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PODCAST 6 NUESTRA NAVIDAD (Sonidos de la Navidad Venezolana), del Archivo Regional de Folklore del Estado Yaracuy de la Serie de Micros sobre el Ciclo Festivo de la Navidad en Venezuela, realizado por el ARFEY para la temporada de Navidad 2020.

Música: EL NIÑO ES EL MISMO (Otilio Galíndez–Miguel Delgado Estévez); VILLANCICO (Tradicional); LLEGARON LAS PASCUAS (Luis Rodríguez); LOS TRES REYES MAGOS (Tradicional); AGUINALDO LLANERO (Vidal Colmenares); PURÍSIMA (Rafael Izaza); SENDERO DE LUZ (Luis Pérez Padilla); LA TÓRTOLA (TRADICIONAL); PARRANDA CENTRAL (Juan Villegas); AGUINALDO CURARIGÜEÑO (Don Pío Alvarado); LOS MAITINES (Tradicional); TAMBOR CORIANO (Tradicional); TONO CON AGUINALDO (Tradicional); PASTORES DE SAN JOAQUÍN (Tradicional); LA GUACHARACA (Tradicional), QUÉ LE DAREMOS AL NIÑO (Rafael Salazar).

Intérpretes: Morella Muñoz y Parranda del Orfeón Universitario, Olga Teresa Machado, Los Parranderos de Cocuina, Vidal Colmenares, Morella Muñoz, Voces Risueñas de Carayaca, Ismael y Pacheco, Grupo Luango de Venezuela, Un solo pueblo, Voces Risueñas de Carayaca, Pasacalle, Serenata Guayanesa.

Texto y voz: Andrés Fernando Rodríguez.

Formato: Mp3. Duración: 10:06’ (17.7 Mb.).

VISÍTANOS EN NUESTRO CANAL DE YOU TUBE: PATRIMONIO y DIVERSIDAD CULTURAL (ARCHIVO REGIONAL DE FOLKLORE DEL ESTADO YARACUY)

PODCAST 6 NUESTRA NAVIDAD (Sonidos de la Navidad Venezolana), del Archivo Regional de Folklore del Estado Yaracuy de la Serie de Micros sobre el Ciclo Festivo de la Navidad en Venezuela, realizado por el ARFEY para la temporada de Navidad 2020. Música: EL NIÑO ES EL MISMO (Otilio Galíndez–Miguel Delgado Estévez); VILLANCICO (Tradicional); LLEGARON LAS PASCUAS (Luis Rodríguez); LOS TRES REYES MAGOS (Tradicional); AGUINALDO LLANERO (Vidal Colmenares); PURÍSIMA (Rafael Izaza); SENDERO DE LUZ (Luis Pérez Padilla); LA TÓRTOLA (TRADICIONAL); PARRANDA CENTRAL (Juan Villegas); AGUINALDO CURARIGÜEÑO (Don Pío Alvarado); LOS MAITINES (Tradicional); TAMBOR CORIANO (Tradicional); TONO CON AGUINALDO (Tradicional); PASTORES DE SAN JOAQUÍN (Tradicional); LA GUACHARACA (Tradicional), QUÉ LE DAREMOS AL NIÑO (Rafael Salazar). Intérpretes: Morella Muñoz y Parranda del Orfeón Universitario, Olga Teresa Machado, Los Parranderos de Cocuina, Vidal Colmenares, Morella Muñoz, Voces Risueñas de Carayaca, Ismael y Pacheco, Grupo Luango de Venezuela, Un solo pueblo, Voces Risueñas de Carayaca, Pasacalle, Serenata Guayanesa. Texto y voz: Andrés Fernando Rodríguez. Formato: Mp3. Duración: 10:06’ (17.7 Mb.). VISÍTANOS EN NUESTRO CANAL DE YOU TUBE: PATRIMONIO y DIVERSIDAD CULTURAL (ARCHIVO REGIONAL DE FOLKLORE DEL ESTADO YARACUY)

NUESTRA NAVIDAD PODCAST 6

Ensimmäinen suomenkielinen Iron Maiden -podcast. Analyysiä, uutta tutkittua tietoa, historiaa ja harvinaisuuksia bändin uran varrelta. Fakta- ja fiilispohjalta. Mikkien äärellä ovat Tero Ikäheimonen ja Henri Seger.

