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Journey with me as I fill up the gaps in my Pop Culture knowledge, and increase my Pop Culture IQ.

Mind the Gaps

S&F’s At the Movies is a monthly discussion podcast on new and classic science fiction, fantasy, and horror cinema. We cover everything from that newfangled Marvel movie to that critically acclaimed indie venture. If it’s a good movie, we’ll probably watch it. Most of the time, we’re sober. Signal Boost is part of The Skiffy and Fanty Show podcast network. If you want to find out more about us and our other shows, go to skiffyandfanty.com.

S&F’s At the Movies is a monthly discussion podcast on new and classic science fiction, fantasy, and horror cinema. We cover everything from that newfangled Marvel movie to that critically acclaimed indie venture. If it’s a good movie, we’ll probably watch it. Most of the time, we’re sober. Signal Boost is part of The Skiffy and Fanty Show podcast network. If you want to find out more about us and our other shows, go to skiffyandfanty.com.

S&amp;F’s At the Movies is a monthly discussion podcast on new and classic science fiction, fantasy, and horror cinema. We cover everything from that newfangled Marvel movie to that critically acclaimed indie venture. If it’s a good movie, we’ll probably watch it. Most of the time, we’re sober.&nbsp;Signal Boost is part of The Skiffy and Fanty Show podcast network. If you want to find out more about us and our other shows, go to skiffyandfanty.com.

S&F's At the Movies

In the Mic of Madness

Безумные дружеские разговоры о поп-культуре и всяких нишевых штуках. Подкаст выходит непериодично, зато его никто не ждет.

Безумные дружеские разговоры о поп-культуре и всяких нишевых штуках. Подкаст выходит непериодично, зато его никто не ждет.

Подболтат

Elwood Jones (From the Depths of DVD Hell) invites bloggers, film makers and fellow film junkies to join him as he works though the 1001 film introduction to cult and obscure cinema, which is the Mad, Bad and Downright Strange list.

Take on the list - https://www.letterboxd.com/elwood_jones/list/mad-bad-and-downright-strange-a-1001-cult/

Elwood Jones (From the Depths of DVD Hell) invites bloggers, film makers and fellow film junkies to join him as he works though the 1001 film introduction to cult and obscure cinema, which is the Mad, Bad and Downright Strange list. Take on the list - https://www.letterboxd.com/elwood_jones/list/mad-bad-and-downright-strange-a-1001-cult/

MBDS Showcase

Film Major, Philosophy minor, certified yapper, Mo (sometimes joined by a guest!) attempts to put her degree to good use.

Mo's Movie Show

Shawn und René starten jetzt auch einen Podcast. Warum? Weil wir Bock drauf haben! Wir sprechen über digitales Storytelling mit Schwerpunkt Film, aber auch über Serien und Games; teilweise zu zweit und teilweise mit wechselnden Gästen.

Aus dem Off

This is our flagship show, where we talk comics, movies, whatever. Hosted by Kenric Regan and John Horsley, they discuss whatever nerdy topic that comes to mind. Bringing on creators from all forums, covering conventions across the globe, and reviewing the things they love, you are always in for a good time when you travel to Spoiler Country!

Spoiler Country

Denis Stranjak & Mashi Scanlan sit down every day to chat about all things business and lifestyle. With an 8 hour time difference, the show is the start of Mashi's day and the end of Denis', so wherever you are - grab a drink and join us.

Denis Stranjak &amp; Mashi Scanlan sit down every day to chat about all things business and lifestyle. With an 8 hour time difference, the show is the start of Mashi's day and the end of Denis', so wherever you are - grab a drink and join us.

Good Morning, Good Evening

An archive of two chaps, a laptop and a mic attempting to unearth the lost, forgotten and overlooked in cinema.
“Movies are so rarely great art that if we cannot appreciate great trash we have very little reason to be interested in them.” - Pauline Kael

An archive of two chaps, a laptop and a mic attempting to unearth the lost, forgotten and overlooked in cinema. “Movies are so rarely great art that if we cannot appreciate great trash we have very little reason to be interested in them.” - Pauline Kael

Midnight Video

Movies are a powerful cultural import. The streaming revolution has given us the power to curate our personal film festivals. The Carreón Cinema Club is here to lend a discerning eye, helping you discover or rediscover films that illuminate and inspire us during these complex times. Join me and become part of the screen adventures ahead.

Carreón Cinema Club

Podcast De Autor es un podcast dedicado a hablar de películas de arte, autor, culto, o simplemente de buenas películas. Este podcast es un producto de Revista Canes y Cánones, recuerda ver todos nuestros contenidos en: 
https://linktr.ee/revista.canesycanones

Podcast De Autor es un podcast dedicado a hablar de películas de arte, autor, culto, o simplemente de buenas películas. Este podcast es un producto de Revista Canes y Cánones, recuerda ver todos nuestros contenidos en: https://linktr.ee/revista.canesycanones

Podcast De Autor

The incredible untold story of the Pakistani movie industry.

Lollywood Tales

We think we used to like it, or found it funny, or entertaining, but really, Was It Any Good? Scott Johnson watches with you, and helps answer the question. TV, movies, animation, etc. Scott watches the subject in real time, and finds out once and for all, was it any good?

Was It Any Good?

" Il est souvent dit que les séries ou les films sont les reflets de nos sociétés. Pourtant, en absorbant la réalité et en la représentant, les écrans de télévision ou de cinéma ne sont pas de simples miroirs mais des objets plus complexes : ce sont des prismes. "
Le Prisme, le podcast qui traite des représentations produites par les fictions audiovisuelles américaines, et qui vous permet de mieux comprendre comment elles peuvent façonner nos imaginaires.
Écrit et produit par Camille Dupuy, docteur en cinéma et audiovisuel de l'Université Bordeaux Montaigne.&nbsp;Hébergé par Audiomeans. Visitez <a href="https://www.audiomeans.fr/politique-de-confidentialite">audiomeans.fr/politique-de-confidentialite</a> pour plus d'informations.

