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Kalimát-i-Maknúnih (کلمات مکنونه) or The Hidden Words is a book written in Baghdad around 1857 by Bahá'u'lláh, the founder of the Bahá'í Faith. This work is written partly in Arabic and partly in Persian. The Hidden Words is written in the form of a collection of short utterances, 71 in Arabic and 82 in Persian, in which Bahá'u'lláh claims to have taken the basic essence of certain spiritual truths and written them in brief form. Bahá'ís are advised by `Abdu'l-Bahá, the son of Bahá'u'lláh to read them every day and every night and to implement its latent wisdom into their daily lives. He also said that "The Hidden Words is a treasury of divine mysteries" and that when one ponders its contents, "the doors of the mysteries will open." The text of the Hidden Words is divided up into two sections: one from Arabic, and another from Persian. Each consist of several short, numbered passages. The Arabic has 71 passages, and the Persian has 82. This audiobook only contains the Persian section. Each passage begins with an invocation, many of which repeat. Some common invocations include "O Son of Spirit", "O Son of Man", and "O Son of Being". Bahá'í prayers are written in the first person of humanity, so that the reader can feel like they are having a conversation with God. The Hidden Words are written in the first person of God, so that the reader feels like God is speaking to them. Around 1903, Mr. Anton Haddad translated the Persian section of the Hidden Words. It should be noted that this translation was superseded by the more masterful, authorized translation of Shoghi Effendi, the Guardian of the Bahá'í Faith, which has not yet entered the public domain.(Adapted from Wikipedia)

Kalimát-i-Maknúnih (کلمات مکنونه) or The Hidden Words is a book written in Baghdad around 1857 by Bahá'u'lláh, the founder of the Bahá'í Faith. This work is written partly in Arabic and partly in Persian. The Hidden Words is written in the form of a collection of short utterances, 71 in Arabic and 82 in Persian, in which Bahá'u'lláh claims to have taken the basic essence of certain spiritual truths and written them in brief form. Bahá'ís are advised by `Abdu'l-Bahá, the son of Bahá'u'lláh to read them every day and every night and to implement its latent wisdom into their daily lives. He also said that "The Hidden Words is a treasury of divine mysteries" and that when one ponders its contents, "the doors of the mysteries will open." The text of the Hidden Words is divided up into two sections: one from Arabic, and another from Persian. Each consist of several short, numbered passages. The Arabic has 71 passages, and the Persian has 82. This audiobook only contains the Persian section. Each passage begins with an invocation, many of which repeat. Some common invocations include "O Son of Spirit", "O Son of Man", and "O Son of Being". Bahá'í prayers are written in the first person of humanity, so that the reader can feel like they are having a conversation with God. The Hidden Words are written in the first person of God, so that the reader feels like God is speaking to them. Around 1903, Mr. Anton Haddad translated the Persian section of the Hidden Words. It should be noted that this translation was superseded by the more masterful, authorized translation of Shoghi Effendi, the Guardian of the Bahá'í Faith, which has not yet entered the public domain.(Adapted from Wikipedia)

Kalimát-i-Maknúnih (کلمات مکنونه) or The Hidden Words is a book written in Baghdad around 1857 by Bahá'u'lláh, the founder of the Bahá'í Faith. This work is written partly in Arabic and partly in Persian. The Hidden Words is written in the form of a collection of short utterances, 71 in Arabic and 82 in Persian, in which Bahá'u'lláh claims to have taken the basic essence of certain spiritual truths and written them in brief form. Bahá'ís are advised by `Abdu'l-Bahá, the son of Bahá'u'lláh to read them every day and every night and to implement its latent wisdom into their daily lives. He also said that "The Hidden Words is a treasury of divine mysteries" and that when one ponders its contents, "the doors of the mysteries will open." The text of the Hidden Words is divided up into two sections: one from Arabic, and another from Persian. Each consist of several short, numbered passages. The Arabic has 71 passages, and the Persian has 82. This audiobook only contains the Persian section. Each passage begins with an invocation, many of which repeat. Some common invocations include "O Son of Spirit", "O Son of Man", and "O Son of Being". Bahá'í prayers are written in the first person of humanity, so that the reader can feel like they are having a conversation with God. The Hidden Words are written in the first person of God, so that the reader feels like God is speaking to them. Around 1903, Mr. Anton Haddad translated the Persian section of the Hidden Words. It should be noted that this translation was superseded by the more masterful, authorized translation of Shoghi Effendi, the Guardian of the Bahá'í Faith, which has not yet entered the public domain.(Adapted from Wikipedia)