118 ensimmäistä jaksoa ovat vapaasti kuunneltavissa, sitä uudempaan sisältöön pääset ryhtymällä tilaajaksi <a href="https://creators.spotify.com/pod/show/viikonloppusoturit666/subscribe">tästä linkistä!</a>

Ensimmäinen suomenkielinen Iron Maiden -podcast. Analyysiä, uutta tutkittua tietoa, historiaa ja harvinaisuuksia bändin uran varrelta. Fakta- ja fiilispohjalta. Mikkien äärellä ovat Tero Ikäheimonen ja Henri Seger. 118 ensimmäistä jaksoa ovat vapaasti kuunneltavissa, sitä uudempaan sisältöön pääset ryhtymällä tilaajaksi tästä linkistä!

Ensimmäinen suomenkielinen Iron Maiden -podcast. Analyysiä, uutta tutkittua tietoa, historiaa ja harvinaisuuksia bändin uran varrelta. Fakta- ja fiilispohjalta. Mikkien äärellä ovat Tero Ikäheimonen ja Henri Seger.

118 ensimmäistä jaksoa ovat vapaasti kuunneltavissa, sitä uudempaan sisältöön pääset ryhtymällä tilaajaksi <a href="https://creators.spotify.com/pod/show/viikonloppusoturit666/subscribe" rel="noopener noreferrer">tästä linkistä!</a>

Viikonloppusoturit - Iron Maiden -podcast

Hi, I'm Ish and I rant and rave on a consistent, almost excruciating basis. I drive the people in my life mad with all my nonsense. Now its your turn! Welcome to the shit show! 

A Weekly Run Down Of Some Of The Things That Gets Me Going In One Way Or Another! Featuring: The Beer Of The Week! 

Instagram: IshOnTap

https://www.buymeacoffee.com/Ishontap

https://www.patreon.com/IshOnTap Support this podcast: <a href="https://anchor.fm/ishontap/support" rel="payment">https://anchor.fm/ishontap/support</a>

Hi, I'm Ish and I rant and rave on a consistent, almost excruciating basis. I drive the people in my life mad with all my nonsense. Now its your turn! Welcome to the shit show! A Weekly Run Down Of Some Of The Things That Gets Me Going In One Way Or Another! Featuring: The Beer Of The Week! Instagram: IshOnTap https://www.buymeacoffee.com/Ishontap https://www.patreon.com/IshOnTap Support this podcast: https://anchor.fm/ishontap/support

Hi, I'm Ish and I rant and rave on a consistent, almost excruciating basis. I drive the people in my life mad with all my nonsense. Now its your turn! Welcome to the shit show! 

A Weekly Run Down Of Some Of The Things That Gets Me Going In One Way Or Another! Featuring: The Beer Of The Week! 

Instagram: IshOnTap

https://www.buymeacoffee.com/Ishontap

https://www.patreon.com/IshOnTap Support this podcast: <a href="https://anchor.fm/ishontap/support" rel="noopener noreferrer">https://anchor.fm/ishontap/support</a>

Ish On Tap Podcast Network

Hugo (aka Hugleboy) redet über Themen, die seine Zuhörer ihm vorschlagen.

Hugleboy - Der Podcast

From music, to culture to finding out who left the toilet paper in the oven... Join us as 3 songwriters (Maz, Djay &amp; Josh) give you their crazy thoughts on the world today! You never know what you're going to get. So tap in &amp; stay tuned because "It Goes Like This..."

From music, to culture to finding out who left the toilet paper in the oven... Join us as 3 songwriters (Maz, Djay & Josh) give you their crazy thoughts on the world today! You never know what you're going to get. So tap in & stay tuned because "It Goes Like This..."