" Il est souvent dit que les séries ou les films sont les reflets de nos sociétés. Pourtant, en absorbant la réalité et en la représentant, les écrans de télévision ou de cinéma ne sont pas de simples miroirs mais des objets plus complexes : ce sont des prismes. " Le Prisme, le podcast qui traite des représentations produites par les fictions audiovisuelles américaines, et qui vous permet de mieux comprendre comment elles peuvent façonner nos imaginaires. Écrit et produit par Camille Dupuy, docteur en cinéma et audiovisuel de l'Université Bordeaux Montaigne.  Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

" Il est souvent dit que les séries ou les films sont les reflets de nos sociétés. Pourtant, en absorbant la réalité et en la représentant, les écrans de télévision ou de cinéma ne sont pas de simples miroirs mais des objets plus complexes : ce sont des prismes. "
Le Prisme, le podcast qui traite des représentations produites par les fictions audiovisuelles américaines, et qui vous permet de mieux comprendre comment elles peuvent façonner nos imaginaires.
Écrit et produit par Camille Dupuy, docteur en cinéma et audiovisuel de l'Université Bordeaux Montaigne.&nbsp;Hébergé par Audiomeans. Visitez <a href="https://www.audiomeans.fr/politique-de-confidentialite" rel="noopener noreferrer">audiomeans.fr/politique-de-confidentialite</a> pour plus d'informations.

Le Prisme

Scarifyer is a fan-driven horror&nbsp; podcast that covers horror media news, products, films and television and talks to the creative minds behind their incredibly amazing work. Reviewing and Spotlighting Studio and Independent endeavors, They use their positive energy and entertaining personalities to continue to create a horror podcast like no other!!&nbsp;

Scarifyer is a fan-driven horror  podcast that covers horror media news, products, films and television and talks to the creative minds behind their incredibly amazing work. Reviewing and Spotlighting Studio and Independent endeavors, They use their positive energy and entertaining personalities to continue to create a horror podcast like no other!! 

Scarifyer

Tiago P. de Carvalho e Nuno Markl falam acerca de filmes icónicos do século passado, em amena cavaqueira.

CINE POPCAST

welcome to our channel we provide classic horror story for you to listen and stay tune for our update

Horror Story

Explore the history of horror movies with genre specialists Kat Ellinger and Martyn Conterio. Episodes put out fortnightly.

Don't Look Now: A History of Horror Podcast

Gérard Xavier Marcel Depardieu was born on December 27, 1948, in Châteauroux, a small town in central France, to a working-class family. His early years were shaped by financial hardship, and he struggled academically, dropping out of school by age 13. With limited career prospects, Depardieu wandered into a variety of short-term jobs, from factory work to handling inventory. Known for his rebellious spirit, he had minor brushes with the law, which led him to a chance meeting with a theater director who inspired him to pursue acting. By the late 1960s, Depardieu joined the Théâtre National Populaire in Paris, where he underwent formal training. He was quickly recognized for his raw, transformative talent and compelling stage presence. His film debut came with Le Beatnik et le minet (1965), but his breakthrough arrived with Les Valseuses (1974), a gritty, provocative film about two reckless young men. Depardieu’s bold, naturalistic performance introduced him as a new kind of male lead in French cinema—unapologetically intense and unrefined. Breakthrough in French Cinema and International Acclaim Throughout the late 1970s and 1980s, Depardieu cemented his place as one of France's most bankable stars. His collaborations with acclaimed directors, such as 1900 (1976) by Bernardo Bertolucci and Danton (1983) by Andrzej Wajda, showcased his versatility and intense screen presence. In 1990, Depardieu’s portrayal of the poet Cyrano de Bergerac in Jean-Paul Rappeneau's Cyrano de Bergerac brought him international acclaim, earning him a César Award and an Academy Award nomination. The same year, he starred in Green Card (1990), which marked his Hollywood debut and brought him a Golden Globe, solidifying his reputation abroad. Depardieu's appeal lay in his ability to bring a raw authenticity to his roles, often portraying complex, flawed characters. His range extended to comedies, dramas, and historical films, making him one of France’s most iconic actors. By the 1990s, he was considered one of the greatest living French actors, with a body of work that spanned genres and decades. In the 2000s, Depardieu expanded his interests beyond acting. He explored entrepreneurship, becoming a vintner and owning several vineyards in France, and diversified his business ventures to include restaurants. However, his acting career remained prolific. He took on roles in films like The Man in the Iron Mask (1998), where he played alongside Leonardo DiCaprio, and Astérix et Obélix series, portraying the beloved character Obélix. He also ventured into television, notably starring in the Netflix series Marseille (2016), marking his first major role in a TV drama, where he played a power-hungry mayor. Depardieu has also published multiple memoirs, revealing an introspective side and exploring his complex relationship with fame, personal struggles, and the nature of his art. His openness in discussing his tumultuous personal life and controversial views on politics, particularly his decision to obtain Russian citizenship in 2013 to avoid French taxes, has drawn criticism but also contributed to his enigmatic public persona. Depardieu has often been outspoken about his views, frequently causing controversy. His decision to renounce his French citizenship in 2013 and become a Russian citizen underlined his disdain for the high taxes imposed on the wealthy by the French government, which he saw as punitive. His relationship with Russian President Vladimir Putin raised eyebrows, with Depardieu often defending Russia on various political fronts, fueling debates in France about patriotism and loyalty. In his personal life, Depardieu has faced a series of challenges. Known for his tempestuous relationships, he has been married twice and has four children, two of whom followed him into acting. His son Guillaume, who passed away in 2008, was also a respected actor, and his untimely death deeply impacted Depardieu. Depardieu has also openly struggled with alcoholism, a battle that has frequently made headlines due to his erratic behavior in public. Legal Issues and Sexual Assault Allegations In recent years, Depardieu’s career has been overshadowed by legal battles and serious accusations. In 2021, actress Charlotte Arnould publicly accused him of raping her in 2018, leading to a formal investigation and subsequent criminal charges. Depardieu has denied these allegations, claiming their interactions were consensual. Since then, more women have come forward with allegations of sexual misconduct. A report by the investigative website Mediapart in 2023 alleged that thirteen women had accused Depardieu of sexual harassment or assault on film sets dating back several decades. In 2024, Depardieu faced another wave of legal challenges. The Paris Public Prosecutor’s Office confirmed that he would be standing trial in October 2024, in relation to accusations made by two women who worked with him on the set of The Green Shutters. According to one of the claims, Depardieu allegedly engaged in repeated groping and inappropriate behavior. Depardieu's legal team has vigorously denied these allegations, maintaining that his actions were either misinterpreted or consensual. His lawyer, Christian Saint-Palais, argued that Depardieu's presence at the trial is part of a fair legal process, and they remain confident in his innocence The allegations and subsequent legal battles have cast a shadow over Depardieu’s career. Once celebrated for his contributions to cinema, his legacy has become increasingly complex as he faces public scrutiny. The trial has reignited debates around accountability and the culture of the French film industry, where stars often hold significant influence. As more women come forward in various industries, including film, Depardieu's case represents a broader conversation about power, consent, and accountability. Despite these challenges, Depardieu continues to work, though his projects have notably slowed. Some producers and studios are hesitant to cast him amid ongoing legal proceedings, fearing potential backlash. His extensive body of work, however, remains iconic in French cinema, with performances that have deeply influenced the portrayal of the French anti-hero archetype. Gérard Depardieu’s journey—from a troubled youth in Châteauroux to an acclaimed international star and now a controversial figure in the public eye—illustrates the complex nature of celebrity. His life reflects both the triumphs of artistic accomplishment and the complexities of fame, marked by controversy and confrontation. While the outcome of his legal battles remains uncertain, Depardieu’s influence on cinema is undeniable, a legacy that continues to shape French and international film. As he navigates his ongoing legal and personal challenges, Depardieu’s story serves as a reminder of the fragility of public figures' reputations and the broader societal shifts in accountability and responsibility. This has been a Quiet Please production. Head over to Quiet Please dot A I to “Hear What Matters”

