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STAR TREK WEEKLY NEWS brings you the latest information and gossip from the Alpha Quadrant and beyond! Tune in each week and get a fresh look at what is happening in the Star Trek universe. Hosted by Tony Robinson.

Star Trek Weekly News

Love nerding out about movies? Me too! On CINESCOOP we can get the full low down on films together!

CINESCOOP

I en värld full av barn är det svårt att se film. Men två män reser sig och gör revolt mot det parentala filmförtrycket. De är... FILMPAPPORNA!!!

Eller så är det bara gamla gymnasiekompisarna Oliver och Robert som släpper ut uppdämt film-filosoferande genom att vända och vrida på klassiker, regissörer, nya filmer och göra topplistor på allt mellan himmel över Berlin och jordflickor är lätta, bara det har med film att göra.

I en värld full av barn är det svårt att se film. Men två män reser sig och gör revolt mot det parentala filmförtrycket. De är... FILMPAPPORNA!!! Eller så är det bara gamla gymnasiekompisarna Oliver och Robert som släpper ut uppdämt film-filosoferande genom att vända och vrida på klassiker, regissörer, nya filmer och göra topplistor på allt mellan himmel över Berlin och jordflickor är lätta, bara det har med film att göra.

Filmpapporna

Le podcast qui vous fait découvrir la folie et la grandeur du cinéma Hong Kongais et asiatique en general, film par film. 
Par Marvin Montes (@Marvin__Montes) et Erwann Kerroc'h (@HKerroc)
Un Podcast Micro Stockholm (@MicroStockholm) 
Retrouvez nous sur Twitter @HKast4

Le podcast qui vous fait découvrir la folie et la grandeur du cinéma Hong Kongais et asiatique en general, film par film. Par Marvin Montes (@Marvin__Montes) et Erwann Kerroc'h (@HKerroc) Un Podcast Micro Stockholm (@MicroStockholm) Retrouvez nous sur Twitter @HKast4

Le podcast qui vous fait découvrir la folie et la grandeur du cinéma Hong Kongais et asiatique en general, film par film.&nbsp;
Par Marvin Montes (@Marvin__Montes) et Erwann Kerroc'h (@HKerroc)
Un Podcast Micro Stockholm (@MicroStockholm)&nbsp;
Retrouvez nous sur Twitter @HKast4

HKast

Über ein Jahr und für 86 Folgen hieß dieser Podcast: "Einfach Fernsehen - unvergessene Perlen". Doch jetzt betreten Franz und Ricky digitales Neuland. Viel Vergnügen mit "Erste Reihe Mitte".

Erste Reihe Mitte

Podcast sobre horror feito por uns viadinhos mórbidos.

Aqui você vai encontrar debates sobre cinema e televisão, viadagem, recomendações, piadas escatológicas, pouca vergonha, risadinhas frouxas, assassinatos brutais e absolutamente tudo de melhor que o gênero horror pode oferecer (na ficção e realidade).

Um episódio novo todas as quartas-feiras.

Confira o nosso site:
https://www.esqueletosnoarmario.com/

Apoie o nosso projeto:
https://apoia.se/esqueletosgays

@esqueletosgays no Twitter e Instagram

Podcast sobre horror feito por uns viadinhos mórbidos. Aqui você vai encontrar debates sobre cinema e televisão, viadagem, recomendações, piadas escatológicas, pouca vergonha, risadinhas frouxas, assassinatos brutais e absolutamente tudo de melhor que o gênero horror pode oferecer (na ficção e realidade). Um episódio novo todas as quartas-feiras. Confira o nosso site: https://www.esqueletosnoarmario.com/ Apoie o nosso projeto: https://apoia.se/esqueletosgays @esqueletosgays no Twitter e Instagram

Esqueletos no Armário

In this post-pandemic world with an abundance of streaming services pulling our attention every which way, we decide to take control back and watch every movie we physically own in alphabteical order. We wind our way through some all-time classics, obscure independent films, and even some comedy specials as well as some concert films to boot.

Movies at Home!

De afgelopen jaren nam de Vlaamse film een hoge vlucht. Filmjournalist Ben Van Alboom  praat met de gangmakers van de afgelopen twee decennia over tien films die daarmee voor hebben gezorgd. Onder hen: Erik Van Looy (De zaak Alzheimer), Felix van Groeningen (The Broken Circle Breakdown), Barbara Sarafian (Aanrijding in Moscou), Adil & Bilall (Black), Fien Troch (Home), Jan Verheyen (Het vonnis) en Lukas Dhont (Girl).

De afgelopen jaren nam de Vlaamse film een hoge vlucht. Filmjournalist Ben Van Alboom praat met de gangmakers van de afgelopen twee decennia over tien films die daarmee voor hebben gezorgd. Onder hen: Erik Van Looy (De zaak Alzheimer), Felix van Groeningen (The Broken Circle Breakdown), Barbara Sarafian (Aanrijding in Moscou), Adil & Bilall (Black), Fien Troch (Home), Jan Verheyen (Het vonnis) en Lukas Dhont (Girl).

De afgelopen jaren nam de Vlaamse film een hoge vlucht. Filmjournalist Ben Van Alboom  praat met de gangmakers van de afgelopen twee decennia over tien films die daarmee voor hebben gezorgd. Onder hen: Erik Van Looy (De zaak Alzheimer), Felix van Groeningen (The Broken Circle Breakdown), Barbara Sarafian (Aanrijding in Moscou), Adil &amp; Bilall (Black), Fien Troch (Home), Jan Verheyen (Het vonnis) en Lukas Dhont (Girl).