"It Goes Like This..." Podcast

Un rato con Ratola es una columna semanal sobre música que a través de una canción nos trae discos clásicos, músicos nuevos y artistas independientes. Todos los miércoles a las 11.30hs en MasRadio.com.ar

Un Rato Con Ratola

Songs That We Liked In Middle School As 2 Guys Born In 1997

A podcast about the classics.

Playlist of songs we've covered: https://open.spotify.com/playlist/1RjkPALBOg5505N5lHoi5h?si=4014531825434752

Songs That We Liked In Middle School As 2 Guys Born In 1997 A podcast about the classics. Playlist of songs we've covered: https://open.spotify.com/playlist/1RjkPALBOg5505N5lHoi5h?si=4014531825434752

STWLIMSA2GBI97 (Songs That We Liked In Middle School As 2 Guys Born In 1997)

Trance Mix with Paul Coady is the ultimate show for anyone who loves trance music from the 90s and noughties. Hosted renowned DJ Paul Coady, the show features the best trance tracks from the era, taking you on a journey through the iconic soundscapes of the genre. Whether you're a long-time fan of trance or simply looking to explore the genre, Trance Mix with Paul Coady is the perfect show for you. From uplifting melodies to driving beats and emotive vocals, our show has it all. So tune in and join Paul for your Saturday night party as he plays the best trance music. With expert mixing and seamless transitions, Paul will keep you captivated and energized throughout the show, making Trance Mix the ultimate choice for trance music lovers everywhere. You can listen back to some of Paul's show's in our podcast section and also on <a href="https://www.mixcloud.com/djpaulcoady" rel="noopener noreferrer" target="_blank">mixcloud.</a><hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Trance Mix with Paul Coady is the ultimate show for anyone who loves trance music from the 90s and noughties. Hosted renowned DJ Paul Coady, the show features the best trance tracks from the era, taking you on a journey through the iconic soundscapes of the genre. Whether you're a long-time fan of trance or simply looking to explore the genre, Trance Mix with Paul Coady is the perfect show for you. From uplifting melodies to driving beats and emotive vocals, our show has it all. So tune in and join Paul for your Saturday night party as he plays the best trance music. With expert mixing and seamless transitions, Paul will keep you captivated and energized throughout the show, making Trance Mix the ultimate choice for trance music lovers everywhere. You can listen back to some of Paul's show's in our podcast section and also on mixcloud. Hosted on Acast. See acast.com/privacy for more information.

Trance Mix with Paul Coady is the ultimate show for anyone who loves trance music from the 90s and noughties. Hosted renowned DJ Paul Coady, the show features the best trance tracks from the era, taking you on a journey through the iconic soundscapes of the genre. Whether you're a long-time fan of trance or simply looking to explore the genre, Trance Mix with Paul Coady is the perfect show for you. From uplifting melodies to driving beats and emotive vocals, our show has it all. So tune in and join Paul for your Saturday night party as he plays the best trance music. With expert mixing and seamless transitions, Paul will keep you captivated and energized throughout the show, making Trance Mix the ultimate choice for trance music lovers everywhere. You can listen back to some of Paul's show's in our podcast section and also on <a href="https://www.mixcloud.com/djpaulcoady" rel="noopener noreferrer">mixcloud.</a> Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Trance Mix - Freedom FM

马丁小号和迈尔斯·戴维斯再次相遇，午夜旋律。

马丁小号和迈尔斯·戴维斯再次相遇，午夜旋律。

马丁小号和迈尔斯·戴维斯再次相遇，午夜旋律。

午夜旋律AroundMidnight

Arutame Vend Joonase uute ja vanemate laulude sündimise lugu, taustalugu ning muu sisu ja südant seal taga. Vestlusi juhib Joonase abikaasa Judith ja külalisteks on laulude kaasautorid ning muud huvitavad inimesed. 
Ei saa lubada muidugi, et ainult lauludest räägime..

Arutame Vend Joonase uute ja vanemate laulude sündimise lugu, taustalugu ning muu sisu ja südant seal taga. Vestlusi juhib Joonase abikaasa Judith ja külalisteks on laulude kaasautorid ning muud huvitavad inimesed. Ei saa lubada muidugi, et ainult lauludest räägime..

