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Esta serie documental presenta acercamientos al amplio espectro de la diversidad y las disidencias sexuales. Presentados desde múltiples ángulos, conoce tabús, juicios, prejuicios y conquistas cotidianas que experimentan quienes todos los días luchan por lograr el pleno ejercicio de sus derechos.

Diversos Somos

2 mannen en één stagiair. 3 meningen. 1 conversatie. 1 Podcast

Het Mag Gezegd Worden is genomineerd voor de Belgian Podcast Awards! Stem op Checkpod via: 
https://checkpod.app/show/het-mag-gezegd-worden-U2YszgUB

Wij gaan binnenkort opzoek naar onze 3e vaste host. Maar in afwachting doen we gewoon voort met onze nieuwe stagiair.

“Het Mag Gezegd Worden” is een productie van Sander Cuypers, Pavlo Tymofyeyev en Hendrik Bracquené

2 mannen en één stagiair. 3 meningen. 1 conversatie. 1 Podcast Het Mag Gezegd Worden is genomineerd voor de Belgian Podcast Awards! Stem op Checkpod via: https://checkpod.app/show/het-mag-gezegd-worden-U2YszgUB Wij gaan binnenkort opzoek naar onze 3e vaste host. Maar in afwachting doen we gewoon voort met onze nieuwe stagiair. “Het Mag Gezegd Worden” is een productie van Sander Cuypers, Pavlo Tymofyeyev en Hendrik Bracquené

Het Mag Gezegd Worden

«Slow Time» з Тарасом Малим. Автор музичної програми пропонує слухачам і слухачкам сповільнити ритм робочого дня і провести один вечір, вслухаючись у звуки і ритми міст. Від Берлінських клубів і нетуристичних дистриктів Парижу до київських дворів на Подолі і густозаселеного району Сихів у Львові. Від тріп-хопу до ейсід джазу, африканські і латиноамериканські мотиви, італійські піаністи, британські саксофоністи, німецькі електронщики гратимуть для всіх. хто не спить у місті «N». А також занурити нас в історії людей, як вони знайомилися з тими чи іншими авторами. Це розмови про суспільні зміни, які відображалися чи відображаються у літературі.

Slow Time

podcast ini adalah percakapan yang di update secara berkala. dengan omongan santai dan bahasa sehari hari.

Jenjang Terakhir

Il y a quelques années j'ai réalisé une série de reportages et d'entretiens sur les questions de l'intégration et du multiculturalisme. Et leur actualité n'a jamais été aussi grande.
Je me propose de les livrer à l'écoute des plus curieux. Ces anciennes productions seront complétées par de nouvelles.

Il y a quelques années j'ai réalisé une série de reportages et d'entretiens sur les questions de l'intégration et du multiculturalisme. Et leur actualité n'a jamais été aussi grande. Je me propose de les livrer à l'écoute des plus curieux. Ces anciennes productions seront complétées par de nouvelles.

Il y a quelques années j'ai réalisé une série de reportages et d'entretiens sur les questions de l'intégration et du multiculturalisme. Et leur actualité n'a jamais été aussi grande.
Je me propose de les livrer à l'écoute des plus curieux. Ces anciennes productions seront complétées par de nouvelles.
&nbsp;

Traces

Que sait-on exactement des pouvoirs du corps et de l'esprit ? Ce qui pour certains parait étrange, normal ou même paranormal, est parfois plus simple que l'on croit, et parfois... beaucoup plus mystérieux.
Novis Rebus c'est un podcast où nous partons explorer visible et invisible avec ouverture d'esprit et pragmatisme, pour essayer de mieux comprendre le monde dans lequel nous vivons. Hypnose, méditation, yoga, arts martiaux, énergies, chamanisme, quêtes mystiques ou initiatiques...
Aux frontières de la science, de la santé, de la psychologie, de l'étrange et du spirituel, dans chaque épisode nous partons à la rencontre d'un invité pour vous présenter son parcours, son expérience, sa discipline, sa vision du monde.

Que sait-on exactement des pouvoirs du corps et de l'esprit ? Ce qui pour certains parait étrange, normal ou même paranormal, est parfois plus simple que l'on croit, et parfois... beaucoup plus mystérieux. Novis Rebus c'est un podcast où nous partons explorer visible et invisible avec ouverture d'esprit et pragmatisme, pour essayer de mieux comprendre le monde dans lequel nous vivons. Hypnose, méditation, yoga, arts martiaux, énergies, chamanisme, quêtes mystiques ou initiatiques... Aux frontières de la science, de la santé, de la psychologie, de l'étrange et du spirituel, dans chaque épisode nous partons à la rencontre d'un invité pour vous présenter son parcours, son expérience, sa discipline, sa vision du monde.

Novis Rebus

After sharing the stories of others, finally I felt like it was time to share my own. Walking in faith, in courage, through obstacles and forks in the road-- but one this for sure is, I can do all things through Christ that strengthens me.