Gérard Xavier Marcel Depardieu was born on December 27, 1948, in Châteauroux, a small town in central France, to a working-class family. His early years were shaped by financial hardship, and he struggled academically, dropping out of school by age 13. With limited career prospects, Depardieu wandered into a variety of short-term jobs, from factory work to handling inventory. Known for his rebellious spirit, he had minor brushes with the law, which led him to a chance meeting with a theater director who inspired him to pursue acting. By the late 1960s, Depardieu joined the Théâtre National Populaire in Paris, where he underwent formal training. He was quickly recognized for his raw, transformative talent and compelling stage presence. His film debut came with Le Beatnik et le minet (1965), but his breakthrough arrived with Les Valseuses (1974), a gritty, provocative film about two reckless young men. Depardieu’s bold, naturalistic performance introduced him as a new kind of male lead in French cinema—unapologetically intense and unrefined. Breakthrough in French Cinema and International Acclaim Throughout the late 1970s and 1980s, Depardieu cemented his place as one of France's most bankable stars. His collaborations with acclaimed directors, such as 1900 (1976) by Bernardo Bertolucci and Danton (1983) by Andrzej Wajda, showcased his versatility and intense screen presence. In 1990, Depardieu’s portrayal of the poet Cyrano de Bergerac in Jean-Paul Rappeneau's Cyrano de Bergerac brought him international acclaim, earning him a César Award and an Academy Award nomination. The same year, he starred in Green Card (1990), which marked his Hollywood debut and brought him a Golden Globe, solidifying his reputation abroad. Depardieu's appeal lay in his ability to bring a raw authenticity to his roles, often portraying complex, flawed characters. His range extended to comedies, dramas, and historical films, making him one of France’s most iconic actors. By the 1990s, he was considered one of the greatest living French actors, with a body of work that spanned genres and decades. In the 2000s, Depardieu expanded his interests beyond acting. He explored entrepreneurship, becoming a vintner and owning several vineyards in France, and diversified his business ventures to include restaurants. However, his acting career remained prolific. He took on roles in films like The Man in the Iron Mask (1998), where he played alongside Leonardo DiCaprio, and Astérix et Obélix series, portraying the beloved character Obélix. He also ventured into television, notably starring in the Netflix series Marseille (2016), marking his first major role in a TV drama, where he played a power-hungry mayor. Depardieu has also published multiple memoirs, revealing an introspective side and exploring his complex relationship with fame, personal struggles, and the nature of his art. His openness in discussing his tumultuous personal life and controversial views on politics, particularly his decision to obtain Russian citizenship in 2013 to avoid French taxes, has drawn criticism but also contributed to his enigmatic public persona. Depardieu has often been outspoken about his views, frequently causing controversy. His decision to renounce his French citizenship in 2013 and become a Russian citizen underlined his disdain for the high taxes imposed on the wealthy by the French government, which he saw as punitive. His relationship with Russian President Vladimir Putin raised eyebrows, with Depardieu often defending Russia on various political fronts, fueling debates in France about patriotism and loyalty. In his personal life, Depardieu has faced a series of challenges. Known for his tempestuous relationships, he has been married twice and has four children, two of whom followed him into acting. His son Guillaume, who passed away in 2008, was also a respected actor, and his untimely death deeply impacted Depardieu. Depardieu has also openly struggled with alcoholism, a battle that has frequently made headlines due to his erratic behavior in public. Legal Issues and Sexual Assault Allegations In recent years, Depardieu’s career has been overshadowed by legal battles and serious accusations. In 2021, actress Charlotte Arnould publicly accused him of raping her in 2018, leading to a formal investigation and subsequent criminal charges. Depardieu has denied these allegations, claiming their interactions were consensual. Since then, more women have come forward with allegations of sexual misconduct. A report by the investigative website Mediapart in 2023 alleged that thirteen women had accused Depardieu of sexual harassment or assault on film sets dating back several decades. In 2024, Depardieu faced another wave of legal challenges. The Paris Public Prosecutor’s Office confirmed that he would be standing trial in October 2024, in relation to accusations made by two women who worked with him on the set of The Green Shutters. According to one of the claims, Depardieu allegedly engaged in repeated groping and inappropriate behavior. Depardieu's legal team has vigorously denied these allegations, maintaining that his actions were either misinterpreted or consensual. His lawyer, Christian Saint-Palais, argued that Depardieu's presence at the trial is part of a fair legal process, and they remain confident in his innocence The allegations and subsequent legal battles have cast a shadow over Depardieu’s career. Once celebrated for his contributions to cinema, his legacy has become increasingly complex as he faces public scrutiny. The trial has reignited debates around accountability and the culture of the French film industry, where stars often hold significant influence. As more women come forward in various industries, including film, Depardieu's case represents a broader conversation about power, consent, and accountability. Despite these challenges, Depardieu continues to work, though his projects have notably slowed. Some producers and studios are hesitant to cast him amid ongoing legal proceedings, fearing potential backlash. His extensive body of work, however, remains iconic in French cinema, with performances that have deeply influenced the portrayal of the French anti-hero archetype. Gérard Depardieu’s journey—from a troubled youth in Châteauroux to an acclaimed international star and now a controversial figure in the public eye—illustrates the complex nature of celebrity. His life reflects both the triumphs of artistic accomplishment and the complexities of fame, marked by controversy and confrontation. While the outcome of his legal battles remains uncertain, Depardieu’s influence on cinema is undeniable, a legacy that continues to shape French and international film. As he navigates his ongoing legal and personal challenges, Depardieu’s story serves as a reminder of the fragility of public figures' reputations and the broader societal shifts in accountability and responsibility. This has been a Quiet Please production. Head over to Quiet Please dot A I to “Hear What Matters”

