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My HostGator Blog

Hij inspireerde mensen als Paul McCartney, Björk en David Bowie en wordt gezien als pionier van de elektronische muziek: Karlheinz Stockhausen. 

De vijfdelige podcastserie ‘Karlheinz’ van NPO Klassiek presentator Beitske de Jong bestaat uit openhartige en verdiepende gesprekken over het leven en werk van deze bijzondere componist, met mensen die Karlheinz Stockhausen persoonlijk hebben gekend. Na het horen van deze serie luister je heel anders naar de muziek van Stockhausen. Aanleiding voor de totstandkoming van deze serie is de uitvoering van 'aus LICHT' bij De Nationale Opera op het Holland Festival 2019.

Hij inspireerde mensen als Paul McCartney, Björk en David Bowie en wordt gezien als pionier van de elektronische muziek: Karlheinz Stockhausen. De vijfdelige podcastserie ‘Karlheinz’ van NPO Klassiek presentator Beitske de Jong bestaat uit openhartige en verdiepende gesprekken over het leven en werk van deze bijzondere componist, met mensen die Karlheinz Stockhausen persoonlijk hebben gekend. Na het horen van deze serie luister je heel anders naar de muziek van Stockhausen. Aanleiding voor de totstandkoming van deze serie is de uitvoering van 'aus LICHT' bij De Nationale Opera op het Holland Festival 2019.

Karlheinz

Moderátor Rádia Impuls Fanda Matějíček obdivuje znalosti nestora české muziky Pepy Vlčka a nebojí se ho zeptat. Vzlety, pády, eskapády, od současnosti zpátky do 60. let a někdy i mnohem dál.Historie známá i historky dávno zapomenuté. Když se ti dva potkají, encyklopedie české muziky dostávají na frak:)

Pepa Vlček a jeho Fanda

Avec ce podcast « L’orgue dans tous ses états » je veux, comme le titre l’indique, faire entendre l’orgue sous toutes les formes possibles, avec orchestre, avec chœur, seul, dans du répertoire, des transcriptions, en formation de chambre...

L'orgue dans tous ses états

Voltado para os amantes do vinil e da boa música, composto por Dj's profissionais, amadores e colecionadores que por afinidade se reúnem em prol do Vinil. Amigos do Vinil JPA é um grupo bem eclético musicalmente com o intuído de levar à cultura musical que rolou nos anos 70 até os dias de hoje pelas danceterias e noite de vários pontos, não deixando essa essência morrer, porque o vinil ainda respira.

Amigos do Vinil

Registers,singing,storys...Everyday a different way...

Jeane Br

Um podcast de História da Música Brasileira

Fulano Falano Podcast

'Crafting Musical Lives' is a podcast that centres on the creation of biographical narratives pertaining to musicians throughout the ages. Join Nicholas Ong, Terrence Wong, and their guests in exploring the process of life-writing and the methods adopted by biographers to create a comprehensive account of the lives of musicians.

Crafting Musical Lives

Brutti ma simpatici è quello che ti serve dopo una dura giornata: zero problemi, zero discussioni. Stefano Ferrari, Pietro e Gianluca Pacini sono diversamente belli ma, del resto, non è questo che conta. Simpatici? Forse... Ma almeno ci provano. Dalle 18 alle 20, Brutti ma simpatici basta e avanza: giochi, informazione autorevole con la redazione di Radio Company e la musica che non ti aspetti. Fidati. Del resto, che mondo sarebbe senza Radio Company?

Brutti ma Simpatici

Demli Hikayeler sanatın her alanında, satır aralarına gizlenmis anektodlardan beslenen ve harmanladıgı bu kıymetli bilgileri okuyucu ve dinleyicisi ile buluşturmaya calısan bir icerik sayfasıdır...

DEMLI HIKAYELER

Lyt med når programmets vært Alexander Wilstrup tager dig  med ind i den obskure og for evigt voksende verden af plader og god musik. Alexander er vokset op med plader omkring sig og samlingen er kun vokset med årene. Når Alexander støder på et område indenfor musik så kribler det i de pladegravende fingre og inden længe er han forsvundet dybt ind i den obskure verden denne musik bringer med sig. 

Så Put Pladen På! & Lyt med når vi dykker ned i musikken.

Lyt med når programmets vært Alexander Wilstrup tager dig med ind i den obskure og for evigt voksende verden af plader og god musik. Alexander er vokset op med plader omkring sig og samlingen er kun vokset med årene. Når Alexander støder på et område indenfor musik så kribler det i de pladegravende fingre og inden længe er han forsvundet dybt ind i den obskure verden denne musik bringer med sig. Så Put Pladen På! & Lyt med når vi dykker ned i musikken.

Lyt med når programmets vært Alexander Wilstrup tager dig  med ind i den obskure og for evigt voksende verden af plader og god musik. Alexander er vokset op med plader omkring sig og samlingen er kun vokset med årene. Når Alexander støder på et område indenfor musik så kribler det i de pladegravende fingre og inden længe er han forsvundet dybt ind i den obskure verden denne musik bringer med sig. 

Så Put Pladen På! &amp; Lyt med når vi dykker ned i musikken.

Put Pladen På

Onda su onda: il contenitore di fine mattinata con Cristina Dori e Leonardo Feltrin tra -selfie whatsapp- degli ascoltatori che raccontano in tempo reale cosa stanno facendo, dichiarazioni dâ€™amore con TVB, sfoghi personali con TDK e divertenti interazioni per ridere CON voi.