Persian Hidden Words, The by Bahá'u'lláh (1817 - 1892)

Parkman has been hailed as one of America's first great historians and as a master of narrative history. Numerous translations have spread the books around the world. The American writer and literary critic Edmund Wilson (1895-1972) in his book "O Canada" (1965), described Parkman’s France and England in North America in these terms: "The clarity, the momentum and the color of the first volumes of Parkman’s narrative are among the most brilliant achievements of the writing of history as an art." Parkman's biases, particularly his attitudes about nationality, race, and especially Native Americans, has generated criticism. The Canadian historian W. J. Eccles harshly criticized what he perceived as Parkman's bias against France and Roman Catholic policies, as well as what he considered Parkman's misuse of French language sources. However, Parkman's most severe detractor was the American historian Francis Jennings, an outspoken and controversial critic of the European colonization of North America, who went so far as to characterize Parkman's work as "fiction" and Parkman himself as a "liar". Unlike Jennings and Eccles, many modern historians have found much to praise in Parkman's work even while recognizing his limitations. Calling Jennings' critique "vitriolic and unfair," the historian Robert S. Allen has said that Parkman's history of France and England in North America "remains a rich mixture of history and literature which few contemporary scholars can hope to emulate". The historian Michael N. McConnell, while acknowledging the historical errors and racial prejudice in Parkman's book The Conspiracy of Pontiac, has said: "...it would be easy to dismiss Pontiac as a curious perhaps embarrassing artifact of another time and place. Yet Parkman's work represents a pioneering effort; in several ways he anticipated the kind of frontier history now taken for granted.... Parkman's masterful and evocative use of language remains his most enduring and instructive legacy." (Summary adapted from Wikipedia by Karen Merline) <a href="https://librivox.org/pioneers-of-france-in-the-new-world-by-parkman/" target="_blank">Part 1: Pioneers of France in the New World</a> <a href="https://librivox.org/the-jesuits-in-north-america-in-the-17th-century-by-francis-parkman/" target="_blank">Part 2: The Jesuits in North America in the 17th Century</a> <a href="https://librivox.org/the-old-regime-in-canada-by-francis-parkman-jr/" target="_blank">Part 4: The Old Régime in Canada</a> <a href="https://librivox.org/count-frontenac-and-new-france-under-louis-xiv-by-francis-parkman-jr/" target="_blank">Part 5: Count Frontenac and New France under Louis XIV</a> <a href="https://librivox.org/montcalm-and-wolfe-by-francis-parkman-jr/" target="_blank">Part 6: Montcalm and Wolfe</a> <a href="https://librivox.org/a-half-century-of-conflict-by-francis-parkman-jr/" target="_blank">Part 7: A Half Century of Conflict</a>

Parkman has been hailed as one of America's first great historians and as a master of narrative history. Numerous translations have spread the books around the world. The American writer and literary critic Edmund Wilson (1895-1972) in his book "O Canada" (1965), described Parkman’s France and England in North America in these terms: "The clarity, the momentum and the color of the first volumes of Parkman’s narrative are among the most brilliant achievements of the writing of history as an art."Parkman's biases, particularly his attitudes about nationality, race, and especially Native Americans, has generated criticism. The Canadian historian W. J. Eccles harshly criticized what he perceived as Parkman's bias against France and Roman Catholic policies, as well as what he considered Parkman's misuse of French language sources. However, Parkman's most severe detractor was the American historian Francis Jennings, an outspoken and controversial critic of the European colonization of North America, who went so far as to characterize Parkman's work as "fiction" and Parkman himself as a "liar".Unlike Jennings and Eccles, many modern historians have found much to praise in Parkman's work even while recognizing his limitations. Calling Jennings' critique "vitriolic and unfair," the historian Robert S. Allen has said that Parkman's history of France and England in North America "remains a rich mixture of history and literature which few contemporary scholars can hope to emulate". The historian Michael N. McConnell, while acknowledging the historical errors and racial prejudice in Parkman's book The Conspiracy of Pontiac, has said: "...it would be easy to dismiss Pontiac as a curious perhaps embarrassing artifact of another time and place. Yet Parkman's work represents a pioneering effort; in several ways he anticipated the kind of frontier history now taken for granted.... Parkman's masterful and evocative use of language remains his most enduring and instructive legacy."(Summary adapted from Wikipedia by Karen Merline)Part 1: Pioneers of France in the New WorldPart 2: The Jesuits in North America in the 17th CenturyPart 4: The Old Régime in CanadaPart 5: Count Frontenac and New France under Louis XIVPart 6: Montcalm and WolfePart 7: A Half Century of Conflict