Introducing Sasha Frank

Did You Lock the Door is a true crime podcast that will take a deep dive in to the craziest cases you can think of, both solved and unsolved. Feel free to send in ideas and case suggestions to lockthedoorpod@gmail.com or @lockthedoorpod on Instagram. :)&nbsp;

Did You Lock the Door is a true crime podcast that will take a deep dive in to the craziest cases you can think of, both solved and unsolved. Feel free to send in ideas and case suggestions to lockthedoorpod@gmail.com or @lockthedoorpod on Instagram. :) 

Did You Lock The Door?

A podcast about the perspectives of the world from all kinds of people covering a wide range of topics

Twitter-LipMangrum
 -Isaacdiggs_

Instagram-LipMangrum
     -Isaacdiggs_

Snap-Isaac_Diggs

A podcast about the perspectives of the world from all kinds of people covering a wide range of topics Twitter-LipMangrum -Isaacdiggs_ Instagram-LipMangrum -Isaacdiggs_ Snap-Isaac_Diggs

Generation Z Experience

The Scottish Fisheries Museum tells the stories of boats, fish and folk of the Scottish fishing industry past, present and future and displays a vast collection of heritage and modern items.

We have 2 podcast series' "Sea Change" and "Anchored: Marine Life in Lockdown"


Facebook: facebook.com/scotfishmuseum
Twitter: twitter.com/scotfishmuseum
Instagram: instagram.com/scotfishmuseum

The Scottish Fisheries Museum tells the stories of boats, fish and folk of the Scottish fishing industry past, present and future and displays a vast collection of heritage and modern items. We have 2 podcast series' "Sea Change" and "Anchored: Marine Life in Lockdown" Facebook: facebook.com/scotfishmuseum Twitter: twitter.com/scotfishmuseum Instagram: instagram.com/scotfishmuseum

Scottish Fisheries Museum Podcasts

Welcome to Walking the Mosaic: A Collective of Human Lives.  You might be wondering why I collect life experiences of everyday people, rather than inspirational, heroic, adventure, mystery, or other genres of stories. To start with I should begin by explaining to you why I love the fight scenes in the Bridget Jones movies.  I’ve watched the Bridget Jones movies a half dozen times over the years and the fight scenes between Daniel Cleaver and Mark Darcy never disappoint me. Messily choreographed, two would-be warriors battle it out over Bridget, rolling out pent up male emotion in all it’s ridiculous glory. All the while verbal jabs cushion the physical ones as comic relief. I never thought I’d enjoy watching a fight and most times I don’t. I’ve been known to look away, take a pee break, head to the kitchen for a snack or check the weather app on my phone. But damned if I don’t enjoy every second of Darcy-Cleaver battle. There’s something about it that’s so satisfying.  We live in such a sculpted culture that I find myself drawn to the seemingly ridiculous because it does feel more like the reality human beings actually experience. Events are often limited to the sound bite, tweet, or pithy comment. Movies, sitcoms, reality shows, and 24 hours news create echoes of what we think life should be like: cutaways to the drama or happy ending.  But to live life as a human being is to experience existence as one of the most complex organisms on the planet. Our life cycles can be extremely long and involve significant decisions that can’t be described as instinctual anymore. No other sentient creature on Earth grapples with more daily choices about how or who they are meant to be than a human. Our existence is viewed through lenses that are shaped by our own perception of events and influenced by how we perceive others view us.  So the story of what it’s been like to be you, the moments you occupied and how you chose to live them creates a mosaic of the human life which for me is one of the most generous things you can share human to human. Footnote: I treat these stories as the raw stuff of our existence. So to preserve the fidelity of what’s been shared in this podcast series, the recordings are unscripted and lightly edited. No effort is made to develop a predetermined outcome for dramatic effect or support any particular agenda or ideology. My reactions to each story are comprised of a couple minutes of commentary, but keep in mind they are my own perceptions which have been molded and shaped by my own walk.

Welcome to Walking the Mosaic: A Collective of Human Lives. You might be wondering why I collect life experiences of everyday people, rather than inspirational, heroic, adventure, mystery, or other genres of stories. To start with I should begin by explaining to you why I love the fight scenes in the Bridget Jones movies. I’ve watched the Bridget Jones movies a half dozen times over the years and the fight scenes between Daniel Cleaver and Mark Darcy never disappoint me. Messily choreographed, two would-be warriors battle it out over Bridget, rolling out pent up male emotion in all it’s ridiculous glory. All the while verbal jabs cushion the physical ones as comic relief. I neverthought I’d enjoy watching a fight and most times I don’t. I’ve been known to look away, take a pee break, head to the kitchen for a snack or check the weather app on my phone. But damned if I don’t enjoy every second of Darcy-Cleaver battle. There’s something about it that’s so satisfying. We live in such a sculpted culture that I find myself drawn to the seemingly ridiculous because it does feel more like the reality human beings actually experience. Events are often limited to the sound bite, tweet, or pithy comment. Movies, sitcoms, reality shows, and 24 hours news create echoes of what we think life should be like: cutaways to the drama or happy ending. But to live life as a human being is to experience existence as one of the most complex organisms on the planet. Our life cycles can be extremely long and involve significant decisions that can’t be described as instinctual anymore. No other sentient creature on Earth grapples with more daily choices about how or who they are meant to be than a human. Our existence is viewed through lenses that are shaped by our own perception of events and influenced by how we perceive others view us. So the story of what it’s been like to be you, the moments you occupied and how you chose to live them creates a mosaic of the human life which for me is one of the most generous things you can share human to human.Footnote:I treat these stories as the raw stuff of our existence. So to preserve the fidelity of what’s been shared in this podcast series, the recordings are unscripted and lightly edited. No effort is made to develop a predetermined outcome for dramatic effect or support any particular agenda or ideology. My reactions to each story are comprised of a couple minutes of commentary, but keep in mind they are my own perceptions which havebeen molded and shaped by my own walk.