Het wonder is geschied

It is playtime in the realm of moving pictures with Steph, Ben & Bucks, traversing the vortex of strange connections, unusual histories and lunatic ideas that have made cinema the amazing art that it is. Each week we'll take a topic and see what buried treasure we can unearth as we wander across a wealth of ideas and perspectives. The video store may be gone, but the Video Vortex lives forever.

It is playtime in the realm of moving pictures with Steph, Ben &amp; Bucks, traversing the vortex of strange connections, unusual histories and lunatic ideas that have made cinema the amazing art that it is. Each week we'll take a topic and see what buried treasure we can unearth as we wander across a wealth of ideas and perspectives. The video store may be gone, but the Video Vortex lives forever.

Video Vortex Podcast

Mægtige Middelalder er en podcast, hvor middelalderforskere taler om den magiske, mystiske, mærkelige og frem for alt mægtige middelalder. I modsætning til andre historiepodcasts, så er kilderne - altså tekster, billeder, bygninger osv. i centrum. Her præsenterer og fortolker forskerne kilder, de selv arbejder med. I podcasten inviterer vi altså lytteren med ind i det et af historiefagets fædre, Kristian Erslev, kaldte historikerens laboratorium.Vært: Thomas Heebøll-Holm, lektor i Middelalderhistorie på CML, Syddansk Universitet - SDU<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Mægtige Middelalder er en podcast, hvor middelalderforskere taler om den magiske, mystiske, mærkelige og frem for alt mægtige middelalder. I modsætning til andre historiepodcasts, så er kilderne - altså tekster, billeder, bygninger osv. i centrum. Her præsenterer og fortolker forskerne kilder, de selv arbejder med. I podcasten inviterer vi altså lytteren med ind i det et af historiefagets fædre, Kristian Erslev, kaldte historikerens laboratorium.Vært: Thomas Heebøll-Holm, lektor i Middelalderhistorie på CML, Syddansk Universitet - SDU Hosted on Acast. See acast.com/privacy for more information.

Mægtige Middelalder er en podcast, hvor middelalderforskere taler om den magiske, mystiske, mærkelige og frem for alt mægtige middelalder. I modsætning til andre historiepodcasts, så er kilderne - altså tekster, billeder, bygninger osv. i centrum. Her præsenterer og fortolker forskerne kilder, de selv arbejder med. I podcasten inviterer vi altså lytteren med ind i det et af historiefagets fædre, Kristian Erslev, kaldte historikerens laboratorium.Vært: Thomas Heebøll-Holm, lektor i Middelalderhistorie på CML, Syddansk Universitet - SDU Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Mægtige Middelalder

Про историю массовой культуры до сведения олдскул!

Мы, двое друзей с разных концов света, Андрей и Гришка, рассуждаем о феноменах современной массовой культуры и их истории, вспоминаем любимые франшизы и героев из 80-90х! 

Ищите нас в телеграм 
https://t.me/masscultcast
Присоединиться к комьюнити
https://www.patreon.com/masscultcast

Про историю массовой культуры до сведения олдскул! Мы, двое друзей с разных концов света, Андрей и Гришка, рассуждаем о феноменах современной массовой культуры и их истории, вспоминаем любимые франшизы и героев из 80-90х! Ищите нас в телеграм https://t.me/masscultcast Присоединиться к комьюнити https://www.patreon.com/masscultcast

MassCult [МассКульт]

After years of friendship, comedians, Blunt Bob and Adam I, come together to discuss their shared love for 1980s scifi action movies. From Predator to Robocop, get ready to hear tales from THE CHOPPA!!!

Tales From The Choppa

Cinéma Raconté, c'est le premier podcast sur l'histoire des cinémas d'Afrique, des origines à nos jours. Chaque épisode vous transporte à travers un doux récit, ponctué d'extraits sonores exclusifs, dans l'univers de la réalisation de ces films, avec des anecdotes et des commentaires incroyables. L'objectif est de faire vivre ces films, vous incitez à les revoir sous un nouveau regard et confronter les sujets abordés par les réalisateurs aux réalités de notre époque.  
À la fin de la première saison du podcast, je me suis rendue compte que j'avais fait d'excellentes rencontres avec des professionnels et spécialistes de l'industrie du cinéma en Afrique. Ces rencontres ont généré des discussions intéressantes, des points de vue sur l'évolution du marché et la découverte de projets destinés à faciliter l'accès du public africain aux films du continent. J'ai décidé de les partager dans une rubrique appelée "Les rencontres de cinéma". L'objectif est d'approfondir les réflexions non seulement l'analyse filmique, mais aussi sur la sociologie et l'économie des cinémas d'Afrique.
 Réalisé et raconté par Marvine Ouméyouti, Journaliste 🎤 ✒️, critique de cinéma
Contact : cinemaraconte@gmail.com

