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Hello everyone! This is my new kpop podcast where I talk about as many groups and albums as I can. Get collecting tips and opinions from a kpop multi fan! I am a mess but hope you enjoy!🥺

Hazy Kpop Days

Pop 80 - The Best of 80s Pop, Rock, Dance, Soul, R’n’B: All Out 1980s Pop80, il meglio degli anni ‘80. (C) Radio Popolare, Giordano Di Fiore

Pop 80 - The Best of 80s Pop, Rock, Dance, Soul, R’n’B: All Out 1980sPop80, il meglio degli anni ‘80.(C) Radio Popolare, Giordano Di Fiore

Pop 80 - The Best of 80s Pop, Rock, Dance, Soul, R’n’B: All Out 1980s Pop80, il meglio degli anni ‘80. (C) Radio Popolare, Giordano Di Fiore

Pop 80 - Best of 80s

I’m inviting you to tune into Ala'Da-Gii podcast, Get the latest interviews on new up and coming artists
who are expanding their careers through artist exposure on different social platforms
promoting their music and talent . Listen in at https://anchor.fm/alada-gii

I’m inviting you to tune into Ala'Da-Gii podcast, Get the latest interviews on new up and coming artists who are expanding their careers through artist exposure on different social platforms promoting their music and talent . Listen in at https://anchor.fm/alada-gii

Ala'Da-Gii

Este Podcast tem como objetivo trazer notícias da música, cantores, bandas nacionais e internacionais, shows, eventos, entrevistas e falar de temas culturais.

History Web Rádio

Plataforma Musical

New episodes every Friday night at 7pm CST.

MVORadio Podcast

Robson Vaz

海外音楽情報専門podcast。毎週金曜日に配信。
チャートの動向、ニューアーティストPick Up、音楽ニュース..etc。

エンタメ特化型情報メディアSPICE連携したインタビュー(過去にはASIAN KUNG-FU GENERATION、TENDRE、ROTH BART BARONなどが登場)や、
雑談トーク会も不定期に配信します。

◾︎speakeasy web
→https://speakeasy-web.com
◾︎竹内琢也がナビゲーターを務めるSpotify New Music Wednesday Music And Talk Edition
→https://open.spotify.com/show/6sN6lkCV6rvwMDupBRK68E?si=f93c81926fdc4bda
◾︎竹内琢也
2010年からラジオをメインフィールドにメディアでの活動をスタート。フジロックやサマーソニックなどの大型フェスでのバックヤードインタビューを始め、国内大型フェスでのインタビュアー、MC、DJとしての経験も豊富。The 1975、ショーン・メンデス、ロード、ケミカル・ブラザーズ、ベック、ノラ・ジョーンズ、ジャック・ジョンソンなど海外アーティストへのインタビューも多数。

海外音楽情報専門podcast。毎週金曜日に配信。 チャートの動向、ニューアーティストPick Up、音楽ニュース..etc。 エンタメ特化型情報メディアSPICE連携したインタビュー(過去にはASIAN KUNG-FU GENERATION、TENDRE、ROTH BART BARONなどが登場)や、 雑談トーク会も不定期に配信します。 ◾︎speakeasy web →https://speakeasy-web.com ◾︎竹内琢也がナビゲーターを務めるSpotify New Music Wednesday Music And Talk Edition →https://open.spotify.com/show/6sN6lkCV6rvwMDupBRK68E?si=f93c81926fdc4bda ◾︎竹内琢也 2010年からラジオをメインフィールドにメディアでの活動をスタート。フジロックやサマーソニックなどの大型フェスでのバックヤードインタビューを始め、国内大型フェスでのインタビュアー、MC、DJとしての経験も豊富。The 1975、ショーン・メンデス、ロード、ケミカル・ブラザーズ、ベック、ノラ・ジョーンズ、ジャック・ジョンソンなど海外アーティストへのインタビューも多数。

speakeasy podcast

Podcast donde hablare de música desde un formato informal, sera una platica "Entre Amigos" en donde daré Tips, Consejos, contaré mis experiencias como músico, Profesor, Director y Coach Musical. También encontrarás entrevistas y charlas con otros músicos Profesionales. La idea es hablar de música "Entre Amigos"

Dani García Podcast

En "Riff Madness", Ignacio Magnacco te va a hablar de distintas temáticas vinculadas con el género musical del Metal. Además, también indagará en ciertas bandas del género según el episodio que lo amerite. El metal tiene muchas variables, esta es la prueba.

Riff Madness

Elke maand presenteert Ferenc Hannewijk aan de hand van zijn bomvolle platenkast een toplijst met elke keer een ander genre en een andere lengte. Zo kan het zomaar zo zijn dat hij in de ene aflevering een top 10 met herfstnummers heeft en in de andere aflevering een top 50 met Roadtrip songs.