Räägi, Vend Joonas

Friends getting together to talk about music and bands. Sharing their own opinions and stories.

Music Roundtable

Host Brylan May talks with guests (and sometimes to himself) about favorite albums, the creative process, the cultural trends and landscape, and all things music! Sometimes they even play games and argue about bands and artists they will never actually meet. New episodes biweekly!

The Test Press

”Vores Vers” dykker ned i det danske musikunivers med fokus på pop- og hiphopkulturen. Værterne, Chelsea og Rams, deler deres personlige meninger om de nyeste udgivelser, spændende begivenheder og alt det, der rører sig i musikkens verden. Med et friskt og personligt synspunkt giver de lytterne et indblik i den danske musikscene og dens kunstnere. Enjoyyy!

Vores Vers

Alla scoperta di dettagli inaspettati e connessioni affascinanti. Aneddoti sorprendenti, storie poco conosciute e segreti nascosti di grandi personaggi e non solo...

Alla scoperta di dettagli inaspettati e connessioni affascinanti.Aneddoti sorprendenti, storie poco conosciute e segreti nascosti di grandi personaggi e non solo...

Alla scoperta di dettagli inaspettati e connessioni affascinanti. Aneddoti sorprendenti, storie poco conosciute e segreti nascosti di grandi personaggi e non solo...

Melodie e Misteri

Tangerine Dream are Klaus Schulze are perhaps two of the biggest names in German electronica. However, the fascinating tale behind their origins and legacies has rarely been told until now. Join Cameron on this three-part series as he delves into the who, where, how and why, and uncovers how an entire genre of music was started by a broken organ.

MUSIC AND SOURCES USED: https://github.com/Newycam/Broken-Organ---Music-and-Sources/tree/main

Research, writing, recording and editing by Cameron Upton on Nugnnawal and Ngambri lands.

Additional voices provided by Jacob Avila and Lazlo Tyszko.

Special thanks to Grace, Cate, the team at Woroni, friends, family and loved ones.

Tangerine Dream are Klaus Schulze are perhaps two of the biggest names in German electronica. However, the fascinating tale behind their origins and legacies has rarely been told until now. Join Cameron on this three-part series as he delves into the who, where, how and why, and uncovers how an entire genre of music was started by a broken organ. MUSIC AND SOURCES USED: https://github.com/Newycam/Broken-Organ---Music-and-Sources/tree/main Research, writing, recording and editing by Cameron Upton on Nugnnawal and Ngambri lands. Additional voices provided by Jacob Avila and Lazlo Tyszko. Special thanks to Grace, Cate, the team at Woroni, friends, family and loved ones.

The Broken Organ that Started a Genre

Il compositore americano George Gershwin (1898-1937) ha sempre goduto di grande notorietà presso il pubblico, dagli anni in cui ancor giovanissimo produsse le prime canzoni presto entrate a far parte degli spettacoli di Broadway, e dal debutto dei suoi lavori in sala da concerto (Rhapsody in Blue esordì a New York, con Gershwin al pianoforte, nel febbraio del 1924). Tuttavia la fruizione della sua musica, soprattutto successivamente alla sua morte, è sempre avvenuta per fasce separate: classico o leggero, o jazz, opera o commedia musicale, canzoni. Gershwin praticò generi musicali tradizionalmente ritenuti divisi, persino in contrapposizione tra di loro. L’interpretazione e la programmazione della sua musica sono state pesantemente influenzate dalla spaccatura del giudizio critico all’origine del fraintendimento.

Porgy and Bess, l’opera gershwiniana a soggetto afroamericano, andò in scena in prima esecuzione a New York, Alvin Theater, il 10 ottobre 1935. A quale genere Porgy and Bess appartenga e quale stile interpretativo sia necessario adottare nell’affrontarla, sono quesiti che hanno da allora diviso la critica, il pubblico, gli esecutori, gli organizzatori musicali, la vita teatrale. Porgy and Bess, dall’autore definita “folk-opera”, accoglie infatti in sé l’eredità operistica della tradizione, cui guarda con grande rispetto nel desiderio di porsi entro la sua sfera d’influenza e nella sua linea di continuità; ma con altrettanta naturalezza, forza e originalità si apre ad apporti provenienti da linguaggi specificamente americani e dal teatro d’intrattenimento, sempre drammaturgicamente motivati.