Cinéma Raconté, c'est le premier podcast sur l'histoire des cinémas d'Afrique, des origines à nos jours. Chaque épisode vous transporte à travers un doux récit, ponctué d'extraits sonores exclusifs, dans l'univers de la réalisation de ces films, avec des anecdotes et des commentaires incroyables. L'objectif est de faire vivre ces films, vous incitez à les revoir sous un nouveau regard et confronter les sujets abordés par les réalisateurs aux réalités de notre époque. À la fin de la première saison du podcast, je me suis rendue compte que j'avais fait d'excellentes rencontres avec des professionnels et spécialistes de l'industrie du cinéma en Afrique. Ces rencontres ont généré des discussions intéressantes, des points de vue sur l'évolution du marché et la découverte de projets destinés à faciliter l'accès du public africain aux films du continent. J'ai décidé de les partager dans une rubrique appelée "Les rencontres de cinéma". L'objectif est d'approfondir les réflexions non seulement l'analyse filmique, mais aussi sur la sociologie et l'économie des cinémas d'Afrique. Réalisé et raconté par Marvine Ouméyouti, Journaliste 🎤 ✒️, critique de cinéma Contact : cinemaraconte@gmail.com

Cinéma Raconté, c'est le premier podcast sur l'histoire des cinémas d'Afrique, des origines à nos jours. Chaque épisode vous transporte à travers un doux récit, ponctué d'extraits sonores exclusifs, dans l'univers de la réalisation de ces films, avec des anecdotes et des commentaires incroyables. L'objectif est de faire vivre ces films, vous incitez à les revoir sous un nouveau regard et confronter les sujets abordés par les réalisateurs aux réalités de notre époque. &nbsp;
À la fin de la première saison du podcast, je me suis rendue compte que j'avais fait d'excellentes rencontres avec des professionnels et spécialistes de l'industrie du cinéma en Afrique. Ces rencontres ont généré des discussions intéressantes, des points de vue sur l'évolution du marché et la découverte de projets destinés à faciliter l'accès du public africain aux films du continent. J'ai décidé de les partager dans une rubrique appelée "Les rencontres de cinéma". L'objectif est d'approfondir les réflexions non seulement l'analyse filmique, mais aussi sur la sociologie et l'économie des cinémas d'Afrique.
&nbsp;Réalisé et raconté par Marvine Ouméyouti, Journaliste 🎤 ✒️, critique de cinéma
Contact : cinemaraconte@gmail.com

Cinéma Raconté

One night at a pub in Beijing, two people bonded over their joy for movies. Over time they started having more discussions over their favortie films and soon decided it was time to start a podcast. Alex and Josh discuss a variety of movies, from the new blockbusters to classics, some have forgotten over time, as they still believe in Tinseltown.

Alex and Josh Do Tinseltown

Scholarly discussion of the Eric Roberts filmography, with sumptuous tangents involving Hollywood esoterica, pop culture ephemera and shocking personal confessions.

Esoteric Roberts: Eric Roberts Movie Podcast

Delving into cinema's sewers and retrieving the biggest turds

Better Than Super Mario Bros.

Gündemdeki filmleri ve sinemacıları, en güncel sinema haberlerini, ödülleri, festivalleri ve sinema etkinliklerini konuşuyoruz. Ayrıca sinemanın tarihinden, sinemasal akımlardan ve üsluplardan, hâkim eğilimlerden, ülke sinemalarından, dönemlerden ve sinemacılardan da incelemeler sunuyor, sinemanın hem bugününe hem de tarihine ışık tutmaya çalışıyoruz. Sinema adına her şey, haftalık sinema sohbeti programımız Sinematriste…

Gündemdeki filmleri ve sinemacıları, en güncel sinema haberlerini, ödülleri, festivalleri ve sinema etkinliklerini konuşuyoruz. Ayrıca sinemanın tarihinden, sinemasal akımlardan ve üsluplardan, hâkim eğilimlerden, ülke sinemalarından, dönemlerden ve sinemacılardan da incelemeler sunuyor, sinemanın hem bugününe hem de tarihine ışık tutmaya çalışıyoruz. Sinema adına her şey, haftalık sinema sohbeti programımız Sinematriste…

Gündemdeki filmleri ve sinemacıları, en güncel sinema haberlerini, ödülleri, festivalleri ve sinema etkinliklerini konuşuyoruz. Ayrıca sinemanın tarihinden, sinemasal akımlardan ve üsluplardan, hâkim eğilimlerden, ülke sinemalarından, dönemlerden ve sinemacılardan da incelemeler sunuyor, sinemanın hem bugününe hem de tarihine ışık tutmaya çalışıyoruz. Sinema adına her şey, haftalık sinema sohbeti programımız&nbsp;Sinematriste…

Sinematris

Кино не то, чем кажется.Режиссер и сценарист Анна Макарова поделится с тобой самыми скандальными и пугающими историями со съемочных площадок. «Красная комната» — подкаст от «Правого полушария Интроверта» — cервиса для прокачки эрудированности по гуманитарным темам за 10 минут.

Кино не то, чем кажется. Режиссер и сценарист Анна Макарова поделится с тобой самыми скандальными и пугающими историями со съемочных площадок. «Красная комната» — подкаст от «Правого полушария Интроверта» — cервиса для прокачки эрудированности по гуманитарным темам за 10 минут.

Кино не то, чем кажется.Режиссер и сценарист Анна Макарова поделится с тобой самыми скандальными и пугающими историями со съемочных площадок. «Красная комната» — подкаст от «Правого полушария Интроверта» — cервиса для прокачки эрудированности по гуманитарным темам за 10 минут.

Красная комната

Për kinema-dashësit vjen një program i cili sjell kinemanë në 360 gradë. Filmat e rinj, ngjarjet e fundit nga protagonistët tuaj të preferuar, recensionet e filmave, shoqëruar nga kolonat zanore të paharrueshme që zgjojnë kujtime rrënqethëse.