Parkman has been hailed as one of America's first great historians and as a master of narrative history. Numerous translations have spread the books around the world. The American writer and literary critic Edmund Wilson (1895-1972) in his book "O Canada" (1965), described Parkman’s France and England in North America in these terms: "The clarity, the momentum and the color of the first volumes of Parkman’s narrative are among the most brilliant achievements of the writing of history as an art." Parkman's biases, particularly his attitudes about nationality, race, and especially Native Americans, has generated criticism. The Canadian historian W. J. Eccles harshly criticized what he perceived as Parkman's bias against France and Roman Catholic policies, as well as what he considered Parkman's misuse of French language sources. However, Parkman's most severe detractor was the American historian Francis Jennings, an outspoken and controversial critic of the European colonization of North America, who went so far as to characterize Parkman's work as "fiction" and Parkman himself as a "liar". Unlike Jennings and Eccles, many modern historians have found much to praise in Parkman's work even while recognizing his limitations. Calling Jennings' critique "vitriolic and unfair," the historian Robert S. Allen has said that Parkman's history of France and England in North America "remains a rich mixture of history and literature which few contemporary scholars can hope to emulate". The historian Michael N. McConnell, while acknowledging the historical errors and racial prejudice in Parkman's book The Conspiracy of Pontiac, has said: "...it would be easy to dismiss Pontiac as a curious perhaps embarrassing artifact of another time and place. Yet Parkman's work represents a pioneering effort; in several ways he anticipated the kind of frontier history now taken for granted.... Parkman's masterful and evocative use of language remains his most enduring and instructive legacy." (Summary adapted from Wikipedia by Karen Merline) <a href="https://librivox.org/pioneers-of-france-in-the-new-world-by-parkman/" rel="noopener noreferrer">Part 1: Pioneers of France in the New World</a> <a href="https://librivox.org/the-jesuits-in-north-america-in-the-17th-century-by-francis-parkman/" rel="noopener noreferrer">Part 2: The Jesuits in North America in the 17th Century</a> <a href="https://librivox.org/the-old-regime-in-canada-by-francis-parkman-jr/" rel="noopener noreferrer">Part 4: The Old Régime in Canada</a> <a href="https://librivox.org/count-frontenac-and-new-france-under-louis-xiv-by-francis-parkman-jr/" rel="noopener noreferrer">Part 5: Count Frontenac and New France under Louis XIV</a> <a href="https://librivox.org/montcalm-and-wolfe-by-francis-parkman-jr/" rel="noopener noreferrer">Part 6: Montcalm and Wolfe</a> <a href="https://librivox.org/a-half-century-of-conflict-by-francis-parkman-jr/" rel="noopener noreferrer">Part 7: A Half Century of Conflict</a>

Jesuits in North America in the 17th Century, The by Francis Parkman, Jr. (1823 - 1893)

Few stories of shipwreck and survival can equal that of the 16th century Spaniard Alvar Núñez Cabeza de Vaca who, cast ashore near present day (USA) Tampa Bay, Florida, in 1528, survived eight years of hand-to-mouth existence among the Indians of the South and Southwest, and who walked on foot across the plains to the Pacific Coast, arriving in Mexico in 1536. In 1542 he published an account of his adventures, and the present reading is based on Fanny Bandelier’s English translation of that text. Cabeza de Vaca, along with three other survivors, two Spaniards and a North African (Estévanico, a black slave) endured incredible hardships. Cabeza da Vaca was, himself, at first enslaved by the Indians, forced to dig roots with his bare hands for food. However, he soon showed powers of adaptation that allowed him to survive. He became a trader, bartering “seashells and cockles” from the coast for hides, red ochre, flint, and deer hair tassels from the inland tribes. “Trade suited me well,” he writes, “because it gave me liberty to go where I pleased.” The Indians “rejoiced greatly when seeing me and I would bring them what they needed, and those who did not know me would desire and endeavor to meet me for sake of my fame.” Cabeza de Vaca’s “fame” soon grew to include a reputation as a healer. In return for his “cures,” the Indians gave him “all that they had,” which included food, often in perilously short supply. The success of the survivors’ final overland treck in search of Spanish settlement reflected their comprehension of Indian customs and values. They were passed along from one tribe to another, accompanied by an ontourage of friendly natives. At each stop, Cabeza de Vaca saw to it that the food and presents he received were distributed to his followers by their chiefs, thus ensuring their loyalty. After eight years among the Indians, Cabeza de Vaca had a hard time adjusting to “civilization.” He writes that the Spanish governor in Mexico “received us very well, giving us what he had, for us to dress in; but for many days I could bear no clothing, nor could we sleep except on the bare floor.” His first person narrative is an exciting tale of survival “against the odds.” (Introduction by Sue Anderson)

