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Les podcasts de Graffiti Urban Radio

Music, food , travel and culture commentary

Hood Picks

Our listeners are looking back into rock history and are not sure about what albums are good and which ones are not. We present a quick yearly analysis on the music of the past, calling out the must haves for any rock collector. We cover everything from Jim Croce to Black Sabbath, Iggy Pop and Johnny Cash. There is a huge amount of music out there and we will help sort through it.

Rock Turntable

A new show by award-winning producers (British Podcast Awards, Webby & Lovie Awards) raging against the kid music machine that is a "fab music show" (The Guardian),  "really inventive & innovative stuff" (BBC Radio).
 Parents, don't lose your cool. We're your Fairy God DJs here to bring the magic of real music back into life, teach kids about inspiring artists and save your soul. 

 If it takes a village, think of us like the best pub in town. JOIN US.  www.bipbopboom.live/join

A new show by award-winning producers (British Podcast Awards, Webby & Lovie Awards) raging against the kid music machine that is a "fab music show" (The Guardian), "really inventive & innovative stuff" (BBC Radio). Parents, don't lose your cool. We're your Fairy God DJs here to bring the magic of real music back into life, teach kids about inspiring artists and save your soul. If it takes a village, think of us like the best pub in town. JOIN US. www.bipbopboom.live/join

A new show by award-winning producers (British Podcast Awards, Webby &amp; Lovie Awards) raging against the kid music machine that is a "fab music show" (The Guardian),  "really inventive &amp; innovative stuff" (BBC Radio).
 Parents, don't lose your cool. We're your Fairy God DJs here to bring the magic of real music back into life, teach kids about inspiring artists and save your soul. 

 If it takes a village, think of us like the best pub in town. JOIN US.  www.bipbopboom.live/join

BIP BOP BOOM. PIRATE RADIO FOR PARENTS.

My Podcast is All About Interesting Facts About songs,with songs included

Thiyaga's Paattu Cast

อานันท์ นาคคง ศิลปินศิลปาธร ชวนฟังดนตรีไทย เล่าเรื่องราวของเพลงแต่ละเพลงอย่างผู้รู้จริง

เพลงดีศรีสยาม

Zona Pop con Jason Reyes

Bienvenidos a mi Zona Pop mi nuevo podcast te invito a escuchar algunas de mis anecdotas y experiencias diarias totalmente sin censura.

Me gusta ser libre y decir las cosas son sin rodeos, estoy abierto a hablar sobre cualquier tema que me pidan no me asusto, atrevanse que juntos conoceremos temas de interes comun.

Sigueme en mis redes sociales
FB Facebook.com/Jordreys92
TW Twitter.com/Jordreys92
IG Instagram.com/Jordreys92
SN Snapchat.com/Jordreys92

Zona Pop con Jason Reyes Bienvenidos a mi Zona Pop mi nuevo podcast te invito a escuchar algunas de mis anecdotas y experiencias diarias totalmente sin censura. Me gusta ser libre y decir las cosas son sin rodeos, estoy abierto a hablar sobre cualquier tema que me pidan no me asusto, atrevanse que juntos conoceremos temas de interes comun. Sigueme en mis redes sociales FB Facebook.com/Jordreys92 TW Twitter.com/Jordreys92 IG Instagram.com/Jordreys92 SN Snapchat.com/Jordreys92

Randow

Music and discussion about Beethoven celebrating his 250th birthday. Hosted by David Aus with Rei Hotoda of the Fresno Philharmonic

Beethoven: Crisis and Creativity

Dietro i freddi numeri delle classifiche c’è un mondo tutto da scoprire. Analizzando le top charts dei singoli e degli album italiani e mondiali, Paolo Madeddu e Nerone ci spiegheranno quali sono i trend e gli artisti che ogni settimana dominano il mercato musicale.

Dietro i freddi numeri delle classifiche c’è un mondo tutto da scoprire. Analizzando le top charts dei singoli e degli album italiani e mondiali, Paolo Madeddu e Nerone ci spiegheranno quali sono i trend e gli artisti che ogni settimana dominano il mercato musicale.

TheClassifica

Vamos relembrar 6 sambas-enredo que desfilaram no Carnaval paulistano e que não foram campeões, mas que marcou na memória do sambista, das agremiações e do carnaval.

Curta esse podcast e compartilhe nas suas redes. E claro, curta nossas redes sociais @saspcarnaval.