Quiz-e për të fituar bileta, të ftuar në studio nga bota e artit të 7-të si dhe ndërveprim me shikuesit e filmave në kohë reale. Bota e magjishme e kinematografisë në një program të dedikuar në Top Albania Radio nga Arta Sinamati dhe Edi Hallaçi.

Për kinema-dashësit vjen një program i cili sjell kinemanë në 360 gradë. Filmat e rinj, ngjarjet e fundit nga protagonistët tuaj të preferuar, recensionet e filmave, shoqëruar nga kolonat zanore të paharrueshme që zgjojnë kujtime rrënqethëse. Quiz-e për të fituar bileta, të ftuar në studio nga bota e artit të 7-të si dhe ndërveprim me shikuesit e filmave në kohë reale. Bota e magjishme e kinematografisë në një program të dedikuar në Top Albania Radio nga Arta Sinamati dhe Edi Hallaçi.

@ the Movies - Top Albania Radio

Apolline a 23 ans et hésite entre plaquer son boulot, vivre à l'étranger, écrire des livres ou élever des chèvres. Bref, elle a la vingtaine.Twenties Theory, c'est le podcast qui décortique l’âge tumultueux de la vingtaine, ses (nombreuses) galères, ses doutes (incessants), ses joies et sa représentation dans la culture populaire&nbsp;: séries, films, livres…Bref, si toi aussi tu es perdu, tu n’as pas de plan et encore moins de «&nbsp;pla&nbsp;», détends-toi et écoute Twenties Theory : on se retrouve toutes les deux semaines pour partager nos réflexions.Pour ne rien louper, abonne-toi aussi au compte instagram @twentiestheory !<hr> Hébergé par Acast. Visitez <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> pour plus d'informations.

Apolline a 23 ans et hésite entre plaquer son boulot, vivre à l'étranger, écrire des livres ou élever des chèvres. Bref, elle a la vingtaine. Twenties Theory, c'est le podcast qui décortique l’âge tumultueux de la vingtaine, ses (nombreuses) galères, ses doutes (incessants), ses joies et sa représentation dans la culture populaire : séries, films, livres… Bref, si toi aussi tu es perdu, tu n’as pas de plan et encore moins de « pla », détends-toi et écoute Twenties Theory : on se retrouve toutes les deux semaines pour partager nos réflexions. Pour ne rien louper, abonne-toi aussi au compte instagram @twentiestheory ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Apolline a 23 ans et hésite entre plaquer son boulot, vivre à l'étranger, écrire des livres ou élever des chèvres. Bref, elle a la vingtaine.Twenties Theory, c'est le podcast qui décortique l’âge tumultueux de la vingtaine, ses (nombreuses) galères, ses doutes (incessants), ses joies et sa représentation dans la culture populaire&nbsp;: séries, films, livres…Bref, si toi aussi tu es perdu, tu n’as pas de plan et encore moins de «&nbsp;pla&nbsp;», détends-toi et écoute Twenties Theory : on se retrouve toutes les deux semaines pour partager nos réflexions.Pour ne rien louper, abonne-toi aussi au compte instagram @twentiestheory ! Hébergé par Acast. Visitez <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> pour plus d'informations.

Twenties Theory

The official podcast for iCritic.net! Here, your host Kevin T. Rodriguez discusses movies, pop culture, and life in-between!

The official podcast for iCritic.net! Here, your host Kevin T. Rodriguez discusses movies, pop culture, and life in-between!

iCritic LIVE

The seedy side of media is an open secret. Original material is replaced by scandal. Alex, Ash and Marina explore the power dynamics of film, TV, streaming and music, and where reality is  the new commodity of entertainment. 

This podcast explores each dark alley of media, the forces that shape it, and the future of scandalous entertainment.

Of course it’s all alleged. For thought provoking  entertainment only.

The seedy side of media is an open secret. Original material is replaced by scandal. Alex, Ash and Marina explore the power dynamics of film, TV, streaming and music, and where reality is the new commodity of entertainment. This podcast explores each dark alley of media, the forces that shape it, and the future of scandalous entertainment. Of course it’s all alleged. For thought provoking entertainment only.

Dark Alleys of Media

Un podcast cinéma dans lequel on décortique chaque mois une problématique autour d'un thème précis.

Le 7ème œil

I discorsi più emozionanti della storia del cinema, resi memorabili dalle stupende voci del nostro doppiaggio.

I discorsi più emozionanti dei film

Cold War Cinema is a podcast about movies made during the first few decades of the Cold War (1947–1991). Each episode primarily focuses on one film, and the hosts, Jason Christian and Anthony Ballas, discuss the director's life and work, the historical context of the film, and examine its themes that relate to the turbulent politics of the era. 

Theme music and editing on the first 14 episodes by Tim Jones; theme music from then on by DYAD (Charles Ballas and Jeremy Averitt), and editing by Jason Christian. 

Logo by Jason Christian

Cold War Cinema is a podcast about movies made during the first few decades of the Cold War (1947–1991). Each episode primarily focuses on one film, and the hosts, Jason Christian and Anthony Ballas, discuss the director's life and work, the historical context of the film, and examine its themes that relate to the turbulent politics of the era. Theme music and editing on the first 14 episodes by Tim Jones; theme music from then on by DYAD (Charles Ballas and Jeremy Averitt), and editing by Jason Christian. Logo by Jason Christian

Cold War Cinema is a podcast about movies made during the first few decades of the Cold War (1947–1991). Each episode primarily focuses on one film, and the hosts, Jason Christian and Anthony Ballas, discuss the director's life and work, the historical context of the film, and examine its themes that relate to the turbulent politics of the era.&nbsp;

Theme music and editing on the first 14 episodes by Tim Jones; theme music from then on by DYAD (Charles Ballas and Jeremy Averitt), and editing by Jason Christian. 