Toplijsten Podcast

Episódios com dicas relacionadas a produção musical.

Dicas de Produção Musical

Programa en el que revisamos la actualidad de la m&uacute;sica Urbana y Electr&oacute;nica.

Programa en el que revisamos la actualidad de la música Urbana y Electrónica.

John Breaker In The Mix

For nearly three decades, Chris Caggs has been one of Australia’s most recognisable voices in Hip Hop, RnB, Dance, and EDM broadcasting. Aged 48, Chris is a veteran Radio DJ, Music Programmer, and Podcaster whose career spans 16 permanent radio stations and syndication across 200+ community stations nationwide through the Community Radio Network (ComRad Satellite). His signature show, Shakedown Radio, continues this legacy—delivering the hottest RnB, Hip Hop, Dance, House, and EDM from Australia and around the world.

Chris’ radio journey began in July 1998 on Pump FM 99.3FM Sydney, Australia’s first Hip Hop & RnB community station. Co‑hosting with Mista‑C, he helped shape Sydney’s urban music sound as Pump FM evolved into Dance Radio 99.3FM and later relaunched as Dance FM 94.5FM in August 2000.

Later in 1998, Chris joined DJ‑FM 87.6FM, a 24/7 dance station serving Sydney’s Inner City and CBD under the Roberts Media Group. Working alongside Frank Chiment, Antonio Avati, Joe Avati, Susie Stapleton, Dave Einfield, Andre Waitsman, Joe Corte, Rob Brizzi and more, he contributed to a powerhouse lineup supported by Central Station Records, Telstra, Carlton & United Breweries, Noizenet, Pulse Music, SBA Music, and marketing lead Rebecca Tynan.

From October 1999, Chris joined Groove FM 96.9 Sydney, hosting breakfast and weekend shows and contributing to music programming under Darren Leigh, Mike Scott, and Fabrizio Vilardo. He continued with the network during its May 2000 broadcast period on Groove FM 94.5, expanding his on‑air presence and shaping the station’s dance and urban identity. Chris returned again for a further broadcast period on Groove FM 94.5 from December 2000 to January 2001, helping define the station’s summer programming. During these years he worked with Australian media personalities including Andrew G (Channel [V], The Bachelor, The Masked Singer), Bessie Bardot, Rene Rivkin, DJ Nino Brown, Georgina Reed, Sam Boutros, Natasha Zuvela (MTV), Yvette Duncan (MTV), Zoe Naylor (MTV), and more.

In 2000, Chris expanded to Queensland as breakfast host and music programmer for the launch of Groove FM 97.3 Brisbane, collaborating with Fez Lateef (Added Flava), Adrian Day, Dustin & Anna, Patrick Donohue, Scott Ferris, DJ Kina, Kristian Hernandez and others.

From 1996–2006, Chris was a long‑running presenter on 2RDJ 88.1FM in Sydney’s Inner West, playing Hip Hop, RnB, and Dance alongside MC Maurice, DJ Alex K (Klubbed Up), DJ Fly Girl Tee, Ms Hennessey, Lorraine Alex and more. Between 2001–2003, he hosted Thursday Flavours and filled in for Soulscope with Georgina Reed.

Radio Stations Featuring Chris Caggs

• OZZ Mixx Dance Radio (Melbourne)
• V1Radio – Dance/EDM (Melbourne)
• 4Play FM – Dance/EDM (Queensland)
• Tune 1 Radio – House/EDM (Perth)
• Starter FM – House/EDM (Sydney)
• Liquid Radio – House/EDM (Sunshine Coast)
• Urban Movement Radio – RnB/Hip Hop (Brisbane)
• MixxBosses Radio – Music/Talkback (Sydney)
• Str8OUT Radio – Dance (Melbourne)
• Mix It Up Radio – RnB/Dance (Brisbane)
• Pump FM 99.3 – Dance/RnB (North Shore)
• 2NSB FM 99.3 (Northside)
• 2RDJ‑FM 88.1 (Burwood, Sydney)
• DJ‑FM 87.6 – Dance Radio (Sydney CBD)
• Groove FM 97.3 (Brisbane Metro)
• Groove FM 94.5 & 96.9 (Sydney Metro)

Media Features & Press

Chris Caggs has appeared in:
• Request Magazine
• Radio Info Newsletter
• The Place Magazine (North Queensland)
• Player FM
• The Music Network
• Groove ON MEDIA
• Revolver Magazine
• Three‑D World Magazine (Sydney)
• Scene Magazine (Brisbane)
• The Queensland Independent
• North Shore Times

Shakedown Radio continues Chris’ mission: championing the best in RnB, Hip Hop, Dance, and EDM while celebrating the culture, artists, and communities that shaped his career. Tune in weekly for mixes, interviews, classics, and fresh new music from one of Australia’s most enduring and passionate radio voices.

