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Welcome to the Daintz Moulin podcast, where amazing things happen. Support this podcast: <a href="https://anchor.fm/daintz-moulin/support" rel="payment">https://anchor.fm/daintz-moulin/support</a>

Welcome to the Daintz Moulin podcast, where amazing things happen. Support this podcast: https://anchor.fm/daintz-moulin/support

Welcome to the Daintz Moulin podcast, where amazing things happen. Support this podcast: <a href="https://anchor.fm/daintz-moulin/support" rel="noopener noreferrer">https://anchor.fm/daintz-moulin/support</a>

The great Daintz

Music By Arijit

Weekly Top 10 Countdown of the Best in Independent Country Music..

Who's Hoo

花恒儿|好听的即兴钢琴曲

Tout le monde en Jazz, c'est un podcast documentaire sur l'histoire d'un genre qui a marquée la musique du dernier siècle: Le Jazz. On y traite avec humour et surtout en vulgarisant, le parcours des musiciens qui ont influencé l'histoire de la musique moderne.

Tout le monde en jazz

La musica "Dalle nostre parti" promuove la musica locale prodotta in Trentino o da gente trentina nel mondo con le segnalazioni degli artisti stessi. Info: max.rockabout@gmail.com

La Musica Dalle Nostre Parti

Podcast para dar a conocer nuevas melodías folk y celtas de todo el mundo. Presentaremos artistas sobre todo desconocidos por la mayoría, dándoles un espacio donde darse a conocer, contar su historia y orígenes. También profundizaremos en los orígenes, historia y evolución de esta música.

Trobairitz del Bosque

The Morning Drive &ndash; You're on your way to a better day! Kick-start your mornings with fun and prizes by testing your Singapore knowledge or guessing what these have in common. Stay informed with While You Were Asleep, and join in on stimulating discussions. Discover where to eat and what's new in entertainment all while taking a trip down memory lane with our songs. Feeling a little down? We got you covered with Before You Go&mdash;a reminder that life isn&rsquo;t all that bad. Make your mornings brighter with The Morning Drive!

The Morning Drive – You're on your way to a better day! Kick-start your mornings with fun and prizes by testing your Singapore knowledge or guessing what these have in common. Stay informed with While You Were Asleep, and join in on stimulating discussions. Discover where to eat and what's new in entertainment all while taking a trip down memory lane with our songs. Feeling a little down? We got you covered with Before You Go—a reminder that life isn’t all that bad. Make your mornings brighter with The Morning Drive!

The Morning Drive – You're on your way to a better day! Kick-start your mornings with fun and prizes by testing your Singapore knowledge or guessing what these have in common. Stay informed with While You Were Asleep, and join in on stimulating discussions. Discover where to eat and what's new in entertainment all while taking a trip down memory lane with our songs. Feeling a little down? We got you covered with Before You Go—a reminder that life isn’t all that bad. Make your mornings brighter with The Morning Drive!

The Morning Drive with The Flying Dutchman & Lavinia

香港，山道63號B。 Powered by <a href="https://firstory.me/zh">Firstory Hosting</a>

香港，山道63號B。 Powered by Firstory Hosting

香港，山道63號B。 Powered by <a href="https://firstory.me/zh" rel="noopener noreferrer">Firstory Hosting</a>

茵茵想講咩？

**Concluded** Listen to Max's Top 10 every Friday Night from 7-8PM GMT! Listen in live Friday, Saturday and Sunday from 7-8PM GMT or catch up on Apple Podcasts under The Biz Network Tab. Follow us on socials '@maxs_top10'

Max's Top 10

Die Achtziger waren nicht so schrecklich, wie es in den von Oliver Geissen moderierten typischen Achtziger-Shows dargestellt wird, wo Atze Schröder und Ingolf Lück in Netzhemden mit VokuHiLa-Dauerwellen-Perücken sitzen, den Zauberwürfel feiern und von Nena, Opus, Bon Jovi, Modern Talking oder Michael Jackson schwärmen. Da bekomme ich Schnappatmung.

Ich stehe eher auf das Schwarzlicht in Nebelschwaden, schwarze Klamotten oder schrill geschminkte New Romantics im Neonlicht. Das Düstere und Kalte, was die Post-Punk-Ära ausmacht und durch den Einsatz von Synthies vertont wird. Teilweise schon depressiv, aber fast immer zumindest melancholisch. Das sind meine Achtziger. 

Vor allem musikalisch war es ein extrem innovatives Jahrzehnt. Dieses Bild würde ich gerne gerade rücken, indem ich euch von meiner persönlichen Entdeckung der Musik in den Achtzigern erzähle. Also von meiner eigenen und sehr subjektiven Musikwelt. Oder besser den Musikwelten, denn es gibt mehrere musikalische Welten der Achtziger zu entdecken. Da wären zum Beispiel die New Wave, Punk, New Romantic und Synthpop-Szene, der auch ich angehörte. Ebenso gibt es aber auch die echte „Neue Deutsche Welle“, jenseits von Nena, Markus und Hubert Kah oder auch die schräge Welt des Industrial & EBM. Ich werde auch von Indie-Labels (z.B. Mute, Factory, ZTT), dem Einfluss von Produzenten (z.B. Stephen Hague, Trevor Horn, Daniel Miller, Mike Howlett, Zeus B. Held oder Conny Plank) und den Verbindungen vieler Künstler erzählen. Ehrlich gesagt fangen meine Achtziger allerdings schon 1977 an, als Punk quasi als Strohfeuer verpuffte und aus deren Asche Bands wie Ultravox, Gary Numan, Blondie, Human League, The Cure oder Joy Division entstanden.

