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The Movie Lottery, hosted by Nick and Gino.  Nick is a published historian and Gino is a former Blockbuster employee, each episode they will randomly draw a director and pick two films from that director to discuss.

The Movie Lottery, hosted by Nick and Gino. Nick is a published historian and Gino is a former Blockbuster employee, each episode they will randomly draw a director and pick two films from that director to discuss.

The Movie Lottery

Filmpodcast både om nye filmer og TV-serier, samt om de gamle filmene du likte fra 80 og 90tallet. Holder de fremdeles mål? Youtube-kanalen Skont Productions produserer denne FilmPodcasten Skont Productions er kanskje Norges mest dedikerte kanal for film og TV interesserte.<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Filmpodcast både om nye filmer og TV-serier, samt om de gamle filmene du likte fra 80 og 90tallet. Holder de fremdeles mål? Youtube-kanalen Skont Productions produserer denne FilmPodcasten Skont Productions er kanskje Norges mest dedikerte kanal for film og TV interesserte. Hosted on Acast. See acast.com/privacy for more information.

Filmpodcast både om nye filmer og TV-serier, samt om de gamle filmene du likte fra 80 og 90tallet. Holder de fremdeles mål? Youtube-kanalen Skont Productions produserer denne FilmPodcasten Skont Productions er kanskje Norges mest dedikerte kanal for film og TV interesserte. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Skonts VideoVerden og andre filmpodcaster

Shawn und René starten jetzt auch einen Podcast. Warum? Weil wir Bock drauf haben! Wir sprechen über digitales Storytelling mit Schwerpunkt Film, aber auch über Serien und Games; teilweise zu zweit und teilweise mit wechselnden Gästen.

Aus dem Off

This is our flagship show, where we talk comics, movies, whatever. Hosted by Kenric Regan and John Horsley, they discuss whatever nerdy topic that comes to mind. Bringing on creators from all forums, covering conventions across the globe, and reviewing the things they love, you are always in for a good time when you travel to Spoiler Country!

Spoiler Country

Cinema club Stockholm talks about world’s cinema history, about there famous names, styles, pages.
Cinema club Stockholm рассказывает об истории мирового кинематографа, о его самых интересных страницах, о том, как он родился и развивался, где искал и черпал вдохновение, какими шедеврами славен, какими звёздами венчан.

Cinema club Stockholm talks about world’s cinema history, about there famous names, styles, pages. Cinema club Stockholm рассказывает об истории мирового кинематографа, о его самых интересных страницах, о том, как он родился и развивался, где искал и черпал вдохновение, какими шедеврами славен, какими звёздами венчан.

Kinoklubok

Tá procurando uma sugestão de que filme assistir? Então, vem com a gente! Toda semana batemos um papo animado e cheio de referências a outros filmes usando como ponto de partida o último filme que que assistimos. Não é necessariamente o lançamento da semana, vale ressaltar. 

O programa é apresentado pelos cinéfilos Claudio Lemos e Thiago Amendoeira

Tá procurando uma sugestão de que filme assistir? Então, vem com a gente! Toda semana batemos um papo animado e cheio de referências a outros filmes usando como ponto de partida o último filme que que assistimos. Não é necessariamente o lançamento da semana, vale ressaltar. O programa é apresentado pelos cinéfilos Claudio Lemos e Thiago Amendoeira

Tu já viu?

Remember those classic exploitation/sexploitation films of the past! Those films that had no redeeming qualities what so ever? Those are the films I am going to tell you about on Sex, Violence, and Shock! I’ll be looking at who made those films and why? This show is more than a film review podcast, but a history podcast as well.

Cinema of Shock!

Viens on est bien, on parle cinéma et on essaye de faire le top ultime du cinéma. <hr> Hébergé par Acast. Visitez <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> pour plus d'informations.

Viens on est bien, on parle cinéma et on essaye de faire le top ultime du cinéma. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Viens on est bien, on parle cinéma et on essaye de faire le top ultime du cinéma. Hébergé par Acast. Visitez <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> pour plus d'informations.

Tibobine

This podcast Talks About Home Formats such as DVD, VHS, Betamax,CED and much more

WikiVideo

Nonton Film Literasi

Hola en este podcast encontrás varios temas, desde deportes, cine, libros, música etc.

Espero que les gusten y me sigan 
Canal de Youtube: https://www.youtube.com/channel/UC2O52kCRY7HjGJrO7mazFTg

Instagram: adrian_w.w

Hola en este podcast encontrás varios temas, desde deportes, cine, libros, música etc. Espero que les gusten y me sigan Canal de Youtube: https://www.youtube.com/channel/UC2O52kCRY7HjGJrO7mazFTg Instagram: adrian_w.w

Hechando el desmadre

Un Balado sur l’histoire des salles de cinémas du Québec par Marcel Venne un  propriétaire de salles de cinémas  qui à fondé le circuit RGFM qui possède des complexes en région, dont Joliette, Sorel-Tracy, Drummondville, Beloeil et St-Hyacinthe.

