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This is Clara Hsu's San Francisco Poetry Hotel Podcast project she shares with John Rhodes. On this open mic poetry podcast Clara's on-going poetry events will be posted here. For more info about Clara Hsu, go to: http://clarahsu.com .
                                                                For more about John R. go to:
                                                                http://rhodespoetry.com .
If you are viewing these podcasts directly from the web site and want it to be bigger: click play on the video you want to play, maximize the page, then to increase the size of the video, click Ctrl and + repeatedly at the same time on your keyboard

This is Clara Hsu's San Francisco Poetry Hotel Podcast project she shares with John Rhodes. On this open mic poetry podcast Clara's on-going poetry events will be posted here. For more info about Clara Hsu, go to: http://clarahsu.com . For more about John R. go to: http://rhodespoetry.com . If you are viewing these podcasts directly from the web site and want it to be bigger: click play on the video you want to play, maximize the page, then to increase the size of the video, click Ctrl and + repeatedly at the same time on your keyboard

San Francisco Poetry Hotel's Poetry Podcast

幸せとうふの「ふーちゃん」が幸手の手づくりを紹介するよ

SatteNavi幸せ手づくりふーちゃんねる

St. Louis' most infamous radio host is LIVE weekday mornings from 6:30 to 8 at JCONTHELINE.com, and ON DEMAND anytime.

JC Corcoran's Digital Showgram

Saki (December 18, 1870 - November 14, 1916) was the pen name of the British author Hector Hugh Munro. His witty, biting and occasionally odd short stories satirised Edwardian culture. Saki is considered a master of the short story and has been compared to O. Henry and Dorothy Parker as well as Noel Coward and Oscar Wilde (who clearly influenced Saki.) His first collection of short stories, Reginald, was published by Methuen Press in 1904 though these stories first appeared in the 'Westminster Gazette'. The stories in this collection are a foil for allowing the jaded and insider/outsider figure of Reginald to comment on some ridiculous or provincial attitude prevalent in upper class Edwardian society, although one can easily recognize these same attitudes in our society today. Long popular and well known, Saki's brilliant humour is as enjoyable now as it was almost a century ago. (Summary by Jason Xanthopoulos).

Reginald by Saki (1870 - 1916)

What's art and who decides what it is? In our podcast, we discuss the variety and the approaches taken by a multitude of artists to create their artwork. How often we hear the words &quot;that's not art!&quot; Mark and myself, we try to consider the art world in a personal and authentic way.

What's art and who decides what it is? In our podcast, we discuss the variety and the approaches taken by a multitude of artists to create their artwork. How often we hear the words "that's not art!" Mark and myself, we try to consider the art world in a personal and authentic way.

That's Not Art - Broken Area Podcast

无论你是80后，还是90后，我们都是怀旧的，总会抱着过去念念不忘，总有让你缅怀过去的声音将你带到那个时间，再次感觉到心灵的纯净和美好的旧日时光。 承制电台：半岛网络电台 http://www.ximalaya.com/#/1012565 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;半岛网络电台，聆听你内心深处的回音！

无论你是80后，还是90后，我们都是怀旧的，总会抱着过去念念不忘，总有让你缅怀过去的声音将你带到那个时间，再次感觉到心灵的纯净和美好的旧日时光。承制电台：半岛网络电台http://www.ximalaya.com/#/1012565                 半岛网络电台，聆听你内心深处的回音！

无论你是80后，还是90后，我们都是怀旧的，总会抱着过去念念不忘，总有让你缅怀过去的声音将你带到那个时间，再次感觉到心灵的纯净和美好的旧日时光。 承制电台：半岛网络电台 http://www.ximalaya.com/#/1012565 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;半岛网络电台，聆听你内心深处的回音！