Le trasmissioni su Gershwin e Porgy and Bess da me curate per Rete Toscana Classica situano il compositore nel contesto delle tendenze musicali della sua epoca, attraverso l’ascolto di registrazioni storiche dello stesso Gershwin e dei suoi contemporanei. Tra i contenuti principali del programma, vengono presentati documenti sonori degli anni 1919-1937, grazie ai quali possiamo conoscere George Gershwin come pianista, direttore d’orchestra dal pianoforte e dal podio, interprete delle sue composizioni e – ulteriore aspetto di estremo interesse – improvvisatore sulle sue stesse melodie.

L’esplorazione del pianismo gershwiniano ci conduce alla conoscenza del Song-Book del 1932, un’opera scaturita dal “laboratorio” strumentale del compositore: la raccolta comprende diciotto sue canzoni di successo scritte tra il 1919 e il 1931, pubblicate nella versione per canto e pianoforte, cui segue un arrangiamento virtuosistico per pianoforte solo, risultato dell’incessante frequentazione creativa delle sue canzoni che Gershwin praticava al pianoforte. La versione pianistica stampata dei Songs è in realtà una sintesi, o una selezione, della grande quantità di idee fiorite dalle memorabili melodie. Altre fonti (rulli di pianola e registrazioni d’archivio) testimoniano infatti dell’esistenza di tanta altra musica a tutti gli effetti “composta”, seppure non scritta.

Le trasmissioni sono illuminate da letture di scritti dello stesso Gershwin, nella versione italiana di Aloma Bardi, consegnate alla voce recitante di Ivano Bini. Gli articoli presentati, avvincenti e di forte impatto all’epoca della loro pubblicazione, non sono stati mai più riscoperti e studiati negli Stati Uniti. Ciascuno di tali scritti costituisce un caso significativo di consapevolezza d’autore.
Quasi vent’anni sono trascorsi da quando Rete Toscana Classica mi propose di curare questo ciclo di trasmissioni dedicate a Gershwin. Porgy and Bess, che le trasmissioni del 2005 onorarono nel settantesimo anniversario dal debutto a Broadway, resta ancor oggi sorprendentemente inedita. Per studiare la versione originale integrale orchestrata da Gershwin, dobbiamo infatti ancora recarci a Washington e immergerci negli stupefacenti manoscritti gershwiniani della Library of Congress Music Division. Alla prospettiva di una comprensione organica e storicamente informata di Gershwin