Welcome to Walking the Mosaic: A Collective of Human Lives.&nbsp; You might be wondering why I collect life experiences of everyday people,&nbsp;rather than inspirational, heroic, adventure, mystery, or other genres of&nbsp;stories. To start with I should begin by explaining to you why I love the&nbsp;fight scenes in the Bridget Jones movies.&nbsp; I’ve watched the Bridget Jones movies a half dozen times over the years&nbsp;and the fight scenes between Daniel Cleaver and Mark Darcy never&nbsp;disappoint me. Messily choreographed, two would-be warriors battle it out&nbsp;over Bridget, rolling out pent up male emotion in all it’s ridiculous glory.&nbsp;All the while verbal jabs cushion the physical ones as comic relief. I never thought I’d enjoy watching a fight and most times I don’t. I’ve been known&nbsp;to look away, take a pee break, head to the kitchen for a snack or check&nbsp;the weather app on my phone. But damned if I don’t enjoy every second of&nbsp;Darcy-Cleaver battle. There’s something about it that’s so satisfying.&nbsp; We live in such a sculpted culture that I find myself drawn to the seemingly&nbsp;ridiculous because it does feel more like the reality human beings actually&nbsp;experience. Events are often limited to the sound bite, tweet, or pithy&nbsp;comment. Movies, sitcoms, reality shows, and 24 hours news create&nbsp;echoes of what we think life should be like: cutaways to the drama or&nbsp;happy ending.&nbsp; But to live life as a human being is to experience existence as one of the&nbsp;most complex organisms on the planet. Our life cycles can be extremely&nbsp;long and involve significant decisions that can’t be described as instinctual&nbsp;anymore. No other sentient creature on Earth grapples with more daily&nbsp;choices about how or who they are meant to be than a human. Our&nbsp;existence is viewed through lenses that are shaped by our own perception&nbsp;of events and influenced by how we perceive others view us.&nbsp; So the story of what it’s been like to be you, the moments you occupied&nbsp;and how you chose to live them creates a mosaic of the human life which&nbsp;for me is one of the most generous things you can share human to human. Footnote: I treat these stories as the raw stuff of our existence. So to preserve the&nbsp;fidelity of what’s been shared in this podcast series, the recordings are&nbsp;unscripted and lightly edited. No effort is made to develop a predetermined&nbsp;outcome for dramatic effect or support any particular agenda or ideology.&nbsp;My reactions to each story are comprised of a couple minutes of&nbsp;commentary, but keep in mind they are my own perceptions which have been molded and shaped by my own walk.

Walking the Mosaic with Sher Stultz

Un Podcast que habla de historias y leyendas que nuestros abuelos nos contaban, pero que nos negábamos a creer, historias que te dejaran al filo del asiento y te helaran la sangre, leyendas que se convirtieron en realidad, fenómenos paranormales, conspiraciones y asesinatos que no tiene explicación lógica científica. Bienvenidos a ARCHIVOS CLASIFICADOS. No te lo pierdas todos los viernes a las 10:00 pm Centro de México. | Las Redes del Podcast: Instagram: Archivos Clasificados | Facebook: Archivos Clasificados | Correo: ernextohd@gmail.com | Youtube: Archivos Clasificados | Spotify: Archivos Clasificados |

Archivos Clasificados

Korona-szigetek
- Magyarok a világban korona idején

Megkerestünk néhány magyart, akik ideiglenesen vagy életvitelszerűen külföldön élnek, így mesélni tudnak arról, hogy a világ más országaiban hogyan vészelik át a covid-19 tombolását.

Korona-szigetek - Magyarok a világban korona idején Megkerestünk néhány magyart, akik ideiglenesen vagy életvitelszerűen külföldön élnek, így mesélni tudnak arról, hogy a világ más országaiban hogyan vészelik át a covid-19 tombolását.

Kinopolis Budapest

Este espacio es donde compartimos investigaciones, entrevistas, crónicas y otros materiales periodísticos en formato de audio que producimos en Alharaca.