80后爱怀旧【周六】

听友们将会听到原汁原味的聊斋400篇故事，每晚9-10点更新。

老刘讲《聊斋》第一部

Among monuments of narrative poetry, The Prelude; or, Growth of a Poet's Mind, by William Wordsworth, occupies a unique place. Wordsworth published the first version of the poem in 1798, but continued to work on it for the rest of his life. The final version, which is the subject of this recording, was published posthumously in 1850, by Wordworth’s widow, Mary. The Prelude is the first major narrative poem in European literature which deals solely with the spiritual journey of the author. In this respect the only predecessor to which it can be compared in Dante’s Divine Comedy, which is similarly a journey from personal confusion to certitude, from ignorance to realization. However, Dante starts his journey at the age of 35, and, through a lengthy rite of passage, involving both moral and intellectual purification, arrives at a state of illumination that he is not really able to describe. In The Prelude, on the other hand, illumination appears as the background on which the story is inscribed. Wordsworth is really no wiser at the end of his journey than he was at the start, but appears more accepting of the inexorable and sometimes bewildering fluctuations in the flow of human life. Despite Wordsworth’s occasional graceful genuflection to Providence, the poem has a secularity which would have been anathema to a writer like Dante, ensconced in the theocratic fastness of the Middle Ages. The tone of the Prelude is gentle and reflective. Almost completely absent are the crashing cadences of narrative poems like the Aeneid and Paradise Lost, and there is nothing to match the terrible and multifarious griefs endured by so many characters in Dante’s Inferno. Wordsworth led an unheroic life, made remarkable by intensity of observation rather than incident. This is not to suggest that Wordsworth was unfamiliar with either grief or difficulty, but rather that he could accommodate such troubles in his view of life, which seems never to have quite lost its lustre. The Prelude may be considered as Wordsworth’s crowning achievement, and one not really matched by any other poet. Despite the poem’s intractably self-referential nature, Wordsworth does not come across as either vain or tedious. The avoidance of tedium is largely due to his incomparable versification, which is a shining example of “the art which conceals art.” Nor are we tempted to see Wordsworth as unduly self-centred, because he communicates the potential glory of everyday events in a way that the reader (or listener) is drawn to share them. A hundred years before T.S.Eliot Wordsworth had arrived “'where we started “ and had “known that place for the first time.” (Summary by Algy Pug)

Among monuments of narrative poetry, The Prelude; or, Growth of a Poet's Mind, by William Wordsworth, occupies a unique place. Wordsworth published the first version of the poem in 1798, but continued to work on it for the rest of his life. The final version, which is the subject of this recording, was published posthumously in 1850, by Wordworth’s widow, Mary.The Prelude is the first major narrative poem in European literature which deals solely with the spiritual journey of the author. In this respect the only predecessor to which it can be compared in Dante’s Divine Comedy, which is similarly a journey from personal confusion to certitude, from ignorance to realization. However, Dante starts his journey at the age of 35, and, through a lengthy rite of passage, involving both moral and intellectual purification, arrives at a state of illumination that he is not really able to describe. In The Prelude, on the other hand, illumination appears as the background on which the story is inscribed. Wordsworth is really no wiser at the end of his journey than he was at the start, but appears more accepting of the inexorable and sometimes bewildering fluctuations in the flow of human life. Despite Wordsworth’s occasional graceful genuflection to Providence, the poem has a secularity which would have been anathema to a writer like Dante, ensconced in the theocratic fastness of the Middle Ages.The tone of the Prelude is gentle and reflective. Almost completely absent are the crashing cadences of narrative poems like the Aeneid and Paradise Lost, and there is nothing to match the terrible and multifarious griefs endured by so many characters in Dante’s Inferno. Wordsworth led an unheroic life, made remarkable by intensity of observation rather than incident. This is not to suggest that Wordsworth was unfamiliar with either grief or difficulty, but rather that he could accommodate such troubles in his view of life, which seems never to have quite lost its lustre.The Prelude may be considered as Wordsworth’s crowning achievement, and one not really matched by any other poet. Despite the poem’s intractably self-referential nature, Wordsworth does not come across as either vain or tedious. The avoidance of tedium is largely due to his incomparable versification, which is a shining example of “the art which conceals art.” Nor are we tempted to see Wordsworth as unduly self-centred, because he communicates the potential glory of everyday events in a way that the reader (or listener) is drawn to share them. A hundred years before T.S.Eliot Wordsworth had arrived “'where we started “ and had “known that place for the first time.” (Summary by Algy Pug)

