Arts

Books

Fashion & Beauty

Performing Arts

Food

Visual Arts

Design

Business

Entrepreneurship

Investing

Marketing

Careers

Management

Non-Profit

Comedy

Stand-Up

Comedy Interviews

Improv

Education

Self-Improvement

How To

Courses

Language Learning

Fiction

Comedy Fiction

Drama

Science Fiction

Government

Health & Fitness

Medicine

Alternative Health

Nutrition

Mental Health

Fitness

Sexuality

History

Kids & Family

Parenting

Stories for Kids

Education for Kids

Pets & Animals

Leisure

Video Games

Games

Automotive

Animation & Manga

Hobbies

Aviation

Home & Garden

Crafts

Music

Music Commentary

Music Interviews

Music History

News

Sports News

Entertainment News

News Commentary

Politics

Daily News

Business News

Tech News

Religion & Spirituality

Christianity

Spirituality

Religion

Judaism

Islam

Buddhism

Hinduism

Science

Social Sciences

Life Sciences

Natural Sciences

Nature

Chemistry

Mathematics

Earth Sciences

Physics

Astronomy

Society & Culture

Documentary

Relationships

Philosophy

Personal Journals

Places & Travel

Sports

Golf

Soccer

Wrestling

Basketball

Football

Fantasy Sports

Baseball

Wilderness

Running

Hockey

Rugby

Cricket

Volleyball

Tennis

Swimming

Technology

True Crime

TV & Film

Film Interviews

TV Reviews

After Shows

Film Reviews

Film History

Lucas e Guilherme da banda Mortticia e convidados escutam e discutem faixa a faixa álbuns de música. Sejam eles clássicos ou gemas escondidas o papo aqui sempre visa analisar o som e os temas explorados pela perspectiva de músicos e amantes de música!

Masmorra da Mortticia

All about music , i guess 


FB: https://www.facebook.com/profile.php?id=100069629420910

Twitter : twitter.com/georgebobg24

All about music , i guess FB: https://www.facebook.com/profile.php?id=100069629420910 Twitter : twitter.com/georgebobg24

Musical_note

My little corner where I discuss 50s-80s music and lots of Springsteen and Zeppelin and The Voice aka Paul Rodgers amongst many more obscure corners of classic rock

Ramble On with Rosie

Anthony Dugan talks to notable people about notable albums. Why? Because he needs the outside pressure to motivate him to clean his apartment.

We‘re Talkin‘ Records (Because I Need A Reason to Clean My Apartment)

Learn music trends each week of throwbacks, modern hits, and media.&nbsp;

Learn music trends each week of throwbacks, modern hits, and media. 

Music Notes with Jess

Join us as Nashville Native David Bradley has Conversations with Artist, Actors and Authors. David, a music industry insider, talks to artist just starting out, songwriters, book authors and actors to help get them recognized for their talent and bring&nbsp; them closer to the people that like them! you will never know what you'll learn as the show is completely Raw and Unscripted. Proud Member of CMA Produced by Caitlin Backes Bottled Water and Sweet Tea provided by PURITY DairiesViation AV/IT

Join us as Nashville Native David Bradley has Conversations with Artist, Actors and Authors. David, a music industry insider, talks to artist just starting out, songwriters, book authors and actors to help get them recognized for their talent and bring  them closer to the people that like them! you will never know what you'll learn as the show is completely Raw and Unscripted. Proud Member of CMA Produced by Caitlin Backes Bottled Water and Sweet Tea provided by PURITY Dairies Viation AV/IT

The David Bradley Show

Two lifelong chums, hanging out, sharing what’s new, getting caught up and keeping in touch. Sometimes we have special call in guests that are friends of one or both of us.

The Hey Pal , What’s New?  Podcast

Velkommen til ‘Goes To 11’, musikpodcasten som gør sig i uaktuelle hitlister. Hvert afsnit dedikerer vi til en hjemmegjort Top 11 hitliste over et tema, en kunstner, en plade eller en musikalsk finurlighed, som vi kører gennem forstærkeren, mens vi gradvist skruer volumen op fra 1 til ikke bare 10 som på en almindelig forstærker, men helt op på 11! Vi tager nostalgien alvorligt og dvæler gerne ved fortiden. Så har du lyst til at undslippe tilværelsens stress og jag for en stund, og orker du ikke altid at løbe efter den nyeste trend, så tag med ‘Goes To 11’ en tur ned af memory lane. Måske møder du gamle favoritsange eller favoritkunstnere på vejen, eller måske får du en indføring i en kunstner eller et tema, du ikke vidste, at du havde manglet. Alt, du behøver at medbringe, er det gode humør og nysgerrigheden. Så medbringer vi forstærkeren - og den kan skrues helt op på 11! Podcastens bagmænd er de to musikelskere Peter Noes og Jens Peter "JP" Kragh. 'Goes to 11 - uaktuelle musikhitlister' har licensaftale med Koda/Nordisk Copyright Bureau (NCB).

Velkommen til ‘Goes To 11’, musikpodcasten som gør sig i uaktuelle hitlister. Hvert afsnit dedikerer vi til en hjemmegjort Top 11 hitliste over et tema, en kunstner, en plade eller en musikalsk finurlighed, som vi kører gennem forstærkeren, mens vi gradvist skruer volumen op fra 1 til ikke bare 10 som på en almindelig forstærker, men helt op på 11! Vi tager nostalgien alvorligt og dvæler gerne ved fortiden. Så har du lyst til at undslippe tilværelsens stress og jag for en stund, og orker du ikke altid at løbe efter den nyeste trend, så tag med ‘Goes To 11’ en tur ned af memory lane. Måske møder du gamle favoritsange eller favoritkunstnere på vejen, eller måske får du en indføring i en kunstner eller et tema, du ikke vidste, at du havde manglet. Alt, du behøver at medbringe, er det gode humør og nysgerrigheden. Så medbringer vi forstærkeren - og den kan skrues helt op på 11!Podcastens bagmænd er de to musikelskere Peter Noes og Jens Peter "JP" Kragh.'Goes to 11 - uaktuelle musikhitlister' har licensaftale med Koda/Nordisk Copyright Bureau (NCB).