For nearly three decades, Chris Caggs has been one of Australia’s most recognisable voices in Hip Hop, RnB, Dance, and EDM broadcasting. Aged 48, Chris is a veteran Radio DJ, Music Programmer, and Podcaster whose career spans 16 permanent radio stations and syndication across 200+ community stations nationwide through the Community Radio Network (ComRad Satellite). His signature show, Shakedown Radio, continues this legacy—delivering the hottest RnB, Hip Hop, Dance, House, and EDM from Australia and around the world. Chris’ radio journey began in July 1998 on Pump FM 99.3FM Sydney, Australia’s first Hip Hop & RnB community station. Co‑hosting with Mista‑C, he helped shape Sydney’s urban music sound as Pump FM evolved into Dance Radio 99.3FM and later relaunched as Dance FM 94.5FM in August 2000. Later in 1998, Chris joined DJ‑FM 87.6FM, a 24/7 dance station serving Sydney’s Inner City and CBD under the Roberts Media Group. Working alongside Frank Chiment, Antonio Avati, Joe Avati, Susie Stapleton, Dave Einfield, Andre Waitsman, Joe Corte, Rob Brizzi and more, he contributed to a powerhouse lineup supported by Central Station Records, Telstra, Carlton & United Breweries, Noizenet, Pulse Music, SBA Music, and marketing lead Rebecca Tynan. From October 1999, Chris joined Groove FM 96.9 Sydney, hosting breakfast and weekend shows and contributing to music programming under Darren Leigh, Mike Scott, and Fabrizio Vilardo. He continued with the network during its May 2000 broadcast period on Groove FM 94.5, expanding his on‑air presence and shaping the station’s dance and urban identity. Chris returned again for a further broadcast period on Groove FM 94.5 from December 2000 to January 2001, helping define the station’s summer programming. During these years he worked with Australian media personalities including Andrew G (Channel [V], The Bachelor, The Masked Singer), Bessie Bardot, Rene Rivkin, DJ Nino Brown, Georgina Reed, Sam Boutros, Natasha Zuvela (MTV), Yvette Duncan (MTV), Zoe Naylor (MTV), and more. In 2000, Chris expanded to Queensland as breakfast host and music programmer for the launch of Groove FM 97.3 Brisbane, collaborating with Fez Lateef (Added Flava), Adrian Day, Dustin & Anna, Patrick Donohue, Scott Ferris, DJ Kina, Kristian Hernandez and others. From 1996–2006, Chris was a long‑running presenter on 2RDJ 88.1FM in Sydney’s Inner West, playing Hip Hop, RnB, and Dance alongside MC Maurice, DJ Alex K (Klubbed Up), DJ Fly Girl Tee, Ms Hennessey, Lorraine Alex and more. Between 2001–2003, he hosted Thursday Flavours and filled in for Soulscope with Georgina Reed. Radio Stations Featuring Chris Caggs • OZZ Mixx Dance Radio (Melbourne) • V1Radio – Dance/EDM (Melbourne) • 4Play FM – Dance/EDM (Queensland) • Tune 1 Radio – House/EDM (Perth) • Starter FM – House/EDM (Sydney) • Liquid Radio – House/EDM (Sunshine Coast) • Urban Movement Radio – RnB/Hip Hop (Brisbane) • MixxBosses Radio – Music/Talkback (Sydney) • Str8OUT Radio – Dance (Melbourne) • Mix It Up Radio – RnB/Dance (Brisbane) • Pump FM 99.3 – Dance/RnB (North Shore) • 2NSB FM 99.3 (Northside) • 2RDJ‑FM 88.1 (Burwood, Sydney) • DJ‑FM 87.6 – Dance Radio (Sydney CBD) • Groove FM 97.3 (Brisbane Metro) • Groove FM 94.5 & 96.9 (Sydney Metro) Media Features & Press Chris Caggs has appeared in: • Request Magazine • Radio Info Newsletter • The Place Magazine (North Queensland) • Player FM • The Music Network • Groove ON MEDIA • Revolver Magazine • Three‑D World Magazine (Sydney) • Scene Magazine (Brisbane) • The Queensland Independent • North Shore Times Shakedown Radio continues Chris’ mission: championing the best in RnB, Hip Hop, Dance, and EDM while celebrating the culture, artists, and communities that shaped his career. Tune in weekly for mixes, interviews, classics, and fresh new music from one of Australia’s most enduring and passionate radio voices.

For nearly three decades, Chris Caggs has been one of Australia’s most recognisable voices in Hip Hop, RnB, Dance, and EDM broadcasting. Aged 48, Chris is a veteran Radio DJ, Music Programmer, and Podcaster whose career spans 16 permanent radio stations and syndication across 200+ community stations nationwide through the Community Radio Network (ComRad Satellite). His signature show, Shakedown Radio, continues this legacy—delivering the hottest RnB, Hip Hop, Dance, House, and EDM from Australia and around the world.

