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Hoorspel De Moker – Strijd om de macht op de Wallen

Amsterdam jaren zeventig. Harrie ‘de Moker’ Pruis regeert op de Wallen. Hij verhuurt ramen, is eigenaar van de klasse-striptent Pigalle, opent de eerste peepshow en droomt van een nieuw gokpaleis met veel marmer, gouden kranen en erotisch topamusent. Zijn vrouw Greet drijft het volkscafé Het Uitzicht. Harrie Pruis is een typische vertegenwoordiger van de penoze oude stijl.

Maar de Rotterdammer Aad Bosman, eigenaar van een boksschool en illegale pokertent, zaagt aan het imperium van Harrie Pruis. Bosman ziet een nieuwe markt: drugs. Hij probeert een verbond te sluiten met De Moker, maar Harrie wil niets met drugs te maken hebben: ‘Daar komt maar ellende van’. Waarna Bosman de oudste zoon van De Moker, Sjon, probeert in te palmen en chantage niet uit de weg gaat.

Intussen speelt de jongste zoon van De Moker, Freddie, een leidende rol in de kraakbeweging die idealistisch begint maar al snel verhardt. Hij staat op voet van oorlog met zijn vader en niet alleen met zijn vader, maar met het hele milieu op de Wallen.

Met o. a. Jack Wouterse, Nelly Frijda, Jenny Arean, Martin van Waardenberg, Cees Geel, Daniel Boissevain, Georgina Verbaan en Hadewych Minis

De Moker is origineel bedacht en geschreven in opdracht van de NPS naar een idee van radiomaker Jeroen Stout.De Moker wordt mogelijk gemaakt door een bijdrage van het Media Fonds en een aanvullende bijdrage van de NPO.

Hoorspel De Moker – Strijd om de macht op de Wallen Amsterdam jaren zeventig. Harrie ‘de Moker’ Pruis regeert op de Wallen. Hij verhuurt ramen, is eigenaar van de klasse-striptent Pigalle, opent de eerste peepshow en droomt van een nieuw gokpaleis met veel marmer, gouden kranen en erotisch topamusent. Zijn vrouw Greet drijft het volkscafé Het Uitzicht. Harrie Pruis is een typische vertegenwoordiger van de penoze oude stijl. Maar de Rotterdammer Aad Bosman, eigenaar van een boksschool en illegale pokertent, zaagt aan het imperium van Harrie Pruis. Bosman ziet een nieuwe markt: drugs. Hij probeert een verbond te sluiten met De Moker, maar Harrie wil niets met drugs te maken hebben: ‘Daar komt maar ellende van’. Waarna Bosman de oudste zoon van De Moker, Sjon, probeert in te palmen en chantage niet uit de weg gaat. Intussen speelt de jongste zoon van De Moker, Freddie, een leidende rol in de kraakbeweging die idealistisch begint maar al snel verhardt. Hij staat op voet van oorlog met zijn vader en niet alleen met zijn vader, maar met het hele milieu op de Wallen. Met o. a. Jack Wouterse, Nelly Frijda, Jenny Arean, Martin van Waardenberg, Cees Geel, Daniel Boissevain, Georgina Verbaan en Hadewych Minis De Moker is origineel bedacht en geschreven in opdracht van de NPS naar een idee van radiomaker Jeroen Stout.De Moker wordt mogelijk gemaakt door een bijdrage van het Media Fonds en een aanvullende bijdrage van de NPO.

De Moker

Each week on Smart Podcast, Trashy Books, Sarah Wendell interviews authors, readers, reviewers, bloggers, publishing professionals, editors, and librarians about romance novels, which are among the most popular genres in fiction worldwide. Popular guests include: Ilona Andrews, Robin Bradford, NPR's Barrie Hardymon, Chuck Tingle, Sarah J. Maas, and Rachel Aaron. Amanda Diehl, co-pilot of the SS Smart Bitches, makes regular appearances with maximum silliness, especially during our Romantic Times Rewind episodes, where we take a look at old issues of Romantic Times Magazine (1981-2018). Frequent topics include romance novels, the way the genre is changing, and the brilliant and interesting people who read, write, and produce it, and issues common among romance readers. Plus, we always recommend some books we're reading and really enjoying. Learn more at SB-TB.com/Podcast.<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Each week on Smart Podcast, Trashy Books, Sarah Wendell interviews authors, readers, reviewers, bloggers, publishing professionals, editors, and librarians about romance novels, which are among the most popular genres in fiction worldwide. Popular guests include: Ilona Andrews, Robin Bradford, NPR's Barrie Hardymon, Chuck Tingle, Sarah J. Maas, and Rachel Aaron. Amanda Diehl, co-pilot of the SS Smart Bitches, makes regular appearances with maximum silliness, especially during our Romantic Times Rewind episodes, where we take a look at old issues of Romantic Times Magazine (1981-2018). Frequent topics include romance novels, the way the genre is changing, and the brilliant and interesting people who read, write, and produce it, and issues common among romance readers. Plus, we always recommend some books we're reading and really enjoying. Learn more at SB-TB.com/Podcast. Hosted on Acast. See acast.com/privacy for more information.

Each week on Smart Podcast, Trashy Books, Sarah Wendell interviews authors, readers, reviewers, bloggers, publishing professionals, editors, and librarians about romance novels, which are among the most popular genres in fiction worldwide. Popular guests include: Ilona Andrews, Robin Bradford, NPR's Barrie Hardymon, Chuck Tingle, Sarah J. Maas, and Rachel Aaron. Amanda Diehl, co-pilot of the SS Smart Bitches, makes regular appearances with maximum silliness, especially during our Romantic Times Rewind episodes, where we take a look at old issues of Romantic Times Magazine (1981-2018). Frequent topics include romance novels, the way the genre is changing, and the brilliant and interesting people who read, write, and produce it, and issues common among romance readers. Plus, we always recommend some books we're reading and really enjoying. Learn more at SB-TB.com/Podcast. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Smart Podcast, Trashy Books: A Romance Novel Podcast

《仙剑奇侠传》是我玩的第一个电脑游戏，因为平时不太玩游戏，几乎也可以说是唯一的游戏了。游戏成功后，有好多不同版本的小说出现，都是把游戏改编成的文字。其中有些不值一读，简直就是攻略，但是有一个版本写得非常好。因为我至今仍喜欢这个游戏，再加上这个版本小说又写得好，才将它录成有声小说。本小说之前在网上被复制转发了好多年，所以作者已佚。【猫哥录小说一年以后，终于查到这个版本的作者，笔名叫“楚国”，书由华文出版社出版，不过现在各店都缺货，不知道会不会加印，旧书已炒到1千多元一套。】