Die Achtziger waren nicht so schrecklich, wie es in den von Oliver Geissen moderierten typischen Achtziger-Shows dargestellt wird, wo Atze Schröder und Ingolf Lück in Netzhemden mit VokuHiLa-Dauerwellen-Perücken sitzen, den Zauberwürfel feiern und von Nena, Opus, Bon Jovi, Modern Talking oder Michael Jackson schwärmen. Da bekomme ich Schnappatmung. Ich stehe eher auf das Schwarzlicht in Nebelschwaden, schwarze Klamotten oder schrill geschminkte New Romantics im Neonlicht. Das Düstere und Kalte, was die Post-Punk-Ära ausmacht und durch den Einsatz von Synthies vertont wird. Teilweise schon depressiv, aber fast immer zumindest melancholisch. Das sind meine Achtziger. Vor allem musikalisch war es ein extrem innovatives Jahrzehnt. Dieses Bild würde ich gerne gerade rücken, indem ich euch von meiner persönlichen Entdeckung der Musik in den Achtzigern erzähle. Also von meiner eigenen und sehr subjektiven Musikwelt. Oder besser den Musikwelten, denn es gibt mehrere musikalische Welten der Achtziger zu entdecken. Da wären zum Beispiel die New Wave, Punk, New Romantic und Synthpop-Szene, der auch ich angehörte. Ebenso gibt es aber auch die echte „Neue Deutsche Welle“, jenseits von Nena, Markus und Hubert Kah oder auch die schräge Welt des Industrial & EBM. Ich werde auch von Indie-Labels (z.B. Mute, Factory, ZTT), dem Einfluss von Produzenten (z.B. Stephen Hague, Trevor Horn, Daniel Miller, Mike Howlett, Zeus B. Held oder Conny Plank) und den Verbindungen vieler Künstler erzählen. Ehrlich gesagt fangen meine Achtziger allerdings schon 1977 an, als Punk quasi als Strohfeuer verpuffte und aus deren Asche Bands wie Ultravox, Gary Numan, Blondie, Human League, The Cure oder Joy Division entstanden.

Die Achtziger waren nicht so schrecklich, wie es in den von Oliver Geissen moderierten typischen Achtziger-Shows dargestellt wird, wo Atze Schröder und Ingolf Lück in Netzhemden mit VokuHiLa-Dauerwellen-Perücken sitzen, den Zauberwürfel feiern und von Nena, Opus, Bon Jovi, Modern Talking oder Michael Jackson schwärmen. Da bekomme ich Schnappatmung.

Ich stehe eher auf das Schwarzlicht in Nebelschwaden, schwarze Klamotten oder schrill geschminkte New Romantics im Neonlicht. Das Düstere und Kalte, was die Post-Punk-Ära ausmacht und durch den Einsatz von Synthies vertont wird. Teilweise schon depressiv, aber fast immer zumindest melancholisch. Das sind meine Achtziger. 

Vor allem musikalisch war es ein extrem innovatives Jahrzehnt. Dieses Bild würde ich gerne gerade rücken, indem ich euch von meiner persönlichen Entdeckung der Musik in den Achtzigern erzähle. Also von meiner eigenen und sehr subjektiven Musikwelt. Oder besser den Musikwelten, denn es gibt mehrere musikalische Welten der Achtziger zu entdecken. Da wären zum Beispiel die New Wave, Punk, New Romantic und Synthpop-Szene, der auch ich angehörte. Ebenso gibt es aber auch die echte „Neue Deutsche Welle“, jenseits von Nena, Markus und Hubert Kah oder auch die schräge Welt des Industrial &amp; EBM. Ich werde auch von Indie-Labels (z.B. Mute, Factory, ZTT), dem Einfluss von Produzenten (z.B. Stephen Hague, Trevor Horn, Daniel Miller, Mike Howlett, Zeus B. Held oder Conny Plank) und den Verbindungen vieler Künstler erzählen. Ehrlich gesagt fangen meine Achtziger allerdings schon 1977 an, als Punk quasi als Strohfeuer verpuffte und aus deren Asche Bands wie Ultravox, Gary Numan, Blondie, Human League, The Cure oder Joy Division entstanden.

Elekthromas' Musikwelten

somos cristi, rodrigo y diegoeste simplemente es nuestro podcastnuestra vida y la cultura pop, la música, películas, artistas y moda

somos cristi, rodrigo y diego este simplemente es nuestro podcast nuestra vida y la cultura pop, la música, películas, artistas y moda

simplemente el podcast

Filmed in the Ottsville Record Garage. Vinyl records, music, home brew and all related content. 

