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Podcast – DAUNKNOWNADMIN.COM

2 Beards 1 Beer, das sind Flo und Karl, zwei bärtige Typen, die über Bier, Musik und Mehr reden. Alle zwei Wochen testen sich die beiden in ihrem Bier Podcast quer durch die deutsche und internationale Bierszene, oftmals auch weit abseits des Mainstreamgeschmacks. Neben den Bierthemen wird es aber auch immer Geschichten aus der Welt der Musik, des täglichen Lebens oder allerhand Kurioses und Spezielles geben. Spitzt also die Ohren, schenkt euch ein kühles Bier ein und genießt diesen Podcast der anderen Art – naturbelassen und ungefiltert treffen die Pfälzer, die labern, wie ihnen der Schnabel gewachsen ist, garantiert auch eure Geschmacksnerven.

2 Beards 1 Beer

Autorska audycja poświęcona dobrej muzyce oraz jej twórcom i twórczyniom.

To program dla tych, którzy chcą odkrywać oryginalne brzmienia spoza tzw. "głównego nurtu", choć oczywiście nie stronimy od muzyki popularnej. Jeśli coś zasługuje na uwagę, z pewnością pojawi się w audycji "Między Słowami". Niekoniecznie liczy się wielka ilość odtworzeń czy dobra sprzedaż muzyki. My stawiamy przede wszystkim na jakość.

W ciągu ostatnich lat można było w programie usłyszeć różne gatunki. Był pop, jazz, hip-hop, ostry metal, blues, rock w wielu odmianach, punk, elektronika, trip-hop, world music, psychodela i inne odcienie alternatywy.

"Między Słowami" to również miejsce spotkań twórców i twórczyń kultury. Nasze studio regularnie odwiedzają osobistości polskiej sceny. Zawsze jest bardzo ciekawie.

"Między Słowami", audycja promująca przede wszystkim polską muzykę jest na antenie Radia TOK FM od 2012 roku. - Radio TOK FM

Autorska audycja poświęcona dobrej muzyce oraz jej twórcom i twórczyniom. To program dla tych, którzy chcą odkrywać oryginalne brzmienia spoza tzw. "głównego nurtu", choć oczywiście nie stronimy od muzyki popularnej. Jeśli coś zasługuje na uwagę, z pewnością pojawi się w audycji "Między Słowami". Niekoniecznie liczy się wielka ilość odtworzeń czy dobra sprzedaż muzyki. My stawiamy przede wszystkim na jakość. W ciągu ostatnich lat można było w programie usłyszeć różne gatunki. Był pop, jazz, hip-hop, ostry metal, blues, rock w wielu odmianach, punk, elektronika, trip-hop, world music, psychodela i inne odcienie alternatywy. "Między Słowami" to również miejsce spotkań twórców i twórczyń kultury. Nasze studio regularnie odwiedzają osobistości polskiej sceny. Zawsze jest bardzo ciekawie. "Między Słowami", audycja promująca przede wszystkim polską muzykę jest na antenie Radia TOK FM od 2012 roku. - Radio TOK FM

Między Słowami - Radio TOK FM

Cannonball Kelly and Tim Kuda, old Navy and radio buddies sharing the fun with you!

CBKRadioland.com

Rogers rockeradio med test podcast on Kiss

Rogers rockeradio

Trottel Poddi

Bienvenidos a "De la Música al Cine" donde semana a semana platicaremos de melodías y temas musicales que nos recuerdan... personajes... lugares... e historias; un espacio para hablar de la música de nuestras películas, series y por qué no, videojuegos favoritos... así que... ¿estás listo? ¡¡¡Síguenos!!!

De la Música al Cine

Emission musicale (Pop, Rock, Folk, Electro) Pop Addict va faire voyager vos oreilles

Emission musicale (Pop, Rock, Folk, Electro) Pop Addict va faire voyager vos oreilles

Pop Addict

Bem-vindos ao meu Podcas, lugar onde eu narro minhas experiências em eventos de entretenimento e sobre o mundo pop. Aproveitem!

Falando Sobre Pop

Creemos que el rock está muriendo, lo discutimos entre amigos en este podcast.
También hablamos de otros géneros musicales y buscamos no hablar de las bandas de siempre, sabemos que hay más propuestas y puedes escucharlas en nuestro playlist de Spotify.
Acompáñanos toooooodos los lunes.

Creemos que el rock está muriendo, lo discutimos entre amigos en este podcast. También hablamos de otros géneros musicales y buscamos no hablar de las bandas de siempre, sabemos que hay más propuestas y puedes escucharlas en nuestro playlist de Spotify. Acompáñanos toooooodos los lunes.

Band of Necios

Aris Subchan

Rosario canta

Two mates with a bucket full of dreams, and a literal bucket filled with whimsical topics to be discussed. Ranging from films/tv shows/music/ video games/ comic books/ social issues? and much more! 
With a constant looming threat of dumb topics around every corner...