Il compositore americano George Gershwin (1898-1937) ha sempre goduto di grande notorietà presso il pubblico, dagli anni in cui ancor giovanissimo produsse le prime canzoni presto entrate a far parte degli spettacoli di Broadway, e dal debutto dei suoi lavori in sala da concerto (Rhapsody in Blue esordì a New York, con Gershwin al pianoforte, nel febbraio del 1924). Tuttavia la fruizione della sua musica, soprattutto successivamente alla sua morte, è sempre avvenuta per fasce separate: classico o leggero, o jazz, opera o commedia musicale, canzoni. Gershwin praticò generi musicali tradizionalmente ritenuti divisi, persino in contrapposizione tra di loro. L’interpretazione e la programmazione della sua musica sono state pesantemente influenzate dalla spaccatura del giudizio critico all’origine del fraintendimento. Porgy and Bess, l’opera gershwiniana a soggetto afroamericano, andò in scena in prima esecuzione a New York, Alvin Theater, il 10 ottobre 1935. A quale genere Porgy and Bess appartenga e quale stile interpretativo sia necessario adottare nell’affrontarla, sono quesiti che hanno da allora diviso la critica, il pubblico, gli esecutori, gli organizzatori musicali, la vita teatrale. Porgy and Bess, dall’autore definita “folk-opera”, accoglie infatti in sé l’eredità operistica della tradizione, cui guarda con grande rispetto nel desiderio di porsi entro la sua sfera d’influenza e nella sua linea di continuità; ma con altrettanta naturalezza, forza e originalità si apre ad apporti provenienti da linguaggi specificamente americani e dal teatro d’intrattenimento, sempre drammaturgicamente motivati. Le trasmissioni su Gershwin e Porgy and Bess da me curate per Rete Toscana Classica situano il compositore nel contesto delle tendenze musicali della sua epoca, attraverso l’ascolto di registrazioni storiche dello stesso Gershwin e dei suoi contemporanei. Tra i contenuti principali del programma, vengono presentati documenti sonori degli anni 1919-1937, grazie ai quali possiamo conoscere George Gershwin come pianista, direttore d’orchestra dal pianoforte e dal podio, interprete delle sue composizioni e – ulteriore aspetto di estremo interesse – improvvisatore sulle sue stesse melodie. L’esplorazione del pianismo gershwiniano ci conduce alla conoscenza del Song-Book del 1932, un’opera scaturita dal “laboratorio” strumentale del compositore: la raccolta comprende diciotto sue canzoni di successo scritte tra il 1919 e il 1931, pubblicate nella versione per canto e pianoforte, cui segue un arrangiamento virtuosistico per pianoforte solo, risultato dell’incessante frequentazione creativa delle sue canzoni che Gershwin praticava al pianoforte. La versione pianistica stampata dei Songs è in realtà una sintesi, o una selezione, della grande quantità di idee fiorite dalle memorabili melodie. Altre fonti (rulli di pianola e registrazioni d’archivio) testimoniano infatti dell’esistenza di tanta altra musica a tutti gli effetti “composta”, seppure non scritta. Le trasmissioni sono illuminate da letture di scritti dello stesso Gershwin, nella versione italiana di Aloma Bardi, consegnate alla voce recitante di Ivano Bini. Gli articoli presentati, avvincenti e di forte impatto all’epoca della loro pubblicazione, non sono stati mai più riscoperti e studiati negli Stati Uniti. Ciascuno di tali scritti costituisce un caso significativo di consapevolezza d’autore. Quasi vent’anni sono trascorsi da quando Rete Toscana Classica mi propose di curare questo ciclo di trasmissioni dedicate a Gershwin. Porgy and Bess, che le trasmissioni del 2005 onorarono nel settantesimo anniversario dal debutto a Broadway, resta ancor oggi sorprendentemente inedita. Per studiare la versione originale integrale orchestrata da Gershwin, dobbiamo infatti ancora recarci a Washington e immergerci negli stupefacenti manoscritti gershwiniani della Library of Congress Music Division. Alla prospettiva di una comprensione organica e storicamente informata di Gershwin

Gershwin: Porgy and Bess e il Song-Book del 1932

Avant-garde music, classical guitar, philosophy discussions and beyond! Stay tuned for new interesting episodes!

Giuseppe Bonaccorso: Music and Beyond

MILANO MUSIC WEEK 2024, rivivi l'ottava edizione della settimana dedicata alla musica e ai suoi protagonisti. Quest'anno oltre 60.000 presenze agli appuntamenti firmati dalla Milano Music Week, tra incontri con gli artisti, music talk, concerti e djset. Più di 70 ore di incontri che hanno coinvolto oltre 200 artisti e tantissimi operatori del music business.

MILANO MUSIC WEEK 2024, rivivi l'ottava edizione della settimana dedicata alla musica e ai suoi protagonisti.Quest'anno oltre 60.000 presenze agli appuntamenti firmati dalla Milano Music Week, tra incontri con gli artisti, music talk, concerti e djset. Più di 70 ore di incontri che hanno coinvolto oltre 200 artisti e tantissimi operatori del music business.