Gérard Xavier Marcel Depardieu was born on December 27, 1948, in Châteauroux, a small town in central France, to a working-class family. His early years were shaped by financial hardship, and he struggled academically, dropping out of school by age 13. With limited career prospects, Depardieu wandered into a variety of short-term jobs, from factory work to handling inventory. Known for his rebellious spirit, he had minor brushes with the law, which led him to a chance meeting with a theater director who inspired him to pursue acting. By the late 1960s, Depardieu joined the Théâtre National Populaire in Paris, where he underwent formal training. He was quickly recognized for his raw, transformative talent and compelling stage presence. His film debut came with Le Beatnik et le minet (1965), but his breakthrough arrived with Les Valseuses (1974), a gritty, provocative film about two reckless young men. Depardieu’s bold, naturalistic performance introduced him as a new kind of male lead in French cinema—unapologetically intense and unrefined. Breakthrough in French Cinema and International Acclaim Throughout the late 1970s and 1980s, Depardieu cemented his place as one of France's most bankable stars. His collaborations with acclaimed directors, such as 1900 (1976) by Bernardo Bertolucci and Danton (1983) by Andrzej Wajda, showcased his versatility and intense screen presence. In 1990, Depardieu’s portrayal of the poet Cyrano de Bergerac in Jean-Paul Rappeneau's Cyrano de Bergerac brought him international acclaim, earning him a César Award and an Academy Award nomination. The same year, he starred in Green Card (1990), which marked his Hollywood debut and brought him a Golden Globe, solidifying his reputation abroad. Depardieu's appeal lay in his ability to bring a raw authenticity to his roles, often portraying complex, flawed characters. His range extended to comedies, dramas, and historical films, making him one of France’s most iconic actors. By the 1990s, he was considered one of the greatest living French actors, with a body of work that spanned genres and decades. In the 2000s, Depardieu expanded his interests beyond acting. He explored entrepreneurship, becoming a vintner and owning several vineyards in France, and diversified his business ventures to include restaurants. However, his acting career remained prolific. He took on roles in films like The Man in the Iron Mask (1998), where he played alongside Leonardo DiCaprio, and Astérix et Obélix series, portraying the beloved character Obélix. He also ventured into television, notably starring in the Netflix series Marseille (2016), marking his first major role in a TV drama, where he played a power-hungry mayor. Depardieu has also published multiple memoirs, revealing an introspective side and exploring his complex relationship with fame, personal struggles, and the nature of his art. His openness in discussing his tumultuous personal life and controversial views on politics, particularly his decision to obtain Russian citizenship in 2013 to avoid French taxes, has drawn criticism but also contributed to his enigmatic public persona. Depardieu has often been outspoken about his views, frequently causing controversy. His decision to renounce his French citizenship in 2013 and become a Russian citizen underlined his disdain for the high taxes imposed on the wealthy by the French government, which he saw as punitive. His relationship with Russian President Vladimir Putin raised eyebrows, with Depardieu often defending Russia on various political fronts, fueling debates in France about patriotism and loyalty. In his personal life, Depardieu has faced a series of challenges. Known for his tempestuous relationships, he has been married twice and has four children, two of whom followed him into acting. His son Guillaume, who passed away in 2008, was also a respected actor, and his untimely death deeply impacted Depardieu. Depardieu has also openly struggled with alcoholism, a battle that has frequently made headlines due to his erratic behavior in public. Legal Issues and Sexual Assault Allegations In recent years, Depardieu’s career has been overshadowed by legal battles and serious accusations. In 2021, actress Charlotte Arnould publicly accused him of raping her in 2018, leading to a formal investigation and subsequent criminal charges. Depardieu has denied these allegations, claiming their interactions were consensual. Since then, more women have come forward with allegations of sexual misconduct. A report by the investigative website Mediapart in 2023 alleged that thirteen women had accused Depardieu of sexual harassment or assault on film sets dating back several decades. In 2024, Depardieu faced another wave of legal challenges. The Paris Public Prosecutor’s Office confirmed that he would be standing trial in October 2024, in relation to accusations made by two women who worked with him on the set of The Green Shutters. According to one of the claims, Depardieu allegedly engaged in repeated groping and inappropriate behavior. Depardieu's legal team has vigorously denied these allegations, maintaining that his actions were either misinterpreted or consensual. His lawyer, Christian Saint-Palais, argued that Depardieu's presence at the trial is part of a fair legal process, and they remain confident in his innocence The allegations and subsequent legal battles have cast a shadow over Depardieu’s career. Once celebrated for his contributions to cinema, his legacy has become increasingly complex as he faces public scrutiny. The trial has reignited debates around accountability and the culture of the French film industry, where stars often hold significant influence. As more women come forward in various industries, including film, Depardieu's case represents a broader conversation about power, consent, and accountability. Despite these challenges, Depardieu continues to work, though his projects have notably slowed. Some producers and studios are hesitant to cast him amid ongoing legal proceedings, fearing potential backlash. His extensive body of work, however, remains iconic in French cinema, with performances that have deeply influenced the portrayal of the French anti-hero archetype. Gérard Depardieu’s journey—from a troubled youth in Châteauroux to an acclaimed international star and now a controversial figure in the public eye—illustrates the complex nature of celebrity. His life reflects both the triumphs of artistic accomplishment and the complexities of fame, marked by controversy and confrontation. While the outcome of his legal battles remains uncertain, Depardieu’s influence on cinema is undeniable, a legacy that continues to shape French and international film. As he navigates his ongoing legal and personal challenges, Depardieu’s story serves as a reminder of the fragility of public figures' reputations and the broader societal shifts in accountability and responsibility. This has been a Quiet Please production. Head over to Quiet Please dot A I to “Hear What Matters”