Chris’ radio journey began in July 1998 on Pump FM 99.3FM Sydney, Australia’s first Hip Hop &amp; RnB community station. Co‑hosting with Mista‑C, he helped shape Sydney’s urban music sound as Pump FM evolved into Dance Radio 99.3FM and later relaunched as Dance FM 94.5FM in August 2000.

Later in 1998, Chris joined DJ‑FM 87.6FM, a 24/7 dance station serving Sydney’s Inner City and CBD under the Roberts Media Group. Working alongside Frank Chiment, Antonio Avati, Joe Avati, Susie Stapleton, Dave Einfield, Andre Waitsman, Joe Corte, Rob Brizzi and more, he contributed to a powerhouse lineup supported by Central Station Records, Telstra, Carlton &amp; United Breweries, Noizenet, Pulse Music, SBA Music, and marketing lead Rebecca Tynan.

From October 1999, Chris joined Groove FM 96.9 Sydney, hosting breakfast and weekend shows and contributing to music programming under Darren Leigh, Mike Scott, and Fabrizio Vilardo. He continued with the network during its May 2000 broadcast period on Groove FM 94.5, expanding his on‑air presence and shaping the station’s dance and urban identity. Chris returned again for a further broadcast period on Groove FM 94.5 from December 2000 to January 2001, helping define the station’s summer programming. During these years he worked with Australian media personalities including Andrew G (Channel [V], The Bachelor, The Masked Singer), Bessie Bardot, Rene Rivkin, DJ Nino Brown, Georgina Reed, Sam Boutros, Natasha Zuvela (MTV), Yvette Duncan (MTV), Zoe Naylor (MTV), and more.

In 2000, Chris expanded to Queensland as breakfast host and music programmer for the launch of Groove FM 97.3 Brisbane, collaborating with Fez Lateef (Added Flava), Adrian Day, Dustin &amp; Anna, Patrick Donohue, Scott Ferris, DJ Kina, Kristian Hernandez and others.

From 1996–2006, Chris was a long‑running presenter on 2RDJ 88.1FM in Sydney’s Inner West, playing Hip Hop, RnB, and Dance alongside MC Maurice, DJ Alex K (Klubbed Up), DJ Fly Girl Tee, Ms Hennessey, Lorraine Alex and more. Between 2001–2003, he hosted Thursday Flavours and filled in for Soulscope with Georgina Reed.

Radio Stations Featuring Chris Caggs

• OZZ Mixx Dance Radio (Melbourne)
• V1Radio – Dance/EDM (Melbourne)
• 4Play FM – Dance/EDM (Queensland)
• Tune 1 Radio – House/EDM (Perth)
• Starter FM – House/EDM (Sydney)
• Liquid Radio – House/EDM (Sunshine Coast)
• Urban Movement Radio – RnB/Hip Hop (Brisbane)
• MixxBosses Radio – Music/Talkback (Sydney)
• Str8OUT Radio – Dance (Melbourne)
• Mix It Up Radio – RnB/Dance (Brisbane)
• Pump FM 99.3 – Dance/RnB (North Shore)
• 2NSB FM 99.3 (Northside)
• 2RDJ‑FM 88.1 (Burwood, Sydney)
• DJ‑FM 87.6 – Dance Radio (Sydney CBD)
• Groove FM 97.3 (Brisbane Metro)
• Groove FM 94.5 &amp; 96.9 (Sydney Metro)

Media Features &amp; Press

Chris Caggs has appeared in:
• Request Magazine
• Radio Info Newsletter
• The Place Magazine (North Queensland)
• Player FM
• The Music Network
• Groove ON MEDIA
• Revolver Magazine
• Three‑D World Magazine (Sydney)
• Scene Magazine (Brisbane)
• The Queensland Independent
• North Shore Times

Shakedown Radio continues Chris’ mission: championing the best in RnB, Hip Hop, Dance, and EDM while celebrating the culture, artists, and communities that shaped his career. Tune in weekly for mixes, interviews, classics, and fresh new music from one of Australia’s most enduring and passionate radio voices.