Velkommen til ‘Goes To 11’, musikpodcasten som gør sig i uaktuelle hitlister. Hvert afsnit dedikerer vi til en hjemmegjort Top 11 hitliste over et tema, en kunstner, en plade eller en musikalsk finurlighed, som vi kører gennem forstærkeren, mens vi gradvist skruer volumen op fra 1 til ikke bare 10 som på en almindelig forstærker, men helt op på 11! Vi tager nostalgien alvorligt og dvæler gerne ved fortiden. Så har du lyst til at undslippe tilværelsens stress og jag for en stund, og orker du ikke altid at løbe efter den nyeste trend, så tag med ‘Goes To 11’ en tur ned af memory lane. Måske møder du gamle favoritsange eller favoritkunstnere på vejen, eller måske får du en indføring i en kunstner eller et tema, du ikke vidste, at du havde manglet. Alt, du behøver at medbringe, er det gode humør og nysgerrigheden. Så medbringer vi forstærkeren - og den kan skrues helt op på 11! Podcastens bagmænd er de to musikelskere Peter Noes og Jens Peter "JP" Kragh. 'Goes to 11 - uaktuelle musikhitlister' har licensaftale med Koda/Nordisk Copyright Bureau (NCB).

Goes to 11 - uaktuelle musikhitlister

The Off Kilter Show with your host and best friend, Israel brings a mix of eclectic songs to get you through your day.

The Off Kilter Show

聽栗之聲

Join Billy Gallagher and the cast of revolving co-hosts as they discuss their favorite songs and why they love them. Each episode features a song, what works in it and what doesn't, discussion of the music industry, the artist, music as a whole, and what makes our musical selves tick. <a href="www.thesetlisters.com" rel="noopener noreferrer" target="_blank">www.thesetlisters.com</a><hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Join Billy Gallagher and the cast of revolving co-hosts as they discuss their favorite songs and why they love them. Each episode features a song, what works in it and what doesn't, discussion of the music industry, the artist, music as a whole, and what makes our musical selves tick. www.thesetlisters.com Hosted on Acast. See acast.com/privacy for more information.

Join Billy Gallagher and the cast of revolving co-hosts as they discuss their favorite songs and why they love them. Each episode features a song, what works in it and what doesn't, discussion of the music industry, the artist, music as a whole, and what makes our musical selves tick. <a href="www.thesetlisters.com" rel="noopener noreferrer">www.thesetlisters.com</a> Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

The Setlisters

Всем привет! Меня зовут Илья Бешевли, я - композитор. Решил попробовать сделать подкаст "Диван и композитор", где я, устроившись на своем диване, буду делиться мыслями о жизни, искусстве и музыке, а также личными историями. Каждая беседа — это возможность заглянуть за кулисы музыкального мира и открыть для себя новые грани искусства!

Диван и композитор

Music of the Movement is a radio/podcast show where we talk about music and its connection to social movements/social justice over time. Each episode features a guest who is a fan of the genre/album being discussed as well as music segments.

Music of the Movement is a radio/podcast show where we talk about music and its connection to social movements/social justice over time. Each episode features a guest who is a fan of the genre/album being discussed as well as music segments.

Music of the Movement is a radio/podcast show where we talk about music and its connection to social movements/social justice over time. Each episode features a guest who is a fan of the genre/album being discussed as well as music segments.

Music of the Movement

Interviste

🎵 Music World: The Music Podcast You Need to Hear 🎶Dive into the incredible world of music with Music World. We explore the history of legendary bands, the genres that have shaped generations, and the artists who continue to revolutionize the industry. From classic rock to the latest trends, we analyze influences, curiosities, and anecdotes that every music lover should know.🎧 Available on all streaming platforms. Hit play and discover the true meaning of music!

Music World

Follow me on my journey as I land, discovering new meaning in life post retirement

Follow me on my journey as I land, discovering new meaning in life post retirement

The Next Stage

Everything House Music & More... The Podcast 

These episodes will bring you up close and personal with some of the Pioneers of House Music. This genre was born and created in Chicago by young Black American teens doing what they love, creating HOUSE MUSIC which is known all over the world. House Music has given rise to many successful sub genres, including one of the biggest selling genres, EDM. 

Today, House Music finds itself center stage as major artists, like Beyonce and Drake, have released House Albums. Chicago…stand up!!! 

Subscribe on YouTube: https://bit.ly/EverythingHouseMusicMore_YouTube 

⬇️ DOWNLOAD → Everything House Music & More… The App 
📱 🎧Exclusive Audio Podcast & 📺 Content ⤵️ 

📱Apple App Store for iPhone: https://bit.ly/EHMM-iPhoneApp #everythinghousemusicandmore
📱Apple App Store for iPhone: https://bit.ly/EHMM-iPhoneApp #everythinghousemusicandmore

Everything House Music & More... The Podcast These episodes will bring you up close and personal with some of the Pioneers of House Music. This genre was born and created in Chicago by young Black American teens doing what they love, creating HOUSE MUSIC which is known all over the world. House Music has given rise to many successful sub genres, including one of the biggest selling genres, EDM. Today, House Music finds itself center stage as major artists, like Beyonce and Drake, have released House Albums. Chicago…stand up!!! Subscribe on YouTube: https://bit.ly/EverythingHouseMusicMore_YouTube ⬇️ DOWNLOAD → Everything House Music & More… The App 📱 🎧Exclusive Audio Podcast & 📺 Content ⤵️ 📱Apple App Store for iPhone: https://bit.ly/EHMM-iPhoneApp #everythinghousemusicandmore 📱Apple App Store for iPhone: https://bit.ly/EHMM-iPhoneApp #everythinghousemusicandmore

Everything House Music &amp; More... The Podcast 

These episodes will bring you up close and personal with some of the Pioneers of House Music. This genre was born and created in Chicago by young Black American teens doing what they love, creating HOUSE MUSIC which is known all over the world. House Music has given rise to many successful sub genres, including one of the biggest selling genres, EDM. 

Today, House Music finds itself center stage as major artists, like Beyonce and Drake, have released House Albums. Chicago…stand up!!! 