Hear what happens when a 40-something year old city boy who loves music and records moves to the sticks, gets married (again), has a baby (4th but first in 21 years) and quits his job to start an online record store. Hosted by Paul and his brother Adam who is also a music enthusiast who loves wood working and getting into projects while juggling a full time job, three kids and an amazing social life. 

New episodes every Thursday.

Filmed in the Ottsville Record Garage. Vinyl records, music, home brew and all related content. Hear what happens when a 40-something year old city boy who loves music and records moves to the sticks, gets married (again), has a baby (4th but first in 21 years) and quits his job to start an online record store. Hosted by Paul and his brother Adam who is also a music enthusiast who loves wood working and getting into projects while juggling a full time job, three kids and an amazing social life. New episodes every Thursday.

The Country Hipster Podcast

A vida é feita de timings e a rádio também. Às vezes temos uma Taylor Swift a querer cantar e temos de a deixar fazer a sua arte, mas a nossa vontade era mesmo ouvir um áudio teu. Caso não nos tenhas ouvido das 6h às 10h, podes ouvir a qualquer hora com este podcast. Sorte a tua. No fundo, tu mandas e podes. É com consentimento e com sentimento.

Mega Hits - SNOOZE PODCAST

In this 15-minute chatty coffee-break podcast, hosts Jack Pepper, Michael Beek, and Charlotte Gardner talk with a selection of industry professionals, discussing career resources, advice, and tips for young artists.

In this 15-minute chatty coffee-break podcast, hosts Jack Pepper, Michael Beek, and Charlotte Gardner talk with a selection of industry professionals, discussing career resources, advice, and tips for young artists.

Classeek 15'

Anonima Cassette è un tentativo di podcast che esplora le storie più significative della nostra conoscenza musicale, da artisti di tutto rispetto a indifendibili guilty pleasure. In ogni episodio proveremo a raccontarvi di aspetti dimenticati (o dimenticabili) della vita e della carriera di artisti celebri, svelando collaborazioni, progetti paralleli, vite misteriose, sparizioni, dipendenze, faide.  Perfetto per gli appasionati di musica, audiofili annoiati, o polemisti che cercano i prossimi incauti che parlano male e approssimativamente del loro artista del cuore.

Anonima Cassette è un tentativo di podcast che esplora le storie più significative della nostra conoscenza musicale, da artisti di tutto rispetto a indifendibili guilty pleasure.In ogni episodio proveremo a raccontarvi di aspetti dimenticati (o dimenticabili) della vita e della carriera di artisti celebri, svelando collaborazioni, progetti paralleli, vite misteriose, sparizioni, dipendenze, faide. Perfetto per gli appasionati di musica, audiofili annoiati, o polemisti che cercano i prossimi incauti che parlano male e approssimativamente del loro artista del cuore.

Anonima Cassette è un tentativo di podcast che esplora le storie più significative della nostra conoscenza musicale, da artisti di tutto rispetto a indifendibili guilty pleasure. In ogni episodio proveremo a raccontarvi di aspetti dimenticati (o dimenticabili) della vita e della carriera di artisti celebri, svelando collaborazioni, progetti paralleli, vite misteriose, sparizioni, dipendenze, faide.&nbsp; Perfetto per gli appasionati di musica, audiofili annoiati, o polemisti che cercano i prossimi incauti che parlano male e approssimativamente del loro artista del cuore.

Anonima Cassette

Do albums still matter in the playlist era? Ben and Nick think so.&nbsp; On Crack The Record, they break apart classic and not-so-classic albums and build them into unique playlists by discussing what works and what doesn’t work with each tracklist. There’s song analysis, background context, petty disagreements, and mostly great music.&nbsp; Hosts Ben and Nick have decades of experience in the music and entertainment industries. They’ve also been friends since middle school and spent thousands of hours discussing music. Most importantly for Crack The Record, they still care about albums and think that you should too.

Do albums still matter in the playlist era? Ben and Nick think so.  On Crack The Record, they break apart classic and not-so-classic albums and build them into unique playlists by discussing what works and what doesn’t work with each tracklist. There’s song analysis, background context, petty disagreements, and mostly great music.  Hosts Ben and Nick have decades of experience in the music and entertainment industries. They’ve also been friends since middle school and spent thousands of hours discussing music. Most importantly for Crack The Record, they still care about albums and think that you should too.

Crack The Record

Somos un podcast donde buscaremos analizar la letra de las canciones de diferentes géneros musicales, encontraras las opiniones de un ingeniero y una psicóloga, además de un par de datos curiosos.

Lyricamentehablando

When Records Ruled is a podcast that takes you back to a time when analog was king. We share our love of rock music and pop culture from the 1970s and 1980s, and take a few b-side tracks down memory lane along the way. Hosted by David Norris, Lance Schwartz, and Brian Strom.