ShakeDown Radio Podcast

Podcast věnovaný  všelikým rozmanitým tématům

Podcast věnovaný všelikým rozmanitým tématům

Upovídaný podcast

大家好，我是湯包，是一名詞曲作者兼吉他老師 目前發行了18首歌 合作藝人：A-Lin,許瑋甯,陳雪凝, UNINE夏瀚宇,阿雲嘎,鄭雲龍,亮哲,荳荳.李立綸...等等 聽音樂、做音樂、玩音樂都可以治百病， 大家有什麼毛病歡迎進來治病， 聽聽我從音樂人的角度去看世界 Powered by <a href="https://firstory.me">Firstory Hosting</a>

大家好，我是湯包，是一名詞曲作者兼吉他老師 目前發行了18首歌 合作藝人：A-Lin,許瑋甯,陳雪凝, UNINE夏瀚宇,阿雲嘎,鄭雲龍,亮哲,荳荳.李立綸...等等 聽音樂、做音樂、玩音樂都可以治百病， 大家有什麼毛病歡迎進來治病， 聽聽我從音樂人的角度去看世界 Powered by Firstory Hosting

大家好，我是湯包，是一名詞曲作者兼吉他老師 目前發行了18首歌 合作藝人：A-Lin,許瑋甯,陳雪凝, UNINE夏瀚宇,阿雲嘎,鄭雲龍,亮哲,荳荳.李立綸...等等 聽音樂、做音樂、玩音樂都可以治百病， 大家有什麼毛病歡迎進來治病， 聽聽我從音樂人的角度去看世界 Powered by <a href="https://firstory.me" rel="noopener noreferrer">Firstory Hosting</a>

做音樂治百病

Fredrik och Jakob gör mer eller mindre djupa dyk ner i diverse populärkulturella fenomen.

Paninaro!

Your Open Window to the world of Classical music and its history, arts, composers and their works, performers and their lives and careers. Presented to you by Dr. Orhan Ahiskal, solo violinist, professor of violin and chamber music with his more than four-decade experience, down-to-earth style and fun conversations.

Open Windows

Planeta Jazz es el programa en el que, cada semana,  Juan Emilio Estil·les, presenta las novedades en el mundo del jazz. Un recorrido por grupos, locales, discos y músicos españoles e internacionales y una atención especial al jazz que se hace en Aragón. Juan Emilio Estil·les, Profundo conocedor del género, investiga cada semana lo nuevo, las mejores versiones y las propuestas más interesantes para ofrecer una hora de jazz.

Planeta Jazz es el programa en el que, cada semana, Juan Emilio Estil·les, presenta las novedades en el mundo del jazz. Un recorrido por grupos, locales, discos y músicos españoles e internacionales y una atención especial al jazz que se hace en Aragón. Juan Emilio Estil·les, Profundo conocedor del género, investiga cada semana lo nuevo, las mejores versiones y las propuestas más interesantes para ofrecer una hora de jazz.

Planeta Jazz es el programa en el que, cada semana,&nbsp; Juan Emilio Estil·les, presenta las novedades en el mundo del jazz. Un recorrido por grupos, locales, discos y músicos españoles e internacionales y una atención especial al jazz que se hace en Aragón. Juan Emilio Estil·les, Profundo conocedor del género, investiga cada semana lo nuevo, las mejores versiones y las propuestas más interesantes para ofrecer una hora de jazz.

Planeta Jazz

KLM explores the beats and artists behind hip-hop music from all decades and U.S. regions. The show dives into the backstories of the art and careers of the artists and producers we all love, as well as the content of their lyrics and beats. Born in the 'year of Hip-Hop', 1973, KLM taps into his personal journey with music and hip-hop to deliver subjective viewpoints and opinion-based commentary. This is hip-hop discovery, exploration, and celebration at its finest! Let's celebrate...
•
•
https://distrokid.com/vip/seven/1171030

KLM explores the beats and artists behind hip-hop music from all decades and U.S. regions. The show dives into the backstories of the art and careers of the artists and producers we all love, as well as the content of their lyrics and beats. Born in the 'year of Hip-Hop', 1973, KLM taps into his personal journey with music and hip-hop to deliver subjective viewpoints and opinion-based commentary. This is hip-hop discovery, exploration, and celebration at its finest! Let's celebrate... • • https://distrokid.com/vip/seven/1171030

Beats, Rhymes, & Mics Podcast

Produzido pela Agência Da Hora, do curso de Jornalismo da UFSM Campus Frederico Westphalen

Programa Ao Sul Do Mundo

Un Podcast de audios de la naturaleza&#128005;, instrumentos musicales y muchos otros, para meditar y relajarse. La música clásica, tiene la capacidad de transmitir emociones a quien la escucha. Sonidos de la naturaleza, El sonido de la lluvia, un río que fluye, el canto de una ballena.&#128051; Música para meditar.

Un Podcast de audios de la naturaleza🐅, instrumentos musicales y muchos otros, para meditar y relajarse. La música clásica, tiene la capacidad de transmitir emociones a quien la escucha. Sonidos de la naturaleza, El sonido de la lluvia, un río que fluye, el canto de una ballena.🐳 Música para meditar.