Subscribe on YouTube: https://bit.ly/EverythingHouseMusicMore_YouTube 

⬇️ DOWNLOAD → Everything House Music &amp; More… The App 
📱 🎧Exclusive Audio Podcast &amp; 📺 Content ⤵️ 

📱Apple App Store for iPhone: https://bit.ly/EHMM-iPhoneApp #everythinghousemusicandmore
📱Apple App Store for iPhone: https://bit.ly/EHMM-iPhoneApp #everythinghousemusicandmore

Everything House Music and More... The Podcast

Welcome to Melodies and Media, where we explore the profound impact of music on our lives and society. From the soulful rhythms of jazz to the electrifying beats of EDM, we delve into the evolution of music styles and how they shape our emotions and experiences. Join us as we discuss the transformative power of digital platforms like iTunes and Spotify, and how they have revolutionized music consumption. We'll also examine the uses and gratifications theory, uncovering why we turn to different genres for relaxation, motivation, and social connection. In each episode, we'll highlight the role of music in social and political movements, the challenges of censorship, and the future implications of AI in music creation. Whether you're a music enthusiast or simply curious about the intersection of media and music, this podcast offers insightful conversations about music. Tune in and discover how music continues to be a universal language that unites us all. Explore music's evolution, emotional impact, and role in media and technology.

Welcome to Melodies and Media, where we explore the profound impact of music on our lives and society. From the soulful rhythms of jazz to the electrifying beats of EDM, we delve into the evolution of music styles and how they shape our emotions and experiences.Join us as we discuss the transformative power of digital platforms like iTunes and Spotify, and how they have revolutionized music consumption. We'll also examine the uses and gratifications theory, uncovering why we turn to different genres for relaxation, motivation, and social connection.In each episode, we'll highlight the role of music in social and political movements, the challenges of censorship, and the future implications of AI in music creation. Whether you're a music enthusiast or simply curious about the intersection of media and music, this podcast offers insightful conversations about music.Tune in and discover how music continues to be a universal language that unites us all. Explore music's evolution, emotional impact, and role in media and technology.

Welcome to Melodies and Media, where we explore the profound impact of music on our lives and society. From the soulful rhythms of jazz to the electrifying beats of EDM, we delve into the evolution of music styles and how they shape our emotions and experiences. Join us as we discuss the transformative power of digital platforms like iTunes and Spotify, and how they have revolutionized music consumption. We'll also examine the uses and gratifications theory, uncovering why we turn to different genres for relaxation, motivation, and social connection. In each episode, we'll highlight the role of music in social and political movements, the challenges of censorship, and the future implications of AI in music creation. Whether you're a music enthusiast or simply curious about the intersection of media and music, this podcast offers insightful conversations about music. Tune in and discover how music continues to be a universal language that unites us all. Explore music's evolution, emotional impact, and role in media and technology.

Melodies and Media

Classical music lovers know what they like and what they don’t like, but often they don’t know why? After Andy Bromberger’s successful face to face classes where she demystifies Classical music, she has now made ‘Coffee Cake and Culture – the Podcast’. Andy takes you on a musical journey of discovery from how melodies have changed over time to the complexities of equal temperament. As an added bonus, each episode involves a sweet treat, cake or biscuit to indulge in, with recipes on her website&nbsp;<a href="http://coffeecakeandculture.com.au/" rel="noopener noreferrer" target="_blank">coffeecakeandculture.com.au</a>. From novice to expert, listeners will enjoy ‘Coffee Cake and Culture – the Podcast’.&nbsp;Andy Bromberger started her music career with a Bachelor of Music (performance) at the Sydney Conservatorium of Music majoring in the Clarinet. For 20 years she taught clarinet, played professionally, and coordinated and conducted school bands.&nbsp;Andy started ‘Coffee Cake and Culture’ to combine her 4 major passions in life; music, education, history and BAKING. ​Rob Kaldor knows nothing about classical music but loves his desserts! Rob is an audio producer and runs his podcast production company <a href="www.etales.com.au" rel="noopener noreferrer" target="_blank">etales.com.au.</a> <hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Classical music lovers know what they like and what they don’t like, but often they don’t know why? After Andy Bromberger’s successful face to face classes where she demystifies Classical music, she has now made ‘Coffee Cake and Culture – the Podcast’. Andy takes you on a musical journey of discovery from how melodies have changed over time to the complexities of equal temperament. As an added bonus, each episode involves a sweet treat, cake or biscuit to indulge in, with recipes on her website coffeecakeandculture.com.au. From novice to expert, listeners will enjoy ‘Coffee Cake and Culture – the Podcast’.   Andy Bromberger started her music career with a Bachelor of Music (performance) at the Sydney Conservatorium of Music majoring in the Clarinet. For 20 years she taught clarinet, played professionally, and coordinated and conducted school bands. Andy started ‘Coffee Cake and Culture’ to combine her 4 major passions in life; music, education, history and BAKING. ​ Rob Kaldor knows nothing about classical music but loves his desserts! Rob is an audio producer and runs his podcast production company etales.com.au. Hosted on Acast. See acast.com/privacy for more information.

Classical music lovers know what they like and what they don’t like, but often they don’t know why? After Andy Bromberger’s successful face to face classes where she demystifies Classical music, she has now made ‘Coffee Cake and Culture – the Podcast’. Andy takes you on a musical journey of discovery from how melodies have changed over time to the complexities of equal temperament. As an added bonus, each episode involves a sweet treat, cake or biscuit to indulge in, with recipes on her website&nbsp;<a href="http://coffeecakeandculture.com.au/" rel="noopener noreferrer">coffeecakeandculture.com.au</a>. From novice to expert, listeners will enjoy ‘Coffee Cake and Culture – the Podcast’.&nbsp;Andy Bromberger started her music career with a Bachelor of Music (performance) at the Sydney Conservatorium of Music majoring in the Clarinet. For 20 years she taught clarinet, played professionally, and coordinated and conducted school bands.&nbsp;Andy started ‘Coffee Cake and Culture’ to combine her 4 major passions in life; music, education, history and BAKING. ​Rob Kaldor knows nothing about classical music but loves his desserts! Rob is an audio producer and runs his podcast production company <a href="www.etales.com.au" rel="noopener noreferrer">etales.com.au.</a> Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Coffee, Cake and Culture - The Music Podcast

My new podcast is finally live. Hit that play button and join me for a fun ride

Unownboy’s First Podcast

I was three when I start singing and in to then Now when I grow up I just want to be Famous and I hop people Treat me the respect at I need because I am a nice guy Never miss another Bruce singer Podcast on spotify https://open.spotify.com/show/4qxbzBzeTZuwnOIdQjCLqjhttps://brucesinger1.komi.io

Bruce singer

Here we get a few members of the OUG team and talk nothing but games. Well sometimes about games and then wildly sidetracked to some dark random places where no one should venture.