Logo by Jason Christian

Cold War Cinema

Presented on this page are episodes of British radio comedy shows which the BBC has banned or censored during the 21st Century culture wars, for allegedly being politically incorrect. The recordings included here are the complete original broadcasts of the episodes concerned, presented as they were first broadcast, before any cuts were made for political reasons. Many of the episodes are rare, since they are no longer broadcast, having been banned by the BBC. Additional shows are being banned and cut all the time. So I will be adding new recordings to this page from time to time, where they relate to the items originally posted here. Check back here regularly for additional items: those added are listed below, under Latest additions. These broadcasts pre-date political correctness, so may be unsuitable for listeners of a nervous disposition!

Presented on this page are episodes of British radio comedy shows which the BBC has banned or censored during the 21st Century culture wars, for allegedly being politically incorrect.The recordings included here are the complete original broadcasts of the episodes concerned, presented as they were first broadcast, before any cuts were made for political reasons. Many of the episodes are rare, since they are no longer broadcast, having been banned by the BBC.Additional shows are being banned and cut all the time. So I will be adding new recordings to this page from time to time, where they relate to the items originally posted here. Check back here regularly for additional items: those added are listed below, under Latest additions.These broadcasts pre-date political correctness, so may be unsuitable for listeners of a nervous disposition!

Presented on this page are episodes of British radio comedy shows which the BBC has&nbsp;banned&nbsp;or&nbsp;censored&nbsp;during the 21st&nbsp;Century culture wars, for allegedly being&nbsp;politically incorrect. The recordings included here are the complete original broadcasts of the episodes concerned, presented as they were first broadcast, before any cuts were made for political reasons. Many of the episodes are rare, since they are no longer broadcast, having been banned by the BBC. Additional shows are being banned and cut all the time. So I&nbsp;will&nbsp;be adding new recordings to this page from time to time, where they relate to the items originally posted here. Check back here regularly for additional items: those added are listed below, under&nbsp;Latest additions. These broadcasts pre-date&nbsp;political correctness, so may be unsuitable for listeners of a nervous disposition!

Banned and Sensored Radio Comedy

Frankenstein is a <a href="https://en.wikipedia.org/wiki/Frame_story" target="_blank" rel="noreferrer noopener">frame story</a> written in <a href="https://en.wikipedia.org/wiki/Epistolary_novel" target="_blank" rel="noreferrer noopener">epistolary form</a>. Set in the 18th century, it documents a fictional correspondence between Captain Robert Walton and his sister, Margaret Walton Saville. Captain Walton introductory narrative Captain Walton is a failed writer who sets out to explore the North Pole in hopes of expanding scientific knowledge. After departing from <a href="https://en.wikipedia.org/wiki/Archangelsk" target="_blank" rel="noreferrer noopener">Archangel</a>, the ship is trapped by <a href="https://en.wikipedia.org/wiki/Drift_ice" target="_blank" rel="noreferrer noopener">pack ice</a> on the journey across the <a href="https://en.wikipedia.org/wiki/Arctic_Ocean" target="_blank" rel="noreferrer noopener">Arctic Ocean</a>. During this time, the crew spots a <a href="https://en.wikipedia.org/wiki/Dog_sled" target="_blank" rel="noreferrer noopener">dog sled</a> driven by a gigantic figure. A few hours later, the ice splits apart, freeing the ship, and the crew rescues a nearly frozen and emaciated man named <a href="https://en.wikipedia.org/wiki/Victor_Frankenstein" target="_blank" rel="noreferrer noopener">Victor Frankenstein</a> from a drifting <a href="https://en.wikipedia.org/wiki/Ice_floe" target="_blank" rel="noreferrer noopener">ice floe</a>. Victor has been in pursuit of the gigantic man observed by Walton's crew. Victor starts to recover from his exertion; he sees in Walton the same obsession that has destroyed him and recounts a story of his life's miseries to Walton as a warning. Victor Frankenstein's narrative Born in <a href="https://en.wikipedia.org/wiki/Naples" target="_blank" rel="noreferrer noopener">Naples</a>, <a href="https://en.wikipedia.org/wiki/Kingdom_of_Naples" target="_blank" rel="noreferrer noopener">Italy</a>, into a wealthy <a href="https://en.wikipedia.org/wiki/Geneva" target="_blank" rel="noreferrer noopener">Genevan</a> family, Victor and his younger brothers, Ernest and William, are sons of Alphonse Frankenstein and the former Caroline Beaufort. From a young age, Victor has a strong desire to understand the world. He is obsessed with studying theories of <a href="https://en.wikipedia.org/wiki/Alchemy" target="_blank" rel="noreferrer noopener">alchemists</a>, though when he is older he realizes that such theories are considerably outdated. When Victor is five years old, his parents adopt <a href="https://en.wikipedia.org/wiki/Elizabeth_Lavenza" target="_blank" rel="noreferrer noopener">Elizabeth Lavenza</a> (the orphaned daughter of an expropriated Italian nobleman) whom Victor calls 'cousin'. Victor's parents later take in another child, Justine Moritz, who becomes William's nanny.Weeks before he leaves for the <a href="https://en.wikipedia.org/wiki/University_of_Ingolstadt" target="_blank" rel="noreferrer noopener">University of Ingolstadt</a> in Germany, his mother dies of <a href="https://en.wikipedia.org/wiki/Scarlet_fever" target="_blank" rel="noreferrer noopener">scarlet fever</a>; Victor buries himself in his experiments to deal with the grief. At the university, he excels at <a href="https://en.wikipedia.org/wiki/Chemistry" target="_blank" rel="noreferrer noopener">chemistry</a> and other sciences, soon developing a secret technique to impart life to non-living matter. He undertakes the creation of a humanoid, but due to the difficulty in replicating the minute parts of the human body, Victor makes <a href="https://en.wikipedia.org/wiki/Frankenstein%27s_monster" target="_blank" rel="noreferrer noopener">the Creature</a> tall, about 8 feet (2.4 m) in height, and proportionally large. Victor works at gathering the vital organs by pilfering <a href="https://en.wikipedia.org/wiki/Charnel_house" target="_blank" rel="noreferrer noopener">charnel houses</a>, <a href="https://en.wikipedia.org/wiki/Morgue" target="_blank" rel="noreferrer noopener">mortuaries</a> and by entrapping and <a href="https://en.wikipedia.org/wiki/Vivisection" target="_blank" rel="noreferrer noopener">vivisecting</a> feral animals. Despite Victor selecting its features to be beautiful, upon animation the Creature is instead hideous, with dull and watery yellow eyes and yellow skin that barely conceals the muscles and blood vessels underneath. Repulsed by his work, Victor flees. While wandering the streets the next day, he meets his childhood friend, Henry Clerval, and takes Henry back to his apartment, fearful of Henry's reaction if he sees the monster. However, when Victor returns to his laboratory, the Creature is gone.Victor falls ill from the experience and is nursed back to health by Henry. After recovering he forgets about the Creature and goes into Henry's study of Oriental languages, which he considers the happiest time of his academic career. This is cut short when Victor receives a letter from his father notifying him of the murder of his brother William. Near Geneva, Victor sees a large figure and becomes convinced that his creation is responsible. Justine Moritz, William's nanny, is convicted of the crime after William's locket, which contained a miniature portrait of Caroline, is found in her pocket. Victor knows that no one will believe him if he testifies that it was the doing of the Creature; Justine is executed. Ravaged by grief and guilt, Victor takes up <a href="https://en.wikipedia.org/wiki/Mountaineering" target="_blank" rel="noreferrer noopener">mountain climbing</a> in the <a href="https://en.wikipedia.org/wiki/Alps" target="_blank" rel="noreferrer noopener">Alps</a>. While hiking through <a href="https://en.wikipedia.org/wiki/Mont_Blanc" target="_blank" rel="noreferrer noopener">Mont Blanc</a>'s <a href="https://en.wikipedia.org/wiki/Mer_de_Glace" target="_blank" rel="noreferrer noopener">Mer de Glace</a>, he is suddenly approached by the Creature, who insists that Victor hear his tale.