Gérard Depardieu - Audio Biography

A journey through the filmography of America's greatest director, Brian De Palma.

The G.O.A.T. - A Brian De Palma Fan Podcast

Oops, All Franchises is the film podcast that's on the quest to find the best movie sequel around. We go film franchise to film franchise, ranking sequels, and discussing what makes a good follow-up to the original all until we crown the greatest franchise of them all!

Presented by Partyfish Media 🎉🐟

Oops, All Franchises is the film podcast that's on the quest to find the best movie sequel around. We go film franchise to film franchise, ranking sequels, and discussing what makes a good follow-up to the original all until we crown the greatest franchise of them all! Presented by Partyfish Media 🎉🐟

Oops, All Franchises

ScreenStories - Storie oltre lo schermo. Un podcast di Cinema che racconta storie vere. Viaggi tra vite ed esperienze che hanno ispirato grandi film (e non solo) in compagnia di Gabriele Cerrito, il caporedattore di ScreenWorld. Tra curiosità e retroscena, dolci sorprese e aneddoti oscuri, ScreenStories è il posto in cui solo le storie lasciano il segno. Seguici qui: <a href="https://screenworld.it" target="_blank" rel="noreferrer noopener">https://screenworld.it</a> <a href="https://www.twitch.tv/screenworld_it/" target="_blank" rel="noreferrer noopener">https://www.twitch.tv/screenworld_it/</a> <a href="https://www.facebook.com/screenworld.it" target="_blank" rel="noreferrer noopener">https://www.facebook.com/screenworld.it</a> <a href="https://www.instagram.com/screenworld" target="_blank" rel="noreferrer noopener">https://www.instagram.com/screenworld</a> <a href="https://www.tiktok.com/@screenworld_it" target="_blank" rel="noreferrer noopener">https://www.tiktok.com/@screenworld_it</a> <a href="https://t.me/screenworld_it" target="_blank" rel="noreferrer noopener">https://t.me/screenworld_it</a>

ScreenStories - Storie oltre lo schermo. Un podcast di Cinema che racconta storie vere. Viaggi tra vite ed esperienze che hanno ispirato grandi film (e non solo) in compagnia di Gabriele Cerrito, il caporedattore di ScreenWorld. Tra curiosità e retroscena, dolci sorprese e aneddoti oscuri, ScreenStories è il posto in cui solo le storie lasciano il segno.Seguici qui:https://screenworld.ithttps://www.twitch.tv/screenworld_it/https://www.facebook.com/screenworld.ithttps://www.instagram.com/screenworldhttps://www.tiktok.com/@screenworld_ithttps://t.me/screenworld_it

ScreenStories - Storie oltre lo schermo. Un podcast di Cinema che racconta storie vere. Viaggi tra vite ed esperienze che hanno ispirato grandi film (e non solo) in compagnia di Gabriele Cerrito, il caporedattore di ScreenWorld. Tra curiosità e retroscena, dolci sorprese e aneddoti oscuri, ScreenStories è il posto in cui solo le storie lasciano il segno. Seguici qui: <a href="https://screenworld.it" rel="noopener noreferrer">https://screenworld.it</a> <a href="https://www.twitch.tv/screenworld_it/" rel="noopener noreferrer">https://www.twitch.tv/screenworld_it/</a> <a href="https://www.facebook.com/screenworld.it" rel="noopener noreferrer">https://www.facebook.com/screenworld.it</a> <a href="https://www.instagram.com/screenworld" rel="noopener noreferrer">https://www.instagram.com/screenworld</a> <a href="https://www.tiktok.com/@screenworld_it" rel="noopener noreferrer">https://www.tiktok.com/@screenworld_it</a> <a href="https://t.me/screenworld_it" rel="noopener noreferrer">https://t.me/screenworld_it</a>

ScreenStories - Storie oltre lo schermo

Welcome to Recovered, where Dan and Keith dig into all films remade, rebooted, and redone. They say there are no new stories under the sun, and Hollywood's been taking that as an excuse to tell the same stories over and over since the silent era, so we dig into which movies warranted a remake, which remakes improved on the original, and how very often neither of those things are true.