Few stories of shipwreck and survival can equal that of the 16th century Spaniard Alvar Núñez Cabeza de Vaca who, cast ashore near present day (USA) Tampa Bay, Florida, in 1528, survived eight years of hand-to-mouth existence among the Indians of the South and Southwest, and who walked on foot across the plains to the Pacific Coast, arriving in Mexico in 1536. In 1542 he published an account of his adventures, and the present reading is based on Fanny Bandelier’s English translation of that text.Cabeza de Vaca, along with three other survivors, two Spaniards and a North African (Estévanico, a black slave) endured incredible hardships. Cabeza da Vaca was, himself, at first enslaved by the Indians, forced to dig roots with his bare hands for food. However, he soon showed powers of adaptation that allowed him to survive. He became a trader, bartering “seashells and cockles” from the coast for hides, red ochre, flint, and deer hair tassels from the inland tribes. “Trade suited me well,” he writes, “because it gave me liberty to go where I pleased.” The Indians “rejoiced greatly when seeing me and I would bring them what they needed, and those who did not know me would desire and endeavor to meet me for sake of my fame.” Cabeza de Vaca’s “fame” soon grew to include a reputation as a healer. In return for his “cures,” the Indians gave him “all that they had,” which included food, often in perilously short supply.The success of the survivors’ final overland treck in search of Spanish settlement reflected their comprehension of Indian customs and values. They were passed along from one tribe to another, accompanied by an ontourage of friendly natives. At each stop, Cabeza de Vaca saw to it that the food and presents he received were distributed to his followers by their chiefs, thus ensuring their loyalty.After eight years among the Indians, Cabeza de Vaca had a hard time adjusting to “civilization.” He writes that the Spanish governor in Mexico “received us very well, giving us what he had, for us to dress in; but for many days I could bear no clothing, nor could we sleep except on the bare floor.” His first person narrative is an exciting tale of survival “against the odds.”(Introduction by Sue Anderson)

Few stories of shipwreck and survival can equal that of the 16th century Spaniard Alvar Núñez Cabeza de Vaca who, cast ashore near present day (USA) Tampa Bay, Florida, in 1528, survived eight years of hand-to-mouth existence among the Indians of the South and Southwest, and who walked on foot across the plains to the Pacific Coast, arriving in Mexico in 1536. In 1542 he published an account of his adventures, and the present reading is based on Fanny Bandelier’s English translation of that text. Cabeza de Vaca, along with three other survivors, two Spaniards and a North African (Estévanico, a black slave) endured incredible hardships. Cabeza da Vaca was, himself, at first enslaved by the Indians, forced to dig roots with his bare hands for food. However, he soon showed powers of adaptation that allowed him to survive. He became a trader, bartering “seashells and cockles” from the coast for hides, red ochre, flint, and deer hair tassels from the inland tribes. “Trade suited me well,” he writes, “because it gave me liberty to go where I pleased.” The Indians “rejoiced greatly when seeing me and I would bring them what they needed, and those who did not know me would desire and endeavor to meet me for sake of my fame.” Cabeza de Vaca’s “fame” soon grew to include a reputation as a healer. In return for his “cures,” the Indians gave him “all that they had,” which included food, often in perilously short supply. The success of the survivors’ final overland treck in search of Spanish settlement reflected their comprehension of Indian customs and values. They were passed along from one tribe to another, accompanied by an ontourage of friendly natives. At each stop, Cabeza de Vaca saw to it that the food and presents he received were distributed to his followers by their chiefs, thus ensuring their loyalty. After eight years among the Indians, Cabeza de Vaca had a hard time adjusting to “civilization.” He writes that the Spanish governor in Mexico “received us very well, giving us what he had, for us to dress in; but for many days I could bear no clothing, nor could we sleep except on the bare floor.” His first person narrative is an exciting tale of survival “against the odds.” (Introduction by Sue Anderson)

Journey of Alvar Núñez Cabeza de Vaca, The by Alvar Núñez Cabeza de Vaca (c. 1488 - 1558)