The One Up Gaming Podcast

Un mois, un genre, des trésors musicaux, c'est le défi que relèvent Tidgi et Arsov dans cette émission dédiée à la musique. Chaque mois, nos deux compères déterrent des trouvailles fabuleuses tout en les narrant d'anecdotes et d'histoires réelles.

T'as pas un truc qui bouge ?

A podcast discussing Hip Hop news and other issues going on in this twilight zone era we’re in. If there’s some real ish going on in the world, I’m def gonna touch on it. Follow my podcast and listen to the realness

80’s Baby Mikhail

cuntiest girl group in the whole galaxy

The Stunners

JustForThePassion

A show that talks about the new, old, and the odd music that’s out there today.

The Beat Boxxx

Come and take a smoke break with us every week as we deep dive into hot topics ranging from music, 420 related topics &amp; events, sports, current events &amp; more. Nothing is off limits with us, and what happens in The Smoke Break Room, stays in The Smoke Break Room! Join us every week as we discuss what's happening in our world &amp; our culture.

Come and take a smoke break with us every week as we deep dive into hot topics ranging from music, 420 related topics & events, sports, current events & more. Nothing is off limits with us, and what happens in The Smoke Break Room, stays in The Smoke Break Room! Join us every week as we discuss what's happening in our world & our culture.

The Smoke Break Room Podcast

A fortnightly Para-musical podcast; bringing you unique tunes and maybe the heebies-jeebie's. It's a total scream.<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

A fortnightly Para-musical podcast; bringing you unique tunes and maybe the heebies-jeebie's. It's a total scream. Hosted on Acast. See acast.com/privacy for more information.

A fortnightly Para-musical podcast; bringing you unique tunes and maybe the heebies-jeebie's. It's a total scream. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

The Ghost Gig

Deejay Sadio

Three music lovers exploring the capabilities of electronic music and breaking down the pros, cons and everything in between.

Three music lovers exploring the capabilities of electronic music and breaking down the pros, cons and everything in between.

The Zig Zag Chin Wag

ジャズサックス奏者の山田拓児が、ライブ情報から音楽教育、そして子育てまで、いち音楽家の日常をメインにジャズに関する様々なことについてお話しするポッドキャストです。

山田拓児のJazzland

Alors qu’est-ce que c’est Face B ? C'est comme un Anti Best of ! 

Chez Face B on pense que rentrer dans l’univers d’un artiste, d’un album ça commence surtout par autre chose que le single.
C’est en fait là où tout commence quand on retourne le 45 ou le 33 tours.
Dans La Face B on s’interdit rien, c’est un joyeux bordel ! On peut autant parler d’un album célèbre , d’un album obscur, d’une chanson, d’une thématique ... mais à notre manière ...
EN PLUS Face B C’est aussi partager des coups de cœur de deux passionnés de musique que nous sommes. On remixe l’histoire de la musique avec nos références ; même si l’émission fait la part belle aux musiques actuelles mais pas que . Faire découvrir ou redécouvrir des disques, artistes morceaux etc… qu’on juge sous-estimés, laissés pour compte, voir oubliés par une certaine histoire de la musique … C'est ce qu'on aime !

Alors qu’est-ce que c’est Face B ? C'est comme un Anti Best of ! Chez Face B on pense que rentrer dans l’univers d’un artiste, d’un album ça commence surtout par autre chose que le single. C’est en fait là où tout commence quand on retourne le 45 ou le 33 tours. Dans La Face B on s’interdit rien, c’est un joyeux bordel ! On peut autant parler d’un album célèbre , d’un album obscur, d’une chanson, d’une thématique ... mais à notre manière ... EN PLUS Face B C’est aussi partager des coups de cœur de deux passionnés de musique que nous sommes. On remixe l’histoire de la musique avec nos références ; même si l’émission fait la part belle aux musiques actuelles mais pas que . Faire découvrir ou redécouvrir des disques, artistes morceaux etc… qu’on juge sous-estimés, laissés pour compte, voir oubliés par une certaine histoire de la musique … C'est ce qu'on aime !

FACE B

Ariana Grande's highly anticipated seventh studio album, "Eternal Sunshine," was released on March 8, 2024, following a four-year hiatus since her previous record, "Positions." The album showcases Grande's vocal prowess, songwriting abilities, and personal growth as she explores themes of love, heartbreak, public scrutiny, and self-reflection. "Eternal Sunshine" features collaborations with renowned producers and artists, and has achieved commercial success and critical acclaim, solidifying Grande's status as a leading figure in contemporary pop music.

Ariana Grande - Audio Biography

"Courtship with music" is a podcast by Tristan (me) to share his thoughts and opinions on music and art. I will have episodes where I will talk about separate topics, like big topics, or random discussions. "Why are we talking about music so much?"

"Courtship with music" is a podcast by Tristan (me) to share his thoughts and opinions on music and art. I will have episodes where I will talk about separate topics, like big topics, or random discussions. "Why are we talking about music so much?"