Un Balado sur l’histoire des salles de cinémas du Québec par Marcel Venne un propriétaire de salles de cinémas qui à fondé le circuit RGFM qui possède des complexes en région, dont Joliette, Sorel-Tracy, Drummondville, Beloeil et St-Hyacinthe.

Le Cinéma, c’est au Cinéma!

CINEMA CONFIDENTIAL È IL PODCAST DEL CINEMINO CHE SI INFILA TRA I FILM E LA VITA, PER RACCONTARVI QUEL GENERE DI STORIE CHE FANNO DIRE: "MA DAI, NON LO SAPEVO!" Da un'idea di Andrea Diego Bernardini. Direzione creativa: Simona Angioni. Autori: Agata DeLaurentiis, Andrea Diego Bernardini. Voci: Simona Angioni, Marco Turco. Graphic designer: Carlotta Inferrera. Musiche: Gianluca Mancini. Per il Cinemino: Agata De Laurentiis e Graziano Palamara.   Regia: Jido Casals e Germano Palomba.

CINEMA CONFIDENTIAL È IL PODCAST DEL CINEMINO CHE SI INFILA TRA I FILM E LA VITA, PER RACCONTARVI QUEL GENERE DI STORIE CHE FANNO DIRE: "MA DAI, NON LO SAPEVO!" Da un'idea di Andrea Diego Bernardini. Direzione creativa: Simona Angioni. Autori: Agata DeLaurentiis, Andrea Diego Bernardini. Voci: Simona Angioni, Marco Turco. Graphic designer: Carlotta Inferrera. Musiche: Gianluca Mancini. Per il Cinemino: Agata De Laurentiis e Graziano Palamara. Regia: Jido Casals e Germano Palomba.

CINEMA CONFIDENTIAL È IL PODCAST DEL CINEMINO CHE SI INFILA TRA I FILM E LA VITA, PER RACCONTARVI QUEL GENERE DI STORIE CHE FANNO DIRE: "MA DAI, NON LO SAPEVO!" Da un'idea di Andrea Diego Bernardini. Direzione creativa: Simona Angioni. Autori: Agata DeLaurentiis, Andrea Diego Bernardini. Voci: Simona Angioni, Marco Turco. Graphic designer: Carlotta Inferrera. Musiche: Gianluca Mancini. Per il Cinemino: Agata De Laurentiis e Graziano Palamara.&nbsp;&nbsp; Regia: Jido Casals e Germano Palomba.

Cinema Confidential

Two guys working on finishing a never ending list of movies to watch.

Add it to the list Podcast

A podcast about all things Music and Movies, past and present.

Music. Movies. Microphone.

Off the Watchlist is a podcast about the movies we have no excuse for missing. Join Luke and Sophia as they discover new and classic movies, summarizing and discussing everything from Cinderella III to Sunset Boulevard. Cinematic masterpieces, obscure b-movies, cult favorites: they’ll check them all off the watchlist.

Off The Watchlist

Кинокритик и кинолюбитель обсуждают классику кино, делятся мыслями и рассказывают интересности

Чувак, это классика

Long-running film podcast featuring hosts Ken, Ryan and Thomas and numerous guests talking filmographies, oddities, classics and side hustles. Through a thousand seasons they have talked about nearly every movie ever made (verified by PodStats Inc). Currently embroiled in a scandalous international lawsuit with an Oscar-winning director over who owns the phrase "Temporal Pincer Movement."

Long-running film podcast featuring hosts Ken, Ryan and Thomas and numerous guests talking filmographies, oddities, classics and side hustles. Through a thousand seasons they have talked about nearly every movie ever made (verified by PodStats Inc). Currently embroiled in a scandalous international lawsuit with an Oscar-winning director over who owns the phrase "Temporal Pincer Movement."

The Good, The Pod and The Ugly

Die Geschichte des deutschen Kinos ist eng mit Adrian Kutter verbunden. Bereits als Jugendlicher sammelte er Erfahrungen als Kinomacher im väterlichen Kino in Biberach. Schon damals ging es ihm um mehr als das bloße Filmvorführen. "Kino ist mehr als Filmschauen", sagt Adrian Kutter auch heute noch.

Als langjähriger Präsident der Gilde Deutscher Filmkunsttheater beeinflusste er in ganz Deutschland die Art und Weise, wie Filme programmiert werden. Und als Gründer der Biberacher Filmfestspiele schenkte er dem neuen deutschen Film einen eigenen Treffpunkt und eine Plattform, auf der sich Publikum und Filmemacher abseits des Rampenlichts treffen und austauschen konnten.

In diesem Podcast sammelt der Journalist Michael Scheyer im Auftrag der Filmtage Oberschwaben in Ravensburg Adrian Kutters wertvolle Erinnerungen an die deutsche Filmgeschichte.