Welcome to Recovered, where Dan and Keith dig into all films remade, rebooted, and redone. They say there are no new stories under the sun, and Hollywood's been taking that as an excuse to tell the same stories over and over since the silent era, so we dig into which movies warranted a remake, which remakes improved on the original, and how very often neither of those things are true.

Recovered

Plottwist ass e Podcast wou zwee Filmnerds iwwert eng vun hire gréissten Leidenschafte schwätzen. Klassiker oder nei Filmer, neicht ass vrun hinne sécher...

Plottwist ass e Podcast wou zwee Filmnerds iwwert eng vun hire gréissten Leidenschafte schwätzen. Klassiker oder nei Filmer, neicht ass vrun hinne sécher...

Plottwist

Welcome to Night School Horror, the podcasting campus for horror fanatics! After a long hiatus, we’ve reopened our doors to dive deep into the eerie and electrifying world of horror culture. Led by our expert faculty— "Florida's Favorite Creep," Sabrina Ace, "The Music Man," Mista Malave, "The Movie Guy Bay Bay," Tommy James, and "The Grand Wizard of Horror," Big Money Eddie—you'll journey through timeless classics and heart-pounding horror tales.Enrollment is now open, and class is always in session! &nbsp;

Welcome to Night School Horror, the podcasting campus for horror fanatics! After a long hiatus, we’ve reopened our doors to dive deep into the eerie and electrifying world of horror culture. Led by our expert faculty— "Florida's Favorite Creep," Sabrina Ace, "The Music Man," Mista Malave, "The Movie Guy Bay Bay," Tommy James, and "The Grand Wizard of Horror," Big Money Eddie—you'll journey through timeless classics and heart-pounding horror tales. Enrollment is now open, and class is always in session!  

Night School Horror

List Hai Toh Hit Hai is a theme-based podcast that showcases some of the best listicle based exclusive stories from the world of movies and shows.
Aaj kya dekhoge OTTplay se poocho.

This is an OTTplay production, brought to you by HT Smartcast.

List Hai Toh Hit Hai is a theme-based podcast that showcases some of the best listicle based exclusive stories from the world of movies and shows. Aaj kya dekhoge OTTplay se poocho. This is an OTTplay production, brought to you by HT Smartcast.

List Hai Toh Hit Hai

"Summer Camp" is one of Papi Chulo RADIO's signature series. "Summer Camp" is a panel discussion series where a group of co-hosts gather to discuss some of Hollywood's campiest flicks, cult classic motion pictures and fan favorite films.

During Season 30, the co-hosts chat about "The Jungle Book", "The Many Adventures of Winnie the Pooh", "The Lady from Shanghai", "Sunset Boulevard", "Fear of a Black Hat" and many more!

[In loving memory of our beloved Papi Chulo RADIO and "Summer Camp" co-host Legionnaire.]

"Summer Camp" is one of Papi Chulo RADIO's signature series. "Summer Camp" is a panel discussion series where a group of co-hosts gather to discuss some of Hollywood's campiest flicks, cult classic motion pictures and fan favorite films. During Season 30, the co-hosts chat about "The Jungle Book", "The Many Adventures of Winnie the Pooh", "The Lady from Shanghai", "Sunset Boulevard", "Fear of a Black Hat" and many more! [In loving memory of our beloved Papi Chulo RADIO and "Summer Camp" co-host Legionnaire.]

Summer Camp: Season 30

🎥Two friends, one endless journey through the world of cinema! यह एक Hindi-language podcast है जहाँ हम explore करते हैं दुनिया भर की फिल्में—sharing diverse viewpoints और  challenging ideas.🎙️From timeless classics to bold indie experiments, हमारी conversations होती हैं raw, real, और हमेशा thought-provoking.🎞️Whether you’re a die-hard cinephile या बस world cinema के बारे में curious हैं, join us every Tuesday &amp; Friday for our distinct, fresh perspectives क्योंकि जब दो दोस्त मिलकर movies की बातें करें, तो perspectives होते हैं infinite!

🎥Two friends, one endless journey through the world of cinema! यह एक Hindi-language podcast है जहाँ हम explore करते हैं दुनिया भर की फिल्में—sharing diverse viewpoints और challenging ideas. 🎙️From timeless classics to bold indie experiments, हमारी conversations होती हैं raw, real, और हमेशा thought-provoking. 🎞️Whether you’re a die-hard cinephile या बस world cinema के बारे में curious हैं, join us every Tuesday & Friday for our distinct, fresh perspectives क्योंकि जब दो दोस्त मिलकर movies की बातें करें, तो perspectives होते हैं infinite!

🎥Two friends, one endless journey through the world of cinema! यह एक Hindi-language podcast है जहाँ हम explore करते हैं दुनिया भर की फिल्में—sharing diverse viewpoints और &nbsp;challenging ideas.🎙️From timeless classics to bold indie experiments, हमारी conversations होती हैं raw, real, और हमेशा thought-provoking.🎞️Whether you’re a die-hard cinephile या बस world cinema के बारे में curious हैं, join us every Tuesday &amp; Friday for our distinct, fresh perspectives क्योंकि जब दो दोस्त मिलकर movies की बातें करें, तो perspectives होते हैं infinite!