Courtship with music

Robert Hall Weir, better known as Bob or Bobby Weir, was born on October 16, 1947, in San Francisco, California. He is an American singer, songwriter, and guitarist, best known as a founding member of the legendary rock band, the Grateful Dead. Weir's contributions to the band, as well as his solo work and collaborations with other artists, have solidified his place as an iconic figure in the world of rock music. Early Life and Introduction to Music Bobby Weir was born into a family with deep roots in music. His parents, John (Jack) Parber and a fellow college student named Phyllis, gave him up for adoption due to their young age and inability to care for a child. Weir was adopted by a wealthy couple, Frederic Utter and Eleanor Cramer Weir, who lived in the San Francisco suburb of Atherton. Weir's adoptive parents recognized his musical talents early on and encouraged his artistic pursuits. At the age of 12, he received his first guitar as a Christmas gift from his grandparents. Weir quickly developed a passion for the instrument and began taking lessons, drawing inspiration from the likes of Doc Watson, Josh White, and Joan Baez. As a teenager, Weir attended Menlo-Atherton High School, where he met future Grateful Dead bassist Phil Lesh. The two bonded over their shared love of music and began playing together in various folk and bluegrass bands. It was during this time that Weir also met Jerry Garcia, who would become his lifelong friend and musical collaborator. Formation of the Grateful Dead In 1964, Weir, along with Garcia, Lesh, Ron "Pigpen" McKernan, and Bill Kreutzmann, formed a band called Mother McCree's Uptown Jug Champions. The group played a mix of folk, bluegrass, and blues music, with Weir contributing rhythm guitar and vocals. As the band evolved and electric instruments were incorporated, they changed their name to The Warlocks. However, upon discovering that another band had already claimed the name "The Warlocks," the group ultimately settled on the name "Grateful Dead," which was suggested by Garcia after he stumbled upon the phrase in a dictionary. The newly christened Grateful Dead began performing at local venues and quickly gained a dedicated following in the San Francisco Bay Area. Weir's Role in the Grateful Dead As a member of the Grateful Dead, Bobby Weir played a crucial role in shaping the band's sound and style. His rhythm guitar work provided a solid foundation for Garcia's lead playing, and his vocal harmonies added depth and texture to the band's songs. Weir also contributed a number of original compositions to the band's repertoire, including classics like "The Other One," "Sugar Magnolia," and "Cassidy." Weir's songwriting often explored themes of Americana, counterculture, and spirituality, reflecting the values and interests of the band and their fans. His compositions showcased his versatility as a musician, with songs ranging from the psychedelic rock of "Playing in the Band" to the country-tinged "Mexicali Blues." In addition to his musical contributions, Weir played a key role in the Grateful Dead's business dealings and decision-making processes. He was known for his pragmatic approach and his ability to balance the band's artistic vision with the realities of the music industry. Evolution of Sound and Style Throughout the Grateful Dead's 30-year career, Weir's playing style and musical interests evolved alongside the band's ever-changing sound. In the early years, he drew heavily from his folk and bluegrass roots, incorporating fingerpicking techniques and acoustic textures into his playing. As the band delved deeper into psychedelic rock and improvisational jamming, Weir's guitar work became more electric and experimental. Weir was known for his use of unique chord voicings and unconventional song structures, which added an element of unpredictability to the band's live performances. He was also an early adopter of the MIDI (Musical Instrument Digital Interface) technology, using it to control various effects and synthesizers in his guitar rig. In the 1970s, Weir began to incorporate elements of jazz and fusion into his playing, reflecting his growing interest in more complex and improvisational forms of music. This influence can be heard on songs like "Eyes of the World" and "The Music Never Stopped," which showcase Weir's ability to weave intricate melodic lines and rhythmic patterns into the band's sound. Solo Projects and Collaborations While Bobby Weir is best known for his work with the Grateful Dead, he has also pursued a successful solo career and collaborated with a wide range of artists throughout his life. His solo discography includes albums like "Ace" (1972), "Heaven Help the Fool" (1978), and "Weir Here" (2004), each showcasing different facets of his musical personality. One of Weir's most notable solo projects is the band Bobby and the Midnites, which he formed in 1978. The group featured a rotating cast of musicians, including jazz keyboardist Dave Garland and drummer Billy Cobham, and explored a more jazz-influenced sound than the Grateful Dead. Bobby and the Midnites released two albums, "Bobby and the Midnites" (1981) and "Where the Beat Meets the Street" (1984), and toured extensively throughout the early 1980s. Weir has also collaborated with a number of other musicians throughout his career, both within and outside the Grateful Dead family. In 1994, he joined forces with Rob Wasserman to form the duo Weir/Wasserman, which released the album "Live at Sweetwater" (1994). He has also performed and recorded with artists like Bruce Hornsby, Bob Dylan, and Warren Haynes. Furthur and Dead &amp; Company Following the death of Jerry Garcia in 1995 and the subsequent disbanding of the Grateful Dead, Bobby Weir remained active in the music scene, participating in various reunions and spin-off projects with his former bandmates. In 2009, he formed the band Furthur with Phil Lesh, which aimed to carry on the musical legacy of the Grateful Dead. Furthur toured extensively from 2009 to 2014, playing a mix of Grateful Dead classics and original material. In 2015, Weir joined forces with John Mayer, Oteil Burbridge, and Jeff Chimenti to form Dead &amp; Company, a new iteration of the Grateful Dead. The band, which also includes former Dead members Mickey Hart and Bill Kreutzmann, has toured regularly since its formation and has introduced the music of the Grateful Dead to a new generation of fans. Weir's involvement in Furthur and Dead &amp; Company highlights his ongoing commitment to keeping the spirit and music of the Grateful Dead alive, even as he continues to explore new creative avenues and collaborations. RatDog and Other Projects Another of Bobby Weir's notable post-Grateful Dead projects is the band RatDog, which he formed in 1995. RatDog began as a more informal collective of musicians, with Weir and bassist Rob Wasserman at its core. Over time, the band evolved into a more structured unit, incorporating elements of rock, blues, and jazz into its sound. RatDog toured extensively throughout the late 1990s and early 2000s, serving as a vehicle for Weir's ongoing musical exploration and creativity. The band released several live albums, including "Live at Roseland" (2001) and "Evening Moods" (2000), which showcase the group's improvisational prowess and Weir's growth as a bandleader. In addition to his work with RatDog, Weir has been involved in various other musical projects and collaborations. He has performed as a solo acoustic artist, showcasing his fingerpicking skills and the more intimate side of his musical personality. Weir has also lent his talents to a number of charitable causes and benefit concerts, using his music as a platform for social and political activism. TRI Studios and "The Other One" In 2011, Bobby Weir founded TRI Studios, a state-of-the-art recording facility and live streaming venue located in San Rafael, California. TRI (which stands for Tamalpais Research Institute) has served as a hub for Weir's various musical projects and collaborations, as well as a platform for live broadcasts and experimental performances. Through TRI Studios, Weir has continued to push the boundaries of live music and digital streaming, hosting a variety of intimate concerts and events that showcase his ongoing commitment to musical innovation and exploration. The studio has also served as a creative space for other artists, fostering collaboration and experimentation across genres and generations. In 2014, Weir released the documentary "The Other One: The Long, Strange Trip of Bob Weir," which offers an intimate portrait of his life and career. Directed by Mike Fleiss, the film explores Weir's personal journey and his role as a key figure in the Grateful Dead and the broader counterculture movement. "The Other One" provides a revealing glimpse into Weir's creative process, his relationships with his bandmates, and his enduring influence on the world of rock music. Influence and Legacy Bobby Weir's contributions to the Grateful Dead and the broader landscape of American music cannot be overstated. As a guitarist, songwriter, and vocalist, he helped shape the band's unique sound and style, infusing elements of rock, folk, jazz, and psychedelia into their music. Weir's compositions, such as "Playing in the Band," "The Music Never Stopped," and "Cassidy," have become staples of the Grateful Dead's repertoire and continue to be performed and celebrated by fans around the world. Beyond his musical contributions, Weir has also been a cultural icon and a voice for his generation. Through his involvement in the counterculture movement of the 1960s and his ongoing advocacy for various social and political causes, Weir has used his platform to promote values