Une petite fille orpheline, Heidi, est amenée par sa tante chez son grand-père qui habite isolé sur l’Alpe, loin des hommes. Celui-ci a la réputation d’être féroce auprès des gens du village mais Heidi l’apprivoise et commence une vie profondément heureuse auprès de lui. Cependant, quelque temps après, la tante revient chercher Heidi pour la placer dans une famille aisée à Francfort, où l’enfant commence à souffrir du mal du pays, mal qui ne pourra être soulagé que par le retour sur l’Alpe. Mais de son exil loin de ses montagnes, elle ramène des amis chers à son coeur et y apprend de nouvelles choses. Ce roman est sans conteste l’oeuvre magistrale de Johanna Spyri et a gagné le coeur d’innombrables lecteurs de tout âge. La version proposée ici est la traduction francaise originale, la plus proche du texte initial. (résumé par Caroline Sophie)

Une petite fille orpheline, Heidi, est amenée par sa tante chez son grand-père qui habite isolé sur l’Alpe, loin des hommes. Celui-ci a la réputation d’être féroce auprès des gens du village mais Heidi l’apprivoise et commence une vie profondément heureuse auprès de lui. Cependant, quelque temps après, la tante revient chercher Heidi pour la placer dans une famille aisée à Francfort, où l’enfant commence à souffrir du mal du pays, mal qui ne pourra être soulagé que par le retour sur l’Alpe. Mais de son exil loin de ses montagnes, elle ramène des amis chers à son coeur et y apprend de nouvelles choses. Ce roman est sans conteste l’oeuvre magistrale de Johanna Spyri et a gagné le coeur d’innombrables lecteurs de tout âge. La version proposée ici est la traduction francaise originale, la plus proche du texte initial.(résumé par Caroline Sophie)

Une petite fille orpheline, Heidi, est amenée par sa tante chez son grand-père qui habite isolé sur l’Alpe, loin des hommes. Celui-ci a la réputation d’être féroce auprès des gens du village mais Heidi l’apprivoise et commence une vie profondément heureuse auprès de lui. Cependant, quelque temps après, la tante revient chercher Heidi pour la placer dans une famille aisée à Francfort, où l’enfant commence à souffrir du mal du pays, mal qui ne pourra être soulagé que par le retour sur l’Alpe. Mais de son exil loin de ses montagnes, elle ramène des amis chers à son coeur et y apprend de nouvelles choses. Ce roman est sans conteste l’oeuvre magistrale de Johanna Spyri et a gagné le coeur d’innombrables lecteurs de tout âge. La version proposée ici est la traduction francaise originale, la plus proche du texte initial. (résumé par Caroline Sophie)

Heidi, une histoire pour les enfants et pour ceux qui les aiment by Johanna Spyri (1827 - 1901)

Franklyn Monk's Dronecast

A Hero of Our Time is indeed a portrait, but not of one man. It is a portrait built up of all our generation's vices in full bloom. You will again tell me that a human being cannot be so wicked, and I will reply that if you can believe in the existence of all the villains of tragedy and romance, why wouldn't believe that there was a Pechorin? If you could admire far more terrifying and repulsive types, why aren't you more merciful to this character, even if it is fictitious? Isn't it because there's more truth in it than you might wish? (Summary by the author)

Hero of Our Time, A by Mikhail Yurevich Lermontov (1814 - 1841)

a queer music and spoken word performance series in Chicago hosted by Scott Free

Homolatte

Every writer, actor, fine artist, filmmaker, musician, artisan food / liquor magnate, or mom & pop small business owner has a story of the "Big Break." New York startup attorney Michael Prywes interviews successful artists and entrepreneurs, and common themes become evident: there is no such thing as overnight success, learning continues for a lifetime, and relationships are everything. The guests--who all have succeeded where so many others have failed-- share actionable insights, retrospective advice, and instructive stories.

Every writer, actor, fine artist, filmmaker, musician, artisan food / liquor magnate, or mom &amp; pop small business owner has a story of the "Big Break." New York startup attorney Michael Prywes interviews successful artists and entrepreneurs, and common themes become evident: there is no such thing as overnight success, learning continues for a lifetime, and relationships are everything. The guests--who all have succeeded where so many others have failed-- share actionable insights, retrospective advice, and instructive stories.

How I Broke Into: Michael Prywes Interviews Artists and Entrepreneurs About Their Big Break

The  Artists Project

Mike’s dream of studying and playing cricket at Cambridge are thwarted as his father runs into financial difficulties. Instead, Mike takes on the job of clerk at the “New Asiatic Bank.” Luckily, school friend Psmith, with his boundless optimism and original views, soon joins his department, and together they endeavour to make the best of their new life in London.