Frankenstein is a frame story written in epistolary form. Set in the 18th century, it documents a fictional correspondence between Captain Robert Walton and his sister, Margaret Walton Saville.Captain Walton introductory narrativeCaptain Walton is a failed writer who sets out to explore the North Pole in hopes of expanding scientific knowledge. After departing from Archangel, the ship is trapped by pack ice on the journey across the Arctic Ocean. During this time, the crew spots a dog sled driven by a gigantic figure. A few hours later, the ice splits apart, freeing the ship, and the crew rescues a nearly frozen and emaciated man named Victor Frankenstein from a drifting ice floe. Victor has been in pursuit of the gigantic man observed by Walton's crew. Victor starts to recover from his exertion; he sees in Walton the same obsession that has destroyed him and recounts a story of his life's miseries to Walton as a warning.Victor Frankenstein's narrativeBorn in Naples, Italy, into a wealthy Genevan family, Victor and his younger brothers, Ernest and William, are sons of Alphonse Frankenstein and the former Caroline Beaufort. From a young age, Victor has a strong desire to understand the world. He is obsessed with studying theories of alchemists, though when he is older he realizes that such theories are considerably outdated. When Victor is five years old, his parents adopt Elizabeth Lavenza (the orphaned daughter of an expropriated Italian nobleman) whom Victor calls 'cousin'. Victor's parents later take in another child, Justine Moritz, who becomes William's nanny.Weeks before he leaves for the University of Ingolstadt in Germany, his mother dies of scarlet fever; Victor buries himself in his experiments to deal with the grief. At the university, he excels at chemistry and other sciences, soon developing a secret technique to impart life to non-living matter. He undertakes the creation of a humanoid, but due to the difficulty in replicating the minute parts of the human body, Victor makes the Creature tall, about 8 feet (2.4 m) in height, and proportionally large.Victor works at gathering the vital organs by pilfering charnel houses, mortuaries and by entrapping and vivisecting feral animals. Despite Victor selecting its features to be beautiful, upon animation the Creature is instead hideous, with dull and watery yellow eyes and yellow skin that barely conceals the muscles and blood vessels underneath. Repulsed by his work, Victor flees. While wandering the streets the next day, he meets his childhood friend, Henry Clerval, and takes Henry back to his apartment, fearful of Henry's reaction if he sees the monster. However, when Victor returns to his laboratory, the Creature is gone.Victor falls ill from the experience and is nursed back to health by Henry. After recovering he forgets about the Creature and goes into Henry's study of Oriental languages, which he considers the happiest time of his academic career.This is cut short when Victor receives a letter from his father notifying him of the murder of his brother William. Near Geneva, Victor sees a large figure and becomes convinced that his creation is responsible. Justine Moritz, William's nanny, is convicted of the crime after William's locket, which contained a miniature portrait of Caroline, is found in her pocket. Victor knows that no one will believe him if he testifies that it was the doing of the Creature; Justine is executed. Ravaged by grief and guilt, Victor takes up mountain climbing in the Alps. While hiking through Mont Blanc's Mer de Glace, he is suddenly approached by the Creature, who insists that Victor hear his tale.

