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Hosted by Michael Hill Newark Today is a monthly program focusing on social, economic and political topics. Newark Mayor Ras Baraka is a regular guest. Newark Today is broadcast the third Thursday of every month. Our call-in number is 844-677-9283. You can also contact us on the Newark Today Facebook Page or on Twitter @NewarkToday. The next episodes airs on Thursday, February 18 at 8pm. Add to your calendar now .

Newark Today

Categories (Lat. Categoriae, Greek Κατηγορίαι Katēgoriai) is the first of Aristotle's six texts on logic which are collectively known as the Organon. In Categories Aristotle enumerates all the possible kinds of things that can be the subject or the predicate of a proposition. Aristotle places every object of human apprehension under one of ten categories (known to medieval writers as the praedicamenta). Aristotle intended them to enumerate everything that can be expressed without composition or structure, thus anything that can be either the subject or the predicate of a proposition. The ten categories, or classes, are: Substance, Quantity, Quality, Relation, Place, Time, Position, State, Action and Affection. (Wikipedia)</p><br /><br />The Categories places every object of human apprehension under one of ten categories (known to medieval writers as the praedicamenta). Aristotle intended them to enumerate everything that can be expressed without composition or structure, thus anything that can be either the subject or the predicate of a proposition.

Categories (Lat. Categoriae, Greek Κατηγορίαι Katēgoriai) is the first of Aristotle's six texts on logic which are collectively known as the Organon. In Categories Aristotle enumerates all the possible kinds of things that can be the subject or the predicate of a proposition. Aristotle places every object of human apprehension under one of ten categories (known to medieval writers as the praedicamenta). Aristotle intended them to enumerate everything that can be expressed without composition or structure, thus anything that can be either the subject or the predicate of a proposition. The ten categories, or classes, are: Substance, Quantity, Quality, Relation, Place, Time, Position, State, Action and Affection. (Wikipedia)The Categories places every object of human apprehension under one of ten categories (known to medieval writers as the praedicamenta). Aristotle intended them to enumerate everything that can be expressed without composition or structure, thus anything that can be either the subject or the predicate of a proposition.

Categories (Lat. Categoriae, Greek Κατηγορίαι Katēgoriai) is the first of Aristotle's six texts on logic which are collectively known as the Organon. In Categories Aristotle enumerates all the possible kinds of things that can be the subject or the predicate of a proposition. Aristotle places every object of human apprehension under one of ten categories (known to medieval writers as the praedicamenta). Aristotle intended them to enumerate everything that can be expressed without composition or structure, thus anything that can be either the subject or the predicate of a proposition. The ten categories, or classes, are: Substance, Quantity, Quality, Relation, Place, Time, Position, State, Action and Affection. (Wikipedia)<p></p><br><br>The Categories places every object of human apprehension under one of ten categories (known to medieval writers as the praedicamenta). Aristotle intended them to enumerate everything that can be expressed without composition or structure, thus anything that can be either the subject or the predicate of a proposition.

Categories by Aristotle (384 BCE - 322 BCE)

Brief, and in some cases incomplete, stories of magic from ancient Egypt.

Egyptian Tales, translated from the Papyri, Series One by W. M. Flinders Petrie

<p>KUNST IS LANG is een programma van online kunsttijdschrift Mister Motley en Luuk Heezen. Je hoort elke week een uitgebreid gesprek met een kunstenaar over de belangrijkste thema's van diens oeuvre, inspiratiebronnen en drijfveren. Mét diepgang, maar zonder ingewikkeld jargon. </p>

KUNST IS LANG is een programma van online kunsttijdschrift Mister Motley en Luuk Heezen. Je hoort elke week een uitgebreid gesprek met een kunstenaar over de belangrijkste thema's van diens oeuvre, inspiratiebronnen en drijfveren. Mét diepgang, maar zonder ingewikkeld jargon.

KUNST IS LANG (en het leven is kort)

"The Willows" is one of Algernon Blackwood's best known creepy stories. American horror author H.P. Lovecraft considered it to be the finest supernatural tale in English literature. He wrote in his treatise "Supernatural Horror in Literature", "Here art and restraint in narrative reach their very highest development, and an impression of lasting poignancy is produced without a single strained passage or a single false note."  "The Willows" is an example of early modern horror and is connected within the literary tradition of weird fiction.

"The Willows" is one of Algernon Blackwood's best known creepy stories. American horror author H.P. Lovecraft considered it to be the finest supernatural tale in English literature. He wrote in his treatise "Supernatural Horror in Literature", "Here art and restraint in narrative reach their very highest development, and an impression of lasting poignancy is produced without a single strained passage or a single false note." "The Willows" is an example of early modern horror and is connected within the literary tradition of weird fiction.

Willows (version 2), The by Algernon Blackwood (1869 - 1951)

The Merry Wives of Windsor is a comedy by William Shakespeare, first published in 1602, though believed to have been written prior to 1597. It features the fat knight Sir John Falstaff, and is Shakespeare's only play to deal exclusively with contemporary Elizabethan era English middle class life. (Summary by Wikipedia)<br /><br /><strong>Cast:</strong><br />Anne Page, Mistress Page's daughter: <a href="http://librivox.org/reader/5269">Elizabeth Barr</a><br />Bardolph, sharper attending on Falstaff: <a href="http://librivox.org/reader/6005">Alan</a><br />Doctor Caius, a French physician: <a href="http://librivox.org/reader/6035">Marty Kris</a><br />Falstaff: <a href="http://librivox.org/reader/204">Mark F. Smith</a><br />Fenton, a gentleman: <a href="a href=">Peter Bishop</a><br />First Servant: <a href="http://librivox.org/reader/6159">Ted Garvin</a><br />Ford, a gentleman dwelling at Windsor: <a href="http://librivox.org/reader/3618">Timothy Ferguson</a><br />Host of the Garter Inn: <a href="http://librivox.org/reader/3157">TriciaG</a><br />Hostess Quickly, hostess of a tavern in Eastcheap: <a href="http://librivox.org/reader/4744">Amy Gramour</a><br />Mistress Ford: <a href="http://librivox.org/reader/1259">Elizabeth Klett</a><br />Mistress Page: <a href="http://librivox.org/reader/3536">Arielle Lipshaw</a><br />Nym, sharper attending on Falstaff: <a href="http://librivox.org/reader/5346">Skythrock</a><br />Page, a gentleman dwelling at Windsor: <a href="http://librivox.org/reader/6005">Alan</a><br />Pistol: <a href="a href=">Peter Bishop</a><br />Robert Shallow, country Justice: <a href="http://librivox.org/reader/4705">Algy Pug</a><br />Robin, page to Falstaff: <a href="http://librivox.org/reader/6281">Beth Thomas</a><br />Rugby, servant to Doctor Caius: <a href="http://librivox.org/reader/5659">Dale Burgess</a><br />Second Servant: <a href="http://librivox.org/reader/5346">Skythrock</a><br />Servant: <a href="http://librivox.org/reader/3157">TriciaG</a><br />Simple, servant to Slender: <a href="http://librivox.org/reader/6171">Sarah Holtz</a><br />Sir Hugh Evans, a Welsh parson: <a href="http://librivox.org/reader/5635">Matthew Reece</a><br />Slender, cousin to Shallow: <a href="http://librivox.org/reader/2911">David Lawrence</a><br />William Page, a boy, son to Page: <a href="http://librivox.org/reader/1259">Elizabeth Klett</a><br />Narrator: <a href="http://librivox.org/reader/26">Denny Sayers</a><br /><br /><strong>Audio edited by:</strong> Arielle Lipshaw