Die Geschichte des deutschen Kinos ist eng mit Adrian Kutter verbunden. Bereits als Jugendlicher sammelte er Erfahrungen als Kinomacher im väterlichen Kino in Biberach. Schon damals ging es ihm um mehr als das bloße Filmvorführen. "Kino ist mehr als Filmschauen", sagt Adrian Kutter auch heute noch. Als langjähriger Präsident der Gilde Deutscher Filmkunsttheater beeinflusste er in ganz Deutschland die Art und Weise, wie Filme programmiert werden. Und als Gründer der Biberacher Filmfestspiele schenkte er dem neuen deutschen Film einen eigenen Treffpunkt und eine Plattform, auf der sich Publikum und Filmemacher abseits des Rampenlichts treffen und austauschen konnten. In diesem Podcast sammelt der Journalist Michael Scheyer im Auftrag der Filmtage Oberschwaben in Ravensburg Adrian Kutters wertvolle Erinnerungen an die deutsche Filmgeschichte.

Liebes Kino! Erinnerungen von Adrian Kutter

In "I'd Like to Thank My Wife" (the most used phrase in Academy Award acceptance speeches!), your hosts E and Tygo go on a journey to watch and discuss every Oscars Best Picture nominee, ever. Starting in 1929, and taking us all the way to the present, every month will bring a new year of discussion, drama, and exciting developments in the world of film. We're film nerds. We love that shit.<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

In "I'd Like to Thank My Wife" (the most used phrase in Academy Award acceptance speeches!), your hosts E and Tygo go on a journey to watch and discuss every Oscars Best Picture nominee, ever. Starting in 1929, and taking us all the way to the present, every month will bring a new year of discussion, drama, and exciting developments in the world of film. We're film nerds. We love that shit. Hosted on Acast. See acast.com/privacy for more information.

In "I'd Like to Thank My Wife" (the most used phrase in Academy Award acceptance speeches!), your hosts E and Tygo go on a journey to watch and discuss every Oscars Best Picture nominee, ever. Starting in 1929, and taking us all the way to the present, every month will bring a new year of discussion, drama, and exciting developments in the world of film. We're film nerds. We love that shit. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

I'd Like To Thank My Wife

Plottwist ass e Podcast wou zwee Filmnerds iwwert eng vun hire gréissten Leidenschafte schwätzen. Klassiker oder nei Filmer, neicht ass vrun hinne sécher...

Plottwist ass e Podcast wou zwee Filmnerds iwwert eng vun hire gréissten Leidenschafte schwätzen. Klassiker oder nei Filmer, neicht ass vrun hinne sécher...

Plottwist

My mother and I sit down and watch a random cult classic movie, give listeners an overview and maybe a few opinions before we move on to talk about literally everything else. The gimmick is that I *love* movies and she hasn't seen a movie in a cinema since the 90s.

MOVIES WITH MY MOTHER

The Jack Benny Program, starring <a href="https://en.wikipedia.org/wiki/Jack_Benny" target="_blank" rel="noreferrer noopener">Jack Benny</a>, is a radio and television comedy series. The show ran for over three decades, from 1932 to 1955 on radio, and from 1950 to 1965 on television. It won numerous awards, including the <a href="https://en.wikipedia.org/wiki/11th_Primetime_Emmy_Awards" target="_blank" rel="noreferrer noopener">1959</a> and <a href="https://en.wikipedia.org/wiki/13th_Primetime_Emmy_Awards" target="_blank" rel="noreferrer noopener">1961 Emmy Awards</a> for <a href="https://en.wikipedia.org/wiki/Primetime_Emmy_Award_for_Outstanding_Comedy_Series" target="_blank" rel="noreferrer noopener">Best Comedy Series</a>, and is generally regarded as a high-water mark in 20th-century American comedy.<a href="https://en.wikipedia.org/wiki/The_Jack_Benny_Program#cite_note-dun-1" target="_blank" rel="noreferrer noopener">[1]</a>Throughout his career, Jack Benny played the same character: A pompous, vain, and stingy man who played the violin badly but was convinced of his own talent. Although technically the star of his show, Benny was constantly the butt of jokes from his cast members, including <a href="https://en.wikipedia.org/wiki/Mary_Livingstone" target="_blank" rel="noreferrer noopener">Mary Livingstone</a> (Sayde Marks Benny, his real-life wife); <a href="https://en.wikipedia.org/wiki/Phil_Harris" target="_blank" rel="noreferrer noopener">Phil Harris</a>, his band leader; <a href="https://en.wikipedia.org/wiki/Kenny_Baker_(American_performer)" target="_blank" rel="noreferrer noopener">Kenny Baker</a> or <a href="https://en.wikipedia.org/wiki/Dennis_Day" target="_blank" rel="noreferrer noopener">Dennis Day</a>, his tenors; <a href="https://en.wikipedia.org/wiki/Don_Wilson_(announcer)" target="_blank" rel="noreferrer noopener">Don Wilson</a>, his portly announcer; and Rochester Van Jones (<a href="https://en.wikipedia.org/wiki/Eddie_%22Rochester%22_Anderson" target="_blank" rel="noreferrer noopener">Eddie Anderson</a>), his African American valet.