Two mates with a bucket full of dreams, and a literal bucket filled with whimsical topics to be discussed. Ranging from films/tv shows/music/ video games/ comic books/ social issues? and much more! With a constant looming threat of dumb topics around every corner...

The Talking Bucket Heads

Welcome to the Moose Milk Media Podcast, I am your host Ryenn along side Matt, and every Saturday we chat about Marvel shows, music, movies or gaming. We record weekly live on Youtube as a video podcast, so some context may be lost in audio form. We are both Canadian and have been close friends for close to 20 years. Living across the country from each other we decided to turn our chats into a podcast. If you enjoy this podcast please come by our Youtube pages where we record live, youtube.com/@moosemilkmedia and youtube.com/@customsbymatchu. Our incredible show art made by @janiemilneart

Moose Milk Media Podcast

Estar en el momento correcto en el sitio adecuado a veces es la clave. A esas ocasiones que han ayudado a que un músico consiga el éxito nos dedicamos en este programa. Por Judit del Burgo, Pepo Miño y Cristian Moreno.

Estar en el momento correcto en el sitio adecuado a veces es la clave. A esas ocasiones que han ayudado a que un músico consiga el éxito nos dedicamos en este programa. Por Judit del Burgo, Pepo Miño y Cristian Moreno.

Momento correcto en el sitio correcto

Watch the live broadcast from KEVL studios Friday nights at 8:30 PM CST on Twitch or watch the show anytime on YouTube.

True Metal Radio Show

Der Song-für-Song Podcast zum Album «Robin» von Chandro. Nach 8 Alben mit Fratelli-B und der Möchtegang, diversen Mixtapes, unzähligen Kollaborationen quer durch die Schweizer Musiklandschaft und hunderten Live-Konzerten ist Chandro alles andere als ein Newcomer – mit seinem Album Robin betritt er trotzdem erstmals als Solokünstler die Bühne.

Zwüsche de Zile

You're Listening To is a podcast that celebrates the art of the album. Join Michael Higgins each episode as he and guests listen to albums in real time. You can even hit play and listen along!

You're Listening To...

The pop music podcast reliving the UK Top 40 singles charts of the 2000s, one week at a time. Every week, culture writer Samuel Spencer relives the singles chart from that day 20 years ago. If you miss cutting out the posters and lyrics from Smash Hits in the 00s, this is the podcast for you. On The 2000s Chart Show, Y2K big hitters like Britney Spears, Beyonce, Christina Aguilera, Eminem, Jennifer Lopez, Robbie Williams, Shakira, Pink, Madonna, Kylie Minogue and Lady Gaga meet forgotten icons like Lisa Scott-Lee, Delta Goodrem, Rachel Stevens, The 411, Sonique and Samantha Mumba. If you loved '00s chart pop like S Club 7, Steps, Mis-Teeq, the solo Spice Girls, Liberty X, Girls Aloud, Sugababes, Blue and Natasha Bedingfield, you'll love this hilarious and informative podcast. Every episode has nostalgia, incredible noughties songs you haven't heard for years and tunes you forgot about for a good reason. Plus fun pop facts, forgotten moments from Top of the Pops and more! <hr /> Hosted on Acast. See <a target="_blank" href="https://acast.com/privacy">acast.com/privacy</a> for more information.

The pop music podcast reliving the UK Top 40 singles charts of the 2000s, one week at a time.Every week, culture writer Samuel Spencer relives the singles chart from that day 20 years ago. If you miss cutting out the posters and lyrics from Smash Hits in the 00s, this is the podcast for you.On The 2000s Chart Show, Y2K big hitters like Britney Spears, Beyonce, Christina Aguilera, Eminem, Jennifer Lopez, Robbie Williams, Shakira, Pink, Madonna, Kylie Minogue and Lady Gaga meet forgotten icons like Lisa Scott-Lee, Delta Goodrem, Rachel Stevens, The 411, Sonique and Samantha Mumba.If you loved '00s chart pop like S Club 7, Steps, Mis-Teeq, the solo Spice Girls, Liberty X, Girls Aloud, Sugababes, Blue and Natasha Bedingfield, you'll love this hilarious and informative podcast.Every episode has nostalgia, incredible noughties songs you haven't heard for years and tunes you forgot about for a good reason. Plus fun pop facts, forgotten moments from Top of the Pops and more! Hosted on Acast. See acast.com/privacy for more information.

