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Content Creator, Journalist/Blogger, and Entertainment Enthusiast Joshua Habtwold [aka. The Lens of Yashu] brings people from all walks of life and speaks on various topics that will surely never get you out of your seat such as music, entertainment, politics, life, and much more. Direct from Toronto, Canada, he will make sure that no topic is missed and that everything will be in-depth to the core.&nbsp;

Content Creator, Journalist/Blogger, and Entertainment Enthusiast Joshua Habtwold [aka. The Lens of Yashu] brings people from all walks of life and speaks on various topics that will surely never get you out of your seat such as music, entertainment, politics, life, and much more. Direct from Toronto, Canada, he will make sure that no topic is missed and that everything will be in-depth to the core. 

TLOY TALKS

「東門REC&amp;LiVE」由曾三獲金曲獎、第58屆廣播金鐘獎『最佳類型音樂節目獎』之新竹舊城青年黃子軒，起於新竹東門市場的全新音樂展演品牌。以創造新竹在地音樂及不同類型實驗展演，讓當代新竹的年輕人與舊城之間，以藝術與音樂展演，重啟新世代的對話。2019年起，以新竹東門市場為中心，出發向全台灣。

--
Hosting provided by <a href="https://www.soundon.fm/" target="_blank">SoundOn</a>

「東門REC&LiVE」由曾三獲金曲獎、第58屆廣播金鐘獎『最佳類型音樂節目獎』之新竹舊城青年黃子軒，起於新竹東門市場的全新音樂展演品牌。以創造新竹在地音樂及不同類型實驗展演，讓當代新竹的年輕人與舊城之間，以藝術與音樂展演，重啟新世代的對話。2019年起，以新竹東門市場為中心，出發向全台灣。 -- Hosting provided by SoundOn

「東門REC&amp;LiVE」由曾三獲金曲獎、第58屆廣播金鐘獎『最佳類型音樂節目獎』之新竹舊城青年黃子軒，起於新竹東門市場的全新音樂展演品牌。以創造新竹在地音樂及不同類型實驗展演，讓當代新竹的年輕人與舊城之間，以藝術與音樂展演，重啟新世代的對話。2019年起，以新竹東門市場為中心，出發向全台灣。

--
Hosting provided by <a href="https://www.soundon.fm/" rel="noopener noreferrer">SoundOn</a>

東門Rec&Live

Catch up and Chill with JoJo Alonso with interviews &amp; more.

Catch up and Chill with JoJo Alonso with interviews & more.

Chilling with JoJo Alonso

Da Patio PolitiCz is a South Central Los Angeles based Podcast/Radio Show hosted by Jay 5th , LP The Host and DJ Infant Jay. This show is about branding and promoting independent Artist and Unsung Heroes of the community. Topic of discussion on the show are Hip-Hop and R &amp; B music, Film, Relationship Issues, Sex Education, Spiritual Education, Current Events, Sports, Religion, Politics and much more. The show is  cutthroat, uncensored, mature, fun, entertaining, amusing and interesting.

Da Patio PolitiCz is a South Central Los Angeles based Podcast/Radio Show hosted by Jay 5th , LP The Host and DJ Infant Jay. This show is about branding and promoting independent Artist and Unsung Heroes of the community. Topic of discussion on the show are Hip-Hop and R & B music, Film, Relationship Issues, Sex Education, Spiritual Education, Current Events, Sports, Religion, Politics and much more. The show is cutthroat, uncensored, mature, fun, entertaining, amusing and interesting.

Da Patio PolitiCz

Welcome to BIMM Tastemakers FM! Episodes will be released monthly and will be created and presented exclusively by BIMM’s students. Each show will highlight a selection of undeniable talent from around the BIMM campuses across UK, Ireland and Europe. Alongside the music we will also include regular industry-led insights and live sessions, as well as gig guides, interviews and top tips features. BIMM University is Europe’s largest, most connected music institute with 7 music colleges based in vibrant musical cities across the UK and Europe. BIMM’s creative space not only nurtures talent; it also enables future generations to find their place within the music industry by equipping them with the knowledge and skills they need to be successful. BIMM’s unique creative community includes talented students, lecturers, staff and graduates and BIMM Tastemakers FM provides an insight into BIMM’s world. Music Submissions, Stories and Gigs Please Send to <a href="mailto:tastemakersfm@gmail.com" rel="noopener noreferrer" target="_blank">tastemakersfm@gmail.com</a> Join Us on Instagram @<a href="http://bimm.tastemakers.fm/" rel="noopener noreferrer" target="_blank">bimm.tastemakers.fm</a>&nbsp;<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Welcome to BIMM Tastemakers FM! Episodes will be released monthly and will be created and presented exclusively by BIMM’s students. Each show will highlight a selection of undeniable talent from around the BIMM campuses across UK, Ireland and Europe. Alongside the music we will also include regular industry-led insights and live sessions, as well as gig guides, interviews and top tips features. BIMM University is Europe’s largest, most connected music institute with 7 music colleges based in vibrant musical cities across the UK and Europe. BIMM’s creative space not only nurtures talent; it also enables future generations to find their place within the music industry by equipping them with the knowledge and skills they need to be successful. BIMM’s unique creative community includes talented students, lecturers, staff and graduates and BIMM Tastemakers FM provides an insight into BIMM’s world. Music Submissions, Stories and Gigs Please Send to tastemakersfm@gmail.com Join Us on Instagram @bimm.tastemakers.fm  Hosted on Acast. See acast.com/privacy for more information.