The Jack Benny Program, starring Jack Benny, is a radio and television comedy series. The show ran for over three decades, from 1932 to 1955 on radio, and from 1950 to 1965 on television. It won numerous awards, including the 1959 and 1961 Emmy Awards for Best Comedy Series, and is generally regarded as a high-water mark in 20th-century American comedy.[1]Throughout his career, Jack Benny played the same character: A pompous, vain, and stingy man who played the violin badly but was convinced of his own talent. Although technically the star of his show, Benny was constantly the butt of jokes from his cast members, including Mary Livingstone (Sayde Marks Benny, his real-life wife); Phil Harris, his band leader; Kenny Baker or Dennis Day, his tenors; Don Wilson, his portly announcer; and Rochester Van Jones (Eddie Anderson), his African American valet.

The Jack Benny Program, starring&nbsp;<a href="https://en.wikipedia.org/wiki/Jack_Benny" rel="noopener noreferrer">Jack Benny</a>, is a radio and television comedy series. The show ran for over three decades, from 1932 to 1955 on radio, and from 1950 to 1965 on television. It won numerous awards, including the&nbsp;<a href="https://en.wikipedia.org/wiki/11th_Primetime_Emmy_Awards" rel="noopener noreferrer">1959</a>&nbsp;and&nbsp;<a href="https://en.wikipedia.org/wiki/13th_Primetime_Emmy_Awards" rel="noopener noreferrer">1961 Emmy Awards</a>&nbsp;for&nbsp;<a href="https://en.wikipedia.org/wiki/Primetime_Emmy_Award_for_Outstanding_Comedy_Series" rel="noopener noreferrer">Best Comedy Series</a>, and is generally regarded as a high-water mark in 20th-century American comedy.<a href="https://en.wikipedia.org/wiki/The_Jack_Benny_Program#cite_note-dun-1" rel="noopener noreferrer">[1]</a>Throughout his career, Jack Benny played the same character: A pompous, vain, and stingy man who played the violin badly but was convinced of his own talent. Although technically the star of his show, Benny was constantly the butt of jokes from his cast members, including&nbsp;<a href="https://en.wikipedia.org/wiki/Mary_Livingstone" rel="noopener noreferrer">Mary Livingstone</a>&nbsp;(Sayde Marks Benny, his real-life wife);&nbsp;<a href="https://en.wikipedia.org/wiki/Phil_Harris" rel="noopener noreferrer">Phil Harris</a>, his band leader;&nbsp;<a href="https://en.wikipedia.org/wiki/Kenny_Baker_(American_performer)" rel="noopener noreferrer">Kenny Baker</a>&nbsp;or&nbsp;<a href="https://en.wikipedia.org/wiki/Dennis_Day" rel="noopener noreferrer">Dennis Day</a>, his tenors;&nbsp;<a href="https://en.wikipedia.org/wiki/Don_Wilson_(announcer)" rel="noopener noreferrer">Don Wilson</a>, his portly announcer; and Rochester Van Jones (<a href="https://en.wikipedia.org/wiki/Eddie_%22Rochester%22_Anderson" rel="noopener noreferrer">Eddie Anderson</a>), his African American valet.

Jack Benny Program

Each episode opens with an entry from the ship's <a href="https://en.wikipedia.org/wiki/Logbook" target="_blank" rel="noreferrer noopener">log</a>, such as: "Log entry, the ketch Scarlet Queen, Philip Karney, master. Position – three degrees, seven minutes north, 104 degrees, two minutes east. Wind, fresh to moderate; sky, fair..." with a similar closing: "Ship secured for the night. Signed, Philip Karney, master." Arriving at an exotic <a href="https://en.wikipedia.org/wiki/Port#Port_of_call" target="_blank" rel="noreferrer noopener">port of call</a>, the captain and first mate would go ashore and immediately run into trouble with local authorities, agents of rival merchants, or desperate women in need of rescue. After some investigation and at least one good fight they would solve the problem, get back on the ship and sail away, Karney and Gallagher sharing a laugh and a drink at the wheel before the captain's closing log entry.

Each episode opens with an entry from the ship's log, such as: "Log entry, the ketch Scarlet Queen, Philip Karney, master. Position – three degrees, seven minutes north, 104 degrees, two minutes east. Wind, fresh to moderate; sky, fair..." with a similar closing: "Ship secured for the night. Signed, Philip Karney, master." Arriving at an exotic port of call, the captain and first mate would go ashore and immediately run into trouble with local authorities, agents of rival merchants, or desperate women in need of rescue.After some investigation and at least one good fight they would solve the problem, get back on the ship and sail away, Karney and Gallagher sharing a laugh and a drink at the wheel before the captain's closing log entry.