The pop music podcast reliving the UK Top 40 singles charts of the 2000s, one week at a time. Every week, culture writer Samuel Spencer relives the singles chart from that day 20 years ago. If you miss cutting out the posters and lyrics from Smash Hits in the 00s, this is the podcast for you. On The 2000s Chart Show, Y2K big hitters like Britney Spears, Beyonce, Christina Aguilera, Eminem, Jennifer Lopez, Robbie Williams, Shakira, Pink, Madonna, Kylie Minogue and Lady Gaga meet forgotten icons like Lisa Scott-Lee, Delta Goodrem, Rachel Stevens, The 411, Sonique and Samantha Mumba. If you loved '00s chart pop like S Club 7, Steps, Mis-Teeq, the solo Spice Girls, Liberty X, Girls Aloud, Sugababes, Blue and Natasha Bedingfield, you'll love this hilarious and informative podcast. Every episode has nostalgia, incredible noughties songs you haven't heard for years and tunes you forgot about for a good reason. Plus fun pop facts, forgotten moments from Top of the Pops and more! Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

The 2000s Chart Show: A 00s Pop Music Podcast

Hola! この番組は人気のラテンミュージックを中心に、ラテンの文化やアーティスト、歌詞にまつわるスペイン語もちょこっと紹介しつつ、みんなでラテンパワー浴びて、今日も一日楽しくいこうぜ！という番組です。MCはスペイン留学経験者の Marika とラテンダンス好きな Katsu。

こんな人にオススメ！
📗 スペイン語を勉強中、または学びはじめたい！
🌏 ラテンの国々にちょっと興味あり
💃 Salsa / Bachata / Reggaetonなどのダンスでよく耳にするので歌詞がちょっと気になる
🎧 なにか新しいジャンルの音楽を掘りたい
🔥 ズンバ (Zumba) 的な音楽が好き！ 
🕶️ Super Bowl でバッドバニー (Bad Bunny)知ってなんかすごい気になってる

⭐️Lステで取り上げた曲が全部聴けちゃう！プレイリストはこちら
https://open.spotify.com/playlist/33KVwPaSI96QFtj2xgtnf1
📝 曲や歌手のリクエストや感想をいただけるととっても嬉しいです！
marikatsulstation@gmail.com
アンケートはこちら→https://qunivocalize.co1.qualtrics.com/jfe/form/SV_083vQJSCPCqmTCS

#音楽 #スペイン語 #歌詞解説

Hola! この番組は人気のラテンミュージックを中心に、ラテンの文化やアーティスト、歌詞にまつわるスペイン語もちょこっと紹介しつつ、みんなでラテンパワー浴びて、今日も一日楽しくいこうぜ！という番組です。MCはスペイン留学経験者の Marika とラテンダンス好きな Katsu。 こんな人にオススメ！ 📗 スペイン語を勉強中、または学びはじめたい！ 🌏 ラテンの国々にちょっと興味あり 💃 Salsa / Bachata / Reggaetonなどのダンスでよく耳にするので歌詞がちょっと気になる 🎧 なにか新しいジャンルの音楽を掘りたい 🔥 ズンバ (Zumba) 的な音楽が好き！ 🕶️ Super Bowl でバッドバニー (Bad Bunny)知ってなんかすごい気になってる ⭐️Lステで取り上げた曲が全部聴けちゃう！プレイリストはこちら https://open.spotify.com/playlist/33KVwPaSI96QFtj2xgtnf1 📝 曲や歌手のリクエストや感想をいただけるととっても嬉しいです！ marikatsulstation@gmail.com アンケートはこちら→https://qunivocalize.co1.qualtrics.com/jfe/form/SV_083vQJSCPCqmTCS #音楽 #スペイン語 #歌詞解説

Latin Music Station! ラテン音楽+スペイン語ゆる解説！ 🔥 【Lステ / ラテンミュージックステーション】

Retrouvez Maki aux platines pour un mix à thème éclectique !
Des années 60 à nos jours, découvrez des sélections surprenantes, ou familières, qui titillent nos souvenirs musicaux et ce que furent dans divers pays (Japon, Brésil, Afrique, Espagne, Italie, Angleterre…) les différentes tendances musicales : Pop, Rock, Punk, Soul, Easy Listening, Groove, Jerk… Le tout décliné en mixes SIXTEASE, SEVENTEASE, EIGHTEASE…

Sans oublier les célèbres mixes COVER SONGS composés de reprises aussi décalées que surprenantes de tubes Rock, Pop et Électro détournés de leur style musical d’origine…

Technique-Réalisation : Maki

Retrouvez Maki aux platines pour un mix à thème éclectique ! Des années 60 à nos jours, découvrez des sélections surprenantes, ou familières, qui titillent nos souvenirs musicaux et ce que furent dans divers pays (Japon, Brésil, Afrique, Espagne, Italie, Angleterre…) les différentes tendances musicales : Pop, Rock, Punk, Soul, Easy Listening, Groove, Jerk… Le tout décliné en mixes SIXTEASE, SEVENTEASE, EIGHTEASE… Sans oublier les célèbres mixes COVER SONGS composés de reprises aussi décalées que surprenantes de tubes Rock, Pop et Électro détournés de leur style musical d’origine… Technique-Réalisation : Maki

Tease-O-Rama - Maki

Laneway Music's podcast series featuring casual conversations with Vince (Laneway Music) and Rob (PhD in Music, Adelaide University)<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Laneway Music's podcast series featuring casual conversations with Vince (Laneway Music) and Rob (PhD in Music, Adelaide University) Hosted on Acast. See acast.com/privacy for more information.