《仙剑奇侠传》是我玩的第一个电脑游戏，因为平时不太玩游戏，几乎也可以说是唯一的游戏了。游戏成功后，有好多不同版本的小说出现，都是把游戏改编成的文字。其中有些不值一读，简直就是攻略，但是有一个版本写得非常好。因为我至今仍喜欢这个游戏，再加上这个版本小说又写得好，才将它录成有声小说。本小说之前在网上被复制转发了好多年，所以作者已佚。【猫哥录小说一年以后，终于查到这个版本的作者，笔名叫“楚国”，书由华文出版社出版，不过现在各店都缺货，不知道会不会加印，旧书已炒到1千多元一套。】

《仙剑奇侠传》是我玩的第一个电脑游戏，因为平时不太玩游戏，几乎也可以说是唯一的游戏了。游戏成功后，有好多不同版本的小说出现，都是把游戏改编成的文字。其中有些不值一读，简直就是攻略，但是有一个版本写得非常好。因为我至今仍喜欢这个游戏，再加上这个版本小说又写得好，才将它录成有声小说。本小说之前在网上被复制转发了好多年，所以作者已佚。【猫哥录小说一年以后，终于查到这个版本的作者，笔名叫“楚国”，书由华文出版社出版，不过现在各店都缺货，不知道会不会加印，旧书已炒到1千多元一套。】

仙剑奇侠传(小说楚国版)

Poems & Short Stories

For serialized audio books, interviews, audio dramas, as well as podcasts on Classic Valiant Comics, politics, Doctor Who, Cosplay, and more check out Tin Pod Radio.


Also if you have ever wanted to do your own podcast we will host other creators shows for free to get different and varied voices out there.

For serialized audio books, interviews, audio dramas, as well as podcasts on Classic Valiant Comics, politics, Doctor Who, Cosplay, and more check out Tin Pod Radio. Also if you have ever wanted to do your own podcast we will host other creators shows for free to get different and varied voices out there.

Tin Pod Radio

Join with Hail and Well Met as they showcase author submitted stories in a fully soundscaped audio drama podcast. From horror to fantasy, sci-fi to romance and everything in between, each episode provides a unique story for your listening pleasure.

the SHORTS podcast

An in-depth conversation about the path and craft of writing with published authors who dish up insights and revelations about their personal journeys, habits, and quirks. Author hosts Meredith Cole and Kristin Swenson take a look at the writer’s journey from idea to publication – process, challenges, inspiration, risks, and more—with their month guests.

The Writer's Story

&#34;Calling All Cars&#34; was a pioneering old-time radio police drama in the United States, known for being one of the earliest of its genre. It aired from November 29, 1933, to September 8, 1939.Here&#39;s a breakdown of key aspects of the series:<ul><li>Format and Plot: The show dramatized actual cases handled by the Los Angeles Police Department. A typical episode would begin by outlining the facts of a crime, introduce individuals involved, follow with a dramatization culminating in an arrest, and conclude with the outcome of a trial. The overarching theme was &#34;crime does not pay,&#34; emphasizing that a life of crime inevitably led to a grim end. It&#39;s widely considered a precursor to later police procedural dramas like &#34;Dragnet.&#34;</li><li>Broadcast and Sponsorship: &#34;Calling All Cars&#34; was initially broadcast on the CBS West Coast network and the Mutual-Don Lee Network. It was sponsored by the Rio Grande Oil Co., primarily in California, Arizona, and Nevada, promoting their petroleum products. The program&#39;s popularity led to syndication, with other sponsors like Axton-Fisher Tobacco Co. (for Twenty Grand cigarettes), Gruen Watch Co., and Liebmann Breweries (for Rheingold Beer) bringing the show to other parts of the U.S.</li><li>Personnel:</li><li>Host: Chief James E. Davis of the Los Angeles Police Department.</li><li>Narrator: Charles Frederick Lindsey, a professor of speech education.</li><li>Writers: William N. Robson (who also produced the program), Mel Williamson, and Sam Pierce.</li><li>Director: Robert Hixon.</li><li>Recurring Characters: Beyond the host and narrator, the only other regular on-air person was real-life LAPD dispatcher Jessie Rosenquist, whose voice and catchphrase &#34;that is all&#34; became a trademark of the show. Most other on-air roles were uncredited.</li><li>Significance: &#34;Calling All Cars&#34; was a significant development in radio programming, establishing many elements that would become staples of the police procedural genre. It offered listeners gritty details of criminal activities in a &#34;ripped from the headlines&#34; style, often featuring dramatizations of notable cases of the era.</li></ul> Listen to our radio station Old Time Radio<a href="https://link.radioking.com/otradio" rel="nofollow">https://link.radioking.com/otradio</a>Listen to other Shows at My Classic Radio <a href="https://www.myclassicradio.net/" rel="nofollow">https://www.myclassicradio.net/</a>Remember that times have changed, and some shows might not reflect the standards of today’s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio

"Calling All Cars" was a pioneering old-time radio police drama in the United States, known for being one of the earliest of its genre. It aired from November 29, 1933, to September 8, 1939. Here's a breakdown of key aspects of the series:Format and Plot: The show dramatized actual cases handled by the Los Angeles Police Department. A typical episode would begin by outlining the facts of a crime, introduce individuals involved, follow with a dramatization culminating in an arrest, and conclude with the outcome of a trial. The overarching theme was "crime does not pay," emphasizing that a life of crime inevitably led to a grim end. It's widely considered a precursor to later police procedural dramas like "Dragnet."Broadcast and Sponsorship: "Calling All Cars" was initially broadcast on the CBS West Coast network and the Mutual-Don Lee Network. It was sponsored by the Rio Grande Oil Co., primarily in California, Arizona, and Nevada, promoting their petroleum products. The program's popularity led to syndication, with other sponsors like Axton-Fisher Tobacco Co. (for Twenty Grand cigarettes), Gruen Watch Co., and Liebmann Breweries (for Rheingold Beer) bringing the show to other parts of the U.S.Personnel:Host: Chief James E. Davis of the Los Angeles Police Department.Narrator: Charles Frederick Lindsey, a professor of speech education.Writers: William N. Robson (who also produced the program), Mel Williamson, and Sam Pierce.Director: Robert Hixon.Recurring Characters: Beyond the host and narrator, the only other regular on-air person was real-life LAPD dispatcher Jessie Rosenquist, whose voice and catchphrase "that is all" became a trademark of the show. Most other on-air roles were uncredited.Significance: "Calling All Cars" was a significant development in radio programming, establishing many elements that would become staples of the police procedural genre. It offered listeners gritty details of criminal activities in a "ripped from the headlines" style, often featuring dramatizations of notable cases of the era. Listen to our radio station Old Time Radiohttps://link.radioking.com/otradio Listen to other Shows at My Classic Radio https://www.myclassicradio.net/ Remember that times have changed, and some shows might not reflect the standards of today’s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio

"Calling All Cars" was a pioneering old-time radio police drama in the United States, known for being one of the earliest of its genre. It aired from November 29, 1933, to September 8, 1939.Here's a breakdown of key aspects of the series:<ul><li>Format and Plot: The show dramatized actual cases handled by the Los Angeles Police Department. A typical episode would begin by outlining the facts of a crime, introduce individuals involved, follow with a dramatization culminating in an arrest, and conclude with the outcome of a trial. The overarching theme was "crime does not pay," emphasizing that a life of crime inevitably led to a grim end. It's widely considered a precursor to later police procedural dramas like "Dragnet."</li><li>Broadcast and Sponsorship: "Calling All Cars" was initially broadcast on the CBS West Coast network and the Mutual-Don Lee Network. It was sponsored by the Rio Grande Oil Co., primarily in California, Arizona, and Nevada, promoting their petroleum products. The program's popularity led to syndication, with other sponsors like Axton-Fisher Tobacco Co. (for Twenty Grand cigarettes), Gruen Watch Co., and Liebmann Breweries (for Rheingold Beer) bringing the show to other parts of the U.S.</li><li>Personnel:</li><li>Host: Chief James E. Davis of the Los Angeles Police Department.</li><li>Narrator: Charles Frederick Lindsey, a professor of speech education.</li><li>Writers: William N. Robson (who also produced the program), Mel Williamson, and Sam Pierce.</li><li>Director: Robert Hixon.</li><li>Recurring Characters: Beyond the host and narrator, the only other regular on-air person was real-life LAPD dispatcher Jessie Rosenquist, whose voice and catchphrase "that is all" became a trademark of the show. Most other on-air roles were uncredited.</li><li>Significance: "Calling All Cars" was a significant development in radio programming, establishing many elements that would become staples of the police procedural genre. It offered listeners gritty details of criminal activities in a "ripped from the headlines" style, often featuring dramatizations of notable cases of the era.</li></ul> Listen to our radio station Old Time Radio<a href="https://link.radioking.com/otradio" rel="noopener noreferrer">https://link.radioking.com/otradio</a>Listen to other Shows at My Classic Radio&nbsp;<a href="https://www.myclassicradio.net/" rel="noopener noreferrer">https://www.myclassicradio.net/</a>Remember that times have changed, and some shows might not reflect the standards of today’s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio

Calling All Cars

Book Club Reporter provides book reviews book clubs book recommendations of bestselling books. Book reviews by Laura Jay including reading lists for books clubs and all readers. Find the latest book news and about the author profiles and book summaries and book discussions. Laura Jay does not accept payment of any kind in exchange for book reviews.

Book Club Reporter provides book reviews book clubs book recommendations of bestselling books. Book reviews by Laura Jay including reading lists for books clubs and all readers. Find the latest book news and about the author profiles and book summaries and book discussions. Laura Jay does not accept payment of any kind in exchange for book reviews.

Book Club Reporter Book Reviews

A podcast for camp people✌️From George Kroeker &amp; Evan Langford. A show where we interview camp staff and talk about what&#39;s going on in their lives and inadvertently end up talking about something completely random (cause that&#39;s how this show works). Available on Apple / Spotify / Google

A podcast for camp people✌️ From George Kroeker & Evan Langford. A show where we interview camp staff and talk about what's going on in their lives and inadvertently end up talking about something completely random (cause that's how this show works). Available on Apple / Spotify / Google

A podcast for camp people✌️From George Kroeker &amp; Evan Langford. A show where we interview camp staff and talk about what's going on in their lives and inadvertently end up talking about something completely random (cause that's how this show works). Available on Apple / Spotify / Google

One Thing Led to Another

The Romantic Side of Suspense

Cuentos cabrones

The show first aired in 1934 for the NBC Radio New England region. Himan Brown, then still at college, arranged the radio rights for the comic strip. On February 4, 1935, it was picked up by CBS Radio, airing in 15 minute episodes four times a week. Returning next season it aired on Mutual Broadcasting System from September 30, 1935 to March 24, 1937. From April 29, 1939, "Dick Tracy" became a half-hour-long prime time radio serial, airing at 5:00 pm. When the USA got involved in the Second World War, the show was temporarily cancelled. ABC Blue Network picked it up again from March 15, 1943 to July 16, 1948 and broadcast it on Saturdays. Around this time it was sponsored by Tootsie Rolls, so the music theme was changed to "Toot, Toot Tootsie". The musical arrangements were composed by Ray Carter. The show was directed by Mitchell Grayson, Charles Powers and Bob White. At Mutual, Bill McClintock did the sound effects. At NBC, Keene Crockett did this job. During its run on ABC, Walt McDonough and Al Finelli were hired for this task. Dick Tracy – Bob Burlen, Barry Thompson, Ned Wever, Matt Crowley Pat Patton – Walter Kinsella Tess Trueheart – Helen Lewis Junior Tracy – Andy Donnelly, Jackie Kelk Police Chief Brandon – Howard Smith Tania – Beatrice Pons

The show first aired in 1934 for the NBC Radio New England region. Himan Brown, then still at college, arranged the radio rights for the comic strip.On February 4, 1935, it was picked up by CBS Radio, airing in 15 minute episodes four times a week. Returning next season it aired on Mutual Broadcasting System from September 30, 1935 to March 24, 1937. From April 29, 1939, "Dick Tracy" became a half-hour-long prime time radio serial, airing at 5:00 pm.When the USA got involved in the Second World War, the show was temporarily cancelled. ABC Blue Network picked it up again from March 15, 1943 to July 16, 1948 and broadcast it on Saturdays. Around this time it was sponsored by Tootsie Rolls, so the music theme was changed to "Toot, Toot Tootsie". The musical arrangements were composed by Ray Carter.The show was directed by Mitchell Grayson, Charles Powers and Bob White. At Mutual, Bill McClintock did the sound effects. At NBC, Keene Crockett did this job. During its run on ABC, Walt McDonough and Al Finelli were hired for this task. Dick Tracy – Bob Burlen, Barry Thompson, Ned Wever, Matt Crowley Pat Patton – Walter Kinsella Tess Trueheart – Helen Lewis Junior Tracy – Andy Donnelly, Jackie Kelk Police Chief Brandon – Howard Smith Tania – Beatrice Pons