When Records Ruled

Podcast over muziek en filosofie door Lodewijk Muns.Voorbij de oren: omdat het geluid dat onze oren binnenkomt pas muziek is als wij die erin herkennen. Muziek doet een beroep op ons geheugen en herinneringen, emoties, verbeelding en taalvermogen. 
 
Filosofie: omdat het gaat om verbanden tussen muziek en de andere aspecten van het leven, om opheldering en het verdrijven van rookgordijnen. Rookgordijnen die ook soms door filosofen zijn opgetrokken.

Lodewijk Muns, musicoloog, componist en pianist, bespreekt met de vleugel binnen handbereik thema’s zoals muziek en herinnering, muziek en taal, en de grenzen van wat muziek is en kan zijn. 
Duur van de aflveringen: 20-30 minuten. Frequentie: in principe tweewekelijks. 
Lodewijk Muns: website, blog: <a href="https://www.lodewijkmuns.nl" target="_blank">https://lodewijkmuns.nl/</a>
Deze podcast wordt de luisteraars gratis aangeboden. Het maken ervan vergt wat inspiratie, veel werk, een leven lang ervaring en een beetje geld. Als je enthousiast bent, kun je overwegen om een eenmalige of terugkerende donatie te doen. 
Whydonate biedt o.m. iDEAL. Buymeacoffee (sandwich) werkt met Stripe. 
<a href="https://whydonate.com/nl/fundraising/voorbij-de-oren" target="_blank">https://whydonate.com/nl/fundraising/voorbij-de-oren</a> <a href="https://www.buymeacoffee.com/lodewijkm" target="_blank">https://www.buymeacoffee.com/lodewijkm</a><a href="https://whydonate.com/nl/fundraising/voorbij-de-oren" target="_blank"></a>

Podcast over muziek en filosofie door Lodewijk Muns. Voorbij de oren: omdat het geluid dat onze oren binnenkomt pas muziek is als wij die erin herkennen. Muziek doet een beroep op ons geheugen en herinneringen, emoties, verbeelding en taalvermogen. Filosofie: omdat het gaat om verbanden tussen muziek en de andere aspecten van het leven, om opheldering en het verdrijven van rookgordijnen. Rookgordijnen die ook soms door filosofen zijn opgetrokken. Lodewijk Muns, musicoloog, componist en pianist, bespreekt met de vleugel binnen handbereik thema’s zoals muziek en herinnering, muziek en taal, en de grenzen van wat muziek is en kan zijn. Duur van de aflveringen: 20-30 minuten. Frequentie: in principe tweewekelijks. Lodewijk Muns: website, blog: https://lodewijkmuns.nl/ Deze podcast wordt de luisteraars gratis aangeboden. Het maken ervan vergt wat inspiratie, veel werk, een leven lang ervaring en een beetje geld. Als je enthousiast bent, kun je overwegen om een eenmalige of terugkerende donatie te doen. Whydonate biedt o.m. iDEAL. Buymeacoffee (sandwich) werkt met Stripe. https://whydonate.com/nl/fundraising/voorbij-de-oren https://www.buymeacoffee.com/lodewijkm

Podcast over muziek en filosofie door Lodewijk Muns.Voorbij de oren: omdat het geluid dat onze oren binnenkomt pas muziek is als wij die erin herkennen. Muziek doet een beroep op ons geheugen en herinneringen, emoties, verbeelding en taalvermogen. 
 
Filosofie:&nbsp;omdat het gaat om verbanden tussen muziek en de andere aspecten van het leven, om opheldering en het verdrijven van rookgordijnen. Rookgordijnen die ook soms door filosofen zijn opgetrokken.

Lodewijk Muns, musicoloog, componist en pianist, bespreekt met de vleugel binnen handbereik thema’s zoals muziek en herinnering, muziek en taal, en de grenzen van wat muziek is en kan zijn.&nbsp;
Duur van de aflveringen: 20-30 minuten. Frequentie: in principe tweewekelijks.&nbsp;
Lodewijk Muns: website, blog: <a href="https://www.lodewijkmuns.nl" rel="noopener noreferrer">https://lodewijkmuns.nl/</a>
Deze podcast wordt de luisteraars gratis aangeboden. Het maken ervan vergt wat inspiratie, veel werk, een leven lang ervaring en een beetje geld. Als je enthousiast bent, kun je overwegen om een eenmalige of terugkerende donatie te doen.&nbsp;
Whydonate biedt o.m. iDEAL. Buymeacoffee (sandwich) werkt met Stripe.&nbsp;
<a href="https://whydonate.com/nl/fundraising/voorbij-de-oren" rel="noopener noreferrer">https://whydonate.com/nl/fundraising/voorbij-de-oren</a>&nbsp;<a href="https://www.buymeacoffee.com/lodewijkm" rel="noopener noreferrer">https://www.buymeacoffee.com/lodewijkm</a><a href="https://whydonate.com/nl/fundraising/voorbij-de-oren" rel="noopener noreferrer"></a>