Among monuments of narrative poetry, The Prelude; or, Growth of a Poet's Mind, by William Wordsworth, occupies a unique place. Wordsworth published the first version of the poem in 1798, but continued to work on it for the rest of his life. The final version, which is the subject of this recording, was published posthumously in 1850, by Wordworth’s widow, Mary. The Prelude is the first major narrative poem in European literature which deals solely with the spiritual journey of the author. In this respect the only predecessor to which it can be compared in Dante’s Divine Comedy, which is similarly a journey from personal confusion to certitude, from ignorance to realization. However, Dante starts his journey at the age of 35, and, through a lengthy rite of passage, involving both moral and intellectual purification, arrives at a state of illumination that he is not really able to describe. In The Prelude, on the other hand, illumination appears as the background on which the story is inscribed. Wordsworth is really no wiser at the end of his journey than he was at the start, but appears more accepting of the inexorable and sometimes bewildering fluctuations in the flow of human life. Despite Wordsworth’s occasional graceful genuflection to Providence, the poem has a secularity which would have been anathema to a writer like Dante, ensconced in the theocratic fastness of the Middle Ages. The tone of the Prelude is gentle and reflective. Almost completely absent are the crashing cadences of narrative poems like the Aeneid and Paradise Lost, and there is nothing to match the terrible and multifarious griefs endured by so many characters in Dante’s Inferno. Wordsworth led an unheroic life, made remarkable by intensity of observation rather than incident. This is not to suggest that Wordsworth was unfamiliar with either grief or difficulty, but rather that he could accommodate such troubles in his view of life, which seems never to have quite lost its lustre. The Prelude may be considered as Wordsworth’s crowning achievement, and one not really matched by any other poet. Despite the poem’s intractably self-referential nature, Wordsworth does not come across as either vain or tedious. The avoidance of tedium is largely due to his incomparable versification, which is a shining example of “the art which conceals art.” Nor are we tempted to see Wordsworth as unduly self-centred, because he communicates the potential glory of everyday events in a way that the reader (or listener) is drawn to share them. A hundred years before T.S.Eliot Wordsworth had arrived “'where we started “ and had “known that place for the first time.” (Summary by Algy Pug)

Prelude, The by William Wordsworth (1770 - 1850)

Sveriges enda podcast om digital design. Varannan vecka pratar vi om ett ämne som berör design och digitala tjänster.

Re:Design

鼻音王小花

Comparto mi pasión y experiencia por la lectura

Café del libro

小萌猫带你游世界

Why Not Radio

The Comics Alternative is a weekly podcast and blog focused on the world of alternative, independent, and primarily non-superhero comics. (There’s nothing wrong with the superhero genre…we just want to do something different.) New podcast episodes become available every Wednesday, much like the comic books you get. There are also a variety of monthly series devoted to manga, webcomics, European comics, comics for young readers, and on-location shows.

The Comics Alternative

The Saint Vincent Visiting Writers Series was founded in Spring 2008 and has featured such influential contemporary writers as Horacio Castella&ntilde;os Moya, Carmen Gim&eacute;nez Smith, Ben Lerner, Mar&iacute;a Negroni, Rachel Galvin, and Daniel Borzutzky. Since its inception, the Series has highlighted the work of literary translators as a strong part of its mission. The partial archive is available at https://archive.org/details/@eulalia_books. In 2019, the Series will partner with Eulalia Books to host Eulalia poets and translators.

The Saint Vincent Visiting Writers Series was founded in Spring 2008 and has featured such influential contemporary writers as Horacio Castellaños Moya, Carmen Giménez Smith, Ben Lerner, María Negroni, Rachel Galvin, and Daniel Borzutzky. Since its inception, the Series has highlighted the work of literary translators as a strong part of its mission. The partial archive is available at https://archive.org/details/@eulalia_books. In 2019, the Series will partner with Eulalia Books to host Eulalia poets and translators.

Eulalia Books

Tuana Fridén är en fotograf, konstnär och entreprenör. Han är grundare och VD för Tuana AB. I den här Podcasten delar Tuana och andra kreativa själar, entreprenörer och artister historier som är utformade för att hjälpa dig att få insyn, inspiration och uppnå dina mål.

Kreativa Tankar

#MembahasAsa | Sebuah catatan bersuara dari kehidupan |

bahas/ba·has/ (v) selidik; periksa;
•
ba·ha·sa (n) percakapan (perkataan) yang baik; tingkah laku yang baik;
•
asa (n): harap(an); semangat. | @emen_alhafiz @aditamisf @fakhriazzzam

#MembahasAsa | Sebuah catatan bersuara dari kehidupan | bahas/ba·has/ (v) selidik; periksa; • ba·ha·sa (n) percakapan (perkataan) yang baik; tingkah laku yang baik; • asa (n): harap(an); semangat. | @emen_alhafiz @aditamisf @fakhriazzzam

Bahasa Asa

La Biblioteca Pública Municipal de Arequipa presenta Lecturas Compartidas. Audiocuentos que buscan recuperar nuestra imaginación y promover el hábito de la lectura.