The Merry Wives of Windsor is a comedy by William Shakespeare, first published in 1602, though believed to have been written prior to 1597. It features the fat knight Sir John Falstaff, and is Shakespeare's only play to deal exclusively with contemporary Elizabethan era English middle class life. (Summary by Wikipedia)Cast:Anne Page, Mistress Page's daughter: Elizabeth BarrBardolph, sharper attending on Falstaff: AlanDoctor Caius, a French physician: Marty KrisFalstaff: Mark F. SmithFenton, a gentleman: Peter BishopFirst Servant: Ted GarvinFord, a gentleman dwelling at Windsor: Timothy FergusonHost of the Garter Inn: TriciaGHostess Quickly, hostess of a tavern in Eastcheap: Amy GramourMistress Ford: Elizabeth KlettMistress Page: Arielle LipshawNym, sharper attending on Falstaff: SkythrockPage, a gentleman dwelling at Windsor: AlanPistol: Peter BishopRobert Shallow, country Justice: Algy PugRobin, page to Falstaff: Beth ThomasRugby, servant to Doctor Caius: Dale BurgessSecond Servant: SkythrockServant: TriciaGSimple, servant to Slender: Sarah HoltzSir Hugh Evans, a Welsh parson: Matthew ReeceSlender, cousin to Shallow: David LawrenceWilliam Page, a boy, son to Page: Elizabeth KlettNarrator: Denny SayersAudio edited by: Arielle Lipshaw

The Merry Wives of Windsor is a comedy by William Shakespeare, first published in 1602, though believed to have been written prior to 1597. It features the fat knight Sir John Falstaff, and is Shakespeare's only play to deal exclusively with contemporary Elizabethan era English middle class life. (Summary by Wikipedia)<br><br><strong>Cast:</strong><br>Anne Page, Mistress Page's daughter: <a href="http://librivox.org/reader/5269" rel="noopener noreferrer">Elizabeth Barr</a><br>Bardolph, sharper attending on Falstaff: <a href="http://librivox.org/reader/6005" rel="noopener noreferrer">Alan</a><br>Doctor Caius, a French physician: <a href="http://librivox.org/reader/6035" rel="noopener noreferrer">Marty Kris</a><br>Falstaff: <a href="http://librivox.org/reader/204" rel="noopener noreferrer">Mark F. Smith</a><br>Fenton, a gentleman: <a href="a href=" rel="noopener noreferrer">Peter Bishop</a><br>First Servant: <a href="http://librivox.org/reader/6159" rel="noopener noreferrer">Ted Garvin</a><br>Ford, a gentleman dwelling at Windsor: <a href="http://librivox.org/reader/3618" rel="noopener noreferrer">Timothy Ferguson</a><br>Host of the Garter Inn: <a href="http://librivox.org/reader/3157" rel="noopener noreferrer">TriciaG</a><br>Hostess Quickly, hostess of a tavern in Eastcheap: <a href="http://librivox.org/reader/4744" rel="noopener noreferrer">Amy Gramour</a><br>Mistress Ford: <a href="http://librivox.org/reader/1259" rel="noopener noreferrer">Elizabeth Klett</a><br>Mistress Page: <a href="http://librivox.org/reader/3536" rel="noopener noreferrer">Arielle Lipshaw</a><br>Nym, sharper attending on Falstaff: <a href="http://librivox.org/reader/5346" rel="noopener noreferrer">Skythrock</a><br>Page, a gentleman dwelling at Windsor: <a href="http://librivox.org/reader/6005" rel="noopener noreferrer">Alan</a><br>Pistol: <a href="a href=" rel="noopener noreferrer">Peter Bishop</a><br>Robert Shallow, country Justice: <a href="http://librivox.org/reader/4705" rel="noopener noreferrer">Algy Pug</a><br>Robin, page to Falstaff: <a href="http://librivox.org/reader/6281" rel="noopener noreferrer">Beth Thomas</a><br>Rugby, servant to Doctor Caius: <a href="http://librivox.org/reader/5659" rel="noopener noreferrer">Dale Burgess</a><br>Second Servant: <a href="http://librivox.org/reader/5346" rel="noopener noreferrer">Skythrock</a><br>Servant: <a href="http://librivox.org/reader/3157" rel="noopener noreferrer">TriciaG</a><br>Simple, servant to Slender: <a href="http://librivox.org/reader/6171" rel="noopener noreferrer">Sarah Holtz</a><br>Sir Hugh Evans, a Welsh parson: <a href="http://librivox.org/reader/5635" rel="noopener noreferrer">Matthew Reece</a><br>Slender, cousin to Shallow: <a href="http://librivox.org/reader/2911" rel="noopener noreferrer">David Lawrence</a><br>William Page, a boy, son to Page: <a href="http://librivox.org/reader/1259" rel="noopener noreferrer">Elizabeth Klett</a><br>Narrator: <a href="http://librivox.org/reader/26" rel="noopener noreferrer">Denny Sayers</a><br><br><strong>Audio edited by:</strong> Arielle Lipshaw

Merry Wives of Windsor, The by William Shakespeare (1564 - 1616)

The legend of Don Juan is one that's been told and retold over the centuries by poets and novelists. His life has been the subject of operas, musicals and film. The earliest reference was in a fourteenth century Spanish play and compiled in book form in the seventeenth century. His life continued to fascinate writers like Moliere, Byron, Bernard Shaw, Pushkin, Shakespeare, Jose Saramago and musicians like Mozart, whose Don Giovanni is a brilliant work that still charms audiences and music lovers all over the world.

The legend of Don Juan in Spain portrays him as a wealthy and amoral character, who prides himself on his marvelous power to attract women of all ages. He also spends the rest of his time gambling and drinking. Occasionally, he indulges in crimes like murder when thwarted in fulfilling his desires.

Don Juan's name has become synonymous in English and many other languages with being a flirt and a womanizer. However, in Don Juan by George Gordon Byron, the serial heartbreaker is portrayed as a much wronged innocent who is instead easily taken in by women. This epic, satirical poem which runs into more than 16,000 lines remains unfinished as Byron continued to add verses till his death. It is interesting to note that the English pronunciation of Juan is used throughout the poem, to rhyme with words like “ruin” and “true one.”

In Don Juan: Canto I, Byron describes the rake's early years in Seville. The young Juan begins his infamous career at the age of sixteen by launching into a relationship with an older woman. Her outraged husband sets a posse of citizens to investigate the matter and they hope to catch the couple misbehaving. But Juan proves too savvy for them and when they burst into the lady's bedroom, he conceals himself under the bed! The entire episode is told in a farcical tone and ends with Juan being sent away by his mother to further his education, while his partner in crime is banished to a nunnery!