Cinematrix

Una maniera nuova per parlare di Cinema vecchio

CineIntollerance

Dans ce podcast, nous allons retracer l'histoire du cinéma de ses origines à nos jours. 
Nous allons faire revivre les inventeurs, réalisateurs, producteurs, scénaristes... qui ont contribués à créer l'histoire du cinéma. 
Chaque mardi, je vous raconterai au travers des anecdotes inédites, des histoires rocambolesques et riches en rebondissements qui vous permettrons de vous constituer une base solide en cinéma mais également d'élargir vos références filmiques. 

J'espère que vous êtes prêt... Moteur et Action !

Produit par Calypso Films Studio

Dans ce podcast, nous allons retracer l'histoire du cinéma de ses origines à nos jours. Nous allons faire revivre les inventeurs, réalisateurs, producteurs, scénaristes... qui ont contribués à créer l'histoire du cinéma. Chaque mardi, je vous raconterai au travers des anecdotes inédites, des histoires rocambolesques et riches en rebondissements qui vous permettrons de vous constituer une base solide en cinéma mais également d'élargir vos références filmiques. J'espère que vous êtes prêt... Moteur et Action ! Produit par Calypso Films Studio

Let's Talk Cinema

Vi Har Set En Film

Привет! Это Андрей и Алексей - ведущие подкаста SCOPE, и мы не равнодушны к музыке, кинематографу, литературе, живописи и ко всем проявлениям искусства, которые нас окружают. Часто беседуем о создателях, идеях и их формах проявления. Делаем не душно, но c душой! Если тебе не с кем обсудить твой любимый трек, фильм или книгу, то приглашаем к нашему костру. Даже если и есть с кем обсудить - всё равно приглашаем!

SCOPE

Welcome to Mangala Talkies! Mangala Talkies is a place where we - Jateen and Sachin watched countless films growing up. It is only natural that this podcast is called ‘Mangala Talkies’. This is a podcast where we discuss, deliberate, disagree but in the end forlornly confess our love for this ultimate art form called ‘Films’. We commit to covering all the films and film subjects. Old. New. Classics. Independent. Blockbuster. Indian, American, Continental. Chinese. Wherever they are on the menu. Notwithstanding the language. Grab your seat fast. Don’t miss the start.

Welcome to Mangala Talkies! Mangala Talkies is a place where we - Jateen and Sachin watched countless films growing up. It is only natural that this podcast is called ‘Mangala Talkies’. This is a podcast where we discuss, deliberate, disagree but in the end forlornly confess our love for this ultimate art form called ‘Films’. We commit to covering all the films and film subjects. Old. New. Classics. Independent. Blockbuster. Indian, American, Continental. Chinese. Wherever they are on the menu. Notwithstanding the language. Grab your seat fast. Don’t miss the start.

Mangala Talkies

"The War of the Worlds" was a <a href="https://en.wikipedia.org/wiki/Halloween" target="_blank" rel="noreferrer noopener">Halloween</a> episode of the <a href="https://en.wikipedia.org/wiki/Radio_drama" target="_blank" rel="noreferrer noopener">radio series</a> <a href="https://en.wikipedia.org/wiki/The_Mercury_Theatre_on_the_Air" target="_blank" rel="noreferrer noopener">The Mercury Theatre on the Air</a> directed and narrated by <a href="https://en.wikipedia.org/wiki/Orson_Welles" target="_blank" rel="noreferrer noopener">Orson Welles</a> as an adaptation of <a href="https://en.wikipedia.org/wiki/H._G._Wells" target="_blank" rel="noreferrer noopener">H. G. Wells</a>'s novel <a href="https://en.wikipedia.org/wiki/The_War_of_the_Worlds" target="_blank" rel="noreferrer noopener">The War of the Worlds</a> (1898) that was performed and broadcast live at 8 pm <a href="https://en.wikipedia.org/wiki/Eastern_Time_Zone" target="_blank" rel="noreferrer noopener">ET</a> on October 30, 1938, over the <a href="https://en.wikipedia.org/wiki/CBS_News_Radio" target="_blank" rel="noreferrer noopener">CBS Radio Network</a>. The episode is famous for inciting a panic by convincing some members of the listening audience that a <a href="https://en.wikipedia.org/wiki/Martian_(The_War_of_the_Worlds)" target="_blank" rel="noreferrer noopener">Martian invasion</a> was taking place, though the scale of panic is disputed, as the program had relatively few listeners. The episode begins with an introductory monologue based closely on the opening of the source novel, after which the program takes on the format of an evening of typical radio programming being periodically interrupted by news bulletins. The first few bulletins interrupt a program of live music and are relatively calm reports of unusual explosions on <a href="https://en.wikipedia.org/wiki/Mars" target="_blank" rel="noreferrer noopener">Mars</a> followed by a seemingly unrelated report of an unknown object falling on a farm in <a href="https://en.wikipedia.org/wiki/Grovers_Mill,_New_Jersey" target="_blank" rel="noreferrer noopener">Grovers Mill, New Jersey</a>. The crisis escalates dramatically when an on-scene reporter at Grovers Mill describes creatures emerging from what is evidently an alien spacecraft. The aliens employ a heat ray against police and onlookers, and the radio correspondent describes the attack in increasing panic until his audio feed abruptly goes dead. This is followed by a rapid series of news updates detailing the beginning of a devastating alien invasion and the US military's futile efforts to stop it. The first portion of the episode climaxes with a live report from a rooftop in Manhattan, from where a correspondent describes citizens fleeing from poison smoke released by towering Martian "war machines" until he coughs and falls silent. Only then does the program take its first break, about thirty minutes after Welles's introduction.