Frankenstein&nbsp;is a&nbsp;<a href="https://en.wikipedia.org/wiki/Frame_story" rel="noopener noreferrer">frame story</a>&nbsp;written in&nbsp;<a href="https://en.wikipedia.org/wiki/Epistolary_novel" rel="noopener noreferrer">epistolary form</a>. Set in the 18th century, it documents a fictional correspondence between Captain Robert Walton and his sister, Margaret Walton Saville. Captain Walton introductory narrative Captain Walton is a failed writer who sets out to explore the North Pole in hopes of expanding scientific knowledge. After departing from&nbsp;<a href="https://en.wikipedia.org/wiki/Archangelsk" rel="noopener noreferrer">Archangel</a>, the ship is trapped by&nbsp;<a href="https://en.wikipedia.org/wiki/Drift_ice" rel="noopener noreferrer">pack ice</a>&nbsp;on the journey across the&nbsp;<a href="https://en.wikipedia.org/wiki/Arctic_Ocean" rel="noopener noreferrer">Arctic Ocean</a>. During this time, the crew spots a&nbsp;<a href="https://en.wikipedia.org/wiki/Dog_sled" rel="noopener noreferrer">dog sled</a>&nbsp;driven by a gigantic figure. A few hours later, the ice splits apart, freeing the ship, and the crew rescues a nearly frozen and emaciated man named&nbsp;<a href="https://en.wikipedia.org/wiki/Victor_Frankenstein" rel="noopener noreferrer">Victor Frankenstein</a>&nbsp;from a drifting&nbsp;<a href="https://en.wikipedia.org/wiki/Ice_floe" rel="noopener noreferrer">ice floe</a>. Victor has been in pursuit of the gigantic man observed by Walton's crew. Victor starts to recover from his exertion; he sees in Walton the same obsession that has destroyed him and recounts a story of his life's miseries to Walton as a warning. Victor Frankenstein's narrative Born in&nbsp;<a href="https://en.wikipedia.org/wiki/Naples" rel="noopener noreferrer">Naples</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Kingdom_of_Naples" rel="noopener noreferrer">Italy</a>, into a wealthy&nbsp;<a href="https://en.wikipedia.org/wiki/Geneva" rel="noopener noreferrer">Genevan</a>&nbsp;family, Victor and his younger brothers, Ernest and William, are sons of Alphonse Frankenstein and the former Caroline Beaufort. From a young age, Victor has a strong desire to understand the world. He is obsessed with studying theories of&nbsp;<a href="https://en.wikipedia.org/wiki/Alchemy" rel="noopener noreferrer">alchemists</a>, though when he is older he realizes that such theories are considerably outdated. When Victor is five years old, his parents adopt&nbsp;<a href="https://en.wikipedia.org/wiki/Elizabeth_Lavenza" rel="noopener noreferrer">Elizabeth Lavenza</a>&nbsp;(the orphaned daughter of an expropriated Italian nobleman) whom Victor calls 'cousin'. Victor's parents later take in another child, Justine Moritz, who becomes William's nanny.Weeks before he leaves for the&nbsp;<a href="https://en.wikipedia.org/wiki/University_of_Ingolstadt" rel="noopener noreferrer">University of Ingolstadt</a>&nbsp;in Germany, his mother dies of&nbsp;<a href="https://en.wikipedia.org/wiki/Scarlet_fever" rel="noopener noreferrer">scarlet fever</a>; Victor buries himself in his experiments to deal with the grief. At the university, he excels at&nbsp;<a href="https://en.wikipedia.org/wiki/Chemistry" rel="noopener noreferrer">chemistry</a>&nbsp;and other sciences, soon developing a secret technique to impart life to non-living matter. He undertakes the creation of a humanoid, but due to the difficulty in replicating the minute parts of the human body, Victor makes&nbsp;<a href="https://en.wikipedia.org/wiki/Frankenstein%27s_monster" rel="noopener noreferrer">the Creature</a>&nbsp;tall, about 8 feet (2.4&nbsp;m) in height, and proportionally large. Victor works at gathering the vital organs by pilfering&nbsp;<a href="https://en.wikipedia.org/wiki/Charnel_house" rel="noopener noreferrer">charnel houses</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Morgue" rel="noopener noreferrer">mortuaries</a>&nbsp;and by entrapping and&nbsp;<a href="https://en.wikipedia.org/wiki/Vivisection" rel="noopener noreferrer">vivisecting</a>&nbsp;feral animals. Despite Victor selecting its features to be beautiful, upon animation the Creature is instead hideous, with dull and watery yellow eyes and yellow skin that barely conceals the muscles and blood vessels underneath. Repulsed by his work, Victor flees. While wandering the streets the next day, he meets his childhood friend, Henry Clerval, and takes Henry back to his apartment, fearful of Henry's reaction if he sees the monster. However, when Victor returns to his laboratory, the Creature is gone.Victor falls ill from the experience and is nursed back to health by Henry. After recovering he forgets about the Creature and goes into Henry's study of Oriental languages, which he considers the happiest time of his academic career. This is cut short when Victor receives a letter from his father notifying him of the murder of his brother William. Near Geneva, Victor sees a large figure and becomes convinced that his creation is responsible. Justine Moritz, William's nanny, is convicted of the crime after William's locket, which contained a miniature portrait of Caroline, is found in her pocket. Victor knows that no one will believe him if he testifies that it was the doing of the Creature; Justine is executed. Ravaged by grief and guilt, Victor takes up&nbsp;<a href="https://en.wikipedia.org/wiki/Mountaineering" rel="noopener noreferrer">mountain climbing</a>&nbsp;in the&nbsp;<a href="https://en.wikipedia.org/wiki/Alps" rel="noopener noreferrer">Alps</a>. While hiking through&nbsp;<a href="https://en.wikipedia.org/wiki/Mont_Blanc" rel="noopener noreferrer">Mont Blanc</a>'s&nbsp;<a href="https://en.wikipedia.org/wiki/Mer_de_Glace" rel="noopener noreferrer">Mer de Glace</a>, he is suddenly approached by the Creature, who insists that Victor hear his tale.