Welcome to BIMM Tastemakers FM! Episodes will be released monthly and will be created and presented exclusively by BIMM’s students. Each show will highlight a selection of undeniable talent from around the BIMM campuses across UK, Ireland and Europe. Alongside the music we will also include regular industry-led insights and live sessions, as well as gig guides, interviews and top tips features. BIMM University is Europe’s largest, most connected music institute with 7 music colleges based in vibrant musical cities across the UK and Europe. BIMM’s creative space not only nurtures talent; it also enables future generations to find their place within the music industry by equipping them with the knowledge and skills they need to be successful. BIMM’s unique creative community includes talented students, lecturers, staff and graduates and BIMM Tastemakers FM provides an insight into BIMM’s world. Music Submissions, Stories and Gigs Please Send to <a href="mailto:tastemakersfm@gmail.com" rel="noopener noreferrer">tastemakersfm@gmail.com</a> Join Us on Instagram @<a href="http://bimm.tastemakers.fm/" rel="noopener noreferrer">bimm.tastemakers.fm</a>&nbsp; Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

BIMM Tastemakers FM's podcast

KRISHNA AVTAR 01

Hot House tracks mixed by YASS to listen or dance everywhere ! #hautecouturemusic

Hosted on Ausha. See ausha.co/privacy-policy for more information.

Hot House tracks mixed by YASS to listen or dance everywhere ! #hautecouturemusic Hosted on Ausha. See ausha.co/privacy-policy for more information.

YassCast

Ruby’s two trucks

Join Rhys Humphreys for a mixture of Showtunes, Soundtracks and A couple of familiar tunes along the way.Series 1 - 2022Series 2 - 2023Series 3 - 2024Series 4 - 2024 (New Station)Show less

Join Rhys Humphreys for a mixture of Showtunes, Soundtracks and A couple of familiar tunes along the way. Series 1 - 2022 Series 2 - 2023 Series 3 - 2024 Series 4 - 2024 (New Station) Show less

Musicals Movies and More

South West London Based DJ | For Bookings – cc_forbes@hotmail.co.uk |

Check it Out

ReFuel Worship Podcast...Where we believe being together, being encouraged, and being equipped matters.ReFuel Conference is a yearly event for worship and production teams and those who lead them. The goal of ReFuel is to create time and space for teams to be together, be encouraged, and be equipped to continue leading the local church in worship. We deeply desire to see God’s Spirit inspire and strengthen the hearts and hands of those who serve the local church through the creative arts. For more information you can check out <a target="_blank" rel="noopener noreferrer nofollow" class="Link-sc-k8gsk-0 czOfap sc-ewnLsh Vqwfp" href="http://www.refuelconference.com/">⁠⁠</a><a target="_blank" rel="noopener noreferrer nofollow" href="http://www.RefuelConference.com">www.RefuelConference.com</a>

ReFuel Worship Podcast...Where we believe being together, being encouraged, and being equipped matters. ReFuel Conference is a yearly event for worship and production teams and those who lead them. The goal of ReFuel is to create time and space for teams to be together, be encouraged, and be equipped to continue leading the local church in worship. We deeply desire to see God’s Spirit inspire and strengthen the hearts and hands of those who serve the local church through the creative arts. For more information you can check out ⁠⁠www.RefuelConference.com

ReFuel Worship Podcast...Where we believe being together, being encouraged, and being equipped matters.ReFuel Conference is a yearly event for worship and production teams and those who lead them. The goal of ReFuel is to create time and space for teams to be together, be encouraged, and be equipped to continue leading the local church in worship. We deeply desire to see God’s Spirit inspire and strengthen the hearts and hands of those who serve the local church through the creative arts. For more information you can check out <a href="http://www.refuelconference.com/" rel="noopener noreferrer">⁠⁠</a><a href="http://www.RefuelConference.com" rel="noopener noreferrer">www.RefuelConference.com</a>

ReFuel Worship Podcast

Crunch Time Podcast

Italian DJ,  producer and composer focused on Techno and House music

Italian DJ, producer and composer focused on Techno and House music

DJ Alien

Not a podcast. Just a song to appreciate my mum and all the stuff she does for me.

Not a podcast. Just a song to appreciate my mum and all the stuff she does for me.

for me, for you

hi 这是一档朋友间的对话聊天分享向节目。

在这里你没有办法听到职场干货、育儿指南、风险投资、商业科技，你可能会听到的是一些年轻人在消费主义时代的自我抒情表达，在钱包空空的时候会对虫鱼鸟兽更敏感，对河流山川展现更多的热情，对周遭会产生很大不解和误读，但又会对自己耐心有加，呵护有加，满意各位之前我们想先满意自己。

录制开心，希望听众朋友们听的也开心！

更新时间：尽力每月一更（其实是不定时）
收听方式：苹果播客、小宇宙、Spotify、网易云、QQ音乐、爱发电

hi 这是一档朋友间的对话聊天分享向节目。 在这里你没有办法听到职场干货、育儿指南、风险投资、商业科技，你可能会听到的是一些年轻人在消费主义时代的自我抒情表达，在钱包空空的时候会对虫鱼鸟兽更敏感，对河流山川展现更多的热情，对周遭会产生很大不解和误读，但又会对自己耐心有加，呵护有加，满意各位之前我们想先满意自己。 录制开心，希望听众朋友们听的也开心！ 更新时间：尽力每月一更（其实是不定时） 收听方式：苹果播客、小宇宙、Spotify、网易云、QQ音乐、爱发电

拜托保持联系！

Lo mejor de la m&uacute;sica chilena est&aacute; en Producto Nacional: las voces de los artistas, sus sonidos en vivo, los conciertos, estrenos y tambi&eacute;n los cl&aacute;sicos.