Meditaaccion

Every week, hosts Graffiti &amp; Davey sit down with the cultures most unique figures to bring you honest and opinionated perspectives on current events, music, news and everything DOPE!

Every week, hosts Graffiti & Davey sit down with the cultures most unique figures to bring you honest and opinionated perspectives on current events, music, news and everything DOPE!

Life is Dope

Hi! I created his first multi-track recording when I bounced a track from my family's Craig cassette deck to a portable Radio Shack when I was a teenager. Inspired by the likes of multi-track pioneers Paul McCartney, Emitt Rhodes and Todd Rundgren, I have recorded a number of albums and singles over five decades (some are unreleased). Never one to stay in one creative space, I like to transverse from ballads, to atmospheric synth-based explorations, to rock and funky-based jazz. I am also half of flute-guitar/keyboard duo Brooks & Day with my longtime friend Ben Brooks. 

I often post songs-in-progress on Soundcloud. 

Note: There are several musicians named Peter Day in the U.S. and UK. This Peter Day grew up in the Pasadena area and currently resides in a rural California desert town.

Hi! I created his first multi-track recording when I bounced a track from my family's Craig cassette deck to a portable Radio Shack when I was a teenager. Inspired by the likes of multi-track pioneers Paul McCartney, Emitt Rhodes and Todd Rundgren, I have recorded a number of albums and singles over five decades (some are unreleased). Never one to stay in one creative space, I like to transverse from ballads, to atmospheric synth-based explorations, to rock and funky-based jazz. I am also half of flute-guitar/keyboard duo Brooks & Day with my longtime friend Ben Brooks. I often post songs-in-progress on Soundcloud. Note: There are several musicians named Peter Day in the U.S. and UK. This Peter Day grew up in the Pasadena area and currently resides in a rural California desert town.

Hi! I created his first multi-track recording when I bounced a track from my family's Craig cassette deck to a portable Radio Shack when I was a teenager. Inspired by the likes of multi-track pioneers Paul McCartney, Emitt Rhodes and Todd Rundgren, I have recorded a number of albums and singles over five decades (some are unreleased). Never one to stay in one creative space, I like to transverse from ballads, to atmospheric synth-based explorations, to rock and funky-based jazz. I am also half of flute-guitar/keyboard duo Brooks &amp; Day with my longtime friend Ben Brooks. 

I often post songs-in-progress on Soundcloud. 

Note: There are several musicians named Peter Day in the U.S. and UK. This Peter Day grew up in the Pasadena area and currently resides in a rural California desert town.

Peter Day Music

TC and Dina B. airs live weekdays on KISS Country 99.9 and the free Audacy app. Listen to exclusive artist interviews and best of segments from their daily show.

TC & Dina B Podcast

SBS 러브FM 6시 저녁바람 김창완입니다 18:05~20:00

6시 저녁바람 김창완입니다

Leaders Who Create is the podcast where leadership and creativity collide. Each episode is designed for creatives, dreamers, and leaders who believe in the power of idea and the impact of authentic conversation. Hosted by Jason Squires, each episode brings together artists, entrepreneurs, leaders, and everyday innovators to explore the intersection of creativity, leadership, and purpose. Whether you’re a worship leader, graphic designer, musician, small business owner, stay-at-home parent, or just someone passionate about bringing ideas to life, there’s a seat for you here. Through real stories and candid conversations, Leaders Who Create equips and inspires creatives to take bold steps, embrace their process, and make meaningful impact. Pull up a chair. Let’s talk creativity, leadership, and everything in between.

Leaders Who Create

Pull up a chair in Jomama's Blues Kitchen every Tuesday at 8pm for two BIG hours of the Blues, served up hot & savory just for you!

Pull up a chair in Jomama's Blues Kitchen every Tuesday at 8pm for two BIG hours of the Blues, served up hot &amp; savory just for you!

JOMAMA'S BLUES KITCHEN

<div>A new-music podcast, featuring interviews and gig reviews of the hottest Indie &amp; Alternative acts coming out of Australia, and those that make the journey down under on tour. Luke Scanlan is your host...a Brit lost in Melbourne! 
 
Hear the influences and inspirations to each artist's music and what name, dress code, free food and drink and support acts they would pick for their Dream Gig Venue. 
 
 
 

</div>

A new-music podcast, featuring interviews and gig reviews of the hottest Indie & Alternative acts coming out of Australia, and those that make the journey down under on tour. Luke Scanlan is your host...a Brit lost in Melbourne! Hear the influences and inspirations to each artist's music and what name, dress code, free food and drink and support acts they would pick for their Dream Gig Venue.

A new-music podcast, featuring interviews and gig reviews of the hottest Indie &amp; Alternative acts coming out of Australia, and those that make the journey down under on tour. Luke Scanlan is your host...a Brit lost in Melbourne! 
 
