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#GODNOTA (Russian Pop, Club & Progressive House)

DJ / Produtor musical
NÃO SE ESQUEÇA DE SE INSCREVER !
DOWNLOAD LIBERADO !

DJ / Produtor musical NÃO SE ESQUEÇA DE SE INSCREVER ! DOWNLOAD LIBERADO !

Vagabundo dos bons

Welcome to the We Want Gospel Podcast!Im your host Mazvita :)