Lo mejor de la música chilena está en Producto Nacional: las voces de los artistas, sus sonidos en vivo, los conciertos, estrenos y también los clásicos.

Producto Nacional

Alai Ormazabal ekoizle eta dj-arentzat fantasia bat diren kantuak lantzen dituen ULUA hedabidearen podcasta.

LISTA BELTZA

Sin Controol es tu pase directo al corazón de la escena emergente hispanohablante. Exploramos lo mejor de la música independiente, el arte y la cultura, dando voz a talentos que rompen moldes y redefinen el panorama creativo. 

Conectamos contigo a través de propuestas auténticas y frescas, descubriendo artistas que están escribiendo el futuro desde las esquinas menos esperadas hasta los grandes escenarios. ¡Déjate llevar por la energía de lo nuevo!

Sin Controol es tu pase directo al corazón de la escena emergente hispanohablante. Exploramos lo mejor de la música independiente, el arte y la cultura, dando voz a talentos que rompen moldes y redefinen el panorama creativo. Conectamos contigo a través de propuestas auténticas y frescas, descubriendo artistas que están escribiendo el futuro desde las esquinas menos esperadas hasta los grandes escenarios. ¡Déjate llevar por la energía de lo nuevo!

Sin Controol

the : metronome : project is based on a love of all genres of dance music. DJing under multiple pseudonyms I have continuously shared a diversity of sounds ranging from disco to banging techno.

I first fell in love with dance music during the second British invasion. Dance music was not as divisive as it is now, and it was not uncommon for clubs to play house one night and trance next. This exposure to a wide range of genres and DJ styles heavily influenced me.

Initially DJing under Twiggy Stardust, I built my name playing clubs and raves in and around Los Angeles and San Diego. Then, in 2005, I moved to San Francisco and dove into that music scene. 

While living in San Francisco I was exposed to minimal techno and digital DJing. As my DJing evolved to incorporate these new sounds, I also experimented with incorporating Ableton, Traktor, and drum machines into my DJ setup.

Today, I live in Los Angeles and continues to explore digital sounds and how to translate them into an analog world. I believe that genres shouldn‘t dictate your DJ style and DJ sets should be a journey, not just a collection of songs.

Watch live on Twitch.  
https://www.twitch.tv/the_metronome_project

Follow us on:
Facebook - https://www.facebook.com/themetronomeproject/
Instagram - https://www.instagram.com/themetronomeproject/
Mixcloud - https://www.mixcloud.com/themetronomeproject/

the : metronome : project is based on a love of all genres of dance music. DJing under multiple pseudonyms I have continuously shared a diversity of sounds ranging from disco to banging techno. I first fell in love with dance music during the second British invasion. Dance music was not as divisive as it is now, and it was not uncommon for clubs to play house one night and trance next. This exposure to a wide range of genres and DJ styles heavily influenced me. Initially DJing under Twiggy Stardust, I built my name playing clubs and raves in and around Los Angeles and San Diego. Then, in 2005, I moved to San Francisco and dove into that music scene. While living in San Francisco I was exposed to minimal techno and digital DJing. As my DJing evolved to incorporate these new sounds, I also experimented with incorporating Ableton, Traktor, and drum machines into my DJ setup. Today, I live in Los Angeles and continues to explore digital sounds and how to translate them into an analog world. I believe that genres shouldn‘t dictate your DJ style and DJ sets should be a journey, not just a collection of songs. Watch live on Twitch. https://www.twitch.tv/the_metronome_project Follow us on: Facebook - https://www.facebook.com/themetronomeproject/ Instagram - https://www.instagram.com/themetronomeproject/ Mixcloud - https://www.mixcloud.com/themetronomeproject/

The Metronome Project Music

This is what Son Gospel and Praise Jam does -  Gospel songs    Gospel parodies   Gospel covers Gospel rock
Good News country blues         Christ centered rock praise and gospel
He wants You to know The Salvation of God (Jesus) better through these songs in Jesus Name. I am a Christ Following Artist painting a portrait of who Jesus Christ the Lord is! Yeshua Hamashiach is the same Lord. The annointed Messiah The Salvation of God Praise him.

This is what Son Gospel and Praise Jam does - Gospel songs Gospel parodies Gospel covers Gospel rock Good News country blues Christ centered rock praise and gospel He wants You to know The Salvation of God (Jesus) better through these songs in Jesus Name. I am a Christ Following Artist painting a portrait of who Jesus Christ the Lord is! Yeshua Hamashiach is the same Lord. The annointed Messiah The Salvation of God Praise him.