Benvenuti a Bordo

Mano dry no jogo envolvido até o pescoço contando histórias da minha vida

Vivência das áreas

Country, Bluegrass, Rockabilly and Western Swing Radio

Welcome to Mitchellville

Este podcast va a tratar sobre las características del canto

Historia del canto

Venez me découvrir avec des podcasts et des chansons

David Roffat

Artistas de Nuestro Folklóre Colombovenezolano con REMIX PUBLICITARIOS en nuestra Programación. Nuestro número para sus mensajes y complacencias: +584145912576. Nuestro Correo: llanosabanaycopla7@gmail.com. Arrrpaaa joropo suela y bucheee. Un fuerte abrazo mi Hermosa Gente y muchas Gracias por Sintonizarnos.......

Folklorisima Online, Llano Sabana y Copla, Con La Conducción De: Daime Brito, El Coplero 5 Estrellas

In de podcast “Als Muren Konden Praten” neemt presentator Justin Verkijk (bekend van NTR show the Beat op 3FM) je mee naar de legendarisch clubs die Nederland heeft gekend. In 6 afleveringen gaan we terug in de tijd, naar verschillende steden. Naar iconische plekken waar DJ’s leerden draaien, nieuwe genres werden ontdekt en waar bezoekers hun zorgen bij de deur konden achterlaten en konden zijn wie ze wilden zijn.

Als Muren Konden Praten

DISCO REKORD   Conduzione e Regia di  Jerry Pasquale Di Maio DISCO REKORD ovvero Raccontaci il tuo disco, ogni settimana un ospite in Studio ci racconta  il DISCO che gli ha cambiato la vita, EMOZIONI  MUSICALI ALLO STATO PURO   In diretta su Facebook e in replica tutti i giovedi alle ore 21 su www.radioflyweb.it

DISCO REKORD Conduzione e Regia di Jerry Pasquale Di MaioDISCO REKORD ovvero Raccontaci il tuo disco, ogni settimana un ospite in Studio ci racconta il DISCO che gli ha cambiato la vita, EMOZIONI MUSICALI ALLO STATO PURO In diretta su Facebook e in replica tutti i giovedi alle ore 21 su www.radioflyweb.it

DISCO REKORD&nbsp; &nbsp;Conduzione e Regia di&nbsp; Jerry Pasquale Di Maio DISCO REKORD ovvero Raccontaci il tuo disco, ogni settimana un ospite in Studio ci racconta&nbsp; il DISCO che gli ha cambiato la vita, EMOZIONI&nbsp; MUSICALI ALLO STATO PURO&nbsp;&nbsp; In diretta su Facebook e in replica tutti i giovedi alle ore 21 su www.radioflyweb.it

DISCO REKORD

Howes It Done

Officina del suono

The best interviews, reviews and songs , along classic rock tunes, and modern metal.

The Andy Fox Rock Show

VIDHUR

An archive of jazz radio programs focused on intensive in-depth looks at great themes from jazz history. Winner of the Jazz Journalist Association Award for Career Excellence, Sid has been broadcasting for over 40 years on WKCR-FM, NYC. He was also voted ’Best Jazz DJ’ by the Village Voice in its 2008 Best Of NY Issue.


Browse the dozens of episodes by scrolling down on this page. Or for an artists’ index, copy this address into your browser: gonesounds.weeblysite.com/

An archive of jazz radio programs focused on intensive in-depth looks at great themes from jazz history. Winner of the Jazz Journalist Association Award for Career Excellence, Sid has been broadcasting for over 40 years on WKCR-FM, NYC. He was also voted ’Best Jazz DJ’ by the Village Voice in its 2008 Best Of NY Issue. Browse the dozens of episodes by scrolling down on this page. Or for an artists’ index, copy this address into your browser: gonesounds.weeblysite.com/

The Gone Sounds of Jazz with Sid Gribetz

Dans cette émission spéciale Saint-Valentin Jean-Pierre Pasqualini et Gilles Farina-Vallé reviennent sur les prénoms de l'amour dans la chanson française ! Nathalie, Émilie ou Nicolas le votre sera-t-il dans la sélection Melody Tv et Melody Radio ?

Les prénoms de l'amour

Une salle de concert musiques actuelles qui produit un podcast, l'occasion d'en apprendre plus sur cette industrie, ses avancées, ses questionnements.<hr> Hébergé par Acast. Visitez <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> pour plus d'informations.

Une salle de concert musiques actuelles qui produit un podcast, l'occasion d'en apprendre plus sur cette industrie, ses avancées, ses questionnements. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Une salle de concert musiques actuelles qui produit un podcast, l'occasion d'en apprendre plus sur cette industrie, ses avancées, ses questionnements. Hébergé par Acast. Visitez <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> pour plus d'informations.

Le Gueulard Plus

Tout a commencé avec le Cap Ferret Music Festival:

Né de la rencontre en 2010 entre Hélène Berger, pianiste concertiste et Michel Sammarcelli, Maire de Lège-Cap-Ferret en Gironde, le Cap Ferret Music Festival est un des grands évènements de la Nouvelle Aquitaine et du Bassin d’Arcachon. A dominante classique, mais également avec du jazz ou d’autres styles de musique, il accueille plus de 10 000 spectateurs par an à l’ouverture de la saison d’été dans les plus beaux sites naturels de la Presqu’île.

Son association "Sons d'Avril", composée d'une cinquantaine de bénévoles, est reconnue d'intérêt général. Son Académie Internationale, en collaboration artistique avec plusieurs grands concours internationaux, accueille 80 stagiaires pour les masterclasses des artistes du festival. Le concours du Festival, le Cap Ferret Music Open, est un rail de lancement pour les jeunes artistes. .La mission pédagogique est également destinée aux plus jeunes avec en gratuité complète des ateliers découvertes, des extras sous forme de concerts décontractés et des concerts jeune public.