Psmith in the City by P. G. Wodehouse

This is a detailed and accurate account of the most awful marine disaster in history, constructed from the real facts as obtained from those on board who survived (gutenberg.org)

Sinking of the Titanic and Great Sea Disasters, The by Logan Marshall (1884 - 1937)

Ann Veronica was a controversial book detailing the development of a naive school girl into a “New Woman”. When it was published, the Spectator described it as a “poisonous book … capable of poisoning the minds of those who read it.” Although it is unlikely to offend modern listeners in this way, this novel addresses many feminist issues that are still relevant today.

Ann Veronica by H. G. Wells

Be wise, my friends. In everything you do, channel wisdom.

Be Wise Podcast with Rais Tuluka

Empathic Futures Lab: Exploring a human focused future through research, technology, and design fiction

Fireside Chats with Empathic Futures Lab

Ponder

Two friends putting something into the world

Correspondence

Youth is a gift of nature, but age is a work of art. Jog your memory through the arts and entertainment with Stu and Nina on Senior Moments! Presented by the Glen Cove Senior Center and WCWP.

A production of LIU Public Radio. Visit us at WCWP.org

Youth is a gift of nature, but age is a work of art. Jog your memory through the arts and entertainment with Stu and Nina on Senior Moments! Presented by the Glen Cove Senior Center and WCWP. A production of LIU Public Radio. Visit us at WCWP.org

Senior Moments

Vous aimez les histoires singulières ? 
Ecoutez les voix des femmes et des hommes de nos Maisons.

« Confidences particulières » vous emmène à la rencontre des artisans et créateurs des Maisons du groupe LVMH. Julien Cernobori a capté les petits et grands secrets de ces femmes, de ces hommes, si fiers de leur métier, soucieux du geste parfait, animés par la passion de l’excellence.
 
"Tips to the Top" célèbre les femmes LVMH à travers une série de témoignages sur leurs métiers, leurs parcours, et ce jour, si particulier, où tout a changé pour elles...

Vous aimez les histoires singulières ? Ecoutez les voix des femmes et des hommes de nos Maisons. « Confidences particulières » vous emmène à la rencontre des artisans et créateurs des Maisons du groupe LVMH. Julien Cernobori a capté les petits et grands secrets de ces femmes, de ces hommes, si fiers de leur métier, soucieux du geste parfait, animés par la passion de l’excellence. "Tips to the Top" célèbre les femmes LVMH à travers une série de témoignages sur leurs métiers, leurs parcours, et ce jour, si particulier, où tout a changé pour elles...

Vous aimez les histoires singulières&nbsp;? 
Ecoutez les voix des femmes et des hommes de nos Maisons.

«&nbsp;Confidences particulières&nbsp;» vous emmène à la rencontre des artisans et créateurs des Maisons du groupe LVMH.&nbsp;Julien Cernobori a capté les petits et grands secrets de ces femmes, de ces hommes, si fiers de leur métier, soucieux du geste parfait, animés par la passion de l’excellence.
 
"Tips to the Top" célèbre les femmes LVMH à travers une série de témoignages sur leurs métiers, leurs parcours, et ce jour, si particulier, où tout a changé pour elles...

Confidences particulières

Boink Studios presents Tom Clark's 6M Podcast, an entertainment podcast focusing on Movies, Music, Marvel, Magazines, Miniseries and More!

Tom Clark's 6M Podcast

This podcast is about a collection of everyday ideas, anything about life in general that includes love, health, money, travel and much more.

Anything Under the Sun

Your weekly bite of sports news by four long time friends and sports nerds in Bend, Oregon.

Breakfast with the Boyz

Readings of poems from Old English to the present.

The Poetry Voice

Unmet Potential is the epitome of a conversation where, afterwards, you say, “...you could totally make something out of that...”
#unmetpotentialpod
Unmetpotentialpod@gmail.com - Don’t send nudes

Unmet Potential is the epitome of a conversation where, afterwards, you say, “...you could totally make something out of that...” #unmetpotentialpod Unmetpotentialpod@gmail.com - Don’t send nudes

Unmet Potential

Jess and Kim love books. They review them, so you don't have to suffer through a bad book.