Laneway Music's podcast series featuring casual conversations with Vince (Laneway Music) and Rob (PhD in Music, Adelaide University) Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Laneway Talks with Vince & Rob

Espaço musical do rock brasileiro de todas as épocas, destacando histórias e detalhes a respeito de cada artista, sempre com um olhar bem humorado e esclarecedor.

Rock Brazuca - USP

Letteralmente miti della musica, della cultura, della storia. Cantautori, Rocker e Performer, magari dalle vite piene e tumultuose, effimere o longeve, Musica parole e gesta di questi GIGANTI della Musica nazionale ed internazionale

Letteralmente miti della musica, della cultura, della storia. Cantautori, Rocker e Performer, magari dalle vite piene e tumultuose, effimere o longeve, Musica parole e gesta di questi GIGANTI della Musica nazionale ed internazionale

Letteralmente miti della musica, della cultura, della storia. Cantautori, Rocker e Performer, magari dalle vite piene e tumultuose, effimere o longeve, Musica parole e gesta di questi&nbsp;GIGANTI&nbsp;della Musica nazionale ed internazionale

GIGANTI DELLA MUSICA

Mitch en Yorick zijn met minder dan een schets of plan, in het podcast avontuur gestapt. Gesprekken en verhalen over en rondom de muziek, technisch geleuter over vinyl (en gear) en lekker geiten. Because girls wanna have fun!

the Hammock Podcast

R.A.P. - Real Ass Players Talk on Real Ass Things

Discovering Discographies is a podcast focused on examining different subjects in music. Join hosts Brandon and Trinity (and later Brandon Pointe) as they discuss a wide range of artists, albums, and music topics from all genres.

Discovering Discographies

Ever wondered how rap battles started? Or what makes a song hyperpop? How about the technique to do the perfect metal scream? From interviews, album reviews, and genre breakdowns join Maedream, an audio engineer and pop enthusiast on her journey to delve deeper into the world of music.

Ever wondered how rap battles started? Or what makes a song hyperpop? How about the technique to do the perfect metal scream? From interviews, album reviews, and genre breakdowns join Maedream, an audio engineer and pop enthusiast on her journey to delve deeper into the world of music.

Ear Candy

I AM MUSIC

Catch up with the latest on Books, Experiences, Food, Gaming, Movies, Music, TV, Tech and All That Entertains You! Hosted by Ace with MagicalLeeMe.

Catch up with the latest on Books, Experiences, Food, Gaming, Movies, Music, TV, Tech and All That Entertains You! Hosted by Ace with MagicalLeeMe.

All Cool Entertainment

Metal,hardcore and anything influential! Let’s talk about it. After the breakdown let’s GO!

After The Breakdown

MxD msc

EN ESTE PODCATS LA IDEA ES PRESENTARLES COTORREO ENTRE AMIGOS Y QUE COMPARTAN SUS EXPERIENCIAS DE SU VIDA EN DIFERENTES ASPECTOS.

DOS LOCOS UN PODCASTS

This comprehensive article delves into the life and career of country music sensation Morgan Wallen, tracing his path from humble beginnings in Tennessee to becoming one of the genre's biggest stars. It examines his musical successes, including his hit albums "If I Know Me" and "Dangerous," as well as the controversies that have plagued him, such as his arrests and the backlash following his use of a racial slur. The article explores the complexities of fame, redemption, and the challenges facing the country music industry today. This show includes AI-generated content.

This comprehensive article delves into the life and career of country music sensation Morgan Wallen, tracing his path from humble beginnings in Tennessee to becoming one of the genre's biggest stars. It examines his musical successes, including his hit albums "If I Know Me" and "Dangerous," as well as the controversies that have plagued him, such as his arrests and the backlash following his use of a racial slur. The article explores the complexities of fame, redemption, and the challenges facing the country music industry today.This show includes AI-generated content.

This comprehensive article delves into the life and career of country music sensation Morgan Wallen, tracing his path from humble beginnings in Tennessee to becoming one of the genre's biggest stars. It examines his musical successes, including his hit albums "If I Know Me" and "Dangerous," as well as the controversies that have plagued him, such as his arrests and the backlash following his use of a racial slur. The article explores the complexities of fame, redemption, and the challenges facing the country music industry today. This show includes AI-generated content.

Morgan Wallen - Audio Biography

gotosleeeeeep

BSR "Bardo Street Radio"

Discussing the music and musings of David Cloud Berman while working through grief, loss and mental wellness; one week at a time.

Discussing the music and musings of David Cloud Berman while working through grief, loss and mental wellness; one week at a time.