Vamos relembrar 6 sambas-enredo que desfilaram no Carnaval paulistano e que não foram campeões, mas que marcou na memória do sambista, das agremiações e do carnaval. Curta esse podcast e compartilhe nas suas redes. E claro, curta nossas redes sociais @saspcarnaval.

Marcou...mas não levou.

Warning Listeners!! I do not harass provoke or intimidate any persons or people on my podcast. The things I say are my opinion’s please dont come for me on my social saying im a hater or other ridiculous comments. I love doing what I do best and that’s talking to who ever is hearing me. Thank You And Enjoy My Fucking Podcast. With Much Love ❤️

Music Media

Sejam muito bem-vindos!
Este espaço trata-se de música, mais precisamente Metal e suas vertentes em geral . contando com a possibilidade de divulgar e falar sobre o mundo do underground em nosso país !!

Sejam muito bem-vindos! Este espaço trata-se de música, mais precisamente Metal e suas vertentes em geral . contando com a possibilidade de divulgar e falar sobre o mundo do underground em nosso país !!

Underground Podcast

T town💯

zoned out

Two friends and more come together to discuss the music that makes them feel better in these trying times via dice rolls.

Trivial Merit

This is a story of women that got drinking problem and she realized too stop later on in her life but alwyas trying found away out the Alcohol life /…

The king of Egypt

Ben je net als de leden van Het Kollektief ook zo'n muziekfanaat of wil je iets meer te weten komen over het onderwerp? Dan ben je zeker op de juiste plek. Hier praten Isaak, Miel en Pepijn in een informele setting over een verscheidenheid aan interessante, muzikale thema's; ook wordt er gezorgd voor een zee aan boeiende onderwerpen en ongeweten feiten.

Het Kollektief Podcast

Wat krijg je als je de zanger van Psychonaut en de bassist van Brutus uit hun tourbus haalt en samen achter de microfoon zet? Zware klap. Thomas Michiels en Peter Mulders klappen zich samen met twee bekende liefhebbers door een maand vol zware gitaren. Welke bands laten van zich horen? Welke concerten kunnen niet ontbreken in je agenda? Welke releases knallen binnenkort door je boxen? Luister mee voor een blik vooruit en achter de schermen.

Zware klap

Looking for a mellow, melodic podcast to help you relax with your morning coffee? Look no further than the Chill Vibes podcast! Every episode is a curated selection of chill tunes, perfect for starting your day off right. 

"Coffee Break" podcasts are being created on a weekly basis by Skkrt Steak and 8-Ball Lahl.

Looking for a mellow, melodic podcast to help you relax with your morning coffee? Look no further than the Chill Vibes podcast! Every episode is a curated selection of chill tunes, perfect for starting your day off right. "Coffee Break" podcasts are being created on a weekly basis by Skkrt Steak and 8-Ball Lahl.

Coffee Break Radio

Since its inception in 2012, Darklight Sessions has earned critical acclaim and a devoted global following of house heads. Now, Fedde Le Grand elevates your listening experience with his weekly show that pushes the boundaries of house music. Every week, each episode features Fedde’s freshest releases, hottest mashups and exclusive first listens from tracks around the world. With his expert curation and unparalleled energy, Darklight Sessions brings dimly lit dancefloor anthems and vibrant festival vibes straight to your airwaves. Tune in weekly and immerse yourself in the phenomenon that has been igniting dance floors for 12 years and counting. New episodes of Darklight Sessions drop every Monday

Since its inception in 2012, Darklight Sessions has earned critical acclaim and a devoted global following of house heads. Now, Fedde Le Grand elevates your listening experience with his weekly show that pushes the boundaries of house music. Every week, each episode features Fedde’s freshest releases, hottest mashups and exclusive first listens from tracks around the world. With his expert curation and unparalleled energy, Darklight Sessions brings dimly lit dancefloor anthems and vibrant festival vibes straight to your airwaves. Tune in weekly and immerse yourself in the phenomenon that has been igniting dance floors for 12 years and counting. New episodes of Darklight Sessions drop every Monday

Fedde Le Grand - Darklight Sessions

DOPAMINA (Hip Hop Selection) in onda ogni martedì dalle 20:00 alle 21:00 su Radio Città Fujiko 103.1 FM<ul><li>Streaming: <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.radiocittafujiko.it/radiocittafujiko-onair/">https://www.radiocittafujiko.it/radiocittafujiko-onair/</a></li><li>Facebook: <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.facebook.com/dopaminaonair">https://www.facebook.com/dopaminaonair</a></li><li>Instagram: <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/dopaminaonair/">https://www.instagram.com/dopaminaonair/</a></li></ul>This is Dopamina!