Hear the influences and inspirations to each artist's music and what name, dress code, free food and drink and support acts they would pick for their Dream Gig Venue.

Alt Down Under

Cada setmana us expliquem la història del teatre musical i les novetats de les cartelleres de Londres, Nova York, Berlín, París, Madrid o Barcelona.

Un recorregut per les obres més emblemàtiques i per l&#8217;actualitat més rabiosa del teatre musical al món i al nostre país, amb una acuradíssima i exuberant selecció musical.

Cada setmana us expliquem la història del teatre musical i les novetats de les cartelleres de Londres, Nova York, Berlín, París, Madrid o Barcelona. Un recorregut per les obres més emblemàtiques i per l’actualitat més rabiosa del teatre musical al món i al nostre país, amb una acuradíssima i exuberant selecció musical.

Cada setmana us expliquem la història del teatre musical i les novetats de les cartelleres de Londres, Nova York, Berlín, París, Madrid o Barcelona.

Un recorregut per les obres més emblemàtiques i per l’actualitat més rabiosa del teatre musical al món i al nostre país, amb una acuradíssima i exuberant selecció musical.

La Porta de l’escenari

<div>🥃🎵 Welcome to "Whiskey Music Club," where a chemist, an engineer, a project manager, an ex-Navy IT pro, and a video editor uncork the rich tales behind two songs and a whiskey. Tune in for a blend of spirited discussions and musical musings that will resonate with listeners from 21 to 50.</div>

🥃🎵 Welcome to "Whiskey Music Club," where a chemist, an engineer, a project manager, an ex-Navy IT pro, and a video editor uncork the rich tales behind two songs and a whiskey. Tune in for a blend of spirited discussions and musical musings that will resonate with listeners from 21 to 50.

Whiskey Music Club

Home Studio Pro is a podcast dedicated to helping you create a professional sounding music from your home studio.

Home Studio Pro

Può un concorso di canzoni, che è anche – soprattutto – uno spettacolo televisivo, contribuire a scrivere la storia d’Europa? L’Eurovision Song Contest lo fa ogni anno. Nato nel 1956 su ispirazione del Festival di Sanremo, il concorso ha sin dalla prima edizione raccontato l’Europa che cambia. Del resto l’idea che stava alla base della sua nascita era proprio quella di rimettere insieme attraverso la musica, l’intrattenimento e la televisione i cocci di un Continente uscito dilaniato dalla guerra. Nel corso degli anni, l’Eurovision ha raccontato l’uso strumentale della musica da parte delle dittature, la fine di queste ultime e la transizione verso la democrazia, ma anche i sommovimenti sociali e politici, fino ai tanti conflitti in giro per l’Europa. Un ruolo sociale e politico importante, certificato dal recente riconoscimento “Changemaker award” come “catalizzatore del cambiamento sociale in un mondo frammentato, unendo i paesi d’Europa e oltre, nella loro ricerca di un sogno musicale”. Soprattutto dal 1993, quando sono entrati in scena i Paesi indipendenti usciti dalla deflagrazione di Urss e Jugoslavia, partecipare alla rassegna  è poi diventato uno strumento di confronto per la costruzione di una scala di europeismo, un requisito primario per “entrare” in Europa. L’Eurovision dal 1956, racconta lo zeigeist, lo spirito dei tempi e la società che cambia e si evolve, nel segno dei diritti, dell’uguaglianza e dell’inclusione. Anche per questo recentemente alcune tv nazionali hanno scelto volontariamente di escludersi, non condividendone  più i valori. Il pubblico, quello in arena e quello a casa, è testimone attivo del racconto eurovisivo, col proprio potere di voto: il successo della Kalush Orchestra all’Eurovision 2022 a Torino,  con un plebiscito delle votazioni telefoniche da tutta Europa, è l’esempio più immediato, ma soltanto il più noto ed evidente. Nel mezzo, ci sono i grandi Paesi occidentali, quelli che i valori dell’Eurovision li interiorizzano da sempre e che invece devono pensare soprattutto alla musica, per non lasciarsi sopraffare.