The Berman Project

Radio Tropical de Baradero

Before beloved singer and actor Burl Icle Ivanhoe Ives enchanted audiences worldwide with his warm, gritty voice, he traveled a long road that seemed unlikely to lead to stardom. Born in rural Hunt City, Illinois in 1909, Ives entered the world in humble circumstances that offered little hint of the prestigious performing career to come. As a member of a poor farming family, young Burl grew up toiling away on grueling tasks meant to supplement the meager family income. This arduous manual labor constituted his childhood education more than any formal schooling. However, Ives blossomed into a spirited boy whose jovial personality and musical inclination distinguished him. Music and Storytelling – A Childhood Passion From a young age, Ives found solace and escape in old folk ballads and country singalongs. He would listen intently to tunes floating from front porches in his traveling youth, fascinated by the way melodies preserved people’s stories. By age 14, Ives had picked up the banjo and guitar, demonstrating prodigal talent. As a wandering teenager searching for work during the Depression era, he discovered public performance to be a potent panacea for the bitterness of poverty and grueling physical jobs. When not toiling away on farms or in factories, Ives immersed himself in the rhythms and narratives of traditional American folk music. He realized such culturally rich songs granted him access to a heritage that stretched long before him. Ives also relished opportunities to inject humor or personalized flourishes into well-known standards for live audiences. Playing songs in his soulful, resonant baritone for spare change or passing trains helped Ives endure an often lonely, transient young adulthood. Big Breaks in New York City Theater By the late 1930s, the 20-something Ives had decided to pursue music professionally rather than as a hobby during seasonal employment. He moved to New York City and quickly earned notice in Greenwich Village folk circles, getting pegged as a rising “young balladeer.” This reputation scored him an invite to perform on WNYC radio in 1937. His rich voice and emotional delivery dazzled sophisticated city audiences, with one New York Times writer declaring him “the best ballad singer in America.” Ives soon found his breakout opportunity on the Great White Way itself when he was cast as a lead in the smash 1940 Broadway musical The Boys From Syracuse. His theater debut landed with resounding success, showcasing abilities to impart warmth and humanity through song. Rave reviews specifically cited Ives’ uncommon talents at story-song interpretation as something new and wonderful. Such acclaim earned him both a largerg platform for concerts and radio work, plus more Broadway productions thirsty for his magnetic, singular presence. By 1945, Ives had starred in productions like Sing Out, Sweet Land! and appeared on NBC radio programs that introduced him to millions of Americans. That year also marked his first studio album, The Wayfaring Stranger, considered a seminal entry in popularizing traditional folk for wider audiences. As Ives’ star rose in theater and music fame spread nationally, it became clear a barnstorming style crystallized in ragged 1930s living conditioned him uniquely to convey the simplest hopes and sorrows within America’s heritage. Scene-Stealing Film Roles Parallel to conquering Broadway stages with uncommon authenticity and earning a recording contract, Ives also contributed memorable early supporting appearances in Hollywood movies. Directors recognized his weathered voice, towering frame and sly charisma made him ideal for sage cowboys, no-nonsense cops or eccentric country bumpkins. In films spanning the 1940s like Smoky(1946) and Alias Jesse James (1959), Ives crafted scene-stealing moments around refrains of iconic songs like “Blue Tail Fly.” Yet Ives’ most legendary Hollywood hour came when he brought Southern patriarch Big Daddy Pollitt's bristling, tragicomic life opposite Paul Newman in 1958 Best Picture winner Cat on a Hot Tin Roof. As the tough, dying plantation owner Big Daddy, Ives earned effusive raves, an Academy Award for Best Supporting Actor, and saturation in the public imagination. In the years following, Ives rounded out his triple-threat entertainer status as a reliable film character actor by releasing hit records like “A Little Bitty Tear” and “Funny Way of Laughin’” which consolidated his radio fame into top chart visibility. Reinventing with the Times As the 1960s unfolded with flashier rock, Motown and British pop trends shoveling folk aside in mainstream music consciousness, Ives adeptly refined his sound and performance outlets to avoid fading away. He translated signature tunes into gently modernized arrangements while dabbling in spoken word story-songs like the smash “A Holly Jolly Christmas.” Simultaneously, Ives prioritized connecting with young audiences by acting in Disney films and network TV. Though Ives presented a non-controversial image publicly, he also aligned himself with the era’s counter-cultural impulse for personal expression in more subtle ways. His records would mix traditional with modern message tunes like “In the Summer of His Years,” released after Martin Luther King Jr’s assassination. And Ives lent narration to a classic counterculture film, 1962’s Monterey Pop Festival documentary. As the 1960s closed out, Ives gracefully transitioned into an elder statesman role that balanced mainstream TV appearances and even product endorsements with bold touches of social commentary. Later Life in Film and Music As he entered his 60s and 70s, Ives chiefly committed his talents to the mediums that initially popularized him - film, theater, and story-song records. He earned recognition for induction into the Country Music Hall of Fame and starred in carried Broadway revivals of allegorical plays like Knickerbocker Holiday. Meanwhile, on screens, Ives transitioned fluidly into heartwarming character roles as grandfatherly doctors, judges or wizened mentors in wholesome comedies. By his late years, Ives had accumulated an astonishing 300+ acting credits. Even amidst his final decade working constantly in network TV and family films, Ives also periodically revisited musical projects that highlighted underrated aspects of his legacy. In key albums from the 1970s and 80s like America Sings of Heroes &amp; Home, he got to further showcase himself as not just an interpreter carrying centuries of ballads forward, but also a distinctive songwriter penning poetic originals about the nation he crisscrossed. Just weeks before his death in 1995 at age 85, Ives even recorded what became a posthumous Grammy-winning gospel album called The Lord is My Shepherd, reaffirming his love of spiritual hymns. Across an incredible six-decade career traversing every facet of entertainment during periods of immense cultural change, Ives ultimately poured the hard-won wisdom of a transient early life spent connecting America’s communities into a matchless creative legacy spanning from Tony Awards to beloved film roles to classical records keeping folk traditions alive. While granted less flashy fame compared to musical contemporaries like Frank Sinatra and Elvis Presley, Ives earned arguably peerless admiration as a masterful vessel through which diverse generations experienced the profound weight of history within humble, uplifting American songcraft. Thanks for listening to Quiet Please. Remember to like and share wherever you get your podcasts. This show includes AI-generated content.