Voorbij de oren

Podcast-sarja testikäyttöön, ei julkaistavaksi

Supla-Richie-test

unreleased sab

Schleepy Gang Feeling Timeless at Phillip Island

Schleepy Gang Feeling Timeless at Phillip Island

Schleepy Timeless Phillip Island

Welcome to 66 Degrees of Sound, a show by The Reykjavík Grapevine bringing you all the latest music releases in Iceland. The Reykjavík Grapevine is an English language magazine published 18 times a year, focusing on all things Iceland-related. Launched in 2003, the independent magazine has long been a leading voice in Icelandic culture. In this show made for music lovers and Icelandophiles, Grapevine journalists Rex Beckett and Jóhannes Bjarkason discuss and play some of the latest new music releases in Iceland. The show releases three episodes per week. Artist Spotlight on Tuesdays, where the hosts are joined by a musician; Hot Happenings on Thursdays, where some of the most exciting events in Reykjavík are covered; and Saturday Morning Mix on Saturdays, featuring a curated playlist for your weekend's delight.&nbsp; This show is produced by the Reykjavík Grapevine.&nbsp;

Welcome to 66 Degrees of Sound, a show by The Reykjavík Grapevine bringing you all the latest music releases in Iceland. The Reykjavík Grapevine is an English language magazine published 18 times a year, focusing on all things Iceland-related. Launched in 2003, the independent magazine has long been a leading voice in Icelandic culture. In this show made for music lovers and Icelandophiles, Grapevine journalists Rex Beckett and Jóhannes Bjarkason discuss and play some of the latest new music releases in Iceland. The show releases three episodes per week. Artist Spotlight on Tuesdays, where the hosts are joined by a musician; Hot Happenings on Thursdays, where some of the most exciting events in Reykjavík are covered; and Saturday Morning Mix on Saturdays, featuring a curated playlist for your weekend's delight.  This show is produced by the Reykjavík Grapevine. 

66 Degrees of Sound

Beyoncé's new song "Texas Hold 'Em" marks a significant foray into the country music genre for the globally renowned artist, known primarily for her roots in R&amp;B, pop, and hip-hop. Released during the 2024 Super Bowl, the song, along with "16 Carriages," showcases Beyoncé's versatile musical talent and her ability to bridge diverse musical styles while celebrating her cultural heritage. Details and Themes: "Texas Hold 'Em" stands out with its lively beat and country-inspired rhythms, blending traditional country elements with Beyoncé's unmistakable vocal style. The lyrics invoke imagery of classic country life, including references to Texas, playing cards, and communal dance, all while maintaining Beyoncé's characteristic empowerment and boldness. The song's narrative encourages listeners to embrace the moment, let down their guards, and join in a collective celebration, reminiscent of a country hoedown but with a modern twist. In contrast, "16 Carriages" presents a more melodic and introspective ballad. It explores themes of loss, longing, and reflection, set against a backdrop of a fading sunset and a journey away from dreams. This track complements "Texas Hold 'Em" by showcasing the emotional depth and storytelling characteristic of country music, while still infusing it with Beyoncé's unique sound and perspective. Cultural Impact and Discussion: The release of "Texas Hold 'Em" has reignited conversations about the representation of black artists in country music, a genre historically perceived as predominantly white. Beyoncé's entry into this space is not just a musical crossover but a cultural statement, challenging traditional boundaries and highlighting the African American influences within country music's roots. Critics and fans alike have noted the song's ability to bring attention to black musicians within country music, contributing to a broader appreciation and recognition of their work. Artists like Adia Victoria, Mickey Guyton, and Rissi Palmer, among others, have seen increased listenership and engagement following the song's release, signaling a shift towards more inclusivity in the genre. Moreover, Beyoncé's "Texas Hold 'Em" has sparked discussions on social media and among music industry professionals about what constitutes "authentic" country music and who gets to define it. The song's reception by country radio stations has been mixed, with some embracing the new track and others hesitant to include it in their playlists, reflecting ongoing debates about genre boundaries and artistic identity. Personal and Artistic Significance: Beyoncé's exploration of country music with "Texas Hold 'Em" and "16 Carriages" is also a nod to her Texan roots and personal history. Growing up in Houston, Texas, Beyoncé was exposed to a blend of musical influences, including country, Tejano, and soul, which have all shaped her eclectic musical style. By incorporating elements of country music into her repertoire, Beyoncé is not only paying homage to her heritage but also redefining her artistic expression. The release of these songs and the announcement of her new album "Renaissance: Act II" signify Beyoncé's ongoing evolution as an artist and her commitment to pushing musical boundaries. Her venture into country music exemplifies how she continues to explore new territories, both thematically and sonically, while remaining grounded in her identity and influences. In summary, Beyoncé's "Texas Hold 'Em" is more than just a song; it's a cultural moment that bridges genres, challenges stereotypes, and celebrates the rich tapestry of American music. As she continues to explore the intersections of race, culture, and musical genres, Beyoncé not only enriches her own artistic legacy but also paves the way for future generations of musicians to defy categorization and express their diverse identities. Thanks for listening to Quiet Please. Remember to like and share wherever you get your podcasts. And Hey! History buffs, buckle up! Talking Time Machine isn't your dusty textbook lecture. It's where cutting-edge AI throws wild interview parties with history's iconic figures. In the Talking Time Machine podcast: History Gets a High-Tech Twist, Imagine: Napoleon Bonaparte talking French Politics with Louis the 14th! This podcast is futuristically insightful. Our AI host grills historical legends with questions based on real historical context, leading to surprising, thought-provoking, and often mind-blowing answers. Whether you're a history geek, a tech junkie, or just love a good interview, Talking Time Machine has something for you. Talking Time Machine: search, subscribe and (Listen Now!)