DOPAMINA (Hip Hop Selection) in onda ogni martedì dalle 20:00 alle 21:00 su Radio Città Fujiko 103.1 FM Streaming: https://www.radiocittafujiko.it/radiocittafujiko-onair/Facebook: https://www.facebook.com/dopaminaonairInstagram: https://www.instagram.com/dopaminaonair/ This is Dopamina!

DOPAMINA (Hip Hop Selection) in onda ogni martedì dalle 20:00 alle 21:00 su Radio Città Fujiko 103.1 FM<ul><li>Streaming: <a href="https://www.radiocittafujiko.it/radiocittafujiko-onair/" rel="noopener noreferrer">https://www.radiocittafujiko.it/radiocittafujiko-onair/</a></li><li>Facebook: <a href="https://www.facebook.com/dopaminaonair" rel="noopener noreferrer">https://www.facebook.com/dopaminaonair</a></li><li>Instagram: <a href="https://www.instagram.com/dopaminaonair/" rel="noopener noreferrer">https://www.instagram.com/dopaminaonair/</a></li></ul>This is Dopamina!

Dopamina

The chloehuanng's Podcast

Annick en Ihsane nemen je mee op een nostalgietrip naar de topjaren van de popmuziek: de 90s en 00s, en delen de leukste weetjes, de verhalen over de bands, nummers en liedteksten uit dit gouden tijdperk. Van all time classics tot vergeten parels!

Baby one more time

Epic Albums reviews the albums that define the history of popular music from the 1960s through today. Hosts Mike Gemma and Greg Potter provide the history and their personal reviews of the best, and sometimes the worst, songs from all of the classic albums that matter.

Epic Albums

Die Achtziger waren nicht so schrecklich, wie es in den von Oliver Geissen moderierten typischen Achtziger-Shows dargestellt wird, wo Atze Schröder und Ingolf Lück in Netzhemden mit VokuHiLa-Dauerwellen-Perücken sitzen, den Zauberwürfel feiern und von Nena, Opus, Bon Jovi, Modern Talking oder Michael Jackson schwärmen. Da bekomme ich Schnappatmung.

Ich stehe eher auf das Schwarzlicht in Nebelschwaden, schwarze Klamotten oder schrill geschminkte New Romantics im Neonlicht. Das Düstere und Kalte, was die Post-Punk-Ära ausmacht und durch den Einsatz von Synthies vertont wird. Teilweise schon depressiv, aber fast immer zumindest melancholisch. Das sind meine Achtziger. 

Vor allem musikalisch war es ein extrem innovatives Jahrzehnt. Dieses Bild würde ich gerne gerade rücken, indem ich euch von meiner persönlichen Entdeckung der Musik in den Achtzigern erzähle. Also von meiner eigenen und sehr subjektiven Musikwelt. Oder besser den Musikwelten, denn es gibt mehrere musikalische Welten der Achtziger zu entdecken. Da wären zum Beispiel die New Wave, Punk, New Romantic und Synthpop-Szene, der auch ich angehörte. Ebenso gibt es aber auch die echte „Neue Deutsche Welle“, jenseits von Nena, Markus und Hubert Kah oder auch die schräge Welt des Industrial & EBM. Ich werde auch von Indie-Labels (z.B. Mute, Factory, ZTT), dem Einfluss von Produzenten (z.B. Stephen Hague, Trevor Horn, Daniel Miller, Mike Howlett, Zeus B. Held oder Conny Plank) und den Verbindungen vieler Künstler erzählen. Ehrlich gesagt fangen meine Achtziger allerdings schon 1977 an, als Punk quasi als Strohfeuer verpuffte und aus deren Asche Bands wie Ultravox, Gary Numan, Blondie, Human League, The Cure oder Joy Division entstanden.