Son Gospel

this show is our live stream spontaneous worship times! We are worshiping God by his spirit to show how much we love God!<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

this show is our live stream spontaneous worship times! We are worshiping God by his spirit to show how much we love God! Hosted on Acast. See acast.com/privacy for more information.

this show is our live stream spontaneous worship times! We are worshiping God by his spirit to show how much we love God! Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

L.G. Records,LLC Presents: Warriors of Worship Singcasts

“She Is The Voice,”is a weekly primetime show on ALT 98.7 FM Los Angeles that celebrates new and established female Alternative artists. The weekly show hosted by Lisa Worden will spotlight new, independent, and unsigned artists and the female voices that have paved the way for Alternative music and culture.

She Is The Voice

<div>Exploring artists creating original work here on the Antrim coast and looking at how the creative arts and music can transform lives</div>

Exploring artists creating original work here on the Antrim coast and looking at how the creative arts and music can transform lives

Andy Oliver presents Creatives on the Causeway Coast.

In ihrem neuen und besseren Popkultur-Podcast unterhalten sich Eric und Luca über Serien, Musik, Filme und die anderen kleinen Dinge, die einen vom Ernst des Lebens ablenken. Dabei erhalten sie auch regelmäßig Besuch von Gästen, die ihr liebstes Hobby vorstellen.

Murmelnde Murmeltiere 2.0

DJ Makson

I Songs

Il compositore e pensatore statunitense Charles E. Ives (1874-1954) si staglia nel panorama musicale statunitense e internazionale tra fine Ottocento e inizio Novecento per il carattere sperimentale della sua vasta produzione: fu precursore nell’impiego sistematico di tecniche innovative come politonalità, poliritmia, aleatorietà, quarti di tono, clusters, strumentazione insolita, impiego inusuale degli strumenti, musica utopistica (eseguibile testualmente soltanto nell’immaginazione). Ives scrisse oltre 150 Art Songs, liriche per voce e pianoforte, che esprimono la varietà e ricchezza della sua arte compositiva, in uno stile che spazia dal Lied tardo-romantico su versi in tedesco a pagine estremamente dissonanti su testi filosofici e contemplazioni metafisiche dello stesso Ives, da melodie influenzate dalla cultura musicale folk, vernacolare e patriotica, a miniature liriche squisitamente diaristiche condotte sul filo della memoria, sempre esprimenti l’ampio spettro delle conoscenze letterarie e delle scelte poetiche del compositore, e la sua straordinaria inventiva e penetrazione nel volgere in musica la parola. A rendere ancor più originali i Songs di Ives, la parte pianistica è solitamente complessa e stratificata con effetti di formidabile profondità, e ha talora un carattere di indipendenza dalla linea del canto. 

Nel 1922, Ives pubblicò a proprie spese un’edizione privata che comprendeva 114 suoi Songs scritti a cominciare dal 1887, cui aggiunse una memorabile Postfazione disegnata in un vertiginoso linguaggio tipicamente ivesiano, che combina registro filosofico e satira; a questa raccolta si aggiungono decine di altre liriche sparse. Nel 2003 studiammo per l’esecuzione oggetto del programma radiofonico l’ancora inedita edizione critica dei Songs realizzata dall’illustre musicologo H. Wiley Hitchcock (1923-2007), con il quale trascorsi indimenticabili ore di studio, immensamente grata della sua condivisione in anteprima dei manoscritti preparatori, che confluirono nel volume 129 Songs, da lui curato e successivamente pubblicato nel 2004. Il programma qui proposto è dunque il risultato di un pluriennale lavoro di ricerca. La registrazione audio dell’evento serba fedele e commossa memoria di un progetto allora particolarmente audace, che includeva montaggio di inserti musicali pre-registrati, video di immagini e testi poetici con la mia versione italiana, e light design. 

Questa trasmissione ha per ICAMus un significato storico: essa fu nel 2003 il primo programma specialistico dedicato alla musica americana che curammo per una stazione radiofonica; l’Associazione era stata costituita l’anno precedente e la trasmissione testimonia il risultato concertistico del primo progetto di ricerca da noi completato. Anche Rete Toscana Classica era nata da poco e fu volontà del direttore della programmazione Luca Berni avviare programmi di approfondimento creati e condotti da studiosi.

Rivisitare oggi, nel centocinquantesimo anniversario della nascita di questo modernissimo compositore americano, l’esito radiofonico del progetto di oltre vent’anni fa, ci induce ancora a riflettere sulla natura innovativa della sua musica e sulla incessante ricerca condotta da ICAMus per l’interpretazione ivesiana. Successivamente all’inaugurazione del Centro di Documentazione sulla Musica Americana al Palazzo della Musica di Prato (18 maggio 2024), è emozionante, grazie a Rete Toscana Classica, invitare anche il pubblico più giovane all’ascolto di questa ormai storica esecuzione dei Songs di Charles Ives e alla visita delle ricche collezioni di materiali ivesiani accessibili presso il Centro pratese.