Before beloved singer and actor Burl Icle Ivanhoe Ives enchanted audiences worldwide with his warm, gritty voice, he traveled a long road that seemed unlikely to lead to stardom. Born in rural Hunt City, Illinois in 1909, Ives entered the world in humble circumstances that offered little hint of the prestigious performing career to come. As a member of a poor farming family, young Burl grew up toiling away on grueling tasks meant to supplement the meager family income. This arduous manual labor constituted his childhood education more than any formal schooling. However, Ives blossomed into a spirited boy whose jovial personality and musical inclination distinguished him. Music and Storytelling – A Childhood Passion From a young age, Ives found solace and escape in old folk ballads and country singalongs. He would listen intently to tunes floating from front porches in his traveling youth, fascinated by the way melodies preserved people’s stories. By age 14, Ives had picked up the banjo and guitar, demonstrating prodigal talent. As a wandering teenager searching for work during the Depression era, he discovered public performance to be a potent panacea for the bitterness of poverty and grueling physical jobs. When not toiling away on farms or in factories, Ives immersed himself in the rhythms and narratives of traditional American folk music. He realized such culturally rich songs granted him access to a heritage that stretched long before him. Ives also relished opportunities to inject humor or personalized flourishes into well-known standards for live audiences. Playing songs in his soulful, resonant baritone for spare change or passing trains helped Ives endure an often lonely, transient young adulthood. Big Breaks in New York City Theater By the late 1930s, the 20-something Ives had decided to pursue music professionally rather than as a hobby during seasonal employment. He moved to New York City and quickly earned notice in Greenwich Village folk circles, getting pegged as a rising “young balladeer.” This reputation scored him an invite to perform on WNYC radio in 1937. His rich voice and emotional delivery dazzled sophisticated city audiences, with one New York Times writer declaring him “the best ballad singer in America.” Ives soon found his breakout opportunity on the Great White Way itself when he was cast as a lead in the smash 1940 Broadway musical The Boys From Syracuse. His theater debut landed with resounding success, showcasing abilities to impart warmth and humanity through song. Rave reviews specifically cited Ives’ uncommon talents at story-song interpretation as something new and wonderful. Such acclaim earned him both a largerg platform for concerts and radio work, plus more Broadway productions thirsty for his magnetic, singular presence. By 1945, Ives had starred in productions like Sing Out, Sweet Land! and appeared on NBC radio programs that introduced him to millions of Americans. That year also marked his first studio album, The Wayfaring Stranger, considered a seminal entry in popularizing traditional folk for wider audiences. As Ives’ star rose in theater and music fame spread nationally, it became clear a barnstorming style crystallized in ragged 1930s living conditioned him uniquely to convey the simplest hopes and sorrows within America’s heritage. Scene-Stealing Film Roles Parallel to conquering Broadway stages with uncommon authenticity and earning a recording contract, Ives also contributed memorable early supporting appearances in Hollywood movies. Directors recognized his weathered voice, towering frame and sly charisma made him ideal for sage cowboys, no-nonsense cops or eccentric country bumpkins. In films spanning the 1940s like Smoky(1946) and Alias Jesse James (1959), Ives crafted scene-stealing moments around refrains of iconic songs like “Blue Tail Fly.” Yet Ives’ most legendary Hollywood hour came when he brought Southern patriarch Big Daddy Pollitt's bristling, tragicomic life opposite Paul Newman in 1958 Best Picture winner Cat on a Hot Tin Roof. As the tough, dying plantation owner Big Daddy, Ives earned effusive raves, an Academy Award for Best Supporting Actor, and saturation in the public imagination. In the years following, Ives rounded out his triple-threat entertainer status as a reliable film character actor by releasing hit records like “A Little Bitty Tear” and “Funny Way of Laughin’” which consolidated his radio fame into top chart visibility. Reinventing with the Times As the 1960s unfolded with flashier rock, Motown and British pop trends shoveling folk aside in mainstream music consciousness, Ives adeptly refined his sound and performance outlets to avoid fading away. He translated signature tunes into gently modernized arrangements while dabbling in spoken word story-songs like the smash “A Holly Jolly Christmas.” Simultaneously, Ives prioritized connecting with young audiences by acting in Disney films and network TV. Though Ives presented a non-controversial image publicly, he also aligned himself with the era’s counter-cultural impulse for personal expression in more subtle ways. His records would mix traditional with modern message tunes like “In the Summer of His Years,” released after Martin Luther King Jr’s assassination. And Ives lent narration to a classic counterculture film, 1962’s Monterey Pop Festival documentary. As the 1960s closed out, Ives gracefully transitioned into an elder statesman role that balanced mainstream TV appearances and even product endorsements with bold touches of social commentary. Later Life in Film and Music As he entered his 60s and 70s, Ives chiefly committed his talents to the mediums that initially popularized him - film, theater, and story-song records. He earned recognition for induction into the Country Music Hall of Fame and starred in carried Broadway revivals of allegorical plays like Knickerbocker Holiday. Meanwhile, on screens, Ives transitioned fluidly into heartwarming character roles as grandfatherly doctors, judges or wizened mentors in wholesome comedies. By his late years, Ives had accumulated an astonishing 300+ acting credits. Even amidst his final decade working constantly in network TV and family films, Ives also periodically revisited musical projects that highlighted underrated aspects of his legacy. In key albums from the 1970s and 80s like America Sings of Heroes & Home, he got to further showcase himself as not just an interpreter carrying centuries of ballads forward, but also a distinctive songwriter penning poetic originals about the nation he crisscrossed. Just weeks before his death in 1995 at age 85, Ives even recorded what became a posthumous Grammy-winning gospel album called The Lord is My Shepherd, reaffirming his love of spiritual hymns. Across an incredible six-decade career traversing every facet of entertainment during periods of immense cultural change, Ives ultimately poured the hard-won wisdom of a transient early life spent connecting America’s communities into a matchless creative legacy spanning from Tony Awards to beloved film roles to classical records keeping folk traditions alive. While granted less flashy fame compared to musical contemporaries like Frank Sinatra and Elvis Presley, Ives earned arguably peerless admiration as a masterful vessel through which diverse generations experienced the profound weight of history within humble, uplifting American songcraft. Thanks for listening to Quiet Please. Remember to like and share wherever you get your podcasts.This show includes AI-generated content.