Die Achtziger waren nicht so schrecklich, wie es in den von Oliver Geissen moderierten typischen Achtziger-Shows dargestellt wird, wo Atze Schröder und Ingolf Lück in Netzhemden mit VokuHiLa-Dauerwellen-Perücken sitzen, den Zauberwürfel feiern und von Nena, Opus, Bon Jovi, Modern Talking oder Michael Jackson schwärmen. Da bekomme ich Schnappatmung. Ich stehe eher auf das Schwarzlicht in Nebelschwaden, schwarze Klamotten oder schrill geschminkte New Romantics im Neonlicht. Das Düstere und Kalte, was die Post-Punk-Ära ausmacht und durch den Einsatz von Synthies vertont wird. Teilweise schon depressiv, aber fast immer zumindest melancholisch. Das sind meine Achtziger. Vor allem musikalisch war es ein extrem innovatives Jahrzehnt. Dieses Bild würde ich gerne gerade rücken, indem ich euch von meiner persönlichen Entdeckung der Musik in den Achtzigern erzähle. Also von meiner eigenen und sehr subjektiven Musikwelt. Oder besser den Musikwelten, denn es gibt mehrere musikalische Welten der Achtziger zu entdecken. Da wären zum Beispiel die New Wave, Punk, New Romantic und Synthpop-Szene, der auch ich angehörte. Ebenso gibt es aber auch die echte „Neue Deutsche Welle“, jenseits von Nena, Markus und Hubert Kah oder auch die schräge Welt des Industrial & EBM. Ich werde auch von Indie-Labels (z.B. Mute, Factory, ZTT), dem Einfluss von Produzenten (z.B. Stephen Hague, Trevor Horn, Daniel Miller, Mike Howlett, Zeus B. Held oder Conny Plank) und den Verbindungen vieler Künstler erzählen. Ehrlich gesagt fangen meine Achtziger allerdings schon 1977 an, als Punk quasi als Strohfeuer verpuffte und aus deren Asche Bands wie Ultravox, Gary Numan, Blondie, Human League, The Cure oder Joy Division entstanden.

Die Achtziger waren nicht so schrecklich, wie es in den von Oliver Geissen moderierten typischen Achtziger-Shows dargestellt wird, wo Atze Schröder und Ingolf Lück in Netzhemden mit VokuHiLa-Dauerwellen-Perücken sitzen, den Zauberwürfel feiern und von Nena, Opus, Bon Jovi, Modern Talking oder Michael Jackson schwärmen. Da bekomme ich Schnappatmung.

Ich stehe eher auf das Schwarzlicht in Nebelschwaden, schwarze Klamotten oder schrill geschminkte New Romantics im Neonlicht. Das Düstere und Kalte, was die Post-Punk-Ära ausmacht und durch den Einsatz von Synthies vertont wird. Teilweise schon depressiv, aber fast immer zumindest melancholisch. Das sind meine Achtziger. 

Vor allem musikalisch war es ein extrem innovatives Jahrzehnt. Dieses Bild würde ich gerne gerade rücken, indem ich euch von meiner persönlichen Entdeckung der Musik in den Achtzigern erzähle. Also von meiner eigenen und sehr subjektiven Musikwelt. Oder besser den Musikwelten, denn es gibt mehrere musikalische Welten der Achtziger zu entdecken. Da wären zum Beispiel die New Wave, Punk, New Romantic und Synthpop-Szene, der auch ich angehörte. Ebenso gibt es aber auch die echte „Neue Deutsche Welle“, jenseits von Nena, Markus und Hubert Kah oder auch die schräge Welt des Industrial &amp; EBM. Ich werde auch von Indie-Labels (z.B. Mute, Factory, ZTT), dem Einfluss von Produzenten (z.B. Stephen Hague, Trevor Horn, Daniel Miller, Mike Howlett, Zeus B. Held oder Conny Plank) und den Verbindungen vieler Künstler erzählen. Ehrlich gesagt fangen meine Achtziger allerdings schon 1977 an, als Punk quasi als Strohfeuer verpuffte und aus deren Asche Bands wie Ultravox, Gary Numan, Blondie, Human League, The Cure oder Joy Division entstanden.

Elekthromas' Musikwelten

If it makes you bang your head, we'll talk about it here. Interviews, news, and the odd gig story or two. Based out of Australia's east coast.

Shred Is Not Dead

The five episodes of Creating Song Magic articulate the findings of a grounded theory study that investigated the process of group singing facilitation. This podcast was produced by Belinda Densley as part of her PhD programme at La Trobe&nbsp; Rural Health School, La Trobe University. All rights are reserved and no part of this publication may be reproduced without permission (c) Densley, 2025.&nbsp;

The five episodes of Creating Song Magic articulate the findings of a grounded theory study that investigated the process of group singing facilitation. This podcast was produced by Belinda Densley as part of her PhD programme at La Trobe  Rural Health School, La Trobe University. All rights are reserved and no part of this publication may be reproduced without permission (c) Densley, 2025. 