Robert Hall Weir, better known as Bob or Bobby Weir, was born on October 16, 1947, in San Francisco, California. He is an American singer, songwriter, and guitarist, best known as a founding member of the legendary rock band, the Grateful Dead. Weir's contributions to the band, as well as his solo work and collaborations with other artists, have solidified his place as an iconic figure in the world of rock music. Early Life and Introduction to Music Bobby Weir was born into a family with deep roots in music. His parents, John (Jack) Parber and a fellow college student named Phyllis, gave him up for adoption due to their young age and inability to care for a child. Weir was adopted by a wealthy couple, Frederic Utter and Eleanor Cramer Weir, who lived in the San Francisco suburb of Atherton. Weir's adoptive parents recognized his musical talents early on and encouraged his artistic pursuits. At the age of 12, he received his first guitar as a Christmas gift from his grandparents. Weir quickly developed a passion for the instrument and began taking lessons, drawing inspiration from the likes of Doc Watson, Josh White, and Joan Baez. As a teenager, Weir attended Menlo-Atherton High School, where he met future Grateful Dead bassist Phil Lesh. The two bonded over their shared love of music and began playing together in various folk and bluegrass bands. It was during this time that Weir also met Jerry Garcia, who would become his lifelong friend and musical collaborator. Formation of the Grateful Dead In 1964, Weir, along with Garcia, Lesh, Ron "Pigpen" McKernan, and Bill Kreutzmann, formed a band called Mother McCree's Uptown Jug Champions. The group played a mix of folk, bluegrass, and blues music, with Weir contributing rhythm guitar and vocals. As the band evolved and electric instruments were incorporated, they changed their name to The Warlocks. However, upon discovering that another band had already claimed the name "The Warlocks," the group ultimately settled on the name "Grateful Dead," which was suggested by Garcia after he stumbled upon the phrase in a dictionary. The newly christened Grateful Dead began performing at local venues and quickly gained a dedicated following in the San Francisco Bay Area. Weir's Role in the Grateful Dead As a member of the Grateful Dead, Bobby Weir played a crucial role in shaping the band's sound and style. His rhythm guitar work provided a solid foundation for Garcia's lead playing, and his vocal harmonies added depth and texture to the band's songs. Weir also contributed a number of original compositions to the band's repertoire, including classics like "The Other One," "Sugar Magnolia," and "Cassidy." Weir's songwriting often explored themes of Americana, counterculture, and spirituality, reflecting the values and interests of the band and their fans. His compositions showcased his versatility as a musician, with songs ranging from the psychedelic rock of "Playing in the Band" to the country-tinged "Mexicali Blues." In addition to his musical contributions, Weir played a key role in the Grateful Dead's business dealings and decision-making processes. He was known for his pragmatic approach and his ability to balance the band's artistic vision with the realities of the music industry. Evolution of Sound and Style Throughout the Grateful Dead's 30-year career, Weir's playing style and musical interests evolved alongside the band's ever-changing sound. In the early years, he drew heavily from his folk and bluegrass roots, incorporating fingerpicking techniques and acoustic textures into his playing. As the band delved deeper into psychedelic rock and improvisational jamming, Weir's guitar work became more electric and experimental. Weir was known for his use of unique chord voicings and unconventional song structures, which added an element of unpredictability to the band's live performances. He was also an early adopter of the MIDI (Musical Instrument Digital Interface) technology, using it to control various effects and synthesizers in his guitar rig. In the 1970s, Weir began to incorporate elements of jazz and fusion into his playing, reflecting his growing interest in more complex and improvisational forms of music. This influence can be heard on songs like "Eyes of the World" and "The Music Never Stopped," which showcase Weir's ability to weave intricate melodic lines and rhythmic patterns into the band's sound. Solo Projects and Collaborations While Bobby Weir is best known for his work with the Grateful Dead, he has also pursued a successful solo career and collaborated with a wide range of artists throughout his life. His solo discography includes albums like "Ace" (1972), "Heaven Help the Fool" (1978), and "Weir Here" (2004), each showcasing different facets of his musical personality. One of Weir's most notable solo projects is the band Bobby and the Midnites, which he formed in 1978. The group featured a rotating cast of musicians, including jazz keyboardist Dave Garland and drummer Billy Cobham, and explored a more jazz-influenced sound than the Grateful Dead. Bobby and the Midnites released two albums, "Bobby and the Midnites" (1981) and "Where the Beat Meets the Street" (1984), and toured extensively throughout the early 1980s. Weir has also collaborated with a number of other musicians throughout his career, both within and outside the Grateful Dead family. In 1994, he joined forces with Rob Wasserman to form the duo Weir/Wasserman, which released the album "Live at Sweetwater" (1994). He has also performed and recorded with artists like Bruce Hornsby, Bob Dylan, and Warren Haynes. Furthur and Dead & Company Following the death of Jerry Garcia in 1995 and the subsequent disbanding of the Grateful Dead, Bobby Weir remained active in the music scene, participating in various reunions and spin-off projects with his former bandmates. In 2009, he formed the band Furthur with Phil Lesh, which aimed to carry on the musical legacy of the Grateful Dead. Furthur toured extensively from 2009 to 2014, playing a mix of Grateful Dead classics and original material. In 2015, Weir joined forces with John Mayer, Oteil Burbridge, and Jeff Chimenti to form Dead & Company, a new iteration of the Grateful Dead. The band, which also includes former Dead members Mickey Hart and Bill Kreutzmann, has toured regularly since its formation and has introduced the music of the Grateful Dead to a new generation of fans. Weir's involvement in Furthur and Dead & Company highlights his ongoing commitment to keeping the spirit and music of the Grateful Dead alive, even as he continues to explore new creative avenues and collaborations. RatDog and Other Projects Another of Bobby Weir's notable post-Grateful Dead projects is the band RatDog, which he formed in 1995. RatDog began as a more informal collective of musicians, with Weir and bassist Rob Wasserman at its core. Over time, the band evolved into a more structured unit, incorporating elements of rock, blues, and jazz into its sound. RatDog toured extensively throughout the late 1990s and early 2000s, serving as a vehicle for Weir's ongoing musical exploration and creativity. The band released several live albums, including "Live at Roseland" (2001) and "Evening Moods" (2000), which showcase the group's improvisational prowess and Weir's growth as a bandleader. In addition to his work with RatDog, Weir has been involved in various other musical projects and collaborations. He has performed as a solo acoustic artist, showcasing his fingerpicking skills and the more intimate side of his musical personality. Weir has also lent his talents to a number of charitable causes and benefit concerts, using his music as a platform for social and political activism. TRI Studios and "The Other One" In 2011, Bobby Weir founded TRI Studios, a state-of-the-art recording facility and live streaming venue located in San Rafael, California. TRI (which stands for Tamalpais Research Institute) has served as a hub for Weir's various musical projects and collaborations, as well as a platform for live broadcasts and experimental performances. Through TRI Studios, Weir has continued to push the boundaries of live music and digital streaming, hosting a variety of intimate concerts and events that showcase his ongoing commitment to musical innovation and exploration. The studio has also served as a creative space for other artists, fostering collaboration and experimentation across genres and generations. In 2014, Weir released the documentary "The Other One: The Long, Strange Trip of Bob Weir," which offers an intimate portrait of his life and career. Directed by Mike Fleiss, the film explores Weir's personal journey and his role as a key figure in the Grateful Dead and the broader counterculture movement. "The Other One" provides a revealing glimpse into Weir's creative process, his relationships with his bandmates, and his enduring influence on the world of rock music. Influence and Legacy Bobby Weir's contributions to the Grateful Dead and the broader landscape of American music cannot be overstated. As a guitarist, songwriter, and vocalist, he helped shape the band's unique sound and style, infusing elements of rock, folk, jazz, and psychedelia into their music. Weir's compositions, such as "Playing in the Band," "The Music Never Stopped," and "Cassidy," have become staples of the Grateful Dead's repertoire and continue to be performed and celebrated by fans around the world. Beyond his musical contributions, Weir has also been a cultural icon and a voice for his generation. Through his involvement in the counterculture movement of the 1960s and his ongoing advocacy for various social and political causes, Weir has used his platform to promote values