The show first aired in 1934 for the NBC Radio New England region. Himan Brown, then still at college, arranged the radio rights for the comic strip. On February 4, 1935, it was picked up by CBS Radio, airing in 15 minute episodes four times a week. Returning next season it aired on Mutual Broadcasting System from September 30, 1935 to March 24, 1937. From April 29, 1939, "Dick Tracy" became a half-hour-long prime time radio serial, airing at 5:00 pm. When the USA got involved in the Second World War, the show was temporarily cancelled. ABC Blue Network picked it up again from March 15, 1943 to July 16, 1948 and broadcast it on Saturdays. Around this time it was sponsored by Tootsie Rolls, so the music theme was changed to "Toot, Toot Tootsie". The musical arrangements were composed by Ray Carter. The show was directed by Mitchell Grayson, Charles Powers and Bob White. At Mutual, Bill McClintock did the sound effects. At NBC, Keene Crockett did this job. During its run on ABC, Walt McDonough and Al Finelli were hired for this task. Dick Tracy – Bob Burlen, Barry Thompson, Ned Wever, Matt Crowley Pat Patton – Walter Kinsella Tess Trueheart – Helen Lewis Junior Tracy – Andy Donnelly, Jackie Kelk Police Chief Brandon – Howard Smith Tania – Beatrice Pons

Dick Tracy

A WW2 veteran returns home and finds no employment opportunities. During a chance encounter, he is given an opportunity and becomes a hitman for a Kansas City crime family.

(Episode 1 audio issues have been fixed on Spotify. I'm going to work on remastering episode 2)

Series Transcripts:
https://drive.google.com/folderview?id=15x6n8yn0DpZO8Z1Eb02L8SjillANOJ9F

A WW2 veteran returns home and finds no employment opportunities. During a chance encounter, he is given an opportunity and becomes a hitman for a Kansas City crime family. (Episode 1 audio issues have been fixed on Spotify. I'm going to work on remastering episode 2) Series Transcripts: https://drive.google.com/folderview?id=15x6n8yn0DpZO8Z1Eb02L8SjillANOJ9F

Merchant of Death

Contes et légendes du Queeriqoo (http://linktr.ee/queeriqoo) est une série audio de contes philosophiques qui nous proviennent d'un espace-temps où la norme est queer et où la Terre est appelée Queeriqoo. On n'y trouve pas des États, mais des contrées du nom de Zaqueer, Sapphique du Sud ou encore Gaypublique Transafricaine. Évasion commanditée par l'écrivaine Jo Güstin, chaque conte nous emmène dans  un monde où nous casser quand celui-ci nous les brise. Attention : Dans les langues du Queeriqoo, le masculin ne l'emporte sur rien du tout.


La saison 3 du Queeriqoo !
Le thème de la saison 3 du Queeriqoo est "Sacrosainte famille". Résolument inconoclaste, cette saison invite à repenser voire désacraliser la famille. Elle comporte 10 épisodes d'environ 30 minutes, illustrés par Troty (http://instagram.com/troty__/).


Depuis le 2 février 2025, les saisons 1 et 2 (Contes et légendes du Queeristan) sont de nouveau disponibles en libre écoute sur vos lecteurs de podcasts. Si elles vous ont fait du bien en 2020, elles vous aideront peut-être à traverser cette période politiquement trouble.


À propos de Jo Güstin :
Jo Güstin (https://jogust.in) écrit, produit et raconte des histoires queers africaines depuis le Canada, la France et le Cameroun. Autrice polyglotte et pluridisciplinaire, elle utilise la fiction et son humour caustique au service du féminisme Noir intersectionnel. Après son recueil de nouvelles 9 Histoires lumineuses où le bien est le mal (http://linktr.ee/9histoires) (2017), son seule-en-scène Je n'suis pas venue ici pour souffrir, OK ? (2018) et son roman Ah Sissi, il faut souffrir pour être française ! (http://linktr.ee/ahsissi) (2019), Jo Güstin s'est installée à Tkaronto (Toronto). En 2020, elle y a fondé DEARNGE SOCIETY, une société de production qui célèbre la joie des queers africain∙e∙s et à laquelle l'on doit la série audio Contes et légendes du Queeriqoo (primée d'un OUT d’Or en 2021) ou encore le court-métrage Don’t Text Your Ex (http://linktr.ee/donttextyourex) / Laisse ton ex tranquille sorti en 2022 (prix du meilleur film LGBT au Cannes Short Film Festival). Jo Güstin a signé l'écriture de l'épisode "Le Cri défendu (https://vimeo.com/639686918)" de la série  féministe H24 (ARTE). Elle a créé et anime l'émission radio En attendant la psy (http://linktr.ee/enattendantlapsy) sur ChoqFM 105.1, où elle utilise l'humour pour déstigmatiser le suivi psy.


Ce programme vous parvient depuis Tkaronto (Toronto) (https://native-land.ca/), territoire Autochtone non cédé, où résonnent encore les voix des Anishinaabe, Haudenosaunee et Wendat.
Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.

Contes et légendes du Queeriqoo (http://linktr.ee/queeriqoo) est une série audio de contes philosophiques qui nous proviennent d'un espace-temps où la norme est queer et où la Terre est appelée Queeriqoo. On n'y trouve pas des États, mais des contrées du nom de Zaqueer, Sapphique du Sud ou encore Gaypublique Transafricaine. Évasion commanditée par l'écrivaine Jo Güstin, chaque conte nous emmène dans un monde où nous casser quand celui-ci nous les brise. Attention : Dans les langues du Queeriqoo, le masculin ne l'emporte sur rien du tout. La saison 3 du Queeriqoo ! Le thème de la saison 3 du Queeriqoo est "Sacrosainte famille". Résolument inconoclaste, cette saison invite à repenser voire désacraliser la famille. Elle comporte 10 épisodes d'environ 30 minutes, illustrés par Troty (http://instagram.com/troty__/). Depuis le 2 février 2025, les saisons 1 et 2 (Contes et légendes du Queeristan) sont de nouveau disponibles en libre écoute sur vos lecteurs de podcasts. Si elles vous ont fait du bien en 2020, elles vous aideront peut-être à traverser cette période politiquement trouble. À propos de Jo Güstin : Jo Güstin (https://jogust.in) écrit, produit et raconte des histoires queers africaines depuis le Canada, la France et le Cameroun. Autrice polyglotte et pluridisciplinaire, elle utilise la fiction et son humour caustique au service du féminisme Noir intersectionnel. Après son recueil de nouvelles 9 Histoires lumineuses où le bien est le mal (http://linktr.ee/9histoires) (2017), son seule-en-scène Je n'suis pas venue ici pour souffrir, OK ? (2018) et son roman Ah Sissi, il faut souffrir pour être française ! (http://linktr.ee/ahsissi) (2019), Jo Güstin s'est installée à Tkaronto (Toronto). En 2020, elle y a fondé DEARNGE SOCIETY, une société de production qui célèbre la joie des queers africain∙e∙s et à laquelle l'on doit la série audio Contes et légendes du Queeriqoo (primée d'un OUT d’Or en 2021) ou encore le court-métrage Don’t Text Your Ex (http://linktr.ee/donttextyourex) / Laisse ton ex tranquille sorti en 2022 (prix du meilleur film LGBT au Cannes Short Film Festival). Jo Güstin a signé l'écriture de l'épisode "Le Cri défendu (https://vimeo.com/639686918)" de la série féministe H24 (ARTE). Elle a créé et anime l'émission radio En attendant la psy (http://linktr.ee/enattendantlapsy) sur ChoqFM 105.1, où elle utilise l'humour pour déstigmatiser le suivi psy. Ce programme vous parvient depuis Tkaronto (Toronto) (https://native-land.ca/), territoire Autochtone non cédé, où résonnent encore les voix des Anishinaabe, Haudenosaunee et Wendat. Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.