Alharaca

Le projet Accolades, une série de sept courtes poesis sonores, nous donne accès à l’expérience du confinement vécue par Gisèle, Jerry, Lorraine, Darquise, Leslie et Claude, des résidents des Jardins du Patrimoine de Val-d’Or avec qui François, notre narrateur, entretient un lien d’amitié. La dernière est une entrevue avec sa mère, Alice.

CRÉDITS DU PROJET

idéation et coréalisation | François Grisé | coréalisation et musique | Laurier Rajotte
une production de Un et un font mille
en partenariat de diffusion avec | Porte Parole et le collectif Nous sommes ici
et le soutien du programme Connexion création du Conseil des arts du Canada
graphisme | Guillaume Boucher

Le projet Accolades, une série de sept courtes poesis sonores, nous donne accès à l’expérience du confinement vécue par Gisèle, Jerry, Lorraine, Darquise, Leslie et Claude, des résidents des Jardins du Patrimoine de Val-d’Or avec qui François, notre narrateur, entretient un lien d’amitié. La dernière est une entrevue avec sa mère, Alice. CRÉDITS DU PROJET idéation et coréalisation | François Grisé | coréalisation et musique | Laurier Rajotte une production de Un et un font mille en partenariat de diffusion avec | Porte Parole et le collectif Nous sommes ici et le soutien du programme Connexion création du Conseil des arts du Canada graphisme | Guillaume Boucher

Accolades

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iBaraka

Des Racines et Des Ailes ambitionne de « regarder le passé pour éclairer le présent et donner des pistes pour le futur, avec la volonté de mettre en lumière des personnalités qui agissent sur le terrain ». Le magazine conjugue ainsi proximité et ouverture sur le monde : proximité dans l'étude d'une communauté ou d'un lieu choisi pour sa singularité et ouverture sur le monde grâce à des enquêtes touchant des sujets de société français et étrangers.

DES RACINES ET DES AILES

Dis A Fi Mi History Podcast Hosted by Wendy Aris
A space where Caribbean history, family history, and heritage come to life. This podcast explores the legacies of colonialism and uncovers the often-overlooked stories that shaped the Caribbean and its people.
Whether you're tracing your ancestral roots, exploring regional identity, or simply curious about the past that informs the present, Dis A Fi Mi History offers meaningful insights and resources for anyone interested in Caribbean genealogy and historical storytelling.
Join host Wendy Aris as she speaks with historians, archivists, cultural practitioners, and everyday people who are piecing together the threads of their family and national histories.

Dis A Fi Mi History PodcastHosted by Wendy Aris A space where Caribbean history, family history, and heritage come to life. This podcast explores the legacies of colonialism and uncovers the often-overlooked stories that shaped the Caribbean and its people. Whether you're tracing your ancestral roots, exploring regional identity, or simply curious about the past that informs the present, Dis A Fi Mi History offers meaningful insights and resources for anyone interested in Caribbean genealogy and historical storytelling. Join host Wendy Aris as she speaks with historians, archivists, cultural practitioners, and everyday people who are piecing together the threads of their family and national histories.

Dis A Fi Mi History Podcast Hosted by Wendy Aris
A space where Caribbean history, family history, and heritage come to life. This podcast explores the legacies of colonialism and uncovers the often-overlooked stories that shaped the Caribbean and its people.
Whether you're tracing your ancestral roots, exploring regional identity, or simply curious about the past that informs the present, Dis A Fi Mi History offers meaningful insights and resources for anyone interested in Caribbean genealogy and historical storytelling.
Join host Wendy Aris as she speaks with historians, archivists, cultural practitioners, and everyday people who are piecing together the threads of their family and national histories.

Dis a Fi Mi History Podcast: Explore Caribbean Ancestry & Culture

Irvic D&rsquo;Olivier est preneur de son, r&eacute;alisateur, producteur et formateur pour la radio. Il vit et travaille &agrave; Bruxelles.Depuis 20 ans, il r&eacute;alise/monte/mixe des documentaires et cr&eacute;ations radiophoniques. Seul ou en collaborations.Il a balad&eacute; ses micros dans les nuits bruxelloises (chez Martine), dans la for&ecirc;t amazonienne (Takiwasi) au sommet d&rsquo;un volcan (Stromboli), dans les parcs naturels du Costa Rica (Birdless) et d&rsquo;ailleurs (Des Oiseaux et des Hommes).Ses documentaires et cr&eacute;ations ont &eacute;t&eacute; diffus&eacute;s sur Radio Panik (BE), le Labo (CH), Kunstradio-Radiokunst (AT), La Premi&egrave;re (BE), ArteRadio.com (FR), France Culture (FR), ResonanceFM (UK), Deutschlandradiofunk Kultur (DE) et radia.fm.Int&eacute;ress&eacute; par la transmission, il enseigne le son et l&rsquo;&eacute;criture radiophonique, notamment lors de workshops : initiation &agrave; la prise de son dans le documentaire radiophonique (ACSR), &eacute;critures et narrations radiophoniques (ESAV de Marrakech), L&rsquo;art du Mix (Phonurgia Nova).Il est le fondateur et coordinateur artistique de SilenceRadio.org qui de 2005 &agrave; 2012 a &eacute;t&eacute; le premier site de podcast de cr&eacute;ation en Belgique rassemblant 124 artistes internationaux.Membre associ&eacute; de la plateforme europ&eacute;enne Ars Acustica (EBU) depuis 2006, il a &eacute;t&eacute; administrateur de l&rsquo;acsr (atelier de cr&eacute;ation sonore radiophonique) de Bruxelles de 2001 &agrave; 2011 et a coordonn&eacute; la radio de son festival Radiophonic.org en 2003 et 2007.Il a aussi jou&eacute; le r&ocirc;le d&rsquo;un d&eacute;bruiteur pour la cr&eacute;ation radio de Christophe Deleu et Fran&ccedil;ois Teste &laquo; d&eacute;bruitage &raquo;.Aujourd&rsquo;hui, il aime &eacute;couter le monde avec curiosit&eacute; et parfois l&rsquo;enregistrer.