Depuis 2011, 330 artistes et jeunes talents provenant de 27 pays dont 5 victoires de la Musique sur 23 kilomètres de pure beauté. Les parrains du festival et de l’Académie Internationale sont François-René Duchable et Aquiles Delle Vigne.




Depuis le Cap Ferret Music Festival 2022, Stéphane Friederich aborde avec ses invités différents sujets autour de la musique. 




Lorène Carpenter-Alins assure avec son équipe de la société Zeuxo Productions la réalisation et la production de ce podcast.




Stéphane Friederich a travaillé à l’Orchestre de Paris puis à l’Orchestre symphonique Français. Journaliste à la Lettre du Musicien et au mensuel Classica, il a dirigé le magazine Pianiste. Il est actuellement directeur artistique des concerts de Midi &amp; Demi de la Salle Cortot pour l’Ecole Normale de musique de Paris. Par ailleurs, il mène une activité de conférencier et de rédacteur pour divers orchestres et labels de disques. Il a publié une biographie consacrée à Gustave Mahler (Editions Actes Sud) ainsi qu’un livre d’entretiens “À l’orgue de Notre-Dame” avec l’organiste Olivier Latry (Éditions Salvator).  




Hélène Berger

Fondatrice et Directrice du Cap Ferret Music Festival Festival et du Cap Ferret Music Open.

Présidente de l’Association Sons d’Avril.

Pianiste concertiste,

Vice-Présidente du Concours Bellan.

Jury international et professeur titulaire GPSO. 




Michel Sammarcelli

Maire de Lège-Cap Ferret de 1995 à 2020.

Vice-Président du SIBA.

Vice-Président de la CCI de Bordeaux (1989-1994).

Président du Port Autonome de Bordeaux (1997-2005).

Conseiller régional de 2004 à 2010. 




Philippe de Gonneville

Maire de Lège-Cap Ferret élu en 2020.

1er Vice-président du SIBA.

Vice-président de la COBAN.

Conseiller départemental du canton
Andernos-les-Bains.


Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.

Tout a commencé avec le Cap Ferret Music Festival: Né de la rencontre en 2010 entre Hélène Berger, pianiste concertiste et Michel Sammarcelli, Maire de Lège-Cap-Ferret en Gironde, le Cap Ferret Music Festival est un des grands évènements de la Nouvelle Aquitaine et du Bassin d’Arcachon. A dominante classique, mais également avec du jazz ou d’autres styles de musique, il accueille plus de 10 000 spectateurs par an à l’ouverture de la saison d’été dans les plus beaux sites naturels de la Presqu’île. Son association "Sons d'Avril", composée d'une cinquantaine de bénévoles, est reconnue d'intérêt général. Son Académie Internationale, en collaboration artistique avec plusieurs grands concours internationaux, accueille 80 stagiaires pour les masterclasses des artistes du festival. Le concours du Festival, le Cap Ferret Music Open, est un rail de lancement pour les jeunes artistes. .La mission pédagogique est également destinée aux plus jeunes avec en gratuité complète des ateliers découvertes, des extras sous forme de concerts décontractés et des concerts jeune public. Depuis 2011, 330 artistes et jeunes talents provenant de 27 pays dont 5 victoires de la Musique sur 23 kilomètres de pure beauté. Les parrains du festival et de l’Académie Internationale sont François-René Duchable et Aquiles Delle Vigne. Depuis le Cap Ferret Music Festival 2022, Stéphane Friederich aborde avec ses invités différents sujets autour de la musique. Lorène Carpenter-Alins assure avec son équipe de la société Zeuxo Productions la réalisation et la production de ce podcast. Stéphane Friederich a travaillé à l’Orchestre de Paris puis à l’Orchestre symphonique Français. Journaliste à la Lettre du Musicien et au mensuel Classica, il a dirigé le magazine Pianiste. Il est actuellement directeur artistique des concerts de Midi & Demi de la Salle Cortot pour l’Ecole Normale de musique de Paris. Par ailleurs, il mène une activité de conférencier et de rédacteur pour divers orchestres et labels de disques. Il a publié une biographie consacrée à Gustave Mahler (Editions Actes Sud) ainsi qu’un livre d’entretiens “À l’orgue de Notre-Dame” avec l’organiste Olivier Latry (Éditions Salvator). Hélène Berger Fondatrice et Directrice du Cap Ferret Music Festival Festival et du Cap Ferret Music Open. Présidente de l’Association Sons d’Avril. Pianiste concertiste, Vice-Présidente du Concours Bellan. Jury international et professeur titulaire GPSO. Michel Sammarcelli Maire de Lège-Cap Ferret de 1995 à 2020. Vice-Président du SIBA. Vice-Président de la CCI de Bordeaux (1989-1994). Président du Port Autonome de Bordeaux (1997-2005). Conseiller régional de 2004 à 2010. Philippe de Gonneville Maire de Lège-Cap Ferret élu en 2020. 1er Vice-président du SIBA. Vice-président de la COBAN. Conseiller départemental du canton Andernos-les-Bains. Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.

Tout a commencé avec le Cap Ferret Music Festival:

Né de la rencontre en 2010 entre Hélène Berger, pianiste concertiste et Michel Sammarcelli, Maire de Lège-Cap-Ferret en Gironde, le Cap Ferret Music Festival est un des grands évènements de la Nouvelle Aquitaine et du Bassin d’Arcachon. A dominante classique, mais également avec du jazz ou d’autres styles de musique, il accueille plus de 10 000 spectateurs par an à l’ouverture de la saison d’été dans les plus beaux sites naturels de la Presqu’île.