MILANO MUSIC WEEK 2024, rivivi l'ottava edizione della settimana dedicata alla musica e ai suoi protagonisti. Quest'anno oltre 60.000 presenze agli appuntamenti firmati dalla Milano Music Week, tra incontri con gli artisti, music talk, concerti e djset. Più di 70 ore di incontri che hanno coinvolto oltre 200 artisti e tantissimi operatori del music business.

Milano Music Week 2024

My new podcast is finally live. Hit that play button and join me for a fun ride

Lalmati Chauhan

楚天音乐广播FM105.8节目主持人。我想陪着你，直到你再一次被这座城市的星光拥抱。。

珠珠电台

Sin Filtro, Humildemente! 🎙️🌟 Únete a Perla y Saira, donde hablarán sobre la música mexicana, historias detrás de las canciones, y mucho más. 🎧✨
¡No te pierdas tu nuevo podcast favorito, donde lo auténtico y lo humilde se encuentran!
Corridos, Banda, Norteña, Cumbia, Corridos Tumbados, Bélico y más!

Sin Filtro, Humildemente! 🎙️🌟 Únete a Perla y Saira, donde hablarán sobre la música mexicana, historias detrás de las canciones, y mucho más. 🎧✨ ¡No te pierdas tu nuevo podcast favorito, donde lo auténtico y lo humilde se encuentran! Corridos, Banda, Norteña, Cumbia, Corridos Tumbados, Bélico y más!

Sin Filtro, Humildemente!

Welcome to 'Imperfect Cadence' – the podcast that turns up the volume on classical music! We're here to prove that powdered wigs and stuffy concert halls are so last century. Join us as we explore the wild world of symphonies, concertos, and operas with a modern twist.
Each week, we'll dive into legendary compositions, uncover the juicy gossip behind the masterpieces, and show you how classical music is alive and kicking in today's pop culture.

Welcome to 'Imperfect Cadence' – the podcast that turns up the volume on classical music! We're here to prove that powdered wigs and stuffy concert halls are so last century. Join us as we explore the wild world of symphonies, concertos, and operas with a modern twist. Each week, we'll dive into legendary compositions, uncover the juicy gossip behind the masterpieces, and show you how classical music is alive and kicking in today's pop culture.

Imperfect Cadence

I fall for songs in languages I don’t really understand. 

This podcast is where I try to understand why. Each episode unpacks one pop track from somewhere else in the world—Eurovision entries, national selection rejects, festival bangers, and untranslated anthems that still hit where it counts.

This is Pop Without Subtitles. You might not know the words, but you know the feeling.

I fall for songs in languages I don’t really understand. This podcast is where I try to understand why. Each episode unpacks one pop track from somewhere else in the world—Eurovision entries, national selection rejects, festival bangers, and untranslated anthems that still hit where it counts. This is Pop Without Subtitles. You might not know the words, but you know the feeling.

Pop Without Subtitles

Welcome to Southern Gospel Weekly! Braden Neal here, and I am all about music here, especially Southern Gospel music!

This is a weekly podcast covering all things Southern Gospel! I cover topics ranging from Southern Gospel history, to current artists, past artists, and upcoming Gospel events! 
I also interview Southern Gospel artists on the podcast, so be sure to tune in to those special episodes! 

Sounds like something you’d enjoy? Then hit that FOLLOW button and stay up to speed on all things Southern Gospel!

Welcome to Southern Gospel Weekly! Braden Neal here, and I am all about music here, especially Southern Gospel music! This is a weekly podcast covering all things Southern Gospel! I cover topics ranging from Southern Gospel history, to current artists, past artists, and upcoming Gospel events! I also interview Southern Gospel artists on the podcast, so be sure to tune in to those special episodes! Sounds like something you’d enjoy? Then hit that FOLLOW button and stay up to speed on all things Southern Gospel!

Southern Gospel Weekly

ZzZzGARD

In each upcoming episode I will be discussing the Art of Melanie Martinez. And all her music. 
Right now we are in the crybaby era. Subscribe for Bonus episodes

In each upcoming episode I will be discussing the Art of Melanie Martinez. And all her music. Right now we are in the crybaby era. Subscribe for Bonus episodes

Brain and heart a Melanie Martinez fan podcast

New episodes every Wednesday diving into the biggest pop music releases with exciting series: singles, album deep-dives, and the campaigns behind them. From Lady Gaga to Sabrina Carpenter, The Weeknd to Olivia Rodrigo, we’re breaking down the music, the strategy, and the reception. Press play for facts and rollout dissection, with some unfiltered opinions along the way.