Creating Song Magic: Unveiling the hidden work of group singing facilitators

chartless is the pod for musicians in uncharted territory. So, basically, all of us here and now! I'm your host, Melissa Mulligan, recording industry voice and artist development coach. I'll bring you solo episodes as well as heartfelt conversations with today's most innovative music makers. We're going to go deep into the truth of what it means to cultivate a sustainable and fulfilling career while being artistic, weird and authentic.&nbsp; I'd love for you to keep in touch! Please follow for updates, and reach out to me here: &nbsp;http://mastermindroad.com

chartless is the pod for musicians in uncharted territory. So, basically, all of us here and now! I'm your host, Melissa Mulligan, recording industry voice and artist development coach. I'll bring you solo episodes as well as heartfelt conversations with today's most innovative music makers. We're going to go deep into the truth of what it means to cultivate a sustainable and fulfilling career while being artistic, weird and authentic.  I'd love for you to keep in touch! Please follow for updates, and reach out to me here:  http://mastermindroad.com

chartless with Melissa Mulligan

Det här är podden för dig som älskar knastret från välspelad vinyl. Det är också myspodden för dig som gillar minnen, anekdoter och oväntade kopplingar. Och framför allt är det podden för dig som uppskattar slumpens nyckfulla utfall – här lottar vi nämligen fram plattorna vi surrar om.I varje avsnitt bjuder jag in en gäst med en relation till musiken, en skivsamling att gräva i och – inte minst – förmågan att dra en story.Nostalgi. Skivor. Nörderi. Garv. Knaster. Häng med!Välkommen till Record Roulette Sthlm!

Det här är podden för dig som älskar knastret från välspelad vinyl. Det är också myspodden för dig som gillar minnen, anekdoter och oväntade kopplingar. Och framför allt är det podden för dig som uppskattar slumpens nyckfulla utfall – här lottar vi nämligen fram plattorna vi surrar om. I varje avsnitt bjuder jag in en gäst med en relation till musiken, en skivsamling att gräva i och – inte minst – förmågan att dra en story. Nostalgi. Skivor. Nörderi. Garv. Knaster. Häng med! Välkommen till Record Roulette Sthlm!