Contes et légendes du Queeriqoo (http://linktr.ee/queeriqoo) est une série audio de contes philosophiques qui nous proviennent d'un espace-temps où la norme est queer et où la Terre est appelée Queeriqoo. On n'y trouve pas des États, mais des contrées du nom de Zaqueer, Sapphique du Sud ou encore Gaypublique Transafricaine. Évasion commanditée par l'écrivaine Jo Güstin, chaque conte nous emmène dans &nbsp;un monde où nous casser quand celui-ci nous les brise. Attention : Dans les langues du Queeriqoo, le masculin ne l'emporte sur rien du tout.


La saison 3 du Queeriqoo !
Le thème de la saison 3 du Queeriqoo est "Sacrosainte famille". Résolument inconoclaste, cette saison invite à repenser voire désacraliser la famille. Elle comporte 10 épisodes d'environ 30 minutes, illustrés par Troty (http://instagram.com/troty__/).


Depuis le 2 février 2025, les saisons 1 et 2 (Contes et légendes du Queeristan) sont de nouveau disponibles en libre écoute sur vos lecteurs de podcasts. Si elles vous ont fait du bien en 2020, elles vous aideront peut-être à traverser cette période politiquement trouble.


À propos de Jo Güstin :
Jo Güstin (https://jogust.in) écrit, produit et raconte des histoires queers africaines depuis le Canada, la France et le Cameroun. Autrice polyglotte et pluridisciplinaire, elle utilise la fiction et son humour caustique au service du féminisme Noir intersectionnel. Après son recueil de nouvelles 9 Histoires lumineuses où le bien est le mal (http://linktr.ee/9histoires) (2017), son seule-en-scène Je n'suis pas venue ici pour souffrir, OK ? (2018) et son roman Ah Sissi, il faut souffrir pour être française ! (http://linktr.ee/ahsissi) (2019), Jo Güstin s'est installée à Tkaronto (Toronto). En 2020, elle y a fondé DEARNGE SOCIETY, une société de production qui célèbre la joie des queers africain∙e∙s et à laquelle l'on doit la série audio Contes et légendes du Queeriqoo (primée d'un OUT d’Or en 2021) ou encore le court-métrage Don’t Text Your Ex (http://linktr.ee/donttextyourex) / Laisse ton ex tranquille sorti en 2022 (prix du meilleur film LGBT au Cannes Short Film Festival). Jo Güstin a signé l'écriture de l'épisode "Le Cri défendu (https://vimeo.com/639686918)" de la série &nbsp;féministe H24 (ARTE). Elle a créé et anime l'émission radio En attendant la psy (http://linktr.ee/enattendantlapsy) sur ChoqFM 105.1, où elle utilise l'humour pour déstigmatiser le suivi psy.


Ce programme vous parvient depuis Tkaronto (Toronto) (https://native-land.ca/), territoire Autochtone non cédé, où résonnent encore les voix des Anishinaabe, Haudenosaunee et Wendat.
Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.

Contes et légendes du Queeriqoo

Baap ki baapta ka suna hai? 
This is my podcast about a never talked about subject of fatherhood by a young father i.e. me only 32! 
I will take you on my journey into this world of being a father.
From the start.....to don't know...because dads don't retire!
Sharing all the stories of my daily daddy and hubby duties and also the fun in sharing the load with my better half Swati :)
My story of being a baap - my baapbeeti, a pregnant papa podcast. Suno and share your experiences with me :)

Baap ki baapta ka suna hai? This is my podcast about a never talked about subject of fatherhood by a young father i.e. me only 32! I will take you on my journey into this world of being a father. From the start.....to don't know...because dads don't retire! Sharing all the stories of my daily daddy and hubby duties and also the fun in sharing the load with my better half Swati :) My story of being a baap - my baapbeeti, a pregnant papa podcast. Suno and share your experiences with me :)

Baapbeeti - A Pregnant Papa Podcast

A tale of five adventurers on a quest to save the world.

