On abordera également tout ce qui tourne autour de ce média dans la bonne humeur, la joie et les vannes !

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I study their lives, careers, and influence in search of ideas you can apply to your own work. 

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SOUL BOAT SESSIONS Podcast: Wild & Curious Journeys Into Music & Fermentation WHAT: Brought to life by Wolves & People, an award-winning farm-based brewery in Oregon wine country, this new podcast offers freewheeling conversations (with fermented beverages of all kinds in hand) on music. Pre-recorded guests have included an acclaimed singer songwriter, clawhammer banjo picker, Nashville session musician, and classical Indian guitar and metal maven, as well as brewmasters and passionate beer and travel lovers. The tone is light, literate, interview-based, and live performance often takes the sessions into an even higher dimension. HOST: farm owner and brewery founder Christian DeBenedetti, a travel/music/drinks author (Nat. Geographic, Outside, NYT, Esquire), who has appeared as a beer expert onstage at Bonnaroo and Outside Lands panels and hosts a weekly bluegrass jam at the farm. With a couple books under his belt and long-ago bylines for Outside and Rolling Stone among others he’s a passionate music lover with a deep appreciation for roots, psychedelia, rock, and classical in all its forms past & present. PRODUCERS: Christian DeBenedetti & Andrew Kaye Hosted on Acast. See acast.com/privacy for more information.

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