Vinyl Drop

Travis Scott - My Eyes BEST MOMENT

this is a kpop podcast for unreleased demos/songs, ai covers, remixes etc :)

this is a kpop podcast for unreleased demos/songs, ai covers, remixes etc :)

kpop miscellaneous

slut taylors version acoustic version from the vault

unreleased bangers

This podcast encapsulates a variety of events incluing classes, one off interviews, and more through the radio station

This podcast encapsulates a variety of events incluing classes, one off interviews, and more through the radio station

WALF

Become a Paid Subscriber: <a href="https://podcasters.spotify.com/pod/show/rosieruthless/subscribe" rel="ugc noopener noreferrer" target="_blank">https://podcasters.spotify.com/pod/show/rosieruthless/subscribe</a>

The music we listen to is the soundtrack of our lives. Move me is a podcast where each segment we will listen to a song together that is in my playlist because it has impacted my life in a positive way and has made me a better person by listening to it. After we listen to the song I will tell you the artist the song name and why it has impacted my life and what I've gotten out of it

Become a Paid Subscriber: https://podcasters.spotify.com/pod/show/rosieruthless/subscribe The music we listen to is the soundtrack of our lives. Move me is a podcast where each segment we will listen to a song together that is in my playlist because it has impacted my life in a positive way and has made me a better person by listening to it. After we listen to the song I will tell you the artist the song name and why it has impacted my life and what I've gotten out of it

Become a Paid Subscriber: <a href="https://podcasters.spotify.com/pod/show/rosieruthless/subscribe" rel="noopener noreferrer">https://podcasters.spotify.com/pod/show/rosieruthless/subscribe</a>

The music we listen to is the soundtrack of our lives. Move me is a podcast where each segment we will listen to a song together that is in my playlist because it has impacted my life in a positive way and has made me a better person by listening to it. After we listen to the song I will tell you the artist the song name and why it has impacted my life and what I've gotten out of it

Move Us

Chords Guide is a website for music enthusiasts who want to learn the chords of their favorite songs easily and quickly.

Music Commentary Podcasts / Page 256

NUESTRA NAVIDAD PODCAST 6

Viikonloppusoturit - Iron Maiden -podcast

Ish On Tap Podcast Network

Hugleboy - Der Podcast

"It Goes Like This..." Podcast

Un Rato Con Ratola

STWLIMSA2GBI97 (Songs That We Liked In Middle School As 2 Guys Born In 1997)

Trance Mix - Freedom FM

午夜旋律AroundMidnight

Räägi, Vend Joonas

Music Roundtable

The Test Press

Vores Vers

Melodie e Misteri

The Broken Organ that Started a Genre

Gershwin: Porgy and Bess e il Song-Book del 1932

Giuseppe Bonaccorso: Music and Beyond

Milano Music Week 2024

Lalmati Chauhan

珠珠电台

Sin Filtro, Humildemente!

Imperfect Cadence

Pop Without Subtitles

Southern Gospel Weekly

ZzZzGARD

Brain and heart a Melanie Martinez fan podcast

Vinyl Drop

Travis Scott - My Eyes BEST MOMENT

kpop miscellaneous

slut taylors version acoustic version from the vault

unreleased bangers

WALF

Move Us

Learn Chords of Any Song

Time Out With TG

Curmudgie Jack's Podcast

The All Time Best Music Show

Mika's Audios! ★

Juicy Interludes: Not Your Typical Opera Podcast

B-Side The Point

Science of Music

Cover Laser

Oh! Sweet Music

NEXTPlay

The Alucast

KBE: The Kickback Podcast

CA$H BOI$ Podcast

Mauro Giuliani Op.51

Dragging the Lake

RadiosPhera 2.0