Forlorn Adventures

&#34;Arch Oboler&#39;s Plays&#34; was a highly influential radio anthology series created, written, produced, and directed by the renowned American radio dramatist Arch Oboler. It was a groundbreaking show that showcased Oboler&#39;s unique and innovative approach to radio drama, often exploring themes of fantasy, science fiction, horror, and social commentary.History and Runs:The series had several distinct runs:<ul><li>NBC (1939-1940): The initial run aired on NBC from March 25, 1939, to March 23, 1940. This was a significant achievement for Oboler, as it was an experimental series given to a single playwright, an almost unheard-of honor at the time. It ran without a sponsor, giving Oboler considerable creative control.</li><li>Mutual (1945): &#34;Arch Oboler&#39;s Plays&#34; was revived for a summer run on the Mutual Broadcasting System from April 5, 1945, to October 11, 1945.</li><li>Later Syndication (1964): Some twenty years after the Mutual series, Oboler attempted to bring some of his acclaimed works back to the airwaves, negotiating with NANA Radio to record thirteen new episodes of &#34;Arch Oboler&#39;s Plays&#34; in late 1963, which aired in 1964.</li></ul>Content and Style:Oboler was known for his &#34;weird fiction,&#34; blending elements of fantasy, science fiction, and horror. His plays often featured:<ul><li>Psychological Depth: He frequently explored the &#34;terrors and monsters within each of us,&#34; using stream-of-consciousness techniques to powerful effect.</li><li>Innovative Sound Effects: Oboler was a pioneer in the use of sound effects to enhance the atmosphere and impact of his dramas.</li><li>Social and Political Commentary: Especially during the lead-up to and during World War II, Oboler subtly wove anti-fascist messages and calls for patriotism into his plays, even when networks maintained a stance of neutrality. He aimed to &#34;stimulate the American people to the importance of the war effort by indirection rather than by direct appeal.&#34;</li><li>Diverse Genres: While famous for horror, &#34;Arch Oboler&#39;s Plays&#34; also encompassed drama, comedy, satire, and tragedy.</li></ul>Notable Episodes and Performers:The show attracted an impressive roster of talented actors, many of whom worked for minimum union fees due to the show&#39;s prestige. Some notable episodes and stars include:<ul><li>&#34;Johnny Got His Gun&#34; (1940): A harrowing adaptation of Dalton Trumbo&#39;s novel, starring James Cagney.</li><li>&#34;The Bathysphere&#34; (1939): This episode, focusing on a dictator and a scientist in a submersible with dwindling oxygen, was inducted into the National Recording Registry in 2020 for its cultural significance.</li><li>&#34;Alter Ego&#34; (1938): Starring Bette Davis, this play about a woman with split personalities was chosen as the best original air drama of the year and later inspired the film &#34;Bewitched.&#34;</li><li>Other stars who appeared included Ronald Colman, Alla Nazimova, Greer Garson, Edmund Gwenn, Eddie Cantor, and many established radio actors like Bea Benadaret and Raymond Edward Johnson.</li></ul>Impact and Legacy:&#34;Arch Oboler&#39;s Plays&#34; left a significant mark on radio drama:<ul><li>Elevating Radio as an Art Form: Oboler was instrumental in demonstrating the artistic potential of radio, moving beyond simple entertainment to explore complex ideas and challenging themes.</li><li>Pioneering Techniques: His use of stream-of-consciousness narration and inventive sound design became absorbed into standard radio practice.</li><li>Influence on Later Works: Oboler&#39;s socially conscious &#34;weird tales&#34; and his dramatic style influenced later creators, notably Rod Serling of &#34;The Twilight Zone.&#34;</li><li>Critical Acclaim: Oboler received a Peabody Award for radio drama for his work.</li></ul> Listen to our radio station Old Time Radio <a href="https://link.radioking.com/otradio" rel="nofollow">https://link.radioking.com/otradio</a>Listen to other Shows at My Classic Radio <a href="https://www.myclassicradio.net/" rel="nofollow">https://www.myclassicradio.net/</a><a href="https://www.patreon.com/entertainment_radio" rel="nofollow">Entertainment Radio | Broadcasting Classic Radio Shows | Patreon</a> Remember that times have changed, and some shows might not reflect the standards of today’s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio

"Arch Oboler's Plays" was a highly influential radio anthology series created, written, produced, and directed by the renowned American radio dramatist Arch Oboler. It was a groundbreaking show that showcased Oboler's unique and innovative approach to radio drama, often exploring themes of fantasy, science fiction, horror, and social commentary. History and Runs: The series had several distinct runs:NBC (1939-1940): The initial run aired on NBC from March 25, 1939, to March 23, 1940. This was a significant achievement for Oboler, as it was an experimental series given to a single playwright, an almost unheard-of honor at the time. It ran without a sponsor, giving Oboler considerable creative control.Mutual (1945): "Arch Oboler's Plays" was revived for a summer run on the Mutual Broadcasting System from April 5, 1945, to October 11, 1945.Later Syndication (1964): Some twenty years after the Mutual series, Oboler attempted to bring some of his acclaimed works back to the airwaves, negotiating with NANA Radio to record thirteen new episodes of "Arch Oboler's Plays" in late 1963, which aired in 1964.Content and Style: Oboler was known for his "weird fiction," blending elements of fantasy, science fiction, and horror. His plays often featured:Psychological Depth: He frequently explored the "terrors and monsters within each of us," using stream-of-consciousness techniques to powerful effect.Innovative Sound Effects: Oboler was a pioneer in the use of sound effects to enhance the atmosphere and impact of his dramas.Social and Political Commentary: Especially during the lead-up to and during World War II, Oboler subtly wove anti-fascist messages and calls for patriotism into his plays, even when networks maintained a stance of neutrality. He aimed to "stimulate the American people to the importance of the war effort by indirection rather than by direct appeal."Diverse Genres: While famous for horror, "Arch Oboler's Plays" also encompassed drama, comedy, satire, and tragedy.Notable Episodes and Performers: The show attracted an impressive roster of talented actors, many of whom worked for minimum union fees due to the show's prestige. Some notable episodes and stars include:"Johnny Got His Gun" (1940): A harrowing adaptation of Dalton Trumbo's novel, starring James Cagney."The Bathysphere" (1939): This episode, focusing on a dictator and a scientist in a submersible with dwindling oxygen, was inducted into the National Recording Registry in 2020 for its cultural significance."Alter Ego" (1938): Starring Bette Davis, this play about a woman with split personalities was chosen as the best original air drama of the year and later inspired the film "Bewitched."Other stars who appeared included Ronald Colman, Alla Nazimova, Greer Garson, Edmund Gwenn, Eddie Cantor, and many established radio actors like Bea Benadaret and Raymond Edward Johnson.Impact and Legacy: "Arch Oboler's Plays" left a significant mark on radio drama:Elevating Radio as an Art Form: Oboler was instrumental in demonstrating the artistic potential of radio, moving beyond simple entertainment to explore complex ideas and challenging themes.Pioneering Techniques: His use of stream-of-consciousness narration and inventive sound design became absorbed into standard radio practice.Influence on Later Works: Oboler's socially conscious "weird tales" and his dramatic style influenced later creators, notably Rod Serling of "The Twilight Zone."Critical Acclaim: Oboler received a Peabody Award for radio drama for his work. Listen to our radio station Old Time Radio https://link.radioking.com/otradio Listen to other Shows at My Classic Radio https://www.myclassicradio.net/ Entertainment Radio | Broadcasting Classic Radio Shows | Patreon Remember that times have changed, and some shows might not reflect the standards of today’s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio

"Arch Oboler's Plays" was a highly influential radio anthology series created, written, produced, and directed by the renowned American radio dramatist Arch Oboler. It was a groundbreaking show that showcased Oboler's unique and innovative approach to radio drama, often exploring themes of fantasy, science fiction, horror, and social commentary.History and Runs:The series had several distinct runs:<ul><li>NBC (1939-1940): The initial run aired on NBC from March 25, 1939, to March 23, 1940. This was a significant achievement for Oboler, as it was an experimental series given to a single playwright, an almost unheard-of honor at the time. It ran without a sponsor, giving Oboler considerable creative control.</li><li>Mutual (1945): "Arch Oboler's Plays" was revived for a summer run on the Mutual Broadcasting System from April 5, 1945, to October 11, 1945.</li><li>Later Syndication (1964): Some twenty years after the Mutual series, Oboler attempted to bring some of his acclaimed works back to the airwaves, negotiating with NANA Radio to record thirteen new episodes of "Arch Oboler's Plays" in late 1963, which aired in 1964.</li></ul>Content and Style:Oboler was known for his "weird fiction," blending elements of fantasy, science fiction, and horror. His plays often featured:<ul><li>Psychological Depth: He frequently explored the "terrors and monsters within each of us," using stream-of-consciousness techniques to powerful effect.</li><li>Innovative Sound Effects: Oboler was a pioneer in the use of sound effects to enhance the atmosphere and impact of his dramas.</li><li>Social and Political Commentary: Especially during the lead-up to and during World War II, Oboler subtly wove anti-fascist messages and calls for patriotism into his plays, even when networks maintained a stance of neutrality. He aimed to "stimulate the American people to the importance of the war effort by indirection rather than by direct appeal."</li><li>Diverse Genres: While famous for horror, "Arch Oboler's Plays" also encompassed drama, comedy, satire, and tragedy.</li></ul>Notable Episodes and Performers:The show attracted an impressive roster of talented actors, many of whom worked for minimum union fees due to the show's prestige. Some notable episodes and stars include:<ul><li>"Johnny Got His Gun" (1940): A harrowing adaptation of Dalton Trumbo's novel, starring James Cagney.</li><li>"The Bathysphere" (1939): This episode, focusing on a dictator and a scientist in a submersible with dwindling oxygen, was inducted into the National Recording Registry in 2020 for its cultural significance.</li><li>"Alter Ego" (1938): Starring Bette Davis, this play about a woman with split personalities was chosen as the best original air drama of the year and later inspired the film "Bewitched."</li><li>Other stars who appeared included Ronald Colman, Alla Nazimova, Greer Garson, Edmund Gwenn, Eddie Cantor, and many established radio actors like Bea Benadaret and Raymond Edward Johnson.</li></ul>Impact and Legacy:"Arch Oboler's Plays" left a significant mark on radio drama:<ul><li>Elevating Radio as an Art Form: Oboler was instrumental in demonstrating the artistic potential of radio, moving beyond simple entertainment to explore complex ideas and challenging themes.</li><li>Pioneering Techniques: His use of stream-of-consciousness narration and inventive sound design became absorbed into standard radio practice.</li><li>Influence on Later Works: Oboler's socially conscious "weird tales" and his dramatic style influenced later creators, notably Rod Serling of "The Twilight Zone."</li><li>Critical Acclaim: Oboler received a Peabody Award for radio drama for his work.</li></ul> Listen to our radio station Old Time Radio&nbsp;<a href="https://link.radioking.com/otradio" rel="noopener noreferrer">https://link.radioking.com/otradio</a>Listen to other Shows at My Classic Radio <a href="https://www.myclassicradio.net/" rel="noopener noreferrer">https://www.myclassicradio.net/</a><a href="https://www.patreon.com/entertainment_radio" rel="noopener noreferrer">Entertainment Radio&nbsp;| Broadcasting Classic Radio Shows | Patreon</a> Remember that times have changed, and some shows might not reflect the standards of today’s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio

Arch Obolers Plays

《囡囡》是一档由法国多语种播客工作室Studio Ochenta与中国播客与数字音频公司JustPod共同推出的播客剧。它讲述了一个生活在法国巴黎的中国移民家庭的故事。每期节目均由讲述者“囡囡”亲自主持，她将分享她们一家人是如何传承故土文化，并努力适应在巴黎生活的故事。这档节目隶属于多语种播客剧品牌《Mija Podcast》，由Studio Ochenta出品，主要分享世界各地移民们的故事。想了解更多敬请登陆ochentastudio.com或justpodmedia.com

囡囡 | Mija Podcast

Small stories told on a galactic stage!

Veteran Dungeon Master, Creed Brandley navigates four life long friends through the perils of space. We utilize improvisation and dice rolls to tell a story, live every week.

Each episode will be between 1 and 2 hours long in order to provide easily consumable episodes for our listeners.

Catch us live every Saturday on Twitch.tv/intothedungeon

Small stories told on a galactic stage! Veteran Dungeon Master, Creed Brandley navigates four life long friends through the perils of space. We utilize improvisation and dice rolls to tell a story, live every week. Each episode will be between 1 and 2 hours long in order to provide easily consumable episodes for our listeners. Catch us live every Saturday on Twitch.tv/intothedungeon

Into the Dungeon: Starfinder

बनारस के घाट पर भटकती एक अल्हड सी प्रेम कहानी है- चश्मिश। ये कहानी हैं एक लड़के और लड़की की, जो बी० एच० यू० में पढ़ते हैं, उनकी प्यारी मुलाक़ातें और प्यार भरी दास्ताँ है चश्मिश। बनारस और बी० एच० यू० के खुशनुमा माहौल में भटकती बनारसिया प्रेम कहानी है चश्मिश।लेखक - विपिन यादवशैली - रोमांटिकभाषा - हिंदी

Chasmish | चश्मिस | Author- विपिन यादव

Проект библиотеки имени В. В. Маяковского &#34;Маяковка. Читаем — слушайте&#34;. Читает режиссёр Борис Казаков.

Проект библиотеки имени В. В. Маяковского "Маяковка. Читаем — слушайте". Читает режиссёр Борис Казаков.

Маяковка. Рассказы Чехова

A weekly download from my brain about sex, drugs and everything else. You will receive my weird perspective on a variety of subjects and gain access to the best new musicians and authors I find. Try it, you will like it.

Sex, Drugs And Everything Else

Viva Sci-Fi é um podcast sobre literatura de ficção científica.
Apresentado por Tiago Meira e Fabio Fernandes

Viva Sci-Fi é um podcast sobre literatura de ficção científica. Apresentado por Tiago Meira e Fabio Fernandes

Viva Sci-Fi

Aulos Productions is an Edinburgh-based theatre company, bringing new writing to the stage and screen.  We are pleased to present our first foray into the world of audio drama: "This Mortal Coil" - a comedy audio murder mystery by award-winning writer James Beagon.