Irvic D’Olivier est preneur de son, réalisateur, producteur et formateur pour la radio. Il vit et travaille à Bruxelles. Depuis 20 ans, il réalise/monte/mixe des documentaires et créations radiophoniques. Seul ou en collaborations. Il a baladé ses micros dans les nuits bruxelloises (chez Martine), dans la forêt amazonienne (Takiwasi) au sommet d’un volcan (Stromboli), dans les parcs naturels du Costa Rica (Birdless) et d’ailleurs (Des Oiseaux et des Hommes). Ses documentaires et créations ont été diffusés sur Radio Panik (BE), le Labo (CH), Kunstradio-Radiokunst (AT), La Première (BE), ArteRadio.com (FR), France Culture (FR), ResonanceFM (UK), Deutschlandradiofunk Kultur (DE) et radia.fm. Intéressé par la transmission, il enseigne le son et l’écriture radiophonique, notamment lors de workshops : initiation à la prise de son dans le documentaire radiophonique (ACSR), écritures et narrations radiophoniques (ESAV de Marrakech), L’art du Mix (Phonurgia Nova). Il est le fondateur et coordinateur artistique de SilenceRadio.org qui de 2005 à 2012 a été le premier site de podcast de création en Belgique rassemblant 124 artistes internationaux. Membre associé de la plateforme européenne Ars Acustica (EBU) depuis 2006, il a été administrateur de l’acsr (atelier de création sonore radiophonique) de Bruxelles de 2001 à 2011 et a coordonné la radio de son festival Radiophonic.org en 2003 et 2007. Il a aussi joué le rôle d’un débruiteur pour la création radio de Christophe Deleu et François Teste « débruitage ». Aujourd’hui, il aime écouter le monde avec curiosité et parfois l’enregistrer.

Irvic D’Olivier est preneur de son, réalisateur, producteur et formateur pour la radio. Il vit et travaille à Bruxelles.Depuis 20 ans, il réalise/monte/mixe des documentaires et créations radiophoniques. Seul ou en collaborations.Il a baladé ses micros dans les nuits bruxelloises (chez Martine), dans la forêt amazonienne (Takiwasi) au sommet d’un volcan (Stromboli), dans les parcs naturels du Costa Rica (Birdless) et d’ailleurs (Des Oiseaux et des Hommes).Ses documentaires et créations ont été diffusés sur Radio Panik (BE), le Labo (CH), Kunstradio-Radiokunst (AT), La Première (BE), ArteRadio.com (FR), France Culture (FR), ResonanceFM (UK), Deutschlandradiofunk Kultur (DE) et radia.fm.Intéressé par la transmission, il enseigne le son et l’écriture radiophonique, notamment lors de workshops : initiation à la prise de son dans le documentaire radiophonique (ACSR), écritures et narrations radiophoniques (ESAV de Marrakech), L’art du Mix (Phonurgia Nova).Il est le fondateur et coordinateur artistique de SilenceRadio.org qui de 2005 à 2012 a été le premier site de podcast de création en Belgique rassemblant 124 artistes internationaux.Membre associé de la plateforme européenne Ars Acustica (EBU) depuis 2006, il a été administrateur de l’acsr (atelier de création sonore radiophonique) de Bruxelles de 2001 à 2011 et a coordonné la radio de son festival Radiophonic.org en 2003 et 2007.Il a aussi joué le rôle d’un débruiteur pour la création radio de Christophe Deleu et François Teste « débruitage ».Aujourd’hui, il aime écouter le monde avec curiosité et parfois l’enregistrer.