Biblioteca Pública Municipal de Arequipa

FORMAÇÃO DAS PALAVRAS

Coisas de Gaja

Quante volte, nel leggere i nostri libri preferiti, ci siamo detti "Vorrei essere come il mio eroe"? Noi di Vannini ci siamo chiesti "Ma chi l'ha detto che non sia possibile?". Anche noi, nella nostra vita quotidiana, possiamo compiere le stesse scelte dei nostri eroi. Come? Scopriamolo insieme un eroe e un'eroina alla volta!

Quante volte, nel leggere i nostri libri preferiti, ci siamo detti "Vorrei essere come il mio eroe"? Noi di Vannini ci siamo chiesti "Ma chi l'ha detto che non sia possibile?".Anche noi, nella nostra vita quotidiana, possiamo compiere le stesse scelte dei nostri eroi. Come? Scopriamolo insieme un eroe e un'eroina alla volta!

Quante volte, nel leggere i nostri libri preferiti, ci siamo detti "Vorrei essere come il mio eroe"? Noi di Vannini ci siamo chiesti "Ma chi l'ha detto che non sia possibile?". Anche noi, nella nostra vita quotidiana, possiamo compiere le stesse scelte dei nostri eroi. Come? Scopriamolo insieme un eroe e un'eroina alla volta!

Fai come i tuoi eroi

『心にカギをかけず、好きなことに挑戦しよう！』というメッセージを発信する沖縄初のブランド"LIBERTY FORCE(リバティーフォース)"のラジオ番組です。

LIBERTY FORCEラジオ

この番組は、奈良生駒市在住のデザイナー勝山浩二がパーソナリティになって、クリエイティブやデザイン、モノづくり、起業家、店舗経営者、まちづくりなどに関わる、奈良の魅力ある人たちをゲストに招き、対談するインターネットラジオ番組です。奈良というこの街に良い循環を生むために続けていきます。　good cycle radio / グッドサイクルラジオ / 奈良ラヂオ / 奈良ラジオ / 生駒 / 奥大和

この番組は、奈良生駒市在住のデザイナー勝山浩二がパーソナリティになって、クリエイティブやデザイン、モノづくり、起業家、店舗経営者、まちづくりなどに関わる、奈良の魅力ある人たちをゲストに招き、対談するインターネットラジオ番組です。奈良というこの街に良い循環を生むために続けていきます。 good cycle radio / グッドサイクルラジオ / 奈良ラヂオ / 奈良ラジオ / 生駒 / 奥大和

good cycle radio 奈良ラヂオ

VARAMOZHI BY NSS TKMCE || VARAMOZHI IS A INITIATIVE BY NSS UNITS 174 and 262 OF TKM COLLEGE OF ENGINEERING, KOLLAM AIMS AT CREATING A FREE AUDIO LIBRARY OF MALAYALAM BOOKS FOR THE VISUALLY IMPAIRED || Disclaimer: The Audiobooks contained here and their authority solely lies to the author and publisher altogether. This is only for education purposes, We don't mean to infringe any of the copyrights or publish it whatsoever. The audio library aims at delivering the Audible experience of books to the Blind/Visually impaired across Kerala. Reach out to us at varamozhi.nsstkmce@gmail.com for queries

VARAMOZHI

ストレス発散オッサンバンド「Z音処貴」のポッドキャスト

音処な夜

Following my divorce, a middle aged (slightly bumbling) Vicar, set out on the adventure of a lifetime. Having lost his home guided him to embark on a spiritual and life quest. Alex now has fantastic adventures as he attempts to live a simple life - travelling and finding the divine in the mundane, and 'outside of Traditional Religion'. A 'Funny Thing' usually happens to Alex most weeks as Alex embraces 'Last of the Summer Wine meets Bill Bryson and Charlie Connelly.

Following my divorce, a middle aged (slightly bumbling) Vicar, set out on the adventure of a lifetime. Having lost his home guided him to embark on a spiritual and life quest. Alex now has fantastic adventures as he attempts to live a simple life - travelling and finding the divine in the mundane, and 'outside of Traditional Religion'. A 'Funny Thing' usually happens to Alex most weeks as Alex embraces 'Last of the Summer Wine meets Bill Bryson and Charlie Connelly.