Beyoncé's new song "Texas Hold 'Em" marks a significant foray into the country music genre for the globally renowned artist, known primarily for her roots in R&B, pop, and hip-hop. Released during the 2024 Super Bowl, the song, along with "16 Carriages," showcases Beyoncé's versatile musical talent and her ability to bridge diverse musical styles while celebrating her cultural heritage. Details and Themes: "Texas Hold 'Em" stands out with its lively beat and country-inspired rhythms, blending traditional country elements with Beyoncé's unmistakable vocal style. The lyrics invoke imagery of classic country life, including references to Texas, playing cards, and communal dance, all while maintaining Beyoncé's characteristic empowerment and boldness. The song's narrative encourages listeners to embrace the moment, let down their guards, and join in a collective celebration, reminiscent of a country hoedown but with a modern twist. In contrast, "16 Carriages" presents a more melodic and introspective ballad. It explores themes of loss, longing, and reflection, set against a backdrop of a fading sunset and a journey away from dreams. This track complements "Texas Hold 'Em" by showcasing the emotional depth and storytelling characteristic of country music, while still infusing it with Beyoncé's unique sound and perspective. Cultural Impact and Discussion: The release of "Texas Hold 'Em" has reignited conversations about the representation of black artists in country music, a genre historically perceived as predominantly white. Beyoncé's entry into this space is not just a musical crossover but a cultural statement, challenging traditional boundaries and highlighting the African American influences within country music's roots. Critics and fans alike have noted the song's ability to bring attention to black musicians within country music, contributing to a broader appreciation and recognition of their work. Artists like Adia Victoria, Mickey Guyton, and Rissi Palmer, among others, have seen increased listenership and engagement following the song's release, signaling a shift towards more inclusivity in the genre. Moreover, Beyoncé's "Texas Hold 'Em" has sparked discussions on social media and among music industry professionals about what constitutes "authentic" country music and who gets to define it. The song's reception by country radio stations has been mixed, with some embracing the new track and others hesitant to include it in their playlists, reflecting ongoing debates about genre boundaries and artistic identity. Personal and Artistic Significance: Beyoncé's exploration of country music with "Texas Hold 'Em" and "16 Carriages" is also a nod to her Texan roots and personal history. Growing up in Houston, Texas, Beyoncé was exposed to a blend of musical influences, including country, Tejano, and soul, which have all shaped her eclectic musical style. By incorporating elements of country music into her repertoire, Beyoncé is not only paying homage to her heritage but also redefining her artistic expression. The release of these songs and the announcement of her new album "Renaissance: Act II" signify Beyoncé's ongoing evolution as an artist and her commitment to pushing musical boundaries. Her venture into country music exemplifies how she continues to explore new territories, both thematically and sonically, while remaining grounded in her identity and influences. In summary, Beyoncé's "Texas Hold 'Em" is more than just a song; it's a cultural moment that bridges genres, challenges stereotypes, and celebrates the rich tapestry of American music. As she continues to explore the intersections of race, culture, and musical genres, Beyoncé not only enriches her own artistic legacy but also paves the way for future generations of musicians to defy categorization and express their diverse identities. Thanks for listening to Quiet Please. Remember to like and share wherever you get your podcasts. And Hey! History buffs, buckle up! Talking Time Machine isn't your dusty textbook lecture. It's where cutting-edge AI throws wild interview parties with history's iconic figures. In the Talking Time Machine podcast: History Gets a High-Tech Twist, Imagine: Napoleon Bonaparte talking French Politics with Louis the 14th! This podcast is futuristically insightful. Our AI host grills historical legends with questions based on real historical context, leading to surprising, thought-provoking, and often mind-blowing answers. Whether you're a history geek, a tech junkie, or just love a good interview, Talking Time Machine has something for you. Talking Time Machine: search, subscribe and (Listen Now!)