L'itinerario creativo della “Concord” Sonata 

Tra le opere di Charles E. Ives (1874-1954), la Sonata per pianoforte n. 2, “Concord, Massachusetts, 1840-1860” costituisce una via d’accesso esemplare alla comprensione di questa complessa personalità artistica. La Sonata, composta negli anni 1916-1919 e privatamente pubblicata da

I Songs Il compositore e pensatore statunitense Charles E. Ives (1874-1954) si staglia nel panorama musicale statunitense e internazionale tra fine Ottocento e inizio Novecento per il carattere sperimentale della sua vasta produzione: fu precursore nell’impiego sistematico di tecniche innovative come politonalità, poliritmia, aleatorietà, quarti di tono, clusters, strumentazione insolita, impiego inusuale degli strumenti, musica utopistica (eseguibile testualmente soltanto nell’immaginazione). Ives scrisse oltre 150 Art Songs, liriche per voce e pianoforte, che esprimono la varietà e ricchezza della sua arte compositiva, in uno stile che spazia dal Lied tardo-romantico su versi in tedesco a pagine estremamente dissonanti su testi filosofici e contemplazioni metafisiche dello stesso Ives, da melodie influenzate dalla cultura musicale folk, vernacolare e patriotica, a miniature liriche squisitamente diaristiche condotte sul filo della memoria, sempre esprimenti l’ampio spettro delle conoscenze letterarie e delle scelte poetiche del compositore, e la sua straordinaria inventiva e penetrazione nel volgere in musica la parola. A rendere ancor più originali i Songs di Ives, la parte pianistica è solitamente complessa e stratificata con effetti di formidabile profondità, e ha talora un carattere di indipendenza dalla linea del canto. Nel 1922, Ives pubblicò a proprie spese un’edizione privata che comprendeva 114 suoi Songs scritti a cominciare dal 1887, cui aggiunse una memorabile Postfazione disegnata in un vertiginoso linguaggio tipicamente ivesiano, che combina registro filosofico e satira; a questa raccolta si aggiungono decine di altre liriche sparse. Nel 2003 studiammo per l’esecuzione oggetto del programma radiofonico l’ancora inedita edizione critica dei Songs realizzata dall’illustre musicologo H. Wiley Hitchcock (1923-2007), con il quale trascorsi indimenticabili ore di studio, immensamente grata della sua condivisione in anteprima dei manoscritti preparatori, che confluirono nel volume 129 Songs, da lui curato e successivamente pubblicato nel 2004. Il programma qui proposto è dunque il risultato di un pluriennale lavoro di ricerca. La registrazione audio dell’evento serba fedele e commossa memoria di un progetto allora particolarmente audace, che includeva montaggio di inserti musicali pre-registrati, video di immagini e testi poetici con la mia versione italiana, e light design. Questa trasmissione ha per ICAMus un significato storico: essa fu nel 2003 il primo programma specialistico dedicato alla musica americana che curammo per una stazione radiofonica; l’Associazione era stata costituita l’anno precedente e la trasmissione testimonia il risultato concertistico del primo progetto di ricerca da noi completato. Anche Rete Toscana Classica era nata da poco e fu volontà del direttore della programmazione Luca Berni avviare programmi di approfondimento creati e condotti da studiosi. Rivisitare oggi, nel centocinquantesimo anniversario della nascita di questo modernissimo compositore americano, l’esito radiofonico del progetto di oltre vent’anni fa, ci induce ancora a riflettere sulla natura innovativa della sua musica e sulla incessante ricerca condotta da ICAMus per l’interpretazione ivesiana. Successivamente all’inaugurazione del Centro di Documentazione sulla Musica Americana al Palazzo della Musica di Prato (18 maggio 2024), è emozionante, grazie a Rete Toscana Classica, invitare anche il pubblico più giovane all’ascolto di questa ormai storica esecuzione dei Songs di Charles Ives e alla visita delle ricche collezioni di materiali ivesiani accessibili presso il Centro pratese. L'itinerario creativo della “Concord” Sonata Tra le opere di Charles E. Ives (1874-1954), la Sonata per pianoforte n. 2, “Concord, Massachusetts, 1840-1860” costituisce una via d’accesso esemplare alla comprensione di questa complessa personalità artistica. La Sonata, composta negli anni 1916-1919 e privatamente pubblicata da

I Songs

Il compositore e pensatore statunitense Charles E. Ives (1874-1954) si staglia nel panorama musicale statunitense e internazionale tra fine Ottocento e inizio Novecento per il carattere sperimentale della sua vasta produzione: fu precursore nell’impiego sistematico di tecniche innovative come politonalità, poliritmia, aleatorietà, quarti di tono, clusters, strumentazione insolita, impiego inusuale degli strumenti, musica utopistica (eseguibile testualmente soltanto nell’immaginazione). Ives scrisse oltre 150 Art Songs, liriche per voce e pianoforte, che esprimono la varietà e ricchezza della sua arte compositiva, in uno stile che spazia dal Lied tardo-romantico su versi in tedesco a pagine estremamente dissonanti su testi filosofici e contemplazioni metafisiche dello stesso Ives, da melodie influenzate dalla cultura musicale folk, vernacolare e patriotica, a miniature liriche squisitamente diaristiche condotte sul filo della memoria, sempre esprimenti l’ampio spettro delle conoscenze letterarie e delle scelte poetiche del compositore, e la sua straordinaria inventiva e penetrazione nel volgere in musica la parola. A rendere ancor più originali i Songs di Ives, la parte pianistica è solitamente complessa e stratificata con effetti di formidabile profondità, e ha talora un carattere di indipendenza dalla linea del canto.&nbsp;