Son association "Sons d'Avril", composée d'une cinquantaine de bénévoles, est reconnue d'intérêt général. Son Académie Internationale, en collaboration artistique avec plusieurs grands concours internationaux, accueille 80 stagiaires pour les masterclasses des artistes du festival. Le concours du Festival, le Cap Ferret Music Open, est un rail de lancement pour les jeunes artistes. .La mission pédagogique est également destinée aux plus jeunes avec en gratuité complète des ateliers découvertes, des extras sous forme de concerts décontractés et des concerts jeune public.

Depuis 2011, 330 artistes et jeunes talents provenant de 27 pays dont 5 victoires de la Musique sur 23 kilomètres de pure beauté. Les parrains du festival et de l’Académie Internationale sont François-René Duchable et Aquiles Delle Vigne.




Depuis le Cap Ferret Music Festival 2022, Stéphane Friederich aborde avec ses invités différents sujets autour de la musique.&nbsp;




Lorène Carpenter-Alins assure avec son équipe de la société Zeuxo Productions la réalisation et la production de ce podcast.




Stéphane Friederich a travaillé à l’Orchestre de Paris puis à l’Orchestre symphonique Français. Journaliste à la Lettre du Musicien et au mensuel Classica, il a dirigé le magazine Pianiste. Il est actuellement directeur artistique des concerts de Midi &amp; Demi de la Salle Cortot pour l’Ecole Normale de musique de Paris. Par ailleurs, il mène une activité de conférencier et de rédacteur pour divers orchestres et labels de disques. Il a publié une biographie consacrée à Gustave Mahler (Editions Actes Sud) ainsi qu’un livre d’entretiens “À l’orgue de Notre-Dame” avec l’organiste Olivier Latry (Éditions Salvator). &nbsp;




Hélène Berger

Fondatrice et Directrice du Cap Ferret Music Festival Festival et du Cap Ferret Music Open.

Présidente de l’Association Sons d’Avril.

Pianiste concertiste,

Vice-Présidente du Concours Bellan.

Jury international et professeur titulaire GPSO.&nbsp;




Michel Sammarcelli

Maire de Lège-Cap Ferret de 1995 à 2020.

Vice-Président du SIBA.

Vice-Président de la CCI de Bordeaux (1989-1994).

Président du Port Autonome de Bordeaux (1997-2005).

Conseiller régional de 2004 à 2010.&nbsp;




Philippe de Gonneville

Maire de Lège-Cap Ferret élu en 2020.

1er Vice-président du SIBA.

Vice-président de la COBAN.

Conseiller départemental du canton
Andernos-les-Bains.


Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.

Cap Ferret Musical

Insane solo from Prince in the second half of the song

Insane solo from Prince in the second half of the song

While My Guitar Gently Wheeps (Prince Solo)

Rhythm and Roots podcast focuses on in-depth, sit-down interviews with local musicians and artists in Lubbock, TX. We also take a look at the venues that support live music!&nbsp; We interview guests all over the State of Texas, but our primary focus is West Texas.&nbsp; West Texas has a rich, deep rooted musical history and we want the world to hear our story!!&nbsp; Show content will include interviews with musicians, songwriters, live music venues, recording studios, and lots more!!&nbsp; If you would like to be a guest on our show, please email us at Rhythmandrootslbk@gmail.com. &nbsp;

Rhythm and Roots podcast focuses on in-depth, sit-down interviews with local musicians and artists in Lubbock, TX. We also take a look at the venues that support live music!  We interview guests all over the State of Texas, but our primary focus is West Texas.  West Texas has a rich, deep rooted musical history and we want the world to hear our story!!  Show content will include interviews with musicians, songwriters, live music venues, recording studios, and lots more!!  If you would like to be a guest on our show, please email us at Rhythmandrootslbk@gmail.com.  

Rhythm and Roots

Inventive Magazine

The first ever video&nbsp;podcast&nbsp;for barbershop - Discussion, fails, live performances, reactions.<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

The first ever video podcast for barbershop - Discussion, fails, live performances, reactions. Hosted on Acast. See acast.com/privacy for more information.

The first ever video&nbsp;podcast&nbsp;for barbershop - Discussion, fails, live performances, reactions. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