Byron hoped to write something that was similar in form and tone to his earlier work, Beppo, which was much admired. He sourced his material for Don Juan from various Spanish texts and uses a sardonic tone to describe events and people who are really neither admirable nor heroic. After his self imposed exile to Italy and Spain following a scandalous separation from his wife, Byron immersed himself in the works of Italian and Spanish writers. Don Juan is one of the works that arose from this period. It is considered an original, brilliant and path breaking work in English literature and is an entertaining read for Byron enthusiasts.

The legend of Don Juan is one that's been told and retold over the centuries by poets and novelists. His life has been the subject of operas, musicals and film. The earliest reference was in a fourteenth century Spanish play and compiled in book form in the seventeenth century. His life continued to fascinate writers like Moliere, Byron, Bernard Shaw, Pushkin, Shakespeare, Jose Saramago and musicians like Mozart, whose Don Giovanni is a brilliant work that still charms audiences and music lovers all over the world. The legend of Don Juan in Spain portrays him as a wealthy and amoral character, who prides himself on his marvelous power to attract women of all ages. He also spends the rest of his time gambling and drinking. Occasionally, he indulges in crimes like murder when thwarted in fulfilling his desires. Don Juan's name has become synonymous in English and many other languages with being a flirt and a womanizer. However, in Don Juan by George Gordon Byron, the serial heartbreaker is portrayed as a much wronged innocent who is instead easily taken in by women. This epic, satirical poem which runs into more than 16,000 lines remains unfinished as Byron continued to add verses till his death. It is interesting to note that the English pronunciation of Juan is used throughout the poem, to rhyme with words like “ruin” and “true one.” In Don Juan: Canto I, Byron describes the rake's early years in Seville. The young Juan begins his infamous career at the age of sixteen by launching into a relationship with an older woman. Her outraged husband sets a posse of citizens to investigate the matter and they hope to catch the couple misbehaving. But Juan proves too savvy for them and when they burst into the lady's bedroom, he conceals himself under the bed! The entire episode is told in a farcical tone and ends with Juan being sent away by his mother to further his education, while his partner in crime is banished to a nunnery! Byron hoped to write something that was similar in form and tone to his earlier work, Beppo, which was much admired. He sourced his material for Don Juan from various Spanish texts and uses a sardonic tone to describe events and people who are really neither admirable nor heroic. After his self imposed exile to Italy and Spain following a scandalous separation from his wife, Byron immersed himself in the works of Italian and Spanish writers. Don Juan is one of the works that arose from this period. It is considered an original, brilliant and path breaking work in English literature and is an entertaining read for Byron enthusiasts.

Don Juan: Canto I by George Gordon Byron, Lord

Famous Five Podcast

Recorded in various parking lots and closets, the Jive Hive is an aural experience that's a lot like attending your favorite local open mic... if your favorite local open mic took place in a trans-dimensional speakeasy run by an eccentric (and possibly Satanic) proprietor and was fronted by his butler Chives.

The Jive Hive

Welcome to RichHaven Talks! here we cover all things music, fashion, pop culture, business, and relationships!! No tea goes UNSPILLED, so stay tuned for all the exciting, informative, and spicy conversations host by our very own, Katiee Renee

RichHaven Talks

This is Copenhagen and this is its Contemporary Art.