Nel 1922, Ives pubblicò a proprie spese un’edizione privata che comprendeva 114 suoi Songs scritti a cominciare dal 1887, cui aggiunse una memorabile Postfazione disegnata in un vertiginoso linguaggio tipicamente ivesiano, che combina registro filosofico e satira; a questa raccolta si aggiungono decine di altre liriche sparse. Nel 2003 studiammo per l’esecuzione oggetto del programma radiofonico l’ancora inedita edizione critica dei Songs realizzata dall’illustre musicologo H. Wiley Hitchcock (1923-2007), con il quale trascorsi indimenticabili ore di studio, immensamente grata della sua condivisione in anteprima dei manoscritti preparatori, che confluirono nel volume 129 Songs, da lui curato e successivamente pubblicato nel 2004. Il programma qui proposto è dunque il risultato di un pluriennale lavoro di ricerca. La registrazione audio dell’evento serba fedele e commossa memoria di un progetto allora particolarmente audace, che includeva montaggio di inserti musicali pre-registrati, video di immagini e testi poetici con la mia versione italiana, e light design.&nbsp;

Questa trasmissione ha per ICAMus un significato storico: essa fu nel 2003 il primo programma specialistico dedicato alla musica americana che curammo per una stazione radiofonica; l’Associazione era stata costituita l’anno precedente e la trasmissione testimonia il risultato concertistico del primo progetto di ricerca da noi completato. Anche Rete Toscana Classica era nata da poco e fu volontà del direttore della programmazione Luca Berni avviare programmi di approfondimento creati e condotti da studiosi.

Rivisitare oggi, nel centocinquantesimo anniversario della nascita di questo modernissimo compositore americano, l’esito radiofonico del progetto di oltre vent’anni fa, ci induce ancora a riflettere sulla natura innovativa della sua musica e sulla incessante ricerca condotta da ICAMus per l’interpretazione ivesiana. Successivamente all’inaugurazione del Centro di Documentazione sulla Musica Americana al Palazzo della Musica di Prato (18 maggio 2024), è emozionante, grazie a Rete Toscana Classica, invitare anche il pubblico più giovane all’ascolto di questa ormai storica esecuzione dei Songs di Charles Ives e alla visita delle ricche collezioni di materiali ivesiani accessibili presso il Centro pratese.

L'itinerario creativo della “Concord” Sonata&nbsp;

Tra le opere di Charles E. Ives (1874-1954), la Sonata per pianoforte n. 2, “Concord, Massachusetts, 1840-1860” costituisce una via d’accesso esemplare alla comprensione di questa complessa personalità artistica. La Sonata, composta negli anni 1916-1919 e privatamente pubblicata da

Charles Ives – I Songs, la Concord Sonata e la musica per organo

With 20 years of experience at the forefront of the underground scene, DJ Samer is to progressive house what strawberries are to cream: utterly essential! His label, Pangea Recordings continues to build on his legacy being charted and played continually by the scenes elite DJ. And the no signs of slowing down, DJ Samer is in the prime of his life right now.

Like many in the underground dance community, Samer Salhab’s musical journey began with a place: Club Simon’s in Gainesville, Florida. For the bright-eyed young music fanatic, Club Simon’s acted as a catalyst for his passion for underground House music, fueled by discovering a world of super talented artists and a new desire to collect their tracks and weave sonic stories of his own through DJing. After hard work and tons of practice, things started to come together for Samer. He left Gainesville for Tampa to finish his education, but took his love for dance music with him. His growing collection of House, Progressive, and Trance began to form a style that became known in the local club scene in Ybor City - the center of Tampa's nightlife. There, his he began to catch the ears of club goers and he slowly started making a name for himself.

Samer’s chance meeting with Bill Vines (The Maji) at Chakra Records, Tampa kick started his career into overdrive. Bill’s mentoring gave Samer a good grounding in production and DJing. They also set up Pangea Recordings. Working together as Evrydaydowers, they began to pick up gigs across Tampa which lead to them producing their first EP - A New Beginning. “Quality wise, this was a first production, but I remember receiving a compliment from Brother Brown at the WMC. Being that he was one of my heroes, that's when I knew we were heading in the right direction,” Samer says. The early 00s proved to be a very successful time for Samer but soon he began to look further afield at the bright lights of California. In 2002 he finally made the move to San Diego and slowly began to build his name in the local scene warming up for luminary international DJs. Aside from his own personal success, Pangea’s influence was further enhanced by the likes of Sasha regularly playing and charting their releases, indeed, Samer recalls a surreal moment at WMC 2003 where he heard Sasha drop “This World” (Pangea’s first globally distributed release) to a highly receptive Miami crowd. With the success of Pangea Recordings, Samer decided to expand Pangea by creating sister labels Pangea UK, 1Shot Recordings, and digital spawns for them as well. “The San Diego scene was pretty chill compared to LA and San Francisco, which allowed me to get a lot of work done and allowed me to release more records.” Samer says, “Also, I got so many great demos it was tough to stay focused on just progressive music. I needed another outlet to release other types of tunes, and that’s why we formed the sister labels.”