Robert Hall Weir, better known as Bob or Bobby Weir, was born on October 16, 1947, in San Francisco, California. He is an American singer, songwriter, and guitarist, best known as a founding member of the legendary rock band, the Grateful Dead. Weir's contributions to the band, as well as his solo work and collaborations with other artists, have solidified his place as an iconic figure in the world of rock music. Early Life and Introduction to Music Bobby Weir was born into a family with deep roots in music. His parents, John (Jack) Parber and a fellow college student named Phyllis, gave him up for adoption due to their young age and inability to care for a child. Weir was adopted by a wealthy couple, Frederic Utter and Eleanor Cramer Weir, who lived in the San Francisco suburb of Atherton. Weir's adoptive parents recognized his musical talents early on and encouraged his artistic pursuits. At the age of 12, he received his first guitar as a Christmas gift from his grandparents. Weir quickly developed a passion for the instrument and began taking lessons, drawing inspiration from the likes of Doc Watson, Josh White, and Joan Baez. As a teenager, Weir attended Menlo-Atherton High School, where he met future Grateful Dead bassist Phil Lesh. The two bonded over their shared love of music and began playing together in various folk and bluegrass bands. It was during this time that Weir also met Jerry Garcia, who would become his lifelong friend and musical collaborator. Formation of the Grateful Dead In 1964, Weir, along with Garcia, Lesh, Ron "Pigpen" McKernan, and Bill Kreutzmann, formed a band called Mother McCree's Uptown Jug Champions. The group played a mix of folk, bluegrass, and blues music, with Weir contributing rhythm guitar and vocals. As the band evolved and electric instruments were incorporated, they changed their name to The Warlocks. However, upon discovering that another band had already claimed the name "The Warlocks," the group ultimately settled on the name "Grateful Dead," which was suggested by Garcia after he stumbled upon the phrase in a dictionary. The newly christened Grateful Dead began performing at local venues and quickly gained a dedicated following in the San Francisco Bay Area. Weir's Role in the Grateful Dead As a member of the Grateful Dead, Bobby Weir played a crucial role in shaping the band's sound and style. His rhythm guitar work provided a solid foundation for Garcia's lead playing, and his vocal harmonies added depth and texture to the band's songs. Weir also contributed a number of original compositions to the band's repertoire, including classics like "The Other One," "Sugar Magnolia," and "Cassidy." Weir's songwriting often explored themes of Americana, counterculture, and spirituality, reflecting the values and interests of the band and their fans. His compositions showcased his versatility as a musician, with songs ranging from the psychedelic rock of "Playing in the Band" to the country-tinged "Mexicali Blues." In addition to his musical contributions, Weir played a key role in the Grateful Dead's business dealings and decision-making processes. He was known for his pragmatic approach and his ability to balance the band's artistic vision with the realities of the music industry. Evolution of Sound and Style Throughout the Grateful Dead's 30-year career, Weir's playing style and musical interests evolved alongside the band's ever-changing sound. In the early years, he drew heavily from his folk and bluegrass roots, incorporating fingerpicking techniques and acoustic textures into his playing. As the band delved deeper into psychedelic rock and improvisational jamming, Weir's guitar work became more electric and experimental. Weir was known for his use of unique chord voicings and unconventional song structures, which added an element of unpredictability to the band's live performances. He was also an early adopter of the MIDI (Musical Instrument Digital Interface) technology, using it to control various effects and synthesizers in his guitar rig. In the 1970s, Weir began to incorporate elements of jazz and fusion into his playing, reflecting his growing interest in more complex and improvisational forms of music. This influence can be heard on songs like "Eyes of the World" and "The Music Never Stopped," which showcase Weir's ability to weave intricate melodic lines and rhythmic patterns into the band's sound. Solo Projects and Collaborations While Bobby Weir is best known for his work with the Grateful Dead, he has also pursued a successful solo career and collaborated with a wide range of artists throughout his life. His solo discography includes albums like "Ace" (1972), "Heaven Help the Fool" (1978), and "Weir Here" (2004), each showcasing different facets of his musical personality. One of Weir's most notable solo projects is the band Bobby and the Midnites, which he formed in 1978. The group featured a rotating cast of musicians, including jazz keyboardist Dave Garland and drummer Billy Cobham, and explored a more jazz-influenced sound than the Grateful Dead. Bobby and the Midnites released two albums, "Bobby and the Midnites" (1981) and "Where the Beat Meets the Street" (1984), and toured extensively throughout the early 1980s. Weir has also collaborated with a number of other musicians throughout his career, both within and outside the Grateful Dead family. In 1994, he joined forces with Rob Wasserman to form the duo Weir/Wasserman, which released the album "Live at Sweetwater" (1994). He has also performed and recorded with artists like Bruce Hornsby, Bob Dylan, and Warren Haynes. Furthur and Dead &amp; Company Following the death of Jerry Garcia in 1995 and the subsequent disbanding of the Grateful Dead, Bobby Weir remained active in the music scene, participating in various reunions and spin-off projects with his former bandmates. In 2009, he formed the band Furthur with Phil Lesh, which aimed to carry on the musical legacy of the Grateful Dead. Furthur toured extensively from 2009 to 2014, playing a mix of Grateful Dead classics and original material. In 2015, Weir joined forces with John Mayer, Oteil Burbridge, and Jeff Chimenti to form Dead &amp; Company, a new iteration of the Grateful Dead. The band, which also includes former Dead members Mickey Hart and Bill Kreutzmann, has toured regularly since its formation and has introduced the music of the Grateful Dead to a new generation of fans. Weir's involvement in Furthur and Dead &amp; Company highlights his ongoing commitment to keeping the spirit and music of the Grateful Dead alive, even as he continues to explore new creative avenues and collaborations. RatDog and Other Projects Another of Bobby Weir's notable post-Grateful Dead projects is the band RatDog, which he formed in 1995. RatDog began as a more informal collective of musicians, with Weir and bassist Rob Wasserman at its core. Over time, the band evolved into a more structured unit, incorporating elements of rock, blues, and jazz into its sound. RatDog toured extensively throughout the late 1990s and early 2000s, serving as a vehicle for Weir's ongoing musical exploration and creativity. The band released several live albums, including "Live at Roseland" (2001) and "Evening Moods" (2000), which showcase the group's improvisational prowess and Weir's growth as a bandleader. In addition to his work with RatDog, Weir has been involved in various other musical projects and collaborations. He has performed as a solo acoustic artist, showcasing his fingerpicking skills and the more intimate side of his musical personality. Weir has also lent his talents to a number of charitable causes and benefit concerts, using his music as a platform for social and political activism. TRI Studios and "The Other One" In 2011, Bobby Weir founded TRI Studios, a state-of-the-art recording facility and live streaming venue located in San Rafael, California. TRI (which stands for Tamalpais Research Institute) has served as a hub for Weir's various musical projects and collaborations, as well as a platform for live broadcasts and experimental performances. Through TRI Studios, Weir has continued to push the boundaries of live music and digital streaming, hosting a variety of intimate concerts and events that showcase his ongoing commitment to musical innovation and exploration. The studio has also served as a creative space for other artists, fostering collaboration and experimentation across genres and generations. In 2014, Weir released the documentary "The Other One: The Long, Strange Trip of Bob Weir," which offers an intimate portrait of his life and career. Directed by Mike Fleiss, the film explores Weir's personal journey and his role as a key figure in the Grateful Dead and the broader counterculture movement. "The Other One" provides a revealing glimpse into Weir's creative process, his relationships with his bandmates, and his enduring influence on the world of rock music. Influence and Legacy Bobby Weir's contributions to the Grateful Dead and the broader landscape of American music cannot be overstated. As a guitarist, songwriter, and vocalist, he helped shape the band's unique sound and style, infusing elements of rock, folk, jazz, and psychedelia into their music. Weir's compositions, such as "Playing in the Band," "The Music Never Stopped," and "Cassidy," have become staples of the Grateful Dead's repertoire and continue to be performed and celebrated by fans around the world. Beyond his musical contributions, Weir has also been a cultural icon and a voice for his generation. Through his involvement in the counterculture movement of the 1960s and his ongoing advocacy for various social and political causes, Weir has used his platform to promote values