Record Roulette Sthlm

Bill Graham's journey from Holocaust survivor to rock and roll's most influential promoter embodied the American dream in all its complexity. Born Wolodia Grajonca on January 8, 1931, in Berlin, Germany, Graham's early life was marked by tragedy and survival. As the Nazis rose to power, his family faced increasing persecution as Jews. His father died shortly after his birth, and in 1939, his mother made the heartbreaking decision to send him and his younger sister to France as part of a kindertransport program to save Jewish children. The young Wolodia would never see his mother again; she perished in Auschwitz. After spending time in a French orphanage, he and his sister eventually secured passage to America through Spain and Portugal. Upon arriving in New York in 1941, he was placed with a foster family who changed his name to Bill Graham. The transformation from Wolodia Grajonca to Bill Graham marked the beginning of his American journey, though the experiences of his early life would forever influence his approach to business and human relationships. Graham's youth in New York's Bronx shaped his street-smart personality and business acumen. He attended DeWitt Clinton High School, where he proved himself a capable student and natural leader. After graduating, he attended City College of New York briefly before being drafted into the United States Army during the Korean War. His military service included a Bronze Star for bravery, though Graham rarely spoke about this period of his life. Returning to New York after his military service, Graham worked various jobs while harboring dreams of an acting career. He studied business administration at night and worked as a waiter and maître d' at upscale resorts in the Catskills during the summer seasons. These experiences would later prove invaluable in understanding both the entertainment business and customer service. In the late 1950s, he moved to San Francisco, drawn by the city's growing reputation as a cultural center. Graham's entry into concert promotion came almost by accident. In 1965, after working as a business manager for the San Francisco Mime Troupe, he organized a benefit concert to raise legal defense funds for the controversial theater group. The success of this event revealed both his natural talent for promotion and the potential of San Francisco's burgeoning rock music scene. That same year, he took over the lease of the Fillmore Auditorium, transforming the former dance hall into what would become rock's most famous venue. The Fillmore quickly became the epicenter of San Francisco's psychedelic music scene. Graham's approach to concert promotion was revolutionary for its time. He combined different musical genres on the same bill, pairing blues legends with emerging rock bands. He insisted on professional sound systems and punctual start times, bringing a level of professionalism to what had been a largely informal scene. His attention to detail and respect for both artists and audiences set new standards for concert promotion. Graham's success with the Fillmore Auditorium led to rapid expansion. In 1968, he opened the Fillmore East in New York City's East Village, transforming a former Yiddish theater into what would become known as "The Church of Rock and Roll." The Fillmore East featured state-of-the-art sound and lighting systems, and its shows were renowned for their dramatic presentations. Graham's insistence on recording many of the performances resulted in numerous legendary live albums, including the Allman Brothers Band's "At Fillmore East" and Jimi Hendrix's "Band of Gypsys." His relationship with musicians was complex and often contentious, but ultimately built on mutual respect. Graham became known for his fierce advocacy on behalf of both artists and audiences. He would frequently engage in heated arguments with performers over everything from set times to sound quality, earning a reputation as a difficult but principled businessman. The Grateful Dead's Jerry Garcia once remarked that Graham was "the only person who could tell the Dead what to do," a testament to the respect he commanded even from the most independent-minded artists. The late 1960s saw Graham's influence grow beyond San Francisco and New York. He began managing artists, including Jefferson Airplane and Santana, helping to shape their careers during crucial periods. His promotion company, Bill Graham Presents, became the model for modern concert promotion. Graham's attention to detail extended to every aspect of the concert experience, from ensuring clean bathrooms to providing free apples and water to audience members waiting in line. Graham's business practices set him apart from other promoters of the era. He insisted on fair ticket prices and maintained transparent financial relationships with artists. While other promoters often took advantage of musicians, Graham's reputation for honesty made him the preferred promoter for many major acts. His programming choices were equally principled – he would regularly book emerging local bands as opening acts for established performers, helping to nurture new talent. The early 1970s brought significant changes to the concert industry and Graham's operations. In 1971, he closed both Fillmores, citing the increasing demands of performers' agents and the corporatization of rock music. In a characteristic move, he took out full-page advertisements in Billboard and other publications to explain his decision to the public, demonstrating his belief in direct communication with music fans. Following the closure of the Fillmores, Graham adapted to the changing music business. He began promoting larger shows at venues like Winterland in San Francisco and Roosevelt Stadium in Jersey City. His company pioneered the model of modern arena rock shows, setting standards for production values and audience comfort that would influence the industry for decades to come. He also expanded into festival promotion, organizing major events like the SNACK Concert in 1975, which featured Bob Dylan, Neil Young, and other major artists. Through the mid-1970s and into the 1980s, Graham's influence in the music industry continued to grow. He became the go-to promoter for major tours, working with artists like the Rolling Stones, Bob Dylan, and Led Zeppelin. His company's expertise in handling large-scale events made him indispensable as rock concerts moved increasingly into stadiums and arenas. Graham's attention to detail scaled up accordingly – he would personally inspect venues, oversee security arrangements, and ensure that every aspect of production met his exacting standards. The 1985 Live Aid concert marked a particular triumph in Graham's career. He organized the U.S. portion of the worldwide benefit at Philadelphia's JFK Stadium, coordinating performances by dozens of major artists under intense time constraints. His experience with large-scale events and his ability to manage strong personalities proved crucial to the concert's success. The event highlighted Graham's talent for combining musical entertainment with social causes, a hallmark of his career. Graham's commitment to social activism remained strong throughout his life. He organized numerous benefit concerts, including shows for San Francisco's homeless population and victims of the 1989 Loma Prieta earthquake. His Jewish heritage and experience as a Holocaust survivor influenced his involvement in causes related to religious and racial tolerance. In 1985, he organized a concert commemorating the 40th anniversary of the end of World War II, demonstrating his belief in music's power to promote understanding and healing. Despite his success, Graham maintained a hands-on approach to concert promotion. He could often be seen at his shows, moving through the crowd, checking sound quality, and addressing problems personally. His temper was legendary – he would engage in shouting matches with anyone from stagehands to star performers if he felt standards weren't being met. Yet his outbursts were typically rooted in a genuine concern for the audience's experience and the artists' presentation. The 1980s brought new challenges as the concert industry became increasingly corporatized. Graham fought against what he saw as the impersonalization of the concert experience. He opposed Ticketmaster's growing monopoly on ticket sales and resisted efforts to standardize concert promotion under corporate ownership. His independent streak sometimes put him at odds with industry trends, but it also helped preserve the personal touch that had characterized his approach since the Fillmore days. Graham's influence extended beyond concert promotion into other areas of the music industry. He managed several artists, produced films and television specials, and even appeared as an actor in films like "Apocalypse Now" and "Cotton Club." His San Francisco office became a music industry hub, and his opinion was sought on everything from artist development to concert security. He served as a mentor to many future industry leaders, passing on his philosophy of putting the music and the audience first. In the late 1980s, Graham's influence in the music industry reached new heights through his work with emerging artists and continuing relationships with established stars. He played a crucial role in the success of the Grateful Dead, helping them transition from counterculture icons to one of the highest-grossing touring acts in the world. His understanding of both artistic integrity and commercial success made him uniquely qualified to guide bands through the changing music landscape. Personal tragedy struck in 1991 when Graham's office was firebombed by arsonists protesting a benefit concert for Israel that he had organized. The attack destroyed memorabilia and archives documenting decades of rock history, including posters, photographs, and recordings from the Fillmore era. Graham was deeply affected by this ac