Contemporary Culture: Copenhagen Podcast

incredibly dope place where the cool kids come to smoke and what nots 💕

MatchOne 🤘🏾👾

<div class="panel-container ng-tns-c677276753-4 ng-star-inserted">
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<div class="paragraph normal ng-star-inserted"><span class="ng-star-inserted">Creators on "The Courageous Creativity Show" redefine success and purpose not merely by traditional metrics like applause or fame, but through a deeper commitment to </span><b class="ng-star-inserted">authenticity, impact, and personal growth</b><span class="ng-star-inserted">, especially when navigating life's challenges.</span></div>
<div class="paragraph normal ng-star-inserted"><span class="ng-star-inserted">Here's how they express this:</span></div>
<div class="paragraph heading3 ng-star-inserted"><span class="ng-star-inserted">Redefining Success</span></div>
<div class="paragraph normal ng-star-inserted"><span class="ng-star-inserted">• </span><b class="ng-star-inserted">Provoking Thought and Resonating with Audiences:</b><span class="ng-star-inserted"> For playwright Jeanette Hill, a play is successful if it makes people think or provokes discussion, even if they don't agree with the content. Similarly, if a character resonates with even one person, it's a success. The goal is for people to leave thinking, even if they don't have a good time. Jeanette believes that if the audience "got it" when they leave, that's what she's striving for. She recalls a time when people in a restaurant were arguing about characters and events from her play, indicating its success in sparking discussion and relating to their lives.</span></div>
<div class="paragraph normal ng-star-inserted"><span class="ng-star-inserted">• </span><b class="ng-star-inserted">Inspiring, Healing, and Transforming:</b><span class="ng-star-inserted"> Jeneen Hammond's motivation is to tell stories that inspire, heal, and transform, emphasizing the power of one's own story and voice. This mission to help communities tell their stories, as seen in her nine-month project in Pennsylvania, highlights success through collective impact and revival. Jeneen views herself as a "steward" of stories that come from "Divine orchestration," highlighting a purpose beyond personal gain.</span></div>
<div class="paragraph normal ng-star-inserted"><span class="ng-star-inserted">• </span><b class="ng-star-inserted">Authenticity and Vulnerability:</b><span class="ng-star-inserted"> The show emphasizes that genuine conversations and authentic work are key to impactful connections with the audience. Tarnisha Small, for example, found her voice and confidence through acting by embracing vulnerability and letting go of the fear of failure. Jeneen Hammond notes that writing from an authentic space, truly reflecting oneself, can be scary but leads to impactful stories.</span></div>
<div class="paragraph normal ng-star-inserted"><span class="ng-star-inserted">• </span><b class="ng-star-inserted">Emotional Connection:</b><span class="ng-star-inserted"> Success is often measured by the emotional connection a story creates, whether through laughter or tears. Jeneen Hammond herself knows a story is on an emotional track if it makes her cry or laugh.</span></div>
<div class="paragraph heading3 ng-star-inserted"><span class="ng-star-inserted">Finding Purpose Amidst Challenges</span></div>
<div class="paragraph normal ng-star-inserted"><span class="ng-star-inserted">• </span><b class="ng-star-inserted">Drawing on Personal Experiences:</b><span class="ng-star-inserted"> Many guests transform personal challenges into their purpose.</span></div>
<div class="paragraph normal ng-star-inserted"><span class="ng-star-inserted">    ◦ </span><b class="ng-star-inserted">Grief and Navigation:</b><span class="ng-star-inserted"> Angel L. Henderson shares that navigating life after losing both parents requires immense courage, making her journey of building her own voice and seeking counseling a display of strength.</span></div>
<div class="paragraph normal ng-star-inserted"><span class="ng-star-inserted">    ◦ </span><b class="ng-star-inserted">Overcoming Self-Doubt and Trauma:</b><span class="ng-star-inserted"> Tarnisha Small's journey into acting was sparked by a friend's perception of her potential, helping her overcome low self-worth and shyness. Tamina Ward uses her experiences with childhood teasing, abandonment, and generational trauma to inspire young adults to break free from their past burdens. She intentionally "dropped the pack" of past hurts. Jason C. Louder's stories, like the one about "Baba Tunde the Grio," often focus on themes of love, hope, faith, and overcoming self-doubt and trauma.</span></div>
<div class="paragraph normal ng-star-inserted"><span class="ng-star-inserted">    ◦ </span><b class="ng-star-inserted">Healing from Pain:</b><span class="ng-star-inserted"> Jeanette Hill discusses how her play "Clean Sheets," which garnered a perfect score but theaters were afraid to produce, addresses cultural hurts, aiming to move from a "scab to a scar" for societal healing. She emphasizes that there's "no honor in pain" and that unresolved hurts can manifest as anger or other negative behaviors.</span></div>
<div class="paragraph normal ng-star-inserted"><span class="ng-star-inserted">• </span><b class="ng-star-inserted">Embracing a Divine Calling and Stewardship:</b><span class="ng-star-inserted"> Jeneen Hammond believes her writing comes from a "Divine orchestration" and views herself as a "steward" of these stories, emphasizing a purpose beyond personal gain. This resonates with the idea that every person has a "Divine calling and assignment and purpose."</span></div>
<div class="paragraph normal ng-star-inserted"><span class="ng-star-inserted">• </span><b class="ng-star-inserted">Proactive Creation and Entrepreneurship:</b><span class="ng-star-inserted"> Instead of waiting for opportunities, creators like Tarnisha Small choose to write and produce their own films to create roles for themselves and others, recognizing the need to be entrepreneurial. Jeneen Hammond developed "The Dreamer's Village" to help people revive their creative dreams and learn to monetize their gifts, emphasizing taking ownership of one's God-given dream and not waiting for external validation. </span></div>
<div class="paragraph normal ng-star-inserted"><span class="ng-star-inserted">• </span><b class="ng-star-inserted">Mindset and Resilience:</b></div>
<div class="paragraph normal ng-star-inserted"><span class="ng-star-inserted">    ◦ </span><b class="ng-star-inserted">Learning from Setbacks:</b><span class="ng-star-inserted"> Jason C. Louder views challenges as "learning opportunities" that can push one forward. He uses financial challenges in the acting industry as a motivator for learning and growth.</span></div>
<div class="paragraph normal ng-star-inserted"><span class="ng-star-inserted">    ◦ </span><b class="ng-star-inserted">"Just Do It":</b><span class="ng-star-inserted"> Portia Cue and Winston Wilson encourage creators to "just start" their projects, regardless of how big or small, and not wait for perfection or validation. Portia gives the example of Lita Renee Brown and Dour Ashwood producing their own micro-miniseries, "Pressure."</span></div>
<div class="paragraph normal ng-star-inserted"><span class="ng-star-inserted">    ◦ </span><b class="ng-star-inserted">Consistency and Persistence:</b><span class="ng-star-inserted"> Jeanette Hill, a prolific playwright with over 100 plays, exemplifies consistency, writing "all of the time." She advises writers to keep notes, save all writing, and not let "writer's block" stop them, encouraging "what if" exercises and knowing that "there's no such thing as useless writing." She also notes that her stride was not hit until she was 72, emphasizing the importance of showing up every day, authentically, and doing what you're supposed to do, regardless of external validation.</span></div>
<div class="paragraph normal ng-star-inserted"><span class="ng-star-inserted">    ◦ </span><b class="ng-star-inserted">Daily Practices:</b><span class="ng-star-inserted"> Guests maintain well-being through practices like gratitude journaling, meditation, exercise, and daily creative activities. Tarnisha Small starts her day with prayer, meditation, and gratitude journaling. Winston Wilson practices daily gratitude, focuses on top priorities, and engages in creative activities. Tamina Ward emphasizes that mindset fuels courage and resilience, and that even when physically limited (like her knees for running a marathon), mental focus can drive capability.</span></div>
<div class="paragraph normal ng-star-inserted"><span class="ng-star-inserted">    ◦ </span><b class="ng-star-inserted">Allowing for Breaks:</b><span class="ng-star-inserted"> Tarnisha Small advises taking breaks when feeling frustrated, as the industry isn't going anywhere, allowing for a fresh perspective. She also learned to not fear failure, which had held her back.</span></div>
<div class="paragraph normal ng-star-inserted"><span class="ng-star-inserted">    ◦ </span><b class="ng-star-inserted">Borrowing Belief:</b><span class="ng-star-inserted"> Tomina Ward suggests that when an individual's belief system is low, they can "borrow that belief" from good people in their circle.</span></div>
<div class="paragraph normal ng-star-inserted"><span class="ng-star-inserted">• </span><b class="ng-star-inserted">Community and Giving Back:</b></div>
<div class="paragraph normal ng-star-inserted"><span class="ng-star-inserted">    ◦ </span><b class="ng-star-inserted">Sharing Resources and Wisdom:</b><span class="ng-star-inserted"> Jason C. Louder stresses the importance of sharing resources within the creative community, noting that "we cannot exist without one another." Tamina Ward is compelled to "speak life" into young adults and educators, sharing her "wealth of knowledge" to help them avoid past mistakes and break generational trauma. She believes human beings are "the original AI" through storytelling.</span></div>
<div class="paragraph normal ng-star-inserted"><span class="ng-star-inserted">    ◦ </span><b class="ng-star-inserted">Pouring into Others:</b><span class="ng-star-inserted"> Winston Wilson, the host, expresses that his core value is helping others succeed and that talking to people and connecting with them is a key motivator. He daily calls someone he hasn't talked to in a while to offer support. The show itself aims to inspire at least one person to expand their path. Jeneen Hammond's "Dreamer's Village" provides a supportive community for individuals to revive and monetize their creative dreams. John C. Smith, a lifelong friend of the host, exemplifies how strong, long-lasting friendships provide unwavering support and positive influence in life and creative pursuits.</span></div>
<div class="paragraph normal ng-star-inserted"><span class="ng-star-inserted">In essence, creators on "The Courageous Creativity Show" believe that </span><b class="ng-star-inserted">true success stems from creating work that is authentic, impacts others positively, and allows for continuous personal growth and healing</b><span class="ng-star-inserted">, driven by a deep sense of purpose that often transforms personal adversity into a powerful mission to serve and inspire their communities.</span></div>
</div>
<div class="panel-footer ng-star-inserted"></div>
</div>
<p>https://winstonawilson.com</p>