Music Commentary Podcasts / Page 204

Masmorra da Mortticia

Musical_note

Ramble On with Rosie

We‘re Talkin‘ Records (Because I Need A Reason to Clean My Apartment)

Music Notes with Jess

The David Bradley Show

The Hey Pal , What’s New? Podcast

Goes to 11 - uaktuelle musikhitlister

The Off Kilter Show

聽栗之聲

The Setlisters

Диван и композитор

Music of the Movement

Interviste

Music World

The Next Stage

Everything House Music and More... The Podcast

Melodies and Media

Coffee, Cake and Culture - The Music Podcast

Unownboy’s First Podcast

Bruce singer

The One Up Gaming Podcast

T'as pas un truc qui bouge ?

80’s Baby Mikhail

The Stunners

JustForThePassion

The Beat Boxxx

The Smoke Break Room Podcast

The Ghost Gig

Deejay Sadio

The Zig Zag Chin Wag

山田拓児のJazzland

FACE B

Ariana Grande - Audio Biography

Courtship with music

Bobby Weir - Audio Biography

Live from The Eras Tour Argentina

The Human Music Podcast

This is: K-pop

Виктор Головин / Victor Golovin

MUSIC

burock

Solid Jigra

Life, Death and Music

the b-sides podcast

sped up ariana songs ♡

The Bside Podcast

Jazz Italiano Anni 2000

La máquina del tempo

UnMixed UnMastered | STEHTO