7th Hour Podcast

這裡不講古典樂

1976 Archives – How Good It Is

Playboi Carti: Hip Hop's Punk Prince Pioneering the Sound of Underground Trap Rage and Redemption Bursting onto hip hop’s chaotic avant-garde landscape early last decade cloaked ominously yet playfully in Satanic imagery and shrouded behind enigmatic public presence, Atlanta phenom Playboi Carti manifested seemingly overnight as newly christened prince expanding trap music’s outermost experimental fringes. Backed by raw magnetism fusing unhinged punk fury with serpentine adlib invention over haunting minimalist production, the unconventional MC born Jordan Terrell Carter quickly galvanized youthfully nihilistic followers into rapt cult fervor through iconic mixtape Playboi Carti and crossover magnum opus Die Lit while continuously disrupting conventions bending genre limits at every turn henceforth. Much as predecessor trailblazers Lil Wayne and Young Thug before him dissolved rigid hip-hop formulas by embracing resonant nonsense brimming with pure preternatural artistry, Playboi Carti similarly conquered through sheer prolificacy and slippery vocal virtuosity rather than dense lyrical substance. Yet beyond the hypnotic baby-voiced delivery scattering non-sequitur one-liners like hailstorm machine gun scattershot over creepily melodic trap instrumentals lays profound substance evangelizing for a disaffected generation discovering agency through embracing identity multitudes rather than self-censoring strange brilliance to conform with societal molds. Because for myriad alienated acolytes gravitationally pulled into Playboi Carti’s orbit coalescing around 2018’s Die Lit before culminating with Whole Lotta Red’s era-crowning punk apotheosis, this belovedPrince presents living permission tearing down limiting walls that often stunt free soulful becoming by mere strange difference. Like some candy-coated cipher translating trauma into liberating personal mythology reframing pain as magical armor, Carti renders being gloriously misunderstood as a blessing, not a curse for outcasts battered but still breathing. His divine flock need only pledge allegiance celebrating glorious freak flags held high and obsessions cultivated to theater at Carti’s carnivalesque feet. The prodigy found an early baptism by fire that fuels Carti’s music reflecting past and present demons alike still requiring exorcism. Born in 1996 becoming immersed by middle school in Atlanta’s emergent hip hop underground birthing luminaries like Lil Yachty and Young Thug alongside producers Icytwat and Mexikodro, Carter wandered seeking purpose torn between music and basketball pathways before high school ended. Hardscrabble stability was lacking for Carti bouncing homes and even schools far too often to focus ambitions beyond survival, already gravitating by 16 toward mischief and temptation from peers already embracing trap life hustles luring fast fame and money seemingly beyond reach honestly. Yet destiny called Carter toward nobler arts after early collaborations birthed immediate viral hits locally - an organic grassroots groundswell propelling the prodigy far from limited horizons once temporarily resigned from accepting. New York connections soon fostered through happenstance chemistry with A$AP Mob artists captivated by this enigmatic wunderkind already displaying game-changing flair. After personal turbulence entering adulthood chased ambitions briefly off-track, Carti ultimately committed to fully manifesting his long-percolating musical gifts just as cultural acceleration craved his wizardry. Those earliest formative chapters navigating chaotic identity navigation and industry labyrinths while laying musical foundations clearly cast the longest shadows still reflected throughout Carti’s sprawling mythology. Early music centered parties and earthly pleasures as escapism coping, yet violent demons and paranoia of dishonest forces seeking his unmaking emerged in later anthems highlighting the immense weight shouldered forging independent power against destructive shadows constantly encroaching. Yet from fire and fury birthed beauty still - chrysalis dark nights transformed nexus for connections creating Chosen Family lifelines together facing storms in solidarity henceforth. Once immersed in relocating to Los Angeles circa 2018 upon Die Lit's launch cemented elite icon status, Playboi Carti attracted creative collaborators like executive producer Pi’erre Bourne plus rap luminaries Travis Scott and Solange crafting integral extensions Carti’s trademark soundscapes fused with erudite exploration embracing questions of purpose at fame’s hollow peak. During marathon recording sessions birthed legendary leaked singles like fan favorite “Kid Cudi” dropped ceremoniously Christmas 2020 heralding the Second Coming fulfilled through epic magnum opus Whole Lotta Red. With a messianic return, Playboi Carti fully emerged reborn as an abstract hip hop soothsayer consecrating punk's holy wedding. Two years removed since last releasing new material, Red’s Day arrival sparked bedlam delivering the long-awaited narrative arc epiphany. Through the project Carti undergoes a symbolic death and spiritual rebirth painfully shedding externally defined masks to wholly reconnect with the sacred creative nucleus at his core - that wide-eyed kid wandering Atlanta’s Metropolitan Parkway immersed in destiny’s flow state. Transcending worldly constraints as true destiny’s child once more, Carti summons profound full-circle redemption powerfully healing and elevating generations of lost lambs through relatable catharsis. Yet four years henceforth since coronating hip hop’s new royal mythology expanding notions of black avant-garde expression, Playboi Carti remains characteristically elusive about precise artistic direction beyond sporadic cameo universe expansion appearances. Momentum still exponentially multiplies though from internet rumblings and musical breadcrumbs suggesting significant next chapters arriving imminently. As the latest headlines around legal turmoil and headlines sadly attest, the crown yet weighs heavy on this conflicted prince still navigating destiny’s precarious tightrope balancing soaring creative euphoria chasing earthbound stability further outreach daily. One prays Carti’s better angels prevail mastering righteous balance helping similarly vulnerable angels find righteous wings. Through poetry profound and pain alike alchemized into liberating art, Playboi Carti’s is divinely misunderstood. Thanks for listening to Quiet Please. Remember to like and share wherever you get your podcasts. And Hey! History buffs, buckle up! Talking Time Machine isn't your dusty textbook lecture. It's where cutting-edge AI throws wild interview parties with history's iconic figures. In the Talking Time Machine podcast: History Gets a High-Tech Twist, Imagine: Napoleon Bonaparte talking French Politics with Louis the 14th! This podcast is futuristically insightful. Our AI host grills historical legends with questions based on real historical context, leading to surprising, thought-provoking, and often mind-blowing answers. Whether you're a history geek, a tech junkie, or just love a good interview, Talking Time Machine has something for you. Talking Time Machine: search, subscribe and (Listen Now!)