Creators on "The Courageous Creativity Show" redefine success and purpose not merely by traditional metrics like applause or fame, but through a deeper commitment to authenticity, impact, and personal growth, especially when navigating life's challenges. Here's how they express this: Redefining Success • Provoking Thought and Resonating with Audiences: For playwright Jeanette Hill, a play is successful if it makes people think or provokes discussion, even if they don't agree with the content. Similarly, if a character resonates with even one person, it's a success. The goal is for people to leave thinking, even if they don't have a good time. Jeanette believes that if the audience "got it" when they leave, that's what she's striving for. She recalls a time when people in a restaurant were arguing about characters and events from her play, indicating its success in sparking discussion and relating to their lives. • Inspiring, Healing, and Transforming: Jeneen Hammond's motivation is to tell stories that inspire, heal, and transform, emphasizing the power of one's own story and voice. This mission to help communities tell their stories, as seen in her nine-month project in Pennsylvania, highlights success through collective impact and revival. Jeneen views herself as a "steward" of stories that come from "Divine orchestration," highlighting a purpose beyond personal gain. • Authenticity and Vulnerability: The show emphasizes that genuine conversations and authentic work are key to impactful connections with the audience. Tarnisha Small, for example, found her voice and confidence through acting by embracing vulnerability and letting go of the fear of failure. Jeneen Hammond notes that writing from an authentic space, truly reflecting oneself, can be scary but leads to impactful stories. • Emotional Connection: Success is often measured by the emotional connection a story creates, whether through laughter or tears. Jeneen Hammond herself knows a story is on an emotional track if it makes her cry or laugh. Finding Purpose Amidst Challenges • Drawing on Personal Experiences: Many guests transform personal challenges into their purpose. ◦ Grief and Navigation: Angel L. Henderson shares that navigating life after losing both parents requires immense courage, making her journey of building her own voice and seeking counseling a display of strength. ◦ Overcoming Self-Doubt and Trauma: Tarnisha Small's journey into acting was sparked by a friend's perception of her potential, helping her overcome low self-worth and shyness. Tamina Ward uses her experiences with childhood teasing, abandonment, and generational trauma to inspire young adults to break free from their past burdens. She intentionally "dropped the pack" of past hurts. Jason C. Louder's stories, like the one about "Baba Tunde the Grio," often focus on themes of love, hope, faith, and overcoming self-doubt and trauma. ◦ Healing from Pain: Jeanette Hill discusses how her play "Clean Sheets," which garnered a perfect score but theaters were afraid to produce, addresses cultural hurts, aiming to move from a "scab to a scar" for societal healing. She emphasizes that there's "no honor in pain" and that unresolved hurts can manifest as anger or other negative behaviors. • Embracing a Divine Calling and Stewardship: Jeneen Hammond believes her writing comes from a "Divine orchestration" and views herself as a "steward" of these stories, emphasizing a purpose beyond personal gain. This resonates with the idea that every person has a "Divine calling and assignment and purpose." • Proactive Creation and Entrepreneurship: Instead of waiting for opportunities, creators like Tarnisha Small choose to write and produce their own films to create roles for themselves and others, recognizing the need to be entrepreneurial. Jeneen Hammond developed "The Dreamer's Village" to help people revive their creative dreams and learn to monetize their gifts, emphasizing taking ownership of one's God-given dream and not waiting for external validation. • Mindset and Resilience: ◦ Learning from Setbacks: Jason C. Louder views challenges as "learning opportunities" that can push one forward. He uses financial challenges in the acting industry as a motivator for learning and growth. ◦ "Just Do It": Portia Cue and Winston Wilson encourage creators to "just start" their projects, regardless of how big or small, and not wait for perfection or validation. Portia gives the example of Lita Renee Brown and Dour Ashwood producing their own micro-miniseries, "Pressure." ◦ Consistency and Persistence: Jeanette Hill, a prolific playwright with over 100 plays, exemplifies consistency, writing "all of the time." She advises writers to keep notes, save all writing, and not let "writer's block" stop them, encouraging "what if" exercises and knowing that "there's no such thing as useless writing." She also notes that her stride was not hit until she was 72, emphasizing the importance of showing up every day, authentically, and doing what you're supposed to do, regardless of external validation. ◦ Daily Practices: Guests maintain well-being through practices like gratitude journaling, meditation, exercise, and daily creative activities. Tarnisha Small starts her day with prayer, meditation, and gratitude journaling. Winston Wilson practices daily gratitude, focuses on top priorities, and engages in creative activities. Tamina Ward emphasizes that mindset fuels courage and resilience, and that even when physically limited (like her knees for running a marathon), mental focus can drive capability. ◦ Allowing for Breaks: Tarnisha Small advises taking breaks when feeling frustrated, as the industry isn't going anywhere, allowing for a fresh perspective. She also learned to not fear failure, which had held her back. ◦ Borrowing Belief: Tomina Ward suggests that when an individual's belief system is low, they can "borrow that belief" from good people in their circle. • Community and Giving Back: ◦ Sharing Resources and Wisdom: Jason C. Louder stresses the importance of sharing resources within the creative community, noting that "we cannot exist without one another." Tamina Ward is compelled to "speak life" into young adults and educators, sharing her "wealth of knowledge" to help them avoid past mistakes and break generational trauma. She believes human beings are "the original AI" through storytelling. ◦ Pouring into Others: Winston Wilson, the host, expresses that his core value is helping others succeed and that talking to people and connecting with them is a key motivator. He daily calls someone he hasn't talked to in a while to offer support. The show itself aims to inspire at least one person to expand their path. Jeneen Hammond's "Dreamer's Village" provides a supportive community for individuals to revive and monetize their creative dreams. John C. Smith, a lifelong friend of the host, exemplifies how strong, long-lasting friendships provide unwavering support and positive influence in life and creative pursuits. In essence, creators on "The Courageous Creativity Show" believe that true success stems from creating work that is authentic, impacts others positively, and allows for continuous personal growth and healing, driven by a deep sense of purpose that often transforms personal adversity into a powerful mission to serve and inspire their communities. https://winstonawilson.com