Beyoncé's new song "Texas Hold 'Em" marks a significant foray into the country music genre for the globally renowned artist, known primarily for her roots in R&amp;B, pop, and hip-hop. Released during the 2024 Super Bowl, the song, along with "16 Carriages," showcases Beyoncé's versatile musical talent and her ability to bridge diverse musical styles while celebrating her cultural heritage. Details and Themes: "Texas Hold 'Em" stands out with its lively beat and country-inspired rhythms, blending traditional country elements with Beyoncé's unmistakable vocal style. The lyrics invoke imagery of classic country life, including references to Texas, playing cards, and communal dance, all while maintaining Beyoncé's characteristic empowerment and boldness. The song's narrative encourages listeners to embrace the moment, let down their guards, and join in a collective celebration, reminiscent of a country hoedown but with a modern twist. In contrast, "16 Carriages" presents a more melodic and introspective ballad. It explores themes of loss, longing, and reflection, set against a backdrop of a fading sunset and a journey away from dreams. This track complements "Texas Hold 'Em" by showcasing the emotional depth and storytelling characteristic of country music, while still infusing it with Beyoncé's unique sound and perspective. Cultural Impact and Discussion: The release of "Texas Hold 'Em" has reignited conversations about the representation of black artists in country music, a genre historically perceived as predominantly white. Beyoncé's entry into this space is not just a musical crossover but a cultural statement, challenging traditional boundaries and highlighting the African American influences within country music's roots. Critics and fans alike have noted the song's ability to bring attention to black musicians within country music, contributing to a broader appreciation and recognition of their work. Artists like Adia Victoria, Mickey Guyton, and Rissi Palmer, among others, have seen increased listenership and engagement following the song's release, signaling a shift towards more inclusivity in the genre. Moreover, Beyoncé's "Texas Hold 'Em" has sparked discussions on social media and among music industry professionals about what constitutes "authentic" country music and who gets to define it. The song's reception by country radio stations has been mixed, with some embracing the new track and others hesitant to include it in their playlists, reflecting ongoing debates about genre boundaries and artistic identity. Personal and Artistic Significance: Beyoncé's exploration of country music with "Texas Hold 'Em" and "16 Carriages" is also a nod to her Texan roots and personal history. Growing up in Houston, Texas, Beyoncé was exposed to a blend of musical influences, including country, Tejano, and soul, which have all shaped her eclectic musical style. By incorporating elements of country music into her repertoire, Beyoncé is not only paying homage to her heritage but also redefining her artistic expression. The release of these songs and the announcement of her new album "Renaissance: Act II" signify Beyoncé's ongoing evolution as an artist and her commitment to pushing musical boundaries. Her venture into country music exemplifies how she continues to explore new territories, both thematically and sonically, while remaining grounded in her identity and influences. In summary, Beyoncé's "Texas Hold 'Em" is more than just a song; it's a cultural moment that bridges genres, challenges stereotypes, and celebrates the rich tapestry of American music. As she continues to explore the intersections of race, culture, and musical genres, Beyoncé not only enriches her own artistic legacy but also paves the way for future generations of musicians to defy categorization and express their diverse identities. Thanks for listening to Quiet Please. Remember to like and share wherever you get your podcasts. And Hey! History buffs, buckle up! Talking Time Machine isn't your dusty textbook lecture. It's where cutting-edge AI throws wild interview parties with history's iconic figures. In the Talking Time Machine podcast: History Gets a High-Tech Twist, Imagine: Napoleon Bonaparte talking French Politics with Louis the 14th! This podcast is futuristically insightful. Our AI host grills historical legends with questions based on real historical context, leading to surprising, thought-provoking, and often mind-blowing answers. Whether you're a history geek, a tech junkie, or just love a good interview, Talking Time Machine has something for you. Talking Time Machine: search, subscribe and (Listen Now!)

Beyoncé  and The Magic of Texas Hold 'Em

Ally Hall, Gavin Listro, and Bella Dix break down one song a week and discuss the track's place in the artist's discography, its themes and lyrics, and its personal significance.

I've Got Aux

Join co-hosts Star and Anthony to discover new music, partake in friendly battles, and share moments of laughter and emotion through a themed weekly show. Each week, a theme is chosen for which the co-hosts make a playlist. Whoever is more on theme with their selected songs wins the week's theme. Find us on Instagram at @songdivisionshow and live on goldeneagleradio.org.

Join co-hosts Star and Anthony to discover new music, partake in friendly battles, and share moments of laughter and emotion through a themed weekly show. Each week, a theme is chosen for which the co-hosts make a playlist. Whoever is more on theme with their selected songs wins the week's theme. Find us on Instagram at @songdivisionshow and live on goldeneagleradio.org.

Song Division Show

You are watching only exclusive content with Minar Rahman

You are watching only exclusive content with Minar Rahman

Minar Rahman’s Exclusive With Gaanchill Music

A show on University Radio Falmer where Ren and Teddie interview Brighton-based bands about the city, their music, and maybe a few other things.

A show on University Radio Falmer where Ren and Teddie interview Brighton-based bands about the city, their music, and maybe a few other things.

Brighton's Own

Welcome to ThirdEyeHigh, this is a journey to understanding a world without any realities. We want to represent the community of nerds like only real nerds can do. Lets get lost.