Each episode opens with an entry from the ship's&nbsp;<a href="https://en.wikipedia.org/wiki/Logbook" rel="noopener noreferrer">log</a>, such as: "Log entry, the ketch&nbsp;Scarlet Queen, Philip Karney, master. Position – three degrees, seven minutes north, 104 degrees, two minutes east. Wind, fresh to moderate; sky, fair..." with a similar closing: "Ship secured for the night. Signed, Philip Karney, master." Arriving at an exotic&nbsp;<a href="https://en.wikipedia.org/wiki/Port#Port_of_call" rel="noopener noreferrer">port of call</a>, the captain and first mate would go ashore and immediately run into trouble with local authorities, agents of rival merchants, or desperate women in need of rescue. After some investigation and at least one good fight they would solve the problem, get back on the ship and sail away, Karney and Gallagher sharing a laugh and a drink at the wheel before the captain's closing log entry.

Voyage of the Scarlett Queen Radio Show

Una maniera nuova per parlare di Cinema vecchio

CineIntollerance

Dans ce podcast, nous allons retracer l'histoire du cinéma de ses origines à nos jours. 
Nous allons faire revivre les inventeurs, réalisateurs, producteurs, scénaristes... qui ont contribués à créer l'histoire du cinéma. 
Chaque mardi, je vous raconterai au travers des anecdotes inédites, des histoires rocambolesques et riches en rebondissements qui vous permettrons de vous constituer une base solide en cinéma mais également d'élargir vos références filmiques. 

J'espère que vous êtes prêt... Moteur et Action !

Produit par Calypso Films Studio

Dans ce podcast, nous allons retracer l'histoire du cinéma de ses origines à nos jours. Nous allons faire revivre les inventeurs, réalisateurs, producteurs, scénaristes... qui ont contribués à créer l'histoire du cinéma. Chaque mardi, je vous raconterai au travers des anecdotes inédites, des histoires rocambolesques et riches en rebondissements qui vous permettrons de vous constituer une base solide en cinéma mais également d'élargir vos références filmiques. J'espère que vous êtes prêt... Moteur et Action ! Produit par Calypso Films Studio

Let's Talk Cinema

The biographical overview of the life and career of Dame Maggie Smith, an acclaimed British actress known for her versatility across stage, film, and television. It details her upbringing, early career, significant roles, awards, and personal life. The second source is an interview with the artist James Lloyd who painted a portrait of Smith for the National Portrait Gallery. He describes his experiences with Smith during the portrait process, highlighting her personality and how her portrait captured both her public persona and private self.

Maggie Smith

Behind the Mike was a <a href="https://en.wikipedia.org/wiki/Blue_Network" target="_blank" rel="noreferrer noopener">Blue Network</a> (NBC) radio series hosted by <a href="https://en.wikipedia.org/wiki/Graham_McNamee" target="_blank" rel="noreferrer noopener">Graham McNamee</a>, spotlighting behind-the-scenes stories in radio broadcasting. The <a href="https://en.wikipedia.org/wiki/Sustaining_program" target="_blank" rel="noreferrer noopener">sustaining show</a> aired Sundays at 4:30 p.m. ET from September 15, 1940, to April 19, 1942. : 76 : 34 The program featured interviews with on-air personalities and announcers, musicians and other performers, composers, the creators of <a href="https://en.wikipedia.org/wiki/Sound-effects" target="_blank" rel="noreferrer noopener">sound-effects</a>, producers, engineers and other technicians involved in radio production. As many as six stories were covered in each broadcast, and questions from listeners were answered in the "Correspondence Corner" segment. Music was provided by Ernie Watson and his orchestra.After McNamee's death May 9, 1942, the name of the series changed to This is the Truth, then Nothing But the Truth and continued until June 7, 1942

Behind the Mike was a Blue Network (NBC) radio series hosted by Graham McNamee, spotlighting behind-the-scenes stories in radio broadcasting. The sustaining show aired Sundays at 4:30 p.m. ET from September 15, 1940, to April 19, 1942. : 76 : 34 The program featured interviews with on-air personalities and announcers, musicians and other performers, composers, the creators of sound-effects, producers, engineers and other technicians involved in radio production.As many as six stories were covered in each broadcast, and questions from listeners were answered in the "Correspondence Corner" segment. Music was provided by Ernie Watson and his orchestra.After McNamee's death May 9, 1942, the name of the series changed to This is the Truth, then Nothing But the Truth and continued until June 7, 1942

Behind the Mike&nbsp;was a&nbsp;<a href="https://en.wikipedia.org/wiki/Blue_Network" rel="noopener noreferrer">Blue Network</a>&nbsp;(NBC) radio series hosted by&nbsp;<a href="https://en.wikipedia.org/wiki/Graham_McNamee" rel="noopener noreferrer">Graham McNamee</a>, spotlighting behind-the-scenes stories in radio broadcasting. The&nbsp;<a href="https://en.wikipedia.org/wiki/Sustaining_program" rel="noopener noreferrer">sustaining show</a> aired Sundays at 4:30 p.m. ET from September 15, 1940, to April 19, 1942. : 76 : 34 The program featured interviews with on-air personalities and announcers, musicians and other performers, composers, the creators of <a href="https://en.wikipedia.org/wiki/Sound-effects" rel="noopener noreferrer">sound-effects</a>, producers, engineers and other technicians involved in radio production. As many as six stories were covered in each broadcast, and questions from listeners were answered in the "Correspondence Corner" segment. Music was provided by Ernie Watson and his orchestra.After McNamee's death May 9, 1942, the name of the series changed to This is the Truth, then&nbsp;Nothing But the Truth&nbsp;and continued until June 7, 1942

Behind the Mic Radio Show!