"The War of the Worlds" was a Halloween episode of the radio series The Mercury Theatre on the Air directed and narrated by Orson Welles as an adaptation of H. G. Wells's novel The War of the Worlds (1898) that was performed and broadcast live at 8 pm ET on October 30, 1938, over the CBS Radio Network. The episode is famous for inciting a panic by convincing some members of the listening audience that a Martian invasion was taking place, though the scale of panic is disputed, as the program had relatively few listeners. The episode begins with an introductory monologue based closely on the opening of the source novel, after which the program takes on the format of an evening of typical radio programming being periodically interrupted by news bulletins. The first few bulletins interrupt a program of live music and are relatively calm reports of unusual explosions on Mars followed by a seemingly unrelated report of an unknown object falling on a farm in Grovers Mill, New Jersey.The crisis escalates dramatically when an on-scene reporter at Grovers Mill describes creatures emerging from what is evidently an alien spacecraft. The aliens employ a heat ray against police and onlookers, and the radio correspondent describes the attack in increasing panic until his audio feed abruptly goes dead. This is followed by a rapid series of news updates detailing the beginning of a devastating alien invasion and the US military's futile efforts to stop it. The first portion of the episode climaxes with a live report from a rooftop in Manhattan, from where a correspondent describes citizens fleeing from poison smoke released by towering Martian "war machines" until he coughs and falls silent. Only then does the program take its first break, about thirty minutes after Welles's introduction.

"The War of the Worlds" was a&nbsp;<a href="https://en.wikipedia.org/wiki/Halloween" rel="noopener noreferrer">Halloween</a>&nbsp;episode of the&nbsp;<a href="https://en.wikipedia.org/wiki/Radio_drama" rel="noopener noreferrer">radio series</a>&nbsp;<a href="https://en.wikipedia.org/wiki/The_Mercury_Theatre_on_the_Air" rel="noopener noreferrer">The Mercury Theatre on the Air</a>&nbsp;directed and narrated by&nbsp;<a href="https://en.wikipedia.org/wiki/Orson_Welles" rel="noopener noreferrer">Orson Welles</a>&nbsp;as an adaptation of&nbsp;<a href="https://en.wikipedia.org/wiki/H._G._Wells" rel="noopener noreferrer">H. G. Wells</a>'s novel&nbsp;<a href="https://en.wikipedia.org/wiki/The_War_of_the_Worlds" rel="noopener noreferrer">The War of the Worlds</a>&nbsp;(1898) that was performed and broadcast live at 8 pm&nbsp;<a href="https://en.wikipedia.org/wiki/Eastern_Time_Zone" rel="noopener noreferrer">ET</a>&nbsp;on October 30, 1938, over the&nbsp;<a href="https://en.wikipedia.org/wiki/CBS_News_Radio" rel="noopener noreferrer">CBS Radio Network</a>. The episode is famous for inciting a panic by convincing some members of the listening audience that a&nbsp;<a href="https://en.wikipedia.org/wiki/Martian_(The_War_of_the_Worlds)" rel="noopener noreferrer">Martian invasion</a> was taking place, though the scale of panic is disputed, as the program had relatively few listeners. The episode begins with an introductory monologue based closely on the opening of the source novel, after which the program takes on the format of an evening of typical radio programming being periodically interrupted by news bulletins. The first few bulletins interrupt a program of live music and are relatively calm reports of unusual explosions on <a href="https://en.wikipedia.org/wiki/Mars" rel="noopener noreferrer">Mars</a>&nbsp;followed by a seemingly unrelated report of an unknown object falling on a farm in&nbsp;<a href="https://en.wikipedia.org/wiki/Grovers_Mill,_New_Jersey" rel="noopener noreferrer">Grovers Mill, New Jersey</a>. The crisis escalates dramatically when an on-scene reporter at Grovers Mill describes creatures emerging from what is evidently an alien spacecraft. The aliens employ a heat ray against police and onlookers, and the radio correspondent describes the attack in increasing panic until his audio feed abruptly goes dead. This is followed by a rapid series of news updates detailing the beginning of a devastating alien invasion and the US military's futile efforts to stop it. The first portion of the episode climaxes with a live report from a rooftop in Manhattan, from where a correspondent describes citizens fleeing from poison smoke released by towering Martian "war machines" until he coughs and falls silent. Only then does the program take its first break, about thirty minutes after Welles's introduction.

Film History Podcasts / Page 78

Mind the Gaps

K7

S&F's At the Movies

In the Mic of Madness

Подболтат

MBDS Showcase

Mo's Movie Show

Aus dem Off

Spoiler Country

Good Morning, Good Evening

Midnight Video

Carreón Cinema Club

Podcast De Autor

Lollywood Tales

Was It Any Good?

Le Prisme

Scarifyer

CINE POPCAST

Horror Story

Don't Look Now: A History of Horror Podcast

Gérard Depardieu - Audio Biography

The G.O.A.T. - A Brian De Palma Fan Podcast

Oops, All Franchises

ScreenStories - Storie oltre lo schermo

Recovered

Plottwist

Night School Horror

List Hai Toh Hit Hai

Summer Camp: Season 30

Cinematrix

CineIntollerance

Let's Talk Cinema

Vi Har Set En Film

SCOPE

Mangala Talkies

Words at War Radio Show!

Roy Rogers Radio Show!

The Podcast Wore Tennis Shoes

Bob Hope Radio Show

Flamberade Bananer

Filmographies Podcast

Especial

Have You Scene It With Emily Bray

Stale Bananas Podcast

Simple English Story Podcast.

Bri's Razzie Roundup

Crossroads

come to the movies

Zoobilee Zoo: The Podcast

Movies We Missed