Books Don't Review Themselves

Craigs Creative Corner

In less than four years on the San Francisco Bay Area theatre circuit, after breathing new life into radio classics like 'The Shadow' in 2015, followed by the staging of 'Slay Bells Ring (Are you listening?),' four comedic original one-acts which played to sold out houses at the Hotel Petaluma in 2016, the Petaluma Radio Players, the North Bay's most eclectic and energized radio theatre company,  are continuing to churn out a cornucopia of radio plays including vintage dramas like 'One Way Passage' (1932) and 'Trifles' (1916), and modern fare like the tear-jerking 'The Next Move' and in-stitches comedic noir parody, 'Story: A Detective Story.'  We produce two radio plays per month. Join our podcast. Join our mailing list: info@petalumaradioplayers.com. Prepare to giggle and cry.

In less than four years on the San Francisco Bay Area theatre circuit, after breathing new life into radio classics like 'The Shadow' in 2015, followed by the staging of 'Slay Bells Ring (Are you listening?),' four comedic original one-acts which played to sold out houses at the Hotel Petaluma in 2016, the Petaluma Radio Players, the North Bay's most eclectic and energized radio theatre company, are continuing to churn out a cornucopia of radio plays including vintage dramas like 'One Way Passage' (1932) and 'Trifles' (1916), and modern fare like the tear-jerking 'The Next Move' and in-stitches comedic noir parody, 'Story: A Detective Story.' We produce two radio plays per month. Join our podcast. Join our mailing list: info@petalumaradioplayers.com. Prepare to giggle and cry.

THE PETALUMA RADIO PLAYERS

The only podcast you need for your required dose of the Boston local underground and all things Boston that do not suck.

@ruhiuk
@therealalxsan
@buddhapackthedro

The only podcast you need for your required dose of the Boston local underground and all things Boston that do not suck. @ruhiuk @therealalxsan @buddhapackthedro

BostonSucks

Here you can listen to stories of artist aka those who took the road less traveled. To all artist trying to make it and feel like giving up don't! Listen to these stories for inspiration and a glimmer of hope. We are the ones who took the road less traveled and we pave the way for many others in the future. Hostess Amanda Ortega will explore the stories of a variety of artists from all genres!

Why The F*** Am I an Artist?

Listen to Chris and Kara break down your favorite movies by critiquing its fashion, story, and overall cinematic appeal. Each episode will focus on one movie from the current year, or special episodes on older favorites. The mix of Kara's love of fashion and Chris' love of film makes for a fun listen!

Dressing Casual for The Movies

A podcast in which stories are read to squirrels.

Storytime for Squirrels

The Xenothesis podcast features review, discussion and analysis of Dawn book 1 of Octavia E. Butler's, Xenogenesis trilogy AKA Lilith's Brood

XenoThesis

Gather around the cauldron for tales and talk of the mysterious, the ineffable, and the enjoyable. From Movies to Mckenna. From Aliens on Mars to anchovies on pizza. Escape the mundane and beaten horses of mainstream chat. Email: stonedalchemy@yahoo.com

Stoned Alchemy

Despues de patear la calle por un tiempo, Eugenia Gamero y DJ 13 se juntan para hablar de moda, diseno, musica, creatividad con un enfoque original y mucho estilow.

ESTILOW

一档聚焦于文学、电影及其引申出的广泛文化社会议题的播客

一档聚焦于文学、电影及其引申出的广泛文化社会议题的播客

一档聚焦于文学、电影及其引申出的广泛文化社会议题的播客

聊天记录 GroupChat

The Introvert 360 is a podcast that circles around the things that matter most to introverts. The wise INFJ Kari is all about continual improvement. The wacky INTJ Rebecca just wants to discuss the inner minds of cats. Hop onto the Introvert 360 for discussions about careers, famous introverts, and cake.  We’ll get your wheels turning or maybe just send your mind spinning.

The Introvert 360 is a podcast that circles around the things that matter most to introverts. The wise INFJ Kari is all about continual improvement. The wacky INTJ Rebecca just wants to discuss the inner minds of cats. Hop onto the Introvert 360 for discussions about careers, famous introverts, and cake. We’ll get your wheels turning or maybe just send your mind spinning.

The Introvert 360 Podcast

"من در تمام زندگیم از کتاب‌ها برای آگاهی، برای کمک به رهایی از پریشانی و برای گریز به سوی زندگی استفاده کرده‌ام". 
در هرفصل قاصدک‌شنو، آثار داستانی و غیرداستانی  به همراه معرفی نویسنده، توضیح و نقد اثر می‌شنوید.