Before beloved singer and actor Burl Icle Ivanhoe Ives enchanted audiences worldwide with his warm, gritty voice, he traveled a long road that seemed unlikely to lead to stardom. Born in rural Hunt City, Illinois in 1909, Ives entered the world in humble circumstances that offered little hint of the prestigious performing career to come. As a member of a poor farming family, young Burl grew up toiling away on grueling tasks meant to supplement the meager family income. This arduous manual labor constituted his childhood education more than any formal schooling. However, Ives blossomed into a spirited boy whose jovial personality and musical inclination distinguished him. Music and Storytelling – A Childhood Passion From a young age, Ives found solace and escape in old folk ballads and country singalongs. He would listen intently to tunes floating from front porches in his traveling youth, fascinated by the way melodies preserved people’s stories. By age 14, Ives had picked up the banjo and guitar, demonstrating prodigal talent. As a wandering teenager searching for work during the Depression era, he discovered public performance to be a potent panacea for the bitterness of poverty and grueling physical jobs. When not toiling away on farms or in factories, Ives immersed himself in the rhythms and narratives of traditional American folk music. He realized such culturally rich songs granted him access to a heritage that stretched long before him. Ives also relished opportunities to inject humor or personalized flourishes into well-known standards for live audiences. Playing songs in his soulful, resonant baritone for spare change or passing trains helped Ives endure an often lonely, transient young adulthood. Big Breaks in New York City Theater By the late 1930s, the 20-something Ives had decided to pursue music professionally rather than as a hobby during seasonal employment. He moved to New York City and quickly earned notice in Greenwich Village folk circles, getting pegged as a rising “young balladeer.” This reputation scored him an invite to perform on WNYC radio in 1937. His rich voice and emotional delivery dazzled sophisticated city audiences, with one New York Times writer declaring him “the best ballad singer in America.” Ives soon found his breakout opportunity on the Great White Way itself when he was cast as a lead in the smash 1940 Broadway musical The Boys From Syracuse. His theater debut landed with resounding success, showcasing abilities to impart warmth and humanity through song. Rave reviews specifically cited Ives’ uncommon talents at story-song interpretation as something new and wonderful. Such acclaim earned him both a largerg platform for concerts and radio work, plus more Broadway productions thirsty for his magnetic, singular presence. By 1945, Ives had starred in productions like Sing Out, Sweet Land! and appeared on NBC radio programs that introduced him to millions of Americans. That year also marked his first studio album, The Wayfaring Stranger, considered a seminal entry in popularizing traditional folk for wider audiences. As Ives’ star rose in theater and music fame spread nationally, it became clear a barnstorming style crystallized in ragged 1930s living conditioned him uniquely to convey the simplest hopes and sorrows within America’s heritage. Scene-Stealing Film Roles Parallel to conquering Broadway stages with uncommon authenticity and earning a recording contract, Ives also contributed memorable early supporting appearances in Hollywood movies. Directors recognized his weathered voice, towering frame and sly charisma made him ideal for sage cowboys, no-nonsense cops or eccentric country bumpkins. In films spanning the 1940s like Smoky(1946) and Alias Jesse James (1959), Ives crafted scene-stealing moments around refrains of iconic songs like “Blue Tail Fly.” Yet Ives’ most legendary Hollywood hour came when he brought Southern patriarch Big Daddy