Tobacco company <a href="https://en.wikipedia.org/wiki/Brown_%26_Williamson" target="_blank" rel="noreferrer noopener">Brown &amp; Williamson</a>, former makers of <a href="https://en.wikipedia.org/wiki/Kool_(cigarette)" target="_blank" rel="noreferrer noopener">Kool</a> cigarettes, began producing Avalon in 1932. Avalon was Brown &amp; Williamson's 'economy' brand, while never actually mentioning that term. Instead, they were promoted as either the cigarettes that "cost you less" or the cigarettes that "give you change back". Avalon Time was the first Avalon-sponsored radio program with <a href="https://en.wikipedia.org/wiki/Show_Boat#Radio" target="_blank" rel="noreferrer noopener">Show Boat</a> premiering in 1939.The 'Reds' 'Red' was an ongoing theme and joke on Avalon Time. Coincidentally, all four hosts of the program had "red" hair. Two of the four hosts went by the name "Red". Also, the program was produced and broadcast over <a href="https://en.wikipedia.org/wiki/NBC" target="_blank" rel="noreferrer noopener">NBC</a>'s <a href="https://en.wikipedia.org/wiki/NBC_Radio_Network" target="_blank" rel="noreferrer noopener">"Red" Network</a>.

Tobacco company Brown & Williamson, former makers of Kool cigarettes, began producing Avalon in 1932. Avalon was Brown & Williamson's 'economy' brand, while never actually mentioning that term. Instead, they were promoted as either the cigarettes that "cost you less" or the cigarettes that "give you change back".Avalon Time was the first Avalon-sponsored radio program with Show Boat premiering in 1939.The 'Reds''Red' was an ongoing theme and joke on Avalon Time. Coincidentally, all four hosts of the program had "red" hair. Two of the four hosts went by the name "Red". Also, the program was produced and broadcast over NBC's "Red" Network.

Tobacco company&nbsp;<a href="https://en.wikipedia.org/wiki/Brown_%26_Williamson" rel="noopener noreferrer">Brown &amp; Williamson</a>, former makers of&nbsp;<a href="https://en.wikipedia.org/wiki/Kool_(cigarette)" rel="noopener noreferrer">Kool</a>&nbsp;cigarettes, began producing&nbsp;Avalon in 1932. Avalon was Brown &amp; Williamson's 'economy' brand, while never actually mentioning that term. Instead, they were promoted as either the cigarettes that "cost you less" or the cigarettes that "give you change back". Avalon Time&nbsp;was the first Avalon-sponsored radio program with&nbsp;<a href="https://en.wikipedia.org/wiki/Show_Boat#Radio" rel="noopener noreferrer">Show Boat</a> premiering in 1939.The 'Reds' 'Red' was an ongoing theme and joke on&nbsp;Avalon Time. Coincidentally, all four hosts of the program had "red" hair. Two of the four hosts went by the name "Red". Also, the program was produced and broadcast over&nbsp;<a href="https://en.wikipedia.org/wiki/NBC" rel="noopener noreferrer">NBC</a>'s&nbsp;<a href="https://en.wikipedia.org/wiki/NBC_Radio_Network" rel="noopener noreferrer">"Red" Network</a>.

Avalon Time Radio Show!

Welcome to Trailer Trash, the ultimate podcast for movie lovers who refuse to skip the previews. Join your hosts Lo and Michael, as they dumpster dive into the latest movie trailers and most anticipated films, separating the cinematic gold from the garbage. They’ll review whether the movie lives up to its trailer, or if it’s just another case of cinematic clickbait. But that’s not all—They'll also explore the history, evolution, and art of the movie trailer, transforming what most people overlook into something you won’t want to miss. Whether you’re a film buff, a trailer junkie, or just love some good trash talk, Lo and Michael have you covered with their weekly hot takes and unfiltered opinions on the world of trailers and film marketing. "Don’t judge a movie by its trailer—we'll do that for you" - Lo &amp; Michael<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Welcome to Trailer Trash, the ultimate podcast for movie lovers who refuse to skip the previews. Join your hosts Lo and Michael, as they dumpster dive into the latest movie trailers and most anticipated films, separating the cinematic gold from the garbage. They’ll review whether the movie lives up to its trailer, or if it’s just another case of cinematic clickbait. But that’s not all—They'll also explore the history, evolution, and art of the movie trailer, transforming what most people overlook into something you won’t want to miss. Whether you’re a film buff, a trailer junkie, or just love some good trash talk, Lo and Michael have you covered with their weekly hot takes and unfiltered opinions on the world of trailers and film marketing. "Don’t judge a movie by its trailer—we'll do that for you" - Lo & Michael Hosted on Acast. See acast.com/privacy for more information.