Bill Graham - Audio Biography

GRENOLI

Straight from the mouth of the madman behind Our Loud World himself, Jeremy Diaz brings you live thoughts, opinions and news in the world of music and all things that move you.

Straight from the mouth of the madman behind Our Loud World himself, Jeremy Diaz brings you live thoughts, opinions and news in the world of music and all things that move you.

Our Loud World LIVE

Connecting with a pop group when we're young is often one of the most defining moments of our lives, but why are we so afraid to talk about it?
This podcast is devoted to exploring the importance of pop music, including the music of boybands. It’s also a critique of society looking down on music many genuinely enjoy. Fans of boybands (consisting of mostly women and LGBTQ+ folk) often feel a stigma if they express their admiration for certain groups. Additionally, despite their talent &amp; popularity, no modern boyband has won a Grammy. We explore all this on This Must Be Pop.

Connecting with a pop group when we're young is often one of the most defining moments of our lives, but why are we so afraid to talk about it? This podcast is devoted to exploring the importance of pop music, including the music of boybands. It’s also a critique of society looking down on music many genuinely enjoy. Fans of boybands (consisting of mostly women and LGBTQ+ folk) often feel a stigma if they express their admiration for certain groups. Additionally, despite their talent & popularity, no modern boyband has won a Grammy. We explore all this on This Must Be Pop.

This Must Be Pop

Soy fanático de la música. Para mis amigos fui el DJ y ahora me he puesto a escuchar muchas canciones que no conocí. Mi ambiente musical cuando crecía fue muy limitado. En la adolescencia me revele y comencé a escuchar de todo, pero me quede corto. Hoy día sigo descubriendo música "nueva".

Las Canciones Que Escuché

Every week, Tom and Paddy go back and listen to an album that's meant to be a timeless classic. Why? Because, that's why. Then, they review it, track by track, sharing their memories of the record, if they have them, and when all is said and done, they will decide whether the album is Underplayed or Overrated. <hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Every week, Tom and Paddy go back and listen to an album that's meant to be a timeless classic. Why? Because, that's why. Then, they review it, track by track, sharing their memories of the record, if they have them, and when all is said and done, they will decide whether the album is Underplayed or Overrated. Hosted on Acast. See acast.com/privacy for more information.

Every week, Tom and Paddy go back and listen to an album that's meant to be a timeless classic. Why? Because, that's why. Then, they review it, track by track, sharing their memories of the record, if they have them, and when all is said and done, they will decide whether the album is Underplayed or Overrated. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Underplayed Or Overrated

The fascinating journey inside the world of a music composer. एका संगीतकाराची मुशाफिरी

KaushalKatta - कौशलकट्टा

Step back in time to the golden era of radio, before television and computers dominated the entertainment world. Imagine the thrill of gathering around the radio with your loved ones, eagerly anticipating your favorite show. Relive those nostalgic moments and experience the magic of radio once again.

Radio Shows from the Past

LQYS

Poema de Waldo Leyva musicalizado e interpretado por Silvio Rodríguez y Augusto Blanca