Creators on "The Courageous Creativity Show" redefine success and purpose not merely by traditional metrics like applause or fame, but through a deeper commitment to <b>authenticity, impact, and personal growth</b>, especially when navigating life's challenges.
Here's how they express this:
Redefining Success
• <b>Provoking Thought and Resonating with Audiences:</b> For playwright Jeanette Hill, a play is successful if it makes people think or provokes discussion, even if they don't agree with the content. Similarly, if a character resonates with even one person, it's a success. The goal is for people to leave thinking, even if they don't have a good time. Jeanette believes that if the audience "got it" when they leave, that's what she's striving for. She recalls a time when people in a restaurant were arguing about characters and events from her play, indicating its success in sparking discussion and relating to their lives.
• <b>Inspiring, Healing, and Transforming:</b> Jeneen Hammond's motivation is to tell stories that inspire, heal, and transform, emphasizing the power of one's own story and voice. This mission to help communities tell their stories, as seen in her nine-month project in Pennsylvania, highlights success through collective impact and revival. Jeneen views herself as a "steward" of stories that come from "Divine orchestration," highlighting a purpose beyond personal gain.
• <b>Authenticity and Vulnerability:</b> The show emphasizes that genuine conversations and authentic work are key to impactful connections with the audience. Tarnisha Small, for example, found her voice and confidence through acting by embracing vulnerability and letting go of the fear of failure. Jeneen Hammond notes that writing from an authentic space, truly reflecting oneself, can be scary but leads to impactful stories.
• <b>Emotional Connection:</b> Success is often measured by the emotional connection a story creates, whether through laughter or tears. Jeneen Hammond herself knows a story is on an emotional track if it makes her cry or laugh.
Finding Purpose Amidst Challenges
• <b>Drawing on Personal Experiences:</b> Many guests transform personal challenges into their purpose.
&nbsp;&nbsp;&nbsp;&nbsp;◦ <b>Grief and Navigation:</b> Angel L. Henderson shares that navigating life after losing both parents requires immense courage, making her journey of building her own voice and seeking counseling a display of strength.
&nbsp;&nbsp;&nbsp;&nbsp;◦ <b>Overcoming Self-Doubt and Trauma:</b> Tarnisha Small's journey into acting was sparked by a friend's perception of her potential, helping her overcome low self-worth and shyness. Tamina Ward uses her experiences with childhood teasing, abandonment, and generational trauma to inspire young adults to break free from their past burdens. She intentionally "dropped the pack" of past hurts. Jason C. Louder's stories, like the one about "Baba Tunde the Grio," often focus on themes of love, hope, faith, and overcoming self-doubt and trauma.
&nbsp;&nbsp;&nbsp;&nbsp;◦ <b>Healing from Pain:</b> Jeanette Hill discusses how her play "Clean Sheets," which garnered a perfect score but theaters were afraid to produce, addresses cultural hurts, aiming to move from a "scab to a scar" for societal healing. She emphasizes that there's "no honor in pain" and that unresolved hurts can manifest as anger or other negative behaviors.
• <b>Embracing a Divine Calling and Stewardship:</b> Jeneen Hammond believes her writing comes from a "Divine orchestration" and views herself as a "steward" of these stories, emphasizing a purpose beyond personal gain. This resonates with the idea that every person has a "Divine calling and assignment and purpose."
• <b>Proactive Creation and Entrepreneurship:</b> Instead of waiting for opportunities, creators like Tarnisha Small choose to write and produce their own films to create roles for themselves and others, recognizing the need to be entrepreneurial. Jeneen Hammond developed "The Dreamer's Village" to help people revive their creative dreams and learn to monetize their gifts, emphasizing taking ownership of one's God-given dream and not waiting for external validation.&nbsp;
• <b>Mindset and Resilience:</b>
&nbsp;&nbsp;&nbsp;&nbsp;◦ <b>Learning from Setbacks:</b> Jason C. Louder views challenges as "learning opportunities" that can push one forward. He uses financial challenges in the acting industry as a motivator for learning and growth.
&nbsp;&nbsp;&nbsp;&nbsp;◦ <b>"Just Do It":</b> Portia Cue and Winston Wilson encourage creators to "just start" their projects, regardless of how big or small, and not wait for perfection or validation. Portia gives the example of Lita Renee Brown and Dour Ashwood producing their own micro-miniseries, "Pressure."
&nbsp;&nbsp;&nbsp;&nbsp;◦ <b>Consistency and Persistence:</b> Jeanette Hill, a prolific playwright with over 100 plays, exemplifies consistency, writing "all of the time." She advises writers to keep notes, save all writing, and not let "writer's block" stop them, encouraging "what if" exercises and knowing that "there's no such thing as useless writing." She also notes that her stride was not hit until she was 72, emphasizing the importance of showing up every day, authentically, and doing what you're supposed to do, regardless of external validation.
&nbsp;&nbsp;&nbsp;&nbsp;◦ <b>Daily Practices:</b> Guests maintain well-being through practices like gratitude journaling, meditation, exercise, and daily creative activities. Tarnisha Small starts her day with prayer, meditation, and gratitude journaling. Winston Wilson practices daily gratitude, focuses on top priorities, and engages in creative activities. Tamina Ward emphasizes that mindset fuels courage and resilience, and that even when physically limited (like her knees for running a marathon), mental focus can drive capability.
&nbsp;&nbsp;&nbsp;&nbsp;◦ <b>Allowing for Breaks:</b> Tarnisha Small advises taking breaks when feeling frustrated, as the industry isn't going anywhere, allowing for a fresh perspective. She also learned to not fear failure, which had held her back.
&nbsp;&nbsp;&nbsp;&nbsp;◦ <b>Borrowing Belief:</b> Tomina Ward suggests that when an individual's belief system is low, they can "borrow that belief" from good people in their circle.
• <b>Community and Giving Back:</b>
&nbsp;&nbsp;&nbsp;&nbsp;◦ <b>Sharing Resources and Wisdom:</b> Jason C. Louder stresses the importance of sharing resources within the creative community, noting that "we cannot exist without one another." Tamina Ward is compelled to "speak life" into young adults and educators, sharing her "wealth of knowledge" to help them avoid past mistakes and break generational trauma. She believes human beings are "the original AI" through storytelling.
&nbsp;&nbsp;&nbsp;&nbsp;◦ <b>Pouring into Others:</b> Winston Wilson, the host, expresses that his core value is helping others succeed and that talking to people and connecting with them is a key motivator. He daily calls someone he hasn't talked to in a while to offer support. The show itself aims to inspire at least one person to expand their path. Jeneen Hammond's "Dreamer's Village" provides a supportive community for individuals to revive and monetize their creative dreams. John C. Smith, a lifelong friend of the host, exemplifies how strong, long-lasting friendships provide unwavering support and positive influence in life and creative pursuits.
In essence, creators on "The Courageous Creativity Show" believe that <b>true success stems from creating work that is authentic, impacts others positively, and allows for continuous personal growth and healing</b>, driven by a deep sense of purpose that often transforms personal adversity into a powerful mission to serve and inspire their communities.



<p>https://winstonawilson.com</p>

Courageous Creativity

This Podcast highlights todays creative geniuses in video, photo and all the arts. We go in depth with their creative processes and all kind of tips and tricks for all aspiring creatives!

Super Creators

La Page Blanche est un podcast dans lequel j’invite des autrices pour discuter de leur dernier livre et de leur processus créatif. 
Mon objectif? Raconter deux histoires, celle d’une autrice et de son roman, mais aussi de lever le voile sur un métier qui fait parfois rêver, mais qui n’est pas sans cacher de nombreuses difficultés. Ensemble, on parle du cheminement de l’auteur, de livres, d’édition, des joies et des doutes de l’écrivain, et j’espère partager ainsi avec vous autant d’idées de lectures qu’une bonne dose d’inspiration. 

Pour échanger, discuter, ou me suggérer des invités, retrouvez-moi sur instagram, via le compte @emiliedeseliene  (https://instagram.com/emiliedeseliene)

 

Merci et bonne écoute ! :) 

Logo by Arzh 
 Music by Belair (https://icons8.com/music/author/belair) from Fugue (https://icons8.com/music) 


Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.