Welcome to Trailer Trash, the ultimate podcast for movie lovers who refuse to skip the previews. Join your hosts Lo and Michael, as they dumpster dive into the latest movie trailers and most anticipated films, separating the cinematic gold from the garbage. They’ll review whether the movie lives up to its trailer, or if it’s just another case of cinematic clickbait. But that’s not all—They'll also explore the history, evolution, and art of the movie trailer, transforming what most people overlook into something you won’t want to miss. Whether you’re a film buff, a trailer junkie, or just love some good trash talk, Lo and Michael have you covered with their weekly hot takes and unfiltered opinions on the world of trailers and film marketing. "Don’t judge a movie by its trailer—we'll do that for you" - Lo &amp; Michael Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Trailer Trash

"The War of the Worlds" was a <a href="https://en.wikipedia.org/wiki/Halloween" target="_blank" rel="noreferrer noopener">Halloween</a> episode of the <a href="https://en.wikipedia.org/wiki/Radio_drama" target="_blank" rel="noreferrer noopener">radio series</a> <a href="https://en.wikipedia.org/wiki/The_Mercury_Theatre_on_the_Air" target="_blank" rel="noreferrer noopener">The Mercury Theatre on the Air</a> directed and narrated by <a href="https://en.wikipedia.org/wiki/Orson_Welles" target="_blank" rel="noreferrer noopener">Orson Welles</a> as an adaptation of <a href="https://en.wikipedia.org/wiki/H._G._Wells" target="_blank" rel="noreferrer noopener">H. G. Wells</a>'s novel <a href="https://en.wikipedia.org/wiki/The_War_of_the_Worlds" target="_blank" rel="noreferrer noopener">The War of the Worlds</a> (1898) that was performed and broadcast live at 8 pm <a href="https://en.wikipedia.org/wiki/Eastern_Time_Zone" target="_blank" rel="noreferrer noopener">ET</a> on October 30, 1938, over the <a href="https://en.wikipedia.org/wiki/CBS_News_Radio" target="_blank" rel="noreferrer noopener">CBS Radio Network</a>. The episode is famous for inciting a panic by convincing some members of the listening audience that a <a href="https://en.wikipedia.org/wiki/Martian_(The_War_of_the_Worlds)" target="_blank" rel="noreferrer noopener">Martian invasion</a> was taking place, though the scale of panic is disputed, as the program had relatively few listeners. The episode begins with an introductory monologue based closely on the opening of the source novel, after which the program takes on the format of an evening of typical radio programming being periodically interrupted by news bulletins. The first few bulletins interrupt a program of live music and are relatively calm reports of unusual explosions on <a href="https://en.wikipedia.org/wiki/Mars" target="_blank" rel="noreferrer noopener">Mars</a> followed by a seemingly unrelated report of an unknown object falling on a farm in <a href="https://en.wikipedia.org/wiki/Grovers_Mill,_New_Jersey" target="_blank" rel="noreferrer noopener">Grovers Mill, New Jersey</a>. The crisis escalates dramatically when an on-scene reporter at Grovers Mill describes creatures emerging from what is evidently an alien spacecraft. The aliens employ a heat ray against police and onlookers, and the radio correspondent describes the attack in increasing panic until his audio feed abruptly goes dead. This is followed by a rapid series of news updates detailing the beginning of a devastating alien invasion and the US military's futile efforts to stop it. The first portion of the episode climaxes with a live report from a rooftop in Manhattan, from where a correspondent describes citizens fleeing from poison smoke released by towering Martian "war machines" until he coughs and falls silent. Only then does the program take its first break, about thirty minutes after Welles's introduction.

"The War of the Worlds" was a Halloween episode of the radio series The Mercury Theatre on the Air directed and narrated by Orson Welles as an adaptation of H. G. Wells's novel The War of the Worlds (1898) that was performed and broadcast live at 8 pm ET on October 30, 1938, over the CBS Radio Network. The episode is famous for inciting a panic by convincing some members of the listening audience that a Martian invasion was taking place, though the scale of panic is disputed, as the program had relatively few listeners. The episode begins with an introductory monologue based closely on the opening of the source novel, after which the program takes on the format of an evening of typical radio programming being periodically interrupted by news bulletins. The first few bulletins interrupt a program of live music and are relatively calm reports of unusual explosions on Mars followed by a seemingly unrelated report of an unknown object falling on a farm in Grovers Mill, New Jersey.The crisis escalates dramatically when an on-scene reporter at Grovers Mill describes creatures emerging from what is evidently an alien spacecraft. The aliens employ a heat ray against police and onlookers, and the radio correspondent describes the attack in increasing panic until his audio feed abruptly goes dead. This is followed by a rapid series of news updates detailing the beginning of a devastating alien invasion and the US military's futile efforts to stop it. The first portion of the episode climaxes with a live report from a rooftop in Manhattan, from where a correspondent describes citizens fleeing from poison smoke released by towering Martian "war machines" until he coughs and falls silent. Only then does the program take its first break, about thirty minutes after Welles's introduction.