Selected radio works

In July 2021 I started an ambitious project to document a-year-in-the-life of Westcombe Dairy. It was a timely partnership as it coincided with a big push at Westcombe Dairy to take their regenerative farming to the next level. It also became a great opportunity to stop and consider all the changes that they've brought about at the dairy in the past years, from pasture-led grazing to the development of their charcuterie and the work they've done on the farm to improve resilience and diversity. I visited Westcombe once a month, focusing on a different aspect of what they do on each visit. Through the lens of Westcombe Dairy we are able to look at how dairy farming is changing here in the UK and how one cheesemaker is making changes on their farm in search of a more harmonious nature with nature and ultimately an even more delicious cheese.<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

In July 2021 I started an ambitious project to document a-year-in-the-life of Westcombe Dairy. It was a timely partnership as it coincided with a big push at Westcombe Dairy to take their regenerative farming to the next level. It also became a great opportunity to stop and consider all the changes that they've brought about at the dairy in the past years, from pasture-led grazing to the development of their charcuterie and the work they've done on the farm to improve resilience and diversity. I visited Westcombe once a month, focusing on a different aspect of what they do on each visit. Through the lens of Westcombe Dairy we are able to look at how dairy farming is changing here in the UK and how one cheesemaker is making changes on their farm in search of a more harmonious nature with nature and ultimately an even more delicious cheese. Hosted on Acast. See acast.com/privacy for more information.

In July 2021 I started an ambitious project to document a-year-in-the-life of Westcombe Dairy. It was a timely partnership as it coincided with a big push at Westcombe Dairy to take their regenerative farming to the next level. It also became a great opportunity to stop and consider all the changes that they've brought about at the dairy in the past years, from pasture-led grazing to the development of their charcuterie and the work they've done on the farm to improve resilience and diversity. I visited Westcombe once a month, focusing on a different aspect of what they do on each visit. Through the lens of Westcombe Dairy we are able to look at how dairy farming is changing here in the UK and how one cheesemaker is making changes on their farm in search of a more harmonious nature with nature and ultimately an even more delicious cheese. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

The Westcombe Project

Dylan Bolero, 25 ans, Lyon, 69008. Ceci est mon journal intime en temps réel. <hr> Hébergé par Acast. Visitez <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> pour plus d'informations.

Dylan Bolero, 25 ans, Lyon, 69008. Ceci est mon journal intime en temps réel. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Dylan Bolero, 25 ans, Lyon, 69008. Ceci est mon journal intime en temps réel. Hébergé par Acast. Visitez <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> pour plus d'informations.

La vie de Dylan Bolero

In 1983, a cabaret performer named Mark Bunyan decided London's gay music scene was missing a choir. When Mark and a few other singers got together for a first rehearsal, they had no idea that&nbsp;they were creating a hope machine that would sing and dance through some of the greatest challenges in LGBTQ+ history.&nbsp; This is Sing It Pink!, the touching story of the <a href="https://tr.ee/Q074qHZk4W" rel="noopener noreferrer" target="_blank">Pink Singers</a>, London and Europe's oldest LGBTQ+ choir, told through the people who sang for freedom. With archive recordings of pivotal rehearsals, touching stories from choir members from over 40 years, and intimate sound design, Sing It Pink! is a landmark documentary series and a piece of essential queer history. <a href="https://tr.ee/Q074qHZk4W" rel="noopener noreferrer" target="_blank">Find out more about the Pink Singers here</a> <hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

In 1983, a cabaret performer named Mark Bunyan decided London's gay music scene was missing a choir. When Mark and a few other singers got together for a first rehearsal, they had no idea that they were creating a hope machine that would sing and dance through some of the greatest challenges in LGBTQ+ history.  This is Sing It Pink!, the touching story of the Pink Singers, London and Europe's oldest LGBTQ+ choir, told through the people who sang for freedom. With archive recordings of pivotal rehearsals, touching stories from choir members from over 40 years, and intimate sound design, Sing It Pink! is a landmark documentary series and a piece of essential queer history. Find out more about the Pink Singers here Hosted on Acast. See acast.com/privacy for more information.

In 1983, a cabaret performer named Mark Bunyan decided London's gay music scene was missing a choir. When Mark and a few other singers got together for a first rehearsal, they had no idea that&nbsp;they were creating a hope machine that would sing and dance through some of the greatest challenges in LGBTQ+ history.&nbsp; This is Sing It Pink!, the touching story of the <a href="https://tr.ee/Q074qHZk4W" rel="noopener noreferrer">Pink Singers</a>, London and Europe's oldest LGBTQ+ choir, told through the people who sang for freedom. With archive recordings of pivotal rehearsals, touching stories from choir members from over 40 years, and intimate sound design, Sing It Pink! is a landmark documentary series and a piece of essential queer history. <a href="https://tr.ee/Q074qHZk4W" rel="noopener noreferrer">Find out more about the Pink Singers here</a> Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Sing It Pink

BiG18 Channel以『藝文』、『 運動』、『 旅遊』、『 美食』、『 大健康』為主軸，提供給大眾Health｜Lifestyle｜Sports的生活頻道。 Powered by <a href="https://firstory.me">Firstory Hosting</a>

BiG18 Channel以『藝文』、『 運動』、『 旅遊』、『 美食』、『 大健康』為主軸，提供給大眾Health｜Lifestyle｜Sports的生活頻道。 Powered by Firstory Hosting

BiG18 Channel以『藝文』、『 運動』、『 旅遊』、『 美食』、『 大健康』為主軸，提供給大眾Health｜Lifestyle｜Sports的生活頻道。 Powered by <a href="https://firstory.me" rel="noopener noreferrer">Firstory Hosting</a>