La Page Blanche est un podcast dans lequel j’invite des autrices pour discuter de leur dernier livre et de leur processus créatif. Mon objectif? Raconter deux histoires, celle d’une autrice et de son roman, mais aussi de lever le voile sur un métier qui fait parfois rêver, mais qui n’est pas sans cacher de nombreuses difficultés. Ensemble, on parle du cheminement de l’auteur, de livres, d’édition, des joies et des doutes de l’écrivain, et j’espère partager ainsi avec vous autant d’idées de lectures qu’une bonne dose d’inspiration. Pour échanger, discuter, ou me suggérer des invités, retrouvez-moi sur instagram, via le compte @emiliedeseliene (https://instagram.com/emiliedeseliene) Merci et bonne écoute ! :) Logo by Arzh Music by Belair (https://icons8.com/music/author/belair) from Fugue (https://icons8.com/music) Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.

La Page Blanche est un podcast dans lequel j’invite des autrices pour discuter de leur dernier livre et de leur processus créatif.&nbsp;
Mon objectif? Raconter deux histoires, celle d’une autrice et de son roman, mais aussi de lever le voile sur un métier qui fait parfois rêver, mais qui n’est pas sans cacher de nombreuses difficultés. Ensemble, on parle du cheminement de l’auteur, de livres, d’édition, des joies et des doutes de l’écrivain, et j’espère partager ainsi avec vous autant d’idées de lectures qu’une bonne dose d’inspiration.&nbsp;

Pour échanger, discuter, ou me suggérer des invités, retrouvez-moi sur instagram, via le compte @emiliedeseliene&nbsp; (https://instagram.com/emiliedeseliene)

&nbsp;

Merci et bonne écoute ! :)&nbsp;

Logo by Arzh&nbsp;
&nbsp;Music by Belair (https://icons8.com/music/author/belair) from Fugue (https://icons8.com/music)&nbsp;


Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.

La Page Blanche

On Air Fest brings together the creative vanguard of thinkers, performers, and storytellers to explore the creative possibilities of sound.

This podcast showcases a selection of our favorite live sessions from the festival, and a perspective on the new culture of audio.

On Air Fest brings together the creative vanguard of thinkers, performers, and storytellers to explore the creative possibilities of sound. This podcast showcases a selection of our favorite live sessions from the festival, and a perspective on the new culture of audio.

On Air Fest

Hear Rose Quinn interview your favorite authors and literary agents!

Books: Authors and Agents

The girlies talk about life and their journey together with God.

God, Let’s Talk About It

Frame By Frame is a podcast series hosted by editor and producer Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.

Proudly presented by the Post New York Alliance.

Produced by Isabel Sadurni.

Frame By Frame is a podcast series hosted by editor and producer Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry. Proudly presented by the Post New York Alliance. Produced by Isabel Sadurni.

Frame By Frame

Lo que nunca has escuchado de los mejores escritores y personas relevantes del mundo de la literatura de Hispanoamérica.
Una conversación íntima sobre creatividad y libros con protagonistas del mundo de la cultura y las artes junto a la periodista y escritora Karen Codner. Por Espiral han pasado autores como Leila Guerriero, Irene Vallejo, Alejandro Zambra, Julia Navarro, Alan Pauls y cerca de otros cincuenta invitados.
Más información sobre el podcast y en el boletín Oda en www.karencodner.com
Lee, escribe, crea junto a Espiral

Lo que nunca has escuchado de los mejores escritores y personas relevantes del mundo de la literatura de Hispanoamérica. Una conversación íntima sobre creatividad y libros con protagonistas del mundo de la cultura y las artes junto a la periodista y escritora Karen Codner. Por Espiral han pasado autores como Leila Guerriero, Irene Vallejo, Alejandro Zambra, Julia Navarro, Alan Pauls y cerca de otros cincuenta invitados. Más información sobre el podcast y en el boletín Oda en www.karencodner.com Lee, escribe, crea junto a Espiral

Espiral con Karen Codner

La voix des femmes qui font la gastronomie.

Girls in Food

Hi everyone and welcome to IAmJayBritt the Podcast! I've been in the makeup industry for almost 8 years working for some of the biggest names in the game. All I wanna do now is educate on what I know, learn some things that I don't, and have a bunch of fun! We are going to be talking about all things makeup, some things skin care cause I'm a low key enthusiast, and a little bit of hair because this is a package deal!

IAmJayBritt The Podcast

<p><a href="https://www.instagram.com/mrrossnoble/">Ross Noble</a> is obsessed with music videos. <a href="https://www.instagram.com/therealedkavalee/">Ed Kavalee</a> and other guests join him for a discussion that begins at music videos and wanders through several unrelated topics before once again ending at music videos.&nbsp;</p>
<p>The Ross Noble Podcast is produced by <a href="https://www.twitter.com/bad_producer">Jay Mueller</a> and is part of T<a href="https://www.badproducerproductions.com">he Bad Producer Podcast Network</a>.&nbsp;</p>
<p>&nbsp;</p>

Ross Noble is obsessed with music videos. Ed Kavalee and other guests join him for a discussion that begins at music videos and wanders through several unrelated topics before once again ending at music videos.  The Ross Noble Podcast is produced by Jay Mueller and is part of The Bad Producer Podcast Network.   

<p><a href="https://www.instagram.com/mrrossnoble/" rel="noopener noreferrer">Ross Noble</a> is obsessed with music videos. <a href="https://www.instagram.com/therealedkavalee/" rel="noopener noreferrer">Ed Kavalee</a> and other guests join him for a discussion that begins at music videos and wanders through several unrelated topics before once again ending at music videos.&nbsp;</p>
<p>The Ross Noble Podcast is produced by <a href="https://www.twitter.com/bad_producer" rel="noopener noreferrer">Jay Mueller</a> and is part of T<a href="https://www.badproducerproductions.com" rel="noopener noreferrer">he Bad Producer Podcast Network</a>.&nbsp;</p>
<p>&nbsp;</p>

Ross Noble Podcast

<p>Creative conversations after we put our kids to bed. </p>

Creative conversations after we put our kids to bed.

The Mansfields After Dark

Welcome to the Getting in Tune Podcast! We’re Anya and Malar, and we interview professionals who have made it or trying to make it in the performing arts industry. 
Follow us @gettingintunepod on Instagram!
Contact us: gettingintunepod@gmail.com

Welcome to the Getting in Tune Podcast! We’re Anya and Malar, and we interview professionals who have made it or trying to make it in the performing arts industry. Follow us @gettingintunepod on Instagram! Contact us: gettingintunepod@gmail.com

Getting in Tune

Paul Metsa’s Wall of Power will bring together music, entertainment, and cool people from all walks of life.

The Wall of Power Radio Hour

Yes, we’re that podcast. The one that doesn’t talk about anything else but books and occasionally nerdy TV shows. Our favorites are The Hunger Games, Harry Potter, and The Mortal Instruments. But we talk about so much more too! 

New episodes coming in March!!!

Go follow @love.peeta.hate. gale on Instagram for needy memes!
               Leave us a message --) https://anchor.fm/biblomaniacs0-0/message
                                                                              And a review!

Yes, we’re that podcast. The one that doesn’t talk about anything else but books and occasionally nerdy TV shows. Our favorites are The Hunger Games, Harry Potter, and The Mortal Instruments. But we talk about so much more too! New episodes coming in March!!! Go follow @love.peeta.hate. gale on Instagram for needy memes! Leave us a message --) https://anchor.fm/biblomaniacs0-0/message And a review!