★★★★, The Wee Review
"A fun audio murder-mystery drama that pokes fun at every facet of the theatre world”
"Beagon’s script sets up intriguing possibilities for the remaining parts. The play has plenty of light-hearted momentum, and is an undemanding listen. The voice-acting is engaging, with actors quickly and successfully able to establish character and mood."

Aulos Productions is an Edinburgh-based theatre company, bringing new writing to the stage and screen. We are pleased to present our first foray into the world of audio drama: "This Mortal Coil" - a comedy audio murder mystery by award-winning writer James Beagon. ★★★★, The Wee Review "A fun audio murder-mystery drama that pokes fun at every facet of the theatre world” "Beagon’s script sets up intriguing possibilities for the remaining parts. The play has plenty of light-hearted momentum, and is an undemanding listen. The voice-acting is engaging, with actors quickly and successfully able to establish character and mood."

This Mortal Coil

Can home be a place you’ve never been, a place no one has ever been?
The White Cloud is the most audacious experiment the human species has ever undertaken—to search for a new Earth. The ship and its crew exist for a solitary purpose—to reach a distant planet and establish a colony. However, the vast majority of people undertaking this journey will not live to see its result, nor were they part of the decision-making process to leave.
A novel-in-stories, following the many generations who make the journey, The Voyage of the White Cloud asks how you can find meaning as a slave to destiny, a mere stepping-stone in history.
These are the stories of the most ordinary people on a most extraordinary journey.

Can home be a place you’ve never been, a place no one has ever been? The White Cloud is the most audacious experiment the human species has ever undertaken—to search for a new Earth. The ship and its crew exist for a solitary purpose—to reach a distant planet and establish a colony. However, the vast majority of people undertaking this journey will not live to see its result, nor were they part of the decision-making process to leave. A novel-in-stories, following the many generations who make the journey, The Voyage of the White Cloud asks how you can find meaning as a slave to destiny, a mere stepping-stone in history. These are the stories of the most ordinary people on a most extraordinary journey.

The Voyage of the White Cloud

The definition of an anthology series is: a radio, television, or film series that presents a different story and a different set of characters in each episode, season, segment or short. Five Minute Fables is a multi-genre podcast of short stories written and recorded by A. David Barrett and W. Schenck.

The definition of an anthology series is: a radio, television, or film series that presents a different story and a different set of characters in each episode, season, segment or short. Five Minute Fables is a multi-genre podcast of short stories written and recorded by A. David Barrett and W. Schenck.

Five Minute Fables

Deep Overstock is the international bookseller and librarian publishing house. Join Robert Eversmann and the DO editors while we read and discuss the stories we publish at Deep Overstock.

Deep Overstock Fiction Podcast

new time radio

Beyond Human is a sci-fi audio podcast narrated by Dhriti Shah and Neel Shah that talks about alien life, artificial intelligence, black holes, time travel and more. So join them on a trip through time, space and chance as they explore everything that is ‘Beyond Human’.

Beyond Human: An Exploration Through Time & Space

A weekly dose of original short stories by Chris Morris. Stories range in genre from comedy to drama to science fiction and more.

Finding North Podcast

جایی برسی که اینقدر امن باشه آدم بگه ؛خب...ولی می لرزید..

عشق❤

Come join me on a journey through darkness and fear as I present original stories. Mostly horror, possibly other genres as well, one never knows where the mind might go. Will also discuss things from pop culture that interest me.

But there's a twist! As an individual with Autism and ADHD, I want to use this to shine a light on how they effect creativity and expression, from struggling to stay on task, to feeling different and not picking up on things the ways others do, even to speaking differently (as may be evidenced in my recordings!). I hope you will join me on this journey!

Come join me on a journey through darkness and fear as I present original stories. Mostly horror, possibly other genres as well, one never knows where the mind might go. Will also discuss things from pop culture that interest me. But there's a twist! As an individual with Autism and ADHD, I want to use this to shine a light on how they effect creativity and expression, from struggling to stay on task, to feeling different and not picking up on things the ways others do, even to speaking differently (as may be evidenced in my recordings!). I hope you will join me on this journey!

Tom's Atypical Tales of Terror...And Other Stuff

Writer’s Book Club is just like a regular book club but each month we’ll take a deep dive into a specific novel from a writing craft perspective. 
It's a podcast for people who read books with a writer’s eye and find themselves wishing they could ask the author specific writing questions about the novel.
Essentially, it’s a no-holds-barred insight into an author’s writing craft and process, applied to a real-life novel.
Shownotes are available at www.writersbookclubpodcast.com

Writer’s Book Club is just like a regular book club but each month we’ll take a deep dive into a specific novel from a writing craft perspective. It's a podcast for people who read books with a writer’s eye and find themselves wishing they could ask the author specific writing questions about the novel. Essentially, it’s a no-holds-barred insight into an author’s writing craft and process, applied to a real-life novel. Shownotes are available at www.writersbookclubpodcast.com

Fiction Podcasts / Page 162

De Moker

Smart Podcast, Trashy Books: A Romance Novel Podcast

仙剑奇侠传(小说楚国版)

Poems & Short Stories

Tin Pod Radio

the SHORTS podcast

The Writer's Story

Calling All Cars

Book Club Reporter Book Reviews

One Thing Led to Another

The Romantic Side of Suspense

Cuentos cabrones

Dick Tracy

Merchant of Death

Contes et légendes du Queeriqoo

Baapbeeti - A Pregnant Papa Podcast

Forlorn Adventures

Arch Obolers Plays

囡囡 | Mija Podcast

Into the Dungeon: Starfinder

Chasmish | चश्मिस | Author- विपिन यादव

Маяковка. Рассказы Чехова

Sex, Drugs And Everything Else

Viva Sci-Fi

This Mortal Coil

The Voyage of the White Cloud

Five Minute Fables

Deep Overstock Fiction Podcast

new time radio

Beyond Human: An Exploration Through Time & Space

Finding North Podcast

عشق❤

Tom's Atypical Tales of Terror...And Other Stuff

Writer's Book Club Podcast

رادیو پاز | pause radio

The Books and Bumrolls Podcast

Cult of Campbell

Relatos de Terror Oscuro Secreto Oficial

K-Drama Feuilleton

No Abras La Ventana

The Code | الشفرة

Peppermint Winters

Noir Culture

Mystery & Suspense Stories

Anne of Avonlea

Persuasion

Nuggets

Itsjesus

Antique Stories ASMR

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