BiG18

إنّ الهدف من هذا العمل هو أن أخبركم، أني لست قربان حروبكم، ولا أضحية سلامكم.. إني أخوض حربي بيدي، حتى أنتزع سلامي.في سلسلة بودكاست "الجسد، الحرب والذاكرة"، نتعمق في تقاطع النسوية ومناهضة الاستعمار والسعي لتحرير الإنسانية.بأصوات النساء، وعبر تجاربهن وسردياتهن، نذكّر أن النساء تدفع أثمانًا باهظة نتيجة الصراعات والنزاعات التي تخطط لها منظومات الكيد الاستعماري، وتتغذى عليها الأبوية. من يستمع إلى احتياجات النساء، قلقهن، صمودهن، نضالهن، وسط فوضى الدم والفتنة والخراب؟هذا البودكاست من إعداد غوى نصر، وتقديم نور مخدر.

إنّ الهدف من هذا العمل هو أن أخبركم، أني لست قربان حروبكم، ولا أضحية سلامكم.. إني أخوض حربي بيدي، حتى أنتزع سلامي.في سلسلة بودكاست "الجسد، الحرب والذاكرة"، نتعمق في تقاطع النسوية ومناهضة الاستعمار والسعي لتحرير الإنسانية.بأصوات النساء، وعبر تجاربهن وسردياتهن، نذكّر أن النساء تدفع أثمانًا باهظة نتيجة الصراعات والنزاعات التي تخطط لها منظومات الكيد الاستعماري، وتتغذى عليها الأبوية. من يستمع إلى احتياجات النساء، قلقهن، صمودهن، نضالهن، وسط فوضى الدم والفتنة والخراب؟هذا البودكاست من إعداد غوى نصر، وتقديم نور مخدر.

الجسد، الحرب والذاكرة

„Im Übrigen ...
... fängt Kritik nicht damit an, daß sie an sich die kri­tische Frage stellt, ob sie weitergeht, praktisch und konstruktiv ist. Sie beginnt damit, daß man sich Rechenschaft ablegt darüber, woher all das kommt, was man als Belästigung und Schaden wahr­nimmt. Wer auf das bißchen Ursachenforschung verzichtet, vertut sich womöglich im Engagement, sucht sich Ort, Zeit und Adressat wie Gegner seiner Bemühungen verkehrt aus. Dann vergeht seine Ju­gend, und er war in Gorleben zelten, hat seine Zeit im Frauenbuchladen verplempert und Grüne gewählt, während die Klassengesellschaft funktioniert, daß es kracht.“ (Die Klassen (II), MSZ - Gegen die Kosten der Freiheit)

„Im Übrigen ... ... fängt Kritik nicht damit an, daß sie an sich die kri­tische Frage stellt, ob sie weitergeht, praktisch und konstruktiv ist. Sie beginnt damit, daß man sich Rechenschaft ablegt darüber, woher all das kommt, was man als Belästigung und Schaden wahr­nimmt. Wer auf das bißchen Ursachenforschung verzichtet, vertut sich womöglich im Engagement, sucht sich Ort, Zeit und Adressat wie Gegner seiner Bemühungen verkehrt aus. Dann vergeht seine Ju­gend, und er war in Gorleben zelten, hat seine Zeit im Frauenbuchladen verplempert und Grüne gewählt, während die Klassengesellschaft funktioniert, daß es kracht.“ (Die Klassen (II), MSZ - Gegen die Kosten der Freiheit)

kommunistische kritik - gruppe

Baden ist wunderschön… und hat eine finstere, böse Seite.Von der Nachkriegszeit bis heute geschehen immer wieder Verbrechen, die uns alle schockieren. baden.fm-Moderatorin Julica Goldschmidt und Kriminalitätsexperte Stefan Ummenhofer decken die dunkelsten Kapitel Badens auf.Tatort Baden - Der True Crime Podcast. Ein <a href="http://baden.fm">baden.fm</a> Original.

Baden ist wunderschön… und hat eine finstere, böse Seite. Von der Nachkriegszeit bis heute geschehen immer wieder Verbrechen, die uns alle schockieren. baden.fm-Moderatorin Julica Goldschmidt und Kriminalitätsexperte Stefan Ummenhofer decken die dunkelsten Kapitel Badens auf. Tatort Baden - Der True Crime Podcast. Ein baden.fm Original.

Baden ist wunderschön… und hat eine finstere, böse Seite.Von der Nachkriegszeit bis heute geschehen immer wieder Verbrechen, die uns alle schockieren. baden.fm-Moderatorin Julica Goldschmidt und Kriminalitätsexperte Stefan Ummenhofer decken die dunkelsten Kapitel Badens auf.Tatort Baden - Der True Crime Podcast. Ein <a href="http://baden.fm" rel="noopener noreferrer">baden.fm</a> Original.

Tatort Baden

Hi. Mark here for the Kensington Minute.