قاصدک‌شنو را می‌توانید از اپلیکیشن‌های پادکست خوان اندروید و آیفون با جستجوی
 Ghasedaksheno 
 نیز بشنوید.

اپیزودهای پادکست همراه با عکس و فیلم‌هایی از نویسندگان در کانال تلگرام 
https://t.me/Ghasedaksheno 
و اینستاگرام 
https://Instagram.com./ghasedaksheno
هم در دسترس خواهند بود.

"من در تمام زندگیم از کتاب‌ها برای آگاهی، برای کمک به رهایی از پریشانی و برای گریز به سوی زندگی استفاده کرده‌ام". در هرفصل قاصدک‌شنو، آثار داستانی و غیرداستانی به همراه معرفی نویسنده، توضیح و نقد اثر می‌شنوید. قاصدک‌شنو را می‌توانید از اپلیکیشن‌های پادکست خوان اندروید و آیفون با جستجوی Ghasedaksheno نیز بشنوید. اپیزودهای پادکست همراه با عکس و فیلم‌هایی از نویسندگان در کانال تلگرام https://t.me/Ghasedaksheno و اینستاگرام https://Instagram.com./ghasedaksheno هم در دسترس خواهند بود.

"من در تمام زندگیم از کتاب‌ها برای آگاهی، برای کمک به رهایی از پریشانی و برای گریز به سوی زندگی استفاده کرده‌ام". 
در هرفصل قاصدک‌شنو، آثار داستانی و غیرداستانی&nbsp; به همراه معرفی نویسنده، توضیح و نقد اثر می‌شنوید.

قاصدک‌شنو را می‌توانید از اپلیکیشن‌های پادکست خوان&nbsp;اندروید و آیفون با جستجوی
 Ghasedaksheno&nbsp;
&nbsp;نیز بشنوید.

اپیزودهای پادکست همراه با عکس و فیلم‌هایی از نویسندگان در کانال تلگرام 
https://t.me/Ghasedaksheno 
و اینستاگرام 
https://Instagram.com./ghasedaksheno
هم در دسترس خواهند بود.

Ghasedaksheno Podcast
پادکست قاصدک‌شنو

Hey guys! Welcome to the Seize the Day Podcast with V &amp; K!
We are both 21 year olds, trying navigate life and college and we want you to join us on the journey.
In this podcast, we will talk about school, health, beauty and everyday life dilemmas.

Hey guys! Welcome to the Seize the Day Podcast with V & K! We are both 21 year olds, trying navigate life and college and we want you to join us on the journey. In this podcast, we will talk about school, health, beauty and everyday life dilemmas.

Arts Podcasts / Page 636

Persian Hidden Words, The by Bahá'u'lláh (1817 - 1892)

Jesuits in North America in the 17th Century, The by Francis Parkman, Jr. (1823 ...

Journey of Alvar Núñez Cabeza de Vaca, The by Alvar Núñez Cabeza de Vaca (c. 148...

Heidi, une histoire pour les enfants et pour ceux qui les aiment by Johanna Spyr...

Franklyn Monk's Dronecast

Hero of Our Time, A by Mikhail Yurevich Lermontov (1814 - 1841)

Homolatte

How I Broke Into: Michael Prywes Interviews Artists and Entrepreneurs About Thei...

The Artists Project

Psmith in the City by P. G. Wodehouse

Sinking of the Titanic and Great Sea Disasters, The by Logan Marshall (1884 - 19...

Ann Veronica by H. G. Wells

Be Wise Podcast with Rais Tuluka

Fireside Chats with Empathic Futures Lab

Ponder

Correspondence

Senior Moments

Confidences particulières

Tom Clark's 6M Podcast

Anything Under the Sun

Breakfast with the Boyz

The Poetry Voice

Unmet Potential

Books Don't Review Themselves

Craigs Creative Corner

THE PETALUMA RADIO PLAYERS

BostonSucks

Why The F*** Am I an Artist?

Dressing Casual for The Movies

Storytime for Squirrels

XenoThesis

Stoned Alchemy

ESTILOW

聊天记录 GroupChat

The Introvert 360 Podcast

Ghasedaksheno Podcast پادکست قاصدک‌شنو

Seize the Day

Para Leer en Libertad

Bearded Drums

Turn on Your Monitor

b/air all

Rated B For Books

the ADHD Life Letters

Kate’s Diary

Cluster F**K Pod

NSFD&D

نگارک

Body Peace Podcast with Jennie Kramer and Nina Manolson

Queers and Quills

Living the Dream