Daily Pilgrim 2.0 Back in the Cassock

Günümüzde Çağdaş Müzeciliğin farklı kavramsal boyutlarını irdelediğimiz ve ülkemizde bu konuda yapılan araştırma ve çalışmalarda emeği geçen konuklarımızla yaptığımız sohbetleri bu podcast yayınında bulacaksınız. Oturumların video kayıtları ise YouTube kanalımda yayınlanmaktadır.

Çağdaş Müze Konuşmaları

4ème de Couv', le podcast où l'on papote lecture.

Animé par Agnès et Charlotte. On se retrouve tous les mois pour discuter autour d'une lecture commune, de nos livres, de magazines, de BD et mangas, bref, TOUT ce qui se lit !

Vous pouvez nous suivre sur instagram ici (https://www.instagram.com/4emedecouvlepodcast/).
Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.

4ème de Couv', le podcast où l'on papote lecture. Animé par Agnès et Charlotte. On se retrouve tous les mois pour discuter autour d'une lecture commune, de nos livres, de magazines, de BD et mangas, bref, TOUT ce qui se lit ! Vous pouvez nous suivre sur instagram ici (https://www.instagram.com/4emedecouvlepodcast/). Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.

4ème de Couv'

I want to be an author, but I am not an author. Listen to me attempt to work through that.

Not An Author

Cykl programów o popkulturze. Prowadzące – krytyczka filmowa Anna Tatarska oraz Anna Konieczyńska, redaktorka Vogue.pl – sięgają zarówno po nowości, jak i klasyki z kina albo platform streamingowych. Odcinki nawiązują do tego, co nowe, ale też do historycznych przedstawień danego tematu (np. miłość, śmierć).

Z przyjemnością: O (pop)kulturze

We explore the terms and techniques of Photography.

Photography A2Z

Hosts of the KSL Real Estate Show Heather Osmond and Jeff Caplan provide updates on the national and local UTAH residential and commercial real estate markets and also hear inspiring ideas to make your house a home.

Hosts of the KSL Real Estate Show Heather Osmond and Jeff Caplan provide updates on the national and local UTAH residential and commercial real estate markets and also hear inspiring ideas to make your house a home.

Real Estate Show

Inspiring and encouraging women to write, to develop a personal writing practice through exploring the real-life writing stories of other women

Inspiring and encouraging women to write, to develop a personal writing practice through exploring the real-life writing stories of other women

We Women Writers

Musique, concerts, expos, spectacles, théâtre… Restez informé des actualités culturelles et artistiques proposées en Loire Atlantique.

Le Mag Culture - Radio Fidélité

別府市民劇場の魅力、舞台の魅力について語るトーク番組です

別府市民劇場のらじお

A podcast about being a librarian to our youngest students.

A podcast about being a librarian to our youngest students.

Librarians of Littles

「ちょっと気合を入れないと読めない本、ちょいムズ本」。内容が濃くて読み終えた時の達成感は得難い。だけど簡単に読めないのが難点。まるで「愛想はないけどいい奴」みたいな「ちょいムズ本」こそ著者の叡智が結集され、読書の醍醐味を味わえます。この番組では、プロが惚れたちょいムズ本を紹介します。読書家でもあり、実践家でもあるプロが惚れた一冊から読書を始めてみませんか？

Xアカウント
https://x.com/toidoku

「問い読」の詳しい説明はこちら
https://toidoku.com/output

「ちょっと気合を入れないと読めない本、ちょいムズ本」。内容が濃くて読み終えた時の達成感は得難い。だけど簡単に読めないのが難点。まるで「愛想はないけどいい奴」みたいな「ちょいムズ本」こそ著者の叡智が結集され、読書の醍醐味を味わえます。この番組では、プロが惚れたちょいムズ本を紹介します。読書家でもあり、実践家でもあるプロが惚れた一冊から読書を始めてみませんか？ Xアカウント https://x.com/toidoku 「問い読」の詳しい説明はこちら https://toidoku.com/output

ちょいムズ本、プロが惚れたこの一冊

The Black Landscape is a series of conversations that spotlight Black emerging and established leaders in the San Francisco Bay Area communities in various industries including the performing and literary arts, local government, the Peralta College system, labor unions, fashion design, event management and curation, entrepreneurship, and more!

The Black Landscape

the weather show

Hello, I'm Suvidha Pandith, launching "Suvi's Poetic Verses" on Buzzsprout, Podbean, and Spotify. Tune in every Sunday from February 2024 for poetic tales, short stories, and enchanting expressions available in both English and Hindi. Let's craft evenings in the essence of verse, making each moment a celebration of the poetic soul. Join me on this bilingual journey!