As brilliant as he was flamboyant, Guy Burgess was the subject of many books and several movies. At Eton College and then at Trinity College, Cambridge he was the center of gay student life. He was never in the closet about his homosexuality but became very quiet about his scarlet politics at the BBC. From there he joined British Intelligence and service competently and enthusiastically during World War Two. He was now a committed communist and a spy for the Soviet Union.
	He joined the Foreign Office after the war and shot through the ranks quickly to nobody’s surprise. But he began to decompose emotionally and to drink incessantly. And he was not a good drunk. His lack of sobriety caught the attention of his superiors who disciplined him several times. Finally, he was recalled from his post in Washington DC. In London, he, with fellow spy Donald Maclean defected to the Soviet Union.  Proletarian life did not agree with him in Moscow. He was lonely and drunk most of the time. He missed high tea and cricket and often sported his Eton old school tie. Alan Bennet wrote a play about an chance encounter he had with a traveling British actress. What was the name of the play and movie? 	
	If you said An Englishman Abroad, then, by jove, you would have been correct. I thought it was very fine and well acted. Alan Bates played Burgess (and  John Schlesinger directed it. Pauline Kael opined that the film was “the finest hour of television I’ve ever seen.” This film won a slew of awards.  You might also be interested in the BBC series Cambridge Spies. Please take the Kensington Challenge at Kensington Security Consulting. Out here.

Hi. Mark here for the Kensington Minute. As brilliant as he was flamboyant, Guy Burgess was the subject of many books and several movies. At Eton College and then at Trinity College, Cambridge he was the center of gay student life. He was never in the closet about his homosexuality but became very quiet about his scarlet politics at the BBC. From there he joined British Intelligence and service competently and enthusiastically during World War Two. He was now a committed communist and a spy for the Soviet Union. He joined the Foreign Office after the war and shot through the ranks quickly to nobody’s surprise. But he began to decompose emotionally and to drink incessantly. And he was not a good drunk. His lack of sobriety caught the attention of his superiors who disciplined him several times. Finally, he was recalled from his post in Washington DC. In London, he, with fellow spy Donald Maclean defected to the Soviet Union. Proletarian life did not agree with him in Moscow. He was lonely and drunk most of the time. He missed high tea and cricket and often sported his Eton old school tie. Alan Bennet wrote a play about an chance encounter he had with a traveling British actress. What was the name of the play and movie? If you said An Englishman Abroad, then, by jove, you would have been correct. I thought it was very fine and well acted. Alan Bates played Burgess (and John Schlesinger directed it. Pauline Kael opined that the film was “the finest hour of television I’ve ever seen.” This film won a slew of awards. You might also be interested in the BBC series Cambridge Spies. Please take the Kensington Challenge at Kensington Security Consulting. Out here.

The Kensington Minute - Guy Burgess

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ASH aka: the Main Man and Alabama Burnz aka: the Ox King, talk about things that interest them and you. Lets Talk about it!

Become a Paid Subscriber: https://anchor.fm/ash-redd/subscribe ASH aka: the Main Man and Alabama Burnz aka: the Ox King, talk about things that interest them and you. Lets Talk about it!

Become a Paid Subscriber: <a href="https://anchor.fm/ash-redd/subscribe" rel="noopener noreferrer">https://anchor.fm/ash-redd/subscribe</a>

ASH aka: the Main Man and Alabama Burnz aka: the Ox King, talk about things that interest them and you. Lets Talk about it!

ASH & Burnz Podcast

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Here’s a voice sample for advertisement, documentary and video narration.

Documentary Podcasts / Page 433

Diversos Somos

Het Mag Gezegd Worden

Slow Time

Jenjang Terakhir

Traces

Novis Rebus

Introducing Sasha Frank

Did You Lock The Door?

Generation Z Experience

Scottish Fisheries Museum Podcasts

Walking the Mosaic with Sher Stultz

Archivos Clasificados

Kinopolis Budapest

Alharaca

Accolades

iBaraka

DES RACINES ET DES AILES

Dis a Fi Mi History Podcast: Explore Caribbean Ancestry & Culture

Selected radio works

The Westcombe Project

La vie de Dylan Bolero

Sing It Pink

BiG18

الجسد، الحرب والذاكرة

kommunistische kritik - gruppe

Tatort Baden

The Kensington Minute - Guy Burgess

ASH & Burnz Podcast

Hindi voice over sample

Hello, Darkness

Pod Forbid 🙏

Асканія знову

艾雅说书籍

蛇杖的传人：西方医学史上闪耀的群星

Mediterranean Sea Salt

Life on fifth Podcast - Coliving & Community life

Shanghai Universe | 上海宇宙

添砖加瓦 Bricks&Tiles

The Goddess Guide

Oral Histories of Slidell

Badasses of History | AI Scripted Historical Accounts

Tierra Adentro

Gamertagged: Digital Identities. Real Stories.

Champs libres

凡人说

VOLANDO BAJO

Menšiny

Ombre da svelare

Gross Human Rights Violations in The UK

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