Playboi Carti: Hip Hop's Punk Prince Pioneering the Sound of Underground Trap Rage and Redemption Bursting onto hip hop’s chaotic avant-garde landscape early last decade cloaked ominously yet playfully in Satanic imagery and shrouded behind enigmatic public presence, Atlanta phenom Playboi Carti manifested seemingly overnight as newly christened prince expanding trap music’s outermost experimental fringes. Backed by raw magnetism fusing unhinged punk fury with serpentine adlib invention over haunting minimalist production, the unconventional MC born Jordan Terrell Carter quickly galvanized youthfully nihilistic followers into rapt cult fervor through iconic mixtape Playboi Carti and crossover magnum opus Die Lit while continuously disrupting conventions bending genre limits at every turn henceforth. Much as predecessor trailblazers Lil Wayne and Young Thug before him dissolved rigid hip-hop formulas by embracing resonant nonsense brimming with pure preternatural artistry, Playboi Carti similarly conquered through sheer prolificacy and slippery vocal virtuosity rather than dense lyrical substance. Yet beyond the hypnotic baby-voiced delivery scattering non-sequitur one-liners like hailstorm machine gun scattershot over creepily melodic trap instrumentals lays profound substance evangelizing for a disaffected generation discovering agency through embracing identity multitudes rather than self-censoring strange brilliance to conform with societal molds. Because for myriad alienated acolytes gravitationally pulled into Playboi Carti’s orbit coalescing around 2018’s Die Lit before culminating with Whole Lotta Red’s era-crowning punk apotheosis, this belovedPrince presents living permission tearing down limiting walls that often stunt free soulful becoming by mere strange difference. Like some candy-coated cipher translating trauma into liberating personal mythology reframing pain as magical armor, Carti renders being gloriously misunderstood as a blessing, not a curse for outcasts battered but still breathing. His divine flock need only pledge allegiance celebrating glorious freak flags held high and obsessions cultivated to theater at Carti’s carnivalesque feet. The prodigy found an early baptism by fire that fuels Carti’s music reflecting past and present demons alike still requiring exorcism. Born in 1996 becoming immersed by middle school in Atlanta’s emergent hip hop underground birthing luminaries like Lil Yachty and Young Thug alongside producers Icytwat and Mexikodro, Carter wandered seeking purpose torn between music and basketball pathways before high school ended. Hardscrabble stability was lacking for Carti bouncing homes and even schools far too often to focus ambitions beyond survival, already gravitating by 16 toward mischief and temptation from peers already embracing trap life hustles luring fast fame and money seemingly beyond reach honestly. Yet destiny called Carter toward nobler arts after early collaborations birthed immediate viral hits locally - an organic grassroots groundswell propelling the prodigy far from limited horizons once temporarily resigned from accepting. New York connections soon fostered through happenstance chemistry with A$AP Mob artists captivated by this enigmatic wunderkind already displaying game-changing flair. After personal turbulence entering adulthood chased ambitions briefly off-track, Carti ultimately committed to fully manifesting his long-percolating musical gifts just as cultural acceleration craved his wizardry. Those earliest formative chapters navigating chaotic identity navigation and industry labyrinths while laying musical foundations clearly cast the longest shadows still reflected throughout Carti’s sprawling mythology. Early music centered parties and earthly pleasures as escapism coping, yet violent demons and paranoia of dishonest forces seeking his unmaking emerged in later anthems highlighting the immense weight shouldered forging independent power against destructive shadows constantly encroaching. Yet from fire and fury birthed beauty still - chrysalis dark nights transformed nexus for connections creating Chosen Family lifelines together facing storms in solidarity henceforth. Once immersed in relocating to Los Angeles circa 2018 upon Die Lit's launch cemented elite icon status, Playboi Carti attracted creative collaborators like executive producer Pi’erre Bourne plus rap luminaries Travis Scott and Solange crafting integral extensions Carti’s trademark soundscapes fused with erudite exploration embracing questions of purpose at fame’s hollow peak. During marathon recording sessions birthed legendary leaked singles like fan favorite “Kid Cudi” dropped ceremoniously Christmas 2020 heralding the Second Coming fulfilled through epic magnum opus Whole Lotta Red. With a messianic return, Playboi Carti fully emerged reborn as an abstract hip hop soothsayer consecrating punk's holy wedding. Two years removed since last releasing new material, Red’s Day arrival sparked bedlam delivering the long-awaited narrative arc epiphany. Through the project Carti undergoes a symbolic death and spiritual rebirth painfully shedding externally defined masks to wholly reconnect with the sacred creative nucleus at his core - that wide-eyed kid wandering Atlanta’s Metropolitan Parkway immersed in destiny’s flow state. Transcending worldly constraints as true destiny’s child once more, Carti summons profound full-circle redemption powerfully healing and elevating generations of lost lambs through relatable catharsis. Yet four years henceforth since coronating hip hop’s new royal mythology expanding notions of black avant-garde expression, Playboi Carti remains characteristically elusive about precise artistic direction beyond sporadic cameo universe expansion appearances. Momentum still exponentially multiplies though from internet rumblings and musical breadcrumbs suggesting significant next chapters arriving imminently. As the latest headlines around legal turmoil and headlines sadly attest, the crown yet weighs heavy on this conflicted prince still navigating destiny’s precarious tightrope balancing soaring creative euphoria chasing earthbound stability further outreach daily. One prays Carti’s better angels prevail mastering righteous balance helping similarly vulnerable angels find righteous wings. Through poetry profound and pain alike alchemized into liberating art, Playboi Carti’s is divinely misunderstood. Thanks for listening to Quiet Please. Remember to like and share wherever you get your podcasts. And Hey! History buffs, buckle up! Talking Time Machine isn't your dusty textbook lecture. It's where cutting-edge AI throws wild interview parties with history's iconic figures. In the Talking Time Machine podcast: History Gets a High-Tech Twist, Imagine: Napoleon Bonaparte talking French Politics with Louis the 14th! This podcast is futuristically insightful. Our AI host grills historical legends with questions based on real historical context, leading to surprising, thought-provoking, and often mind-blowing answers. Whether you're a history geek, a tech junkie, or just love a good interview, Talking Time Machine has something for you. Talking Time Machine: search, subscribe and (Listen Now!)