Unfortunately, Samer and Bill have decided to take different paths in recent times, but this hasn’t slowed Samer down as he now DJing across the country at some of the best parties on the planet; from Ultra, Miami with Deadmau5, Sasha and John Digweed to Love Fest in San Francisco and beyond. These days, Samer is concentrating more on his original productions and writing music under his own name. He has signed solo outings and remixes on very well respected international labels such as Spundae Music, Baroque Records, Old SQL and more. Samer’s podcast – Pangea Recordings Podcast - has aided him in pushing his sound to a worldwide audience with thousands of devoted and faithful listeners. It is safe to say that Samer is still one of America’s most exciting DJs and producers. 20 years in the making, DJ Samer is still that wide eyed music fan looking forward to the weekend where his favorite DJs spin the greatest music in the World at Club Simons.

With 20 years of experience at the forefront of the underground scene, DJ Samer is to progressive house what strawberries are to cream: utterly essential! His label, Pangea Recordings continues to build on his legacy being charted and played continually by the scenes elite DJ. And the no signs of slowing down, DJ Samer is in the prime of his life right now. Like many in the underground dance community, Samer Salhab’s musical journey began with a place: Club Simon’s in Gainesville, Florida. For the bright-eyed young music fanatic, Club Simon’s acted as a catalyst for his passion for underground House music, fueled by discovering a world of super talented artists and a new desire to collect their tracks and weave sonic stories of his own through DJing. After hard work and tons of practice, things started to come together for Samer. He left Gainesville for Tampa to finish his education, but took his love for dance music with him. His growing collection of House, Progressive, and Trance began to form a style that became known in the local club scene in Ybor City - the center of Tampa's nightlife. There, his he began to catch the ears of club goers and he slowly started making a name for himself. Samer’s chance meeting with Bill Vines (The Maji) at Chakra Records, Tampa kick started his career into overdrive. Bill’s mentoring gave Samer a good grounding in production and DJing. They also set up Pangea Recordings. Working together as Evrydaydowers, they began to pick up gigs across Tampa which lead to them producing their first EP - A New Beginning. “Quality wise, this was a first production, but I remember receiving a compliment from Brother Brown at the WMC. Being that he was one of my heroes, that's when I knew we were heading in the right direction,” Samer says. The early 00s proved to be a very successful time for Samer but soon he began to look further afield at the bright lights of California. In 2002 he finally made the move to San Diego and slowly began to build his name in the local scene warming up for luminary international DJs. Aside from his own personal success, Pangea’s influence was further enhanced by the likes of Sasha regularly playing and charting their releases, indeed, Samer recalls a surreal moment at WMC 2003 where he heard Sasha drop “This World” (Pangea’s first globally distributed release) to a highly receptive Miami crowd. With the success of Pangea Recordings, Samer decided to expand Pangea by creating sister labels Pangea UK, 1Shot Recordings, and digital spawns for them as well. “The San Diego scene was pretty chill compared to LA and San Francisco, which allowed me to get a lot of work done and allowed me to release more records.” Samer says, “Also, I got so many great demos it was tough to stay focused on just progressive music. I needed another outlet to release other types of tunes, and that’s why we formed the sister labels.” Unfortunately, Samer and Bill have decided to take different paths in recent times, but this hasn’t slowed Samer down as he now DJing across the country at some of the best parties on the planet; from Ultra, Miami with Deadmau5, Sasha and John Digweed to Love Fest in San Francisco and beyond. These days, Samer is concentrating more on his original productions and writing music under his own name. He has signed solo outings and remixes on very well respected international labels such as Spundae Music, Baroque Records, Old SQL and more. Samer’s podcast – Pangea Recordings Podcast - has aided him in pushing his sound to a worldwide audience with thousands of devoted and faithful listeners. It is safe to say that Samer is still one of America’s most exciting DJs and producers. 20 years in the making, DJ Samer is still that wide eyed music fan looking forward to the weekend where his favorite DJs spin the greatest music in the World at Club Simons.

Dj Samer

Disfrutemos del paso de Nelson Carreras por La Academia 2022.

Nelson Carreras en La Academia (2022)

Начал профессионально работать диск жокеем с 2000-го года. За это время неоднократно менял свои музыкальные пристрастия от Speed Garage &amp; D"n"B до Discohouse & Deephouse. Теперь играю любую музыку(по необходимости), но с удовольствием только красивую. Работал в некоторых клубах Петербурга перечисленных у меня на странице, также учавствовал в закрытых House-вечеринках. С 2008-2010 ведущий программы *MiXer* на Кингисеппской радиостанции *Ямбург блюз*. В Кингисеппе являлся резидентом...

Начал профессионально работать диск жокеем с 2000-го года. За это время неоднократно менял свои музыкальные пристрастия от Speed Garage & D"n"B до Discohouse & Deephouse. Теперь играю любую музыку(по необходимости), но с удовольствием только красивую. Работал в некоторых клубах Петербурга перечисленных у меня на странице, также учавствовал в закрытых House-вечеринках. С 2008-2010 ведущий программы *MiXer* на Кингисеппской радиостанции *Ямбург блюз*. В Кингисеппе являлся резидентом...

Начал профессионально работать диск жокеем с 2000-го года. За это время неоднократно менял свои музыкальные пристрастия от Speed Garage &amp; D"n"B до Discohouse &amp; Deephouse. Теперь играю любую музыку(по необходимости), но с удовольствием только красивую. Работал в некоторых клубах Петербурга перечисленных у меня на странице, также учавствовал в закрытых House-вечеринках. С 2008-2010 ведущий программы *MiXer* на Кингисеппской радиостанции *Ямбург блюз*. В Кингисеппе являлся резидентом...