"The War of the Worlds" was a&nbsp;<a href="https://en.wikipedia.org/wiki/Halloween" rel="noopener noreferrer">Halloween</a>&nbsp;episode of the&nbsp;<a href="https://en.wikipedia.org/wiki/Radio_drama" rel="noopener noreferrer">radio series</a>&nbsp;<a href="https://en.wikipedia.org/wiki/The_Mercury_Theatre_on_the_Air" rel="noopener noreferrer">The Mercury Theatre on the Air</a>&nbsp;directed and narrated by&nbsp;<a href="https://en.wikipedia.org/wiki/Orson_Welles" rel="noopener noreferrer">Orson Welles</a>&nbsp;as an adaptation of&nbsp;<a href="https://en.wikipedia.org/wiki/H._G._Wells" rel="noopener noreferrer">H. G. Wells</a>'s novel&nbsp;<a href="https://en.wikipedia.org/wiki/The_War_of_the_Worlds" rel="noopener noreferrer">The War of the Worlds</a>&nbsp;(1898) that was performed and broadcast live at 8 pm&nbsp;<a href="https://en.wikipedia.org/wiki/Eastern_Time_Zone" rel="noopener noreferrer">ET</a>&nbsp;on October 30, 1938, over the&nbsp;<a href="https://en.wikipedia.org/wiki/CBS_News_Radio" rel="noopener noreferrer">CBS Radio Network</a>. The episode is famous for inciting a panic by convincing some members of the listening audience that a&nbsp;<a href="https://en.wikipedia.org/wiki/Martian_(The_War_of_the_Worlds)" rel="noopener noreferrer">Martian invasion</a> was taking place, though the scale of panic is disputed, as the program had relatively few listeners. The episode begins with an introductory monologue based closely on the opening of the source novel, after which the program takes on the format of an evening of typical radio programming being periodically interrupted by news bulletins. The first few bulletins interrupt a program of live music and are relatively calm reports of unusual explosions on <a href="https://en.wikipedia.org/wiki/Mars" rel="noopener noreferrer">Mars</a>&nbsp;followed by a seemingly unrelated report of an unknown object falling on a farm in&nbsp;<a href="https://en.wikipedia.org/wiki/Grovers_Mill,_New_Jersey" rel="noopener noreferrer">Grovers Mill, New Jersey</a>. The crisis escalates dramatically when an on-scene reporter at Grovers Mill describes creatures emerging from what is evidently an alien spacecraft. The aliens employ a heat ray against police and onlookers, and the radio correspondent describes the attack in increasing panic until his audio feed abruptly goes dead. This is followed by a rapid series of news updates detailing the beginning of a devastating alien invasion and the US military's futile efforts to stop it. The first portion of the episode climaxes with a live report from a rooftop in Manhattan, from where a correspondent describes citizens fleeing from poison smoke released by towering Martian "war machines" until he coughs and falls silent. Only then does the program take its first break, about thirty minutes after Welles's introduction.

Words at War Radio Show!

Three actors attempt the impossible task of watching and ranking every film on Disney Plus. Informative, hilarious, and often painful (for them)<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Three actors attempt the impossible task of watching and ranking every film on Disney Plus. Informative, hilarious, and often painful (for them) Hosted on Acast. See acast.com/privacy for more information.

Three actors attempt the impossible task of watching and ranking every film on Disney Plus. Informative, hilarious, and often painful (for them) Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Film History Podcasts / Page 45

The Movie Lottery

Skonts VideoVerden og andre filmpodcaster

Aus dem Off

Spoiler Country

Kinoklubok

Tu já viu?

Cinema of Shock!

Tibobine

WikiVideo

Nonton Film Literasi

Hechando el desmadre

Le Cinéma, c’est au Cinéma!

Cinema Confidential

Add it to the list Podcast

Music. Movies. Microphone.

Off The Watchlist

Чувак, это классика

The Good, The Pod and The Ugly

Liebes Kino! Erinnerungen von Adrian Kutter

I'd Like To Thank My Wife

Plottwist

MOVIES WITH MY MOTHER

Jack Benny Program

Voyage of the Scarlett Queen Radio Show

CineIntollerance

Let's Talk Cinema

Maggie Smith

Behind the Mic Radio Show!

Avalon Time Radio Show!

Trailer Trash

Words at War Radio Show!

The Podcast Wore Tennis Shoes

Tales of the Texas Rangers

Guiding Light Radio Show

Bob Hope Radio Show

BrandonTalksMovies

Monthly Movie Club

El resplandor

Have You Scene It With Emily Bray

Ecomuseo Casilino presenta: Cinema In Quinto

Me3 Podcasts

LumiCast

SA PLACE EST DANS UN MUSÉE

No Luck Podcast

The Valero Verdict

Simple English Story Podcast.

Scarah's Screamcast

под себя

Crossroads

Movies We Missed