Third Eye High

In “Music mirrors”, le più belle hit musicali ci regalano una fotografia dei nostri tempi. In ogni puntata, il brillante duo radiofonico di Kris &amp; Kris, alias Kristen Grove e Kristen Reichert, si confronta sui trend del momento, tramite le lyrics delle nostre canzoni preferite e i loro messaggi universali. 100% pura magia del pop! Questo podcast è prodotto da Podcastory. I testi sono di Kris &amp; Kris con la supervisione editoriale del team creativo di Podcastory, la regia e il montaggio e sound design sono a cura di Podcastory

In “Music mirrors”, le più belle hit musicali ci regalano una fotografia dei nostri tempi. In ogni puntata, il brillante duo radiofonico di Kris & Kris, alias Kristen Grove e Kristen Reichert, si confronta sui trend del momento, tramite le lyrics delle nostre canzoni preferite e i loro messaggi universali. 100% pura magia del pop!Questo podcast è prodotto da Podcastory. I testi sono di Kris & Kris con la supervisione editoriale del team creativo di Podcastory, la regia e il montaggio e sound design sono a cura di Podcastory

In “Music mirrors”, le più belle hit musicali ci regalano una fotografia dei nostri tempi. In ogni puntata, il brillante duo radiofonico di Kris &amp; Kris, alias Kristen Grove e Kristen Reichert, si confronta sui trend del momento, tramite le lyrics delle nostre canzoni preferite e i loro messaggi universali. 100% pura magia del pop! Questo podcast è prodotto da Podcastory. I testi sono di Kris &amp; Kris con la supervisione editoriale del team creativo di Podcastory, la regia e il montaggio e sound design sono a cura di Podcastory

Music Mirrors

发烧碟是指词曲、演唱、编曲、录音都达到一流境界的唱片品，最早指LP，现在一般指CD，必须是在乐迷和音响发烧友当中引起共鸣、普遍认可的，在音乐性和音响性上达到一定高度的才可以叫“发烧碟”，而要求更高的“发烧天碟”就是这些精品中的精品。

世界著名古典发烧天碟｜耳听盛宴

LQYS

The Independent Musician podcast examines the current music market for independent artists and their music. We'll explore the many issues and opportunities for musicians as well as interviews with those artists, music business executives and fans alike. Our shows will be both informative and fun while providing a current perspective on the music business in general!

The Independent Musician podcast examines the current music market for independent artists and their music. We'll explore the many issues and opportunities for musicians as well as interviews with those artists, music business executives and fans alike. Our shows will be both informative and fun while providing a current perspective on the music business in general!

The Independent Musician

﻿La voix humaine est mystérieuse et son potentiel d'enchantement, extrêmement puissant. 
Après plus de 20 ans de pratique professionnelle, Angélique ne cesse de découvrir ses secrets et ses richesse cachées.  
Si vous êtes curieux de nature, si vous souhaitez connaître les ressorts de la vocalité et du chant, mais surtout si vous souhaitez avoir un plus grand impact grâce à votre voix, écoutez chaque semaine, le podcast Philomela - pour les amoureux de la voix 
Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.

﻿La voix humaine est mystérieuse et son potentiel d'enchantement, extrêmement puissant. Après plus de 20 ans de pratique professionnelle, Angélique ne cesse de découvrir ses secrets et ses richesse cachées. Si vous êtes curieux de nature, si vous souhaitez connaître les ressorts de la vocalité et du chant, mais surtout si vous souhaitez avoir un plus grand impact grâce à votre voix, écoutez chaque semaine, le podcast Philomela - pour les amoureux de la voix Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.

La voix humaine est mystérieuse et son potentiel d'enchantement, extrêmement puissant.&nbsp;
Après plus de 20 ans de pratique professionnelle, Angélique ne cesse de découvrir ses secrets et ses richesse cachées. &nbsp;
Si vous êtes curieux de nature, si vous souhaitez connaître les ressorts de la vocalité et du chant, mais surtout si vous souhaitez avoir un plus grand impact grâce à votre voix, écoutez chaque semaine, le podcast Philomela - pour les amoureux de la voix&nbsp;
Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.

Music Commentary Podcasts / Page 272

The great Daintz

Music By Arijit

Who's Hoo

花恒儿|好听的即兴钢琴曲

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Trobairitz del Bosque

The Morning Drive with The Flying Dutchman & Lavinia

茵茵想講咩？

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simplemente el podcast

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Classeek 15'

Anonima Cassette

Crack The Record

Lyricamentehablando

When Records Ruled

Voorbij de oren

Supla-Richie-test

unreleased sab

Schleepy Timeless Phillip Island

66 Degrees of Sound

Beyoncé and The Magic of Texas Hold 'Em

I've Got Aux

Song Division Show

Minar Rahman’s Exclusive With Gaanchill Music

Brighton's Own

Third Eye High

Music Mirrors

世界著名古典发烧天碟｜耳听盛宴

LQYS

The Independent Musician

Philomela: pour les amoureux de la voix!

Sakin - Bizim Değil

Craft Conversationz

Those silly songs that i don’t find here…

Radio Logroño

spam

Bobsledhuny

Worst Favorite Record

Blind Ears

Ok, Real Quick!

CURRENT with Insical

Onde Indie Pendenti

VOXX

Songwriting Contest

Evolved Evo-Sonic Radio

Tumbao On Air