Bibliomaniacs

根據人生的各種疑難雜症，開出閱讀處方對症下藥，
祝福大家有讀見效，「書」暢一生。

支持我 | https://reurl.cc/9rVexv


--
Hosting provided by SoundOn

根據人生的各種疑難雜症，開出閱讀處方對症下藥， 祝福大家有讀見效，「書」暢一生。 支持我 | https://reurl.cc/9rVexv -- Hosting provided by SoundOn

閱讀處方

Wassup guys! Call me Slim (She Lives In Music)
Welcome to my poetic world filled with sassy, silly, and sexy stories that you can relate to. Come vibe with me!

Wassup guys! Call me Slim (She Lives In Music) Welcome to my poetic world filled with sassy, silly, and sexy stories that you can relate to. Come vibe with me!

Slimsworld

Twin Cities Design Scene celebrates the artists and makers who make up our vibrant communities in Minneapolis, St. Paul, and greater Minnesota. We are dedicated to building connections and support for our creatives by spotlighting their work and building awareness of each individual’s talents. Hosted by Jennie Eukel.

Twin Cities Design Scene Podcast

The Music Authority bringing Power Pop, Rock, Soul, Rhythm & Blues to anyone and everyone who has courage, is brave enough to not follow the crowd, the masses (the “M” is always silent!), trusts in themselves enough to listen to SOMETHING completely DIFFERENT!   How did I get here....I worked in radio since High School...WCSQ-FM, onto College at WOCC, to the professional commercial world WKFM, WOSC, WGES, WHEN, WRRB, WPCX, WMBO, WCSP, WMMB, WBVD, WIXC, WHKR. Over the years I noticed that music I enjoyed was not getting played and after leaving the industry for 13 years, I chose to come back and serve the music styles I enjoy and hopefully you will too! The biggest question being asked is "What format is The Music Authority?" And The Answer IS..."Whatever I want to play or whatever my friends and listeners ask for!”

The Music Authority bringing Power Pop, Rock, Soul, Rhythm & Blues to anyone and everyone who has courage, is brave enough to not follow the crowd, the masses (the “M” is always silent!), trusts in themselves enough to listen to SOMETHING completely DIFFERENT! How did I get here....I worked in radio since High School...WCSQ-FM, onto College at WOCC, to the professional commercial world WKFM, WOSC, WGES, WHEN, WRRB, WPCX, WMBO, WCSP, WMMB, WBVD, WIXC, WHKR. Over the years I noticed that music I enjoyed was not getting played and after leaving the industry for 13 years, I chose to come back and serve the music styles I enjoy and hopefully you will too! The biggest question being asked is "What format is The Music Authority?" And The Answer IS..."Whatever I want to play or whatever my friends and listeners ask for!”

The Music Authority bringing Power Pop, Rock, Soul, Rhythm &amp; Blues to anyone and everyone who has courage, is brave enough to not follow the crowd, the masses (the “M” is always silent!), trusts in themselves enough to listen to SOMETHING completely DIFFERENT!   How did I get here....I worked in radio since High School...WCSQ-FM, onto College at WOCC, to the professional commercial world WKFM, WOSC, WGES, WHEN, WRRB, WPCX, WMBO, WCSP, WMMB, WBVD, WIXC, WHKR. Over the years I noticed that music I enjoyed was not getting played and after leaving the industry for 13 years, I chose to come back and serve the music styles I enjoy and hopefully you will too! The biggest question being asked is "What format is The Music Authority?" And The Answer IS..."Whatever I want to play or whatever my friends and listeners ask for!”

The Music Authority LIVE STREAM Show

soo me and my bros decided to make a podcast to ask our listener funny questions, reviews on food, shows, and movies.Then we talk about who's is the best? Tune in on our trip on getting our podcast right...Our podcast is raw and always live on ig: follow us @bro.cast.podcast @Sl_senpai ,@playboy518 and @mookie0910 hope you guys enjoy

BRO CAST PODCAST

Yeti or Not is an improvised question analysis podcast that features a living room style discussion, followed by a free form improv set based on what we discovered in the question's discussion... A.K.A. another f****** improv podcast.

Yeti or Not

La Bona Renkontiĝo okazas ĉi foje inter verkistoj kaj legantoj! En la sekva serio de LBR vi povas aŭskulti mallongajn rankontojn verkitajn por la Interkultura Novelo-Konkurso, kiuj ne rajtas konkursi, ĉar la verkistoj estas aŭ teamanoj de la organiza teamo de la montreala UK, aŭ de INK. La limdato estas la 20-a de junio!

LBR does literature this time! INK is an Intercultural Short Story Competition, and the hope is to inspire people to submit their work for the contest. These stories that are not allowed to compete and are read out loud in this series to hopefully inspire and entertain.

La Bona Renkontiĝo okazas ĉi foje inter verkistoj kaj legantoj! En la sekva serio de LBR vi povas aŭskulti mallongajn rankontojn verkitajn por la Interkultura Novelo-Konkurso, kiuj ne rajtas konkursi, ĉar la verkistoj estas aŭ teamanoj de la organiza teamo de la montreala UK, aŭ de INK. La limdato estas la 20-a de junio! LBR does literature this time! INK is an Intercultural Short Story Competition, and the hope is to inspire people to submit their work for the contest. These stories that are not allowed to compete and are read out loud in this series to hopefully inspire and entertain.

Arts Podcasts / Page 624

Newark Today

Categories by Aristotle (384 BCE - 322 BCE)

Egyptian Tales, translated from the Papyri, Series One by W. M. Flinders Petrie

KUNST IS LANG (en het leven is kort)

Willows (version 2), The by Algernon Blackwood (1869 - 1951)

Merry Wives of Windsor, The by William Shakespeare (1564 - 1616)

Don Juan: Canto I by George Gordon Byron, Lord

Famous Five Podcast

The Jive Hive

RichHaven Talks

Contemporary Culture: Copenhagen Podcast

MatchOne 🤘🏾👾

Courageous Creativity

Super Creators

La Page Blanche

On Air Fest

Books: Authors and Agents

God, Let’s Talk About It

Frame By Frame

Espiral con Karen Codner

Girls in Food

IAmJayBritt The Podcast

Ross Noble Podcast

The Mansfields After Dark

Getting in Tune

The Wall of Power Radio Hour

Bibliomaniacs

閱讀處方

Slimsworld

Twin Cities Design Scene Podcast

The Music Authority LIVE STREAM Show

BRO CAST PODCAST

Yeti or Not

La Bona Renkontiĝo

El Chico Podcast

The Background Dancer

Getting Emotional

Nerd Social Hour In Texas

Immortal Incantations: Heartspell

the naked wine podcast

Sound Of The X

Story Collector: Classic Short Stories

NSFD&D

GSMC Audiobook Series: Great Expectations by Charles Dickens

Beer Scholar

Jim Serpico: Bread For The People - Sourdough, Pizza & Life

Tell Me About It with Scroobius Pip & Stu Whiffen

Gunsmoke Daily

پادکست “سرآشپز”

Balckwell's Books