Playboi Carti: Hip Hop's Punk Prince Pioneering the Sound of Underground Trap Rage and Redemption Bursting onto hip hop’s chaotic avant-garde landscape early last decade cloaked ominously yet playfully in Satanic imagery and shrouded behind enigmatic public presence, Atlanta phenom Playboi Carti manifested seemingly overnight as newly christened prince expanding trap music’s outermost experimental fringes. Backed by raw magnetism fusing unhinged punk fury with serpentine adlib invention over haunting minimalist production, the unconventional MC born Jordan Terrell Carter quickly galvanized youthfully nihilistic followers into rapt cult fervor through iconic mixtape Playboi Carti and crossover magnum opus Die Lit while continuously disrupting conventions bending genre limits at every turn henceforth. Much as predecessor trailblazers Lil Wayne and Young Thug before him dissolved rigid hip-hop formulas by embracing resonant nonsense brimming with pure preternatural artistry, Playboi Carti similarly conquered through sheer prolificacy and slippery vocal virtuosity rather than dense lyrical substance. Yet beyond the hypnotic baby-voiced delivery scattering non-sequitur one-liners like hailstorm machine gun scattershot over creepily melodic trap instrumentals lays profound substance evangelizing for a disaffected generation discovering agency through embracing identity multitudes rather than self-censoring strange brilliance to conform with societal molds. Because for myriad alienated acolytes gravitationally pulled into Playboi Carti’s orbit coalescing around 2018’s Die Lit before culminating with Whole Lotta Red’s era-crowning punk apotheosis, this belovedPrince presents living permission tearing down limiting walls that often stunt free soulful becoming by mere strange difference. Like some candy-coated cipher translating trauma into liberating personal mythology reframing pain as magical armor, Carti renders being gloriously misunderstood as a blessing, not a curse for outcasts battered but still breathing. His divine flock need only pledge allegiance celebrating glorious freak flags held high and obsessions cultivated to theater at Carti’s carnivalesque feet. The prodigy found an early baptism by fire that fuels Carti’s music reflecting past and present demons alike still requiring exorcism. Born in 1996 becoming immersed by middle school in Atlanta’s emergent hip hop underground birthing luminaries like Lil Yachty and Young Thug alongside producers Icytwat and Mexikodro, Carter wandered seeking purpose torn between music and basketball pathways before high school ended. Hardscrabble stability was lacking for Carti bouncing homes and even schools far too often to focus ambitions beyond survival, already gravitating by 16 toward mischief and temptation from peers already embracing trap life hustles luring fast fame and money seemingly beyond reach honestly. Yet destiny called Carter toward nobler arts after early collaborations birthed immediate viral hits locally - an organic grassroots groundswell propelling the prodigy far from limited horizons once temporarily resigned from accepting. New York connections soon fostered through happenstance chemistry with A$AP Mob artists captivated by this enigmatic wunderkind already displaying game-changing flair. After personal turbulence entering adulthood chased ambitions briefly off-track, Carti ultimately committed to fully manifesting his long-percolating musical gifts just as cultural acceleration craved his wizardry. Those earliest formative chapters navigating chaotic identity navigation and industry labyrinths while laying musical foundations clearly cast the longest shadows still reflected throughout Carti’s sprawling mythology. Early music centered parties and earthly pleasures as escapism coping, yet violent demons and paranoia of dishonest forces seeking his unmaking emerged in later anthems highlighting the immense weight shouldered forging independent power against destructive shadows constantly encroaching. Yet from fire and fury birthed beauty still - chrysalis dark nights transformed nexus for connections creating Chosen Family lifelines together facing storms in solidarity henceforth. Once immersed in relocating to Los Angeles circa 2018 upon Die Lit's launch cemented elite icon status, Playboi Carti attracted creative collaborators like executive producer Pi’erre Bourne plus rap luminaries Travis Scott and Solange crafting integral extensions Carti’s trademark soundscapes fused with erudite exploration embracing questions of purpose at fame’s hollow peak. During marathon recording sessions birthed legendary leaked singles like fan favorite “Kid Cudi” dropped ceremoniously Christmas 2020 heralding the Second Coming fulfilled through epic magnum opus Whole Lotta Red. With a messianic return, Playboi Carti fully emerged reborn as an abstract hip hop soothsayer consecrating punk's holy wedding. Two years removed since last releasing new material, Red’s Day arrival sparked bedlam delivering the long-awaited narrative arc epiphany. Through the project Carti undergoes a symbolic death and spiritual rebirth painfully shedding externally defined masks to wholly reconnect with the sacred creative nucleus at his core - that wide-eyed kid wandering Atlanta’s Metropolitan Parkway immersed in destiny’s flow state. Transcending worldly constraints as true destiny’s child once more, Carti summons profound full-circle redemption powerfully healing and elevating generations of lost lambs through relatable catharsis. Yet four years henceforth since coronating hip hop’s new royal mythology expanding notions of black avant-garde expression, Playboi Carti remains characteristically elusive about precise artistic direction beyond sporadic cameo universe expansion appearances. Momentum still exponentially multiplies though from internet rumblings and musical breadcrumbs suggesting significant next chapters arriving imminently. As the latest headlines around legal turmoil and headlines sadly attest, the crown yet weighs heavy on this conflicted prince still navigating destiny’s precarious tightrope balancing soaring creative euphoria chasing earthbound stability further outreach daily. One prays Carti’s better angels prevail mastering righteous balance helping similarly vulnerable angels find righteous wings. Through poetry profound and pain alike alchemized into liberating art, Playboi Carti’s is divinely misunderstood. Thanks for listening to Quiet Please. Remember to like and share wherever you get your podcasts. And Hey! History buffs, buckle up! Talking Time Machine isn't your dusty textbook lecture. It's where cutting-edge AI throws wild interview parties with history's iconic figures. In the Talking Time Machine podcast: History Gets a High-Tech Twist, Imagine: Napoleon Bonaparte talking French Politics with Louis the 14th! This podcast is futuristically insightful. Our AI host grills historical legends with questions based on real historical context, leading to surprising, thought-provoking, and often mind-blowing answers. Whether you're a history geek, a tech junkie, or just love a good interview, Talking Time Machine has something for you. Talking Time Machine: search, subscribe and (Listen Now!)