frankenstein

Ghostbusters Dutch Division Podcast: de Nederlandse podcast over alles wat met Ghostbusters te maken heeft. Van films tot games, en van collectibles tot props. Alles komt aan bod. Twee Nederlandse fans in gesprek over alles wat hun bezig houdt, wat ze beleven, waar ze op hopen en natuurlijk wat ze verzamelen.

De Spokenjagers

An unapolagetically opinionated husband and wife share their thoughts on the movies they watch. We love watching movies, discussing them, contemplating them, dissecting them, and sharing our thoughts with each other.

An unapolagetically opinionated husband and wife share their thoughts on the movies they watch. We love watching movies, discussing them, contemplating them, dissecting them, and sharing our thoughts with each other.

The Reel Couple

Join two cousins as they discuss movies and things they love, just cuz

Join two cousins as they discuss movies and things they love, just cuz

Just Cuz

O Rei do Riso

hear how a 4x felon and 8th grade dropout turns a "OPEN CALL" in 1997 for the film "BELLY" into 25yrs (NYC 1998-2001) &amp; (LOS ANGELES 2001-2023) of FILM,TELEVISION,COMMERCIALS,AWARD WINNING FILMAKER &amp; ACTOR,MUSIC VIDEOS,MOTION CAPTURE,STAGE,MUSIC,VOICEOVERS,CASTING,CHOREOGRAPHER,PUPPETEER,BODY DOUBLE,MODEL(print)etc. WEEKLY you will hear "UNTOLD STORIES" of truly going from "mugshots 2 HEADSHOT$" AND "SUPERMAX 2 SET" this VET OG ACTOR will keep it ALL THE WAY REAL!!....the GOOD &amp; BAD.... I PROMISE weekly to LEAVE you listening in suspense and be BLOWN AWAY!!!!......from the OPEN CALL in 1997 until today......"I SAVE EVERYTHING" (call sheet, check stubs,pics,videos,etc) so weekly not only will i explain in full detail about these AMAZING KEEPSAKES and TREASURE$ but you will be able to go to show website and social media pages and also "SEE WHAT I'M SAYIN" this is a REAL LYFE story of MAKING IT in one of the HARDEST professions and careers by HARD WORK,SMART WORK and NEVER GIVING UP! and of course KEEPING IT ALL THE WAY REAL ....if you LOVE REAL TRUE STORIES then your in the right place! and don't 4get!!....."EVERYTHING I SPEAK YOU CAN CHECK THE RECIEPT$"......LETZ GO 2023!!!!!!! micaalsajid71@hotmail.com micaalstevens@yahoo.com

hear how a 4x felon and 8th grade dropout turns a "OPEN CALL" in 1997 for the film "BELLY" into 25yrs (NYC 1998-2001) & (LOS ANGELES 2001-2023) of FILM,TELEVISION,COMMERCIALS,AWARD WINNING FILMAKER & ACTOR,MUSIC VIDEOS,MOTION CAPTURE,STAGE,MUSIC,VOICEOVERS,CASTING,CHOREOGRAPHER,PUPPETEER,BODY DOUBLE,MODEL(print)etc. WEEKLY you will hear "UNTOLD STORIES" of truly going from "mugshots 2 HEADSHOT$" AND "SUPERMAX 2 SET" this VET OG ACTOR will keep it ALL THE WAY REAL!!....the GOOD & BAD.... I PROMISE weekly to LEAVE you listening in suspense and be BLOWN AWAY!!!!......from the OPEN CALL in 1997 until today......"I SAVE EVERYTHING" (call sheet, check stubs,pics,videos,etc) so weekly not only will i explain in full detail about these AMAZING KEEPSAKES and TREASURE$ but you will be able to go to show website and social media pages and also "SEE WHAT I'M SAYIN" this is a REAL LYFE story of MAKING IT in one of the HARDEST professions and careers by HARD WORK,SMART WORK and NEVER GIVING UP! and of course KEEPING IT ALL THE WAY REAL ....if you LOVE REAL TRUE STORIES then your in the right place! and don't 4get!!....."EVERYTHING I SPEAK YOU CAN CHECK THE RECIEPT$"......LETZ GO 2023!!!!!!! micaalsajid71@hotmail.com micaalstevens@yahoo.com

Film History Podcasts / Page 76

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frankenstein

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