Pollitt's bristling, tragicomic life opposite Paul Newman in 1958 Best Picture winner Cat on a Hot Tin Roof. As the tough, dying plantation owner Big Daddy, Ives earned effusive raves, an Academy Award for Best Supporting Actor, and saturation in the public imagination. In the years following, Ives rounded out his triple-threat entertainer status as a reliable film character actor by releasing hit records like “A Little Bitty Tear” and “Funny Way of Laughin’” which consolidated his radio fame into top chart visibility. Reinventing with the Times As the 1960s unfolded with flashier rock, Motown and British pop trends shoveling folk aside in mainstream music consciousness, Ives adeptly refined his sound and performance outlets to avoid fading away. He translated signature tunes into gently modernized arrangements while dabbling in spoken word story-songs like the smash “A Holly Jolly Christmas.” Simultaneously, Ives prioritized connecting with young audiences by acting in Disney films and network TV. Though Ives presented a non-controversial image publicly, he also aligned himself with the era’s counter-cultural impulse for personal expression in more subtle ways. His records would mix traditional with modern message tunes like “In the Summer of His Years,” released after Martin Luther King Jr’s assassination. And Ives lent narration to a classic counterculture film, 1962’s Monterey Pop Festival documentary. As the 1960s closed out, Ives gracefully transitioned into an elder statesman role that balanced mainstream TV appearances and even product endorsements with bold touches of social commentary. Later Life in Film and Music As he entered his 60s and 70s, Ives chiefly committed his talents to the mediums that initially popularized him - film, theater, and story-song records. He earned recognition for induction into the Country Music Hall of Fame and starred in carried Broadway revivals of allegorical plays like Knickerbocker Holiday. Meanwhile, on screens, Ives transitioned fluidly into heartwarming character roles as grandfatherly doctors, judges or wizened mentors in wholesome comedies. By his late years, Ives had accumulated an astonishing 300+ acting credits. Even amidst his final decade working constantly in network TV and family films, Ives also periodically revisited musical projects that highlighted underrated aspects of his legacy. In key albums from the 1970s and 80s like America Sings of Heroes &amp; Home, he got to further showcase himself as not just an interpreter carrying centuries of ballads forward, but also a distinctive songwriter penning poetic originals about the nation he crisscrossed. Just weeks before his death in 1995 at age 85, Ives even recorded what became a posthumous Grammy-winning gospel album called The Lord is My Shepherd, reaffirming his love of spiritual hymns. Across an incredible six-decade career traversing every facet of entertainment during periods of immense cultural change, Ives ultimately poured the hard-won wisdom of a transient early life spent connecting America’s communities into a matchless creative legacy spanning from Tony Awards to beloved film roles to classical records keeping folk traditions alive. While granted less flashy fame compared to musical contemporaries like Frank Sinatra and Elvis Presley, Ives earned arguably peerless admiration as a masterful vessel through which diverse generations experienced the profound weight of history within humble, uplifting American songcraft. Thanks for listening to Quiet Please. Remember to like and share wherever you get your podcasts. This show includes AI-generated content.

Burl Ives - Audio Biography

@MAE playing an exclusive DJ set from the shores of Lake Iseo, in the north of Italy, for Earworm. 45° 41′ N 10° 06′ E

@MAE playing an exclusive DJ set from the shores of Lake Iseo, in the north of Italy, for Earworm. 45° 41′ N 10° 06′ E

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