Playboy Carti - Audio Biography

Blindfold

DJ Johmar

Recordings taken from UCC 98.3 FM College Radio station, 'Vinyl &amp; Vibes with AJ Whelan' blends Vinyl and Spotify together with many trivial facts and information you might not have known about your favourite songs and artists. With mixed bag trivia and story episodes you get a unique range of episodes.

This show has a very wide variety of genres and musicians from Robert Johnson to BB King, Elvis to the Beatles, Aretha to Rihanna, Thin Lizzy to U2 as well as new bands from the Irish College music scene! You can find it all here!

All music can be found in 'AJ's Jukebox' on Spotify.

Recordings taken from UCC 98.3 FM College Radio station, 'Vinyl & Vibes with AJ Whelan' blends Vinyl and Spotify together with many trivial facts and information you might not have known about your favourite songs and artists. With mixed bag trivia and story episodes you get a unique range of episodes. This show has a very wide variety of genres and musicians from Robert Johnson to BB King, Elvis to the Beatles, Aretha to Rihanna, Thin Lizzy to U2 as well as new bands from the Irish College music scene! You can find it all here! All music can be found in 'AJ's Jukebox' on Spotify.

Vinyl + Vibes with AJ Whelan - UCC 98.3FM

¡Bienvenidos, amigos de la música y amantes de la historia, a "Notas en el tiempo: un viaje musical a lo largo de la historia"!
Soy Rodrigo Sepulveda, tu guía en este apasionante recorrido por los misterios y maravillas de la música en el pasado. Prepárate para sumergirte en un mundo donde los sonidos ancestrales nos conectan con nuestros antepasados y nos revelan la esencia misma de lo que significa ser humano.
"Notas en el tiempo" es un podcast dedicado a la historia de la música.

¡Bienvenidos, amigos de la música y amantes de la historia, a "Notas en el tiempo: un viaje musical a lo largo de la historia"! Soy Rodrigo Sepulveda, tu guía en este apasionante recorrido por los misterios y maravillas de la música en el pasado. Prepárate para sumergirte en un mundo donde los sonidos ancestrales nos conectan con nuestros antepasados y nos revelan la esencia misma de lo que significa ser humano. "Notas en el tiempo" es un podcast dedicado a la historia de la música.

Notas en el tiempo

Lo storico dei media e storyteller Giorgio Olmoti ripercorre, in modo appassionato e coinvolgente, le tappe principali della vita e della carriera delle grandi star della musica pop contemporanea: Elvis Presley, Beatles, Rolling Stones, Bob Dylan, Fabrizio De André, Janis Joplin, Lucio Dalla, Vasco Rossi, Madonna, U2, Giorgia... - CREDITS - Testi e voce: Giorgio Olmoti - Voce intro e outro: Benedetta D'Amico (Buio in Sala) - Sound design e post-produzione: Emiliano Toscano (Buio in Sala) e Deascuola

Lo storico dei media e storyteller Giorgio Olmoti ripercorre, in modo appassionato e coinvolgente, le tappe principali della vita e della carriera delle grandi star della musica pop contemporanea: Elvis Presley, Beatles, Rolling Stones, Bob Dylan, Fabrizio De André, Janis Joplin, Lucio Dalla, Vasco Rossi, Madonna, U2, Giorgia...- CREDITS- Testi e voce: Giorgio Olmoti- Voce intro e outro: Benedetta D'Amico (Buio in Sala)- Sound design e post-produzione: Emiliano Toscano (Buio in Sala) e Deascuola

Lo storico dei media e storyteller Giorgio Olmoti ripercorre, in modo appassionato e coinvolgente, le tappe principali della vita e della carriera delle grandi star della musica pop contemporanea: Elvis Presley, Beatles, Rolling Stones, Bob Dylan, Fabrizio De André, Janis Joplin, Lucio Dalla, Vasco Rossi, Madonna, U2, Giorgia... - CREDITS - Testi e voce: Giorgio Olmoti - Voce intro e outro: Benedetta D'Amico (Buio in Sala) - Sound design e post-produzione: Emiliano Toscano (Buio in Sala) e Deascuola

Vite da popstar

Histop is an educational podcast that takes a look at American hip-hop culture. The samples used in the show are for educational purposes only. This is a music commentary podcast and all samples are used under the Fair Use legal concept.در این پادکست نگاهی خواهیم داشت به سیر تاریخی فرهنگ هیپ‌هاپ آمریکااین پاکست صرفا دارای محتوای آموزشی است و سمپل های موسیقی استفاده شده در این پادکست، صرفا جهت آموزش می باشد

Histop is an educational podcast that takes a look at American hip-hop culture. The samples used in the show are for educational purposes only. This is a music commentary podcast and all samples are used under the Fair Use legal concept. در این پادکست نگاهی خواهیم داشت به سیر تاریخی فرهنگ هیپ‌هاپ آمریکا این پاکست صرفا دارای محتوای آموزشی است و سمپل های موسیقی استفاده شده در این پادکست، صرفا جهت آموزش می باشد

Music History Podcasts / Page 136