Può un concorso di canzoni, che è anche – soprattutto – uno spettacolo televisivo, contribuire a scrivere la storia d’Europa? L’Eurovision Song Contest lo fa ogni anno. Nato nel 1956 su ispirazione del Festival di Sanremo, il concorso ha sin dalla prima edizione raccontato l’Europa che cambia. Del resto l’idea che stava alla base della sua nascita era proprio quella di rimettere insieme attraverso la musica, l’intrattenimento e la televisione i cocci di un Continente uscito dilaniato dalla guerra. Nel corso degli anni, l’Eurovision ha raccontato l’uso strumentale della musica da parte delle dittature, la fine di queste ultime e la transizione verso la democrazia, ma anche i sommovimenti sociali e politici, fino ai tanti conflitti in giro per l’Europa. Un ruolo sociale e politico importante, certificato dal recente riconoscimento “Changemaker award” come “catalizzatore del cambiamento sociale in un mondo frammentato, unendo i paesi d’Europa e oltre, nella loro ricerca di un sogno musicale”. Soprattutto dal 1993, quando sono entrati in scena i Paesi indipendenti usciti dalla deflagrazione di Urss e Jugoslavia, partecipare alla rassegna è poi diventato uno strumento di confronto per la costruzione di una scala di europeismo, un requisito primario per “entrare” in Europa. L’Eurovision dal 1956, racconta lo zeigeist, lo spirito dei tempi e la società che cambia e si evolve, nel segno dei diritti, dell’uguaglianza e dell’inclusione. Anche per questo recentemente alcune tv nazionali hanno scelto volontariamente di escludersi, non condividendone più i valori. Il pubblico, quello in arena e quello a casa, è testimone attivo del racconto eurovisivo, col proprio potere di voto: il successo della Kalush Orchestra all’Eurovision 2022 a Torino, con un plebiscito delle votazioni telefoniche da tutta Europa, è l’esempio più immediato, ma soltanto il più noto ed evidente. Nel mezzo, ci sono i grandi Paesi occidentali, quelli che i valori dell’Eurovision li interiorizzano da sempre e che invece devono pensare soprattutto alla musica, per non lasciarsi sopraffare.

Può un concorso di canzoni, che è anche – soprattutto – uno spettacolo televisivo, contribuire a scrivere la storia d’Europa? L’Eurovision Song Contest lo fa ogni anno. Nato nel 1956 su ispirazione del Festival di Sanremo, il concorso ha sin dalla prima edizione raccontato l’Europa che cambia. Del resto l’idea che stava alla base della sua nascita era proprio quella di rimettere insieme attraverso la musica, l’intrattenimento e la televisione i cocci di un Continente uscito dilaniato dalla guerra. Nel corso degli anni, l’Eurovision ha raccontato l’uso strumentale della musica da parte delle dittature, la fine di queste ultime e la transizione verso la democrazia, ma anche i sommovimenti sociali e politici, fino ai tanti conflitti in giro per l’Europa. Un ruolo sociale e politico importante, certificato dal recente riconoscimento “Changemaker award” come “catalizzatore del cambiamento sociale in un mondo frammentato, unendo i paesi d’Europa e oltre, nella loro ricerca di un sogno musicale”. Soprattutto dal 1993, quando sono entrati in scena i Paesi indipendenti usciti dalla deflagrazione di Urss e Jugoslavia, partecipare alla rassegna &nbsp;è poi diventato uno strumento di confronto per la costruzione di una scala di europeismo, un requisito primario per “entrare” in Europa. L’Eurovision dal 1956, racconta lo zeigeist, lo spirito dei tempi e la società che cambia e si evolve, nel segno dei diritti, dell’uguaglianza e dell’inclusione. Anche per questo recentemente alcune tv nazionali hanno scelto volontariamente di escludersi, non condividendone&nbsp; più i valori. Il pubblico, quello in arena e quello a casa, è testimone attivo del racconto eurovisivo, col proprio potere di voto: il successo della Kalush Orchestra all’Eurovision 2022 a Torino,&nbsp; con un plebiscito delle votazioni telefoniche da tutta Europa, è l’esempio più immediato, ma soltanto il più noto ed evidente. Nel mezzo, ci sono i grandi Paesi occidentali, quelli che i valori dell’Eurovision li interiorizzano da sempre e che invece devono pensare soprattutto alla musica, per non lasciarsi sopraffare.

Eurovision Files- Storie eurovisive

O quê o Luciano e seus convidados fazem dentro de um sebo?
Falam de musica, falam de cultura pop, contam historias...
Tem tudo isso e mais um pouco, assine o canal Discopatas e venha descobrir :)

Aqui falamos de musica de uma perspectiva pessoal, sem cagar regras e sem querer te ensinar nada, aqui a gente só quer trazer nossa percepção, nosso sentimento e nossa paixão pela musica.

Discopatas tem epsódio novo toda segunda-feira para que você ja comece a semana leve e com muita musica :)

O quê o Luciano e seus convidados fazem dentro de um sebo? Falam de musica, falam de cultura pop, contam historias... Tem tudo isso e mais um pouco, assine o canal Discopatas e venha descobrir :) Aqui falamos de musica de uma perspectiva pessoal, sem cagar regras e sem querer te ensinar nada, aqui a gente só quer trazer nossa percepção, nosso sentimento e nossa paixão pela musica. Discopatas tem epsódio novo toda segunda-feira para que você ja comece a semana leve e com muita musica :)

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Eurovision Files- Storie eurovisive

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