DJ Raskolnikov

Productor De Musica urbana From Republica Dominicana  , Electrolatino , Electro House , Hip-hop, Reggaeton , RnB , Merengue , Bachata , Etc.

Productor De Musica urbana From Republica Dominicana , Electrolatino , Electro House , Hip-hop, Reggaeton , RnB , Merengue , Bachata , Etc.

KILO-BEAT

Written &amp; Performed by Jack Phemister, from the &quot;Death of the Closed Minded&quot; album.

Written & Performed by Jack Phemister, from the "Death of the Closed Minded" album.

Written &amp; Performed by Jack Phemister, from the "Death of the Closed Minded" album.

Ice Statues

Wants me to put description Soo poopie

Wuda u miss brah Spitfireee

Гэта серыя размоў з беларускімі музыкамі і творцамі, якія апынуліся па-за мяжой. Мы будзем гутарыць пра тое, як музыка дапамагае нам пераасэнсоўваць знаходжанне ў выгнанні і нявызначнасці, пра тое, якія выклікі гэта перад намі ставіць і ствараюцца магчымасці ў сітуацыі разарваных сувязяў, небяспечнасці, непрыняцця і цэнзуры.&nbsp; Падкаст вырашылі назваць "Атожылкі няскоранай дубровы" (гэта цытата з твора беларускага пісьменніка Хведара Жычкі), што ўвасабляе вобраз маладых парасткаў, якія прарастаюць недзе далей па-за межамі няскоранай Беларусі (і рыфмуецца трохі з асілкамі).&nbsp; Падкаст вядуць радыёэнтузіясты Павел Кірпікаў і Аляксандр Карнейчук.<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Гэта серыя размоў з беларускімі музыкамі і творцамі, якія апынуліся па-за мяжой. Мы будзем гутарыць пра тое, як музыка дапамагае нам пераасэнсоўваць знаходжанне ў выгнанні і нявызначнасці, пра тое, якія выклікі гэта перад намі ставіць і ствараюцца магчымасці ў сітуацыі разарваных сувязяў, небяспечнасці, непрыняцця і цэнзуры.  Падкаст вырашылі назваць "Атожылкі няскоранай дубровы" (гэта цытата з твора беларускага пісьменніка Хведара Жычкі), што ўвасабляе вобраз маладых парасткаў, якія прарастаюць недзе далей па-за межамі няскоранай Беларусі (і рыфмуецца трохі з асілкамі).  Падкаст вядуць радыёэнтузіясты Павел Кірпікаў і Аляксандр Карнейчук. Hosted on Acast. See acast.com/privacy for more information.

Гэта серыя размоў з беларускімі музыкамі і творцамі, якія апынуліся па-за мяжой. Мы будзем гутарыць пра тое, як музыка дапамагае нам пераасэнсоўваць знаходжанне ў выгнанні і нявызначнасці, пра тое, якія выклікі гэта перад намі ставіць і ствараюцца магчымасці ў сітуацыі разарваных сувязяў, небяспечнасці, непрыняцця і цэнзуры.&nbsp; Падкаст вырашылі назваць "Атожылкі няскоранай дубровы" (гэта цытата з твора беларускага пісьменніка Хведара Жычкі), што ўвасабляе вобраз маладых парасткаў, якія прарастаюць недзе далей па-за межамі няскоранай Беларусі (і рыфмуецца трохі з асілкамі).&nbsp; Падкаст вядуць радыёэнтузіясты Павел Кірпікаў і Аляксандр Карнейчук. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Music Podcasts / Page 2353

TLOY TALKS

東門Rec&Live

Chilling with JoJo Alonso

Da Patio PolitiCz

BIMM Tastemakers FM's podcast

KRISHNA AVTAR 01

YassCast

Ruby’s two trucks

Musicals Movies and More

Check it Out

ReFuel Worship Podcast

Crunch Time Podcast

DJ Alien

for me, for you

拜托保持联系！

Producto Nacional

LISTA BELTZA

Sin Controol

The Metronome Project Music

Son Gospel

L.G. Records,LLC Presents: Warriors of Worship Singcasts

She Is The Voice

Andy Oliver presents Creatives on the Causeway Coast.

Murmelnde Murmeltiere 2.0

DJ Makson

Charles Ives – I Songs, la Concord Sonata e la musica per organo

Dj Samer

Nelson Carreras en La Academia (2022)

DJ Raskolnikov

KILO-BEAT

Ice Statues

Wuda u miss brah Spitfireee

Атожылкі няскоранай дубровы

Let Me Spin Yo Shhh Podcast Radio

Baka meme

Make The Caul Podcast

Side Quest Podcast

Promo Estereo Musical

AL MAL TIEMPO BUENA MUSICA

Flip the Record

Elezioni 2024

Bara Äkta Vid Bordet

錫安新歌 - Vol. 10 得勝

Guest Mix Series

Jerry Garcia - Audio Biography

Kvlt Krypt

Sounds From Iam Rock

Only Jams Interviews

The Quite Great Radio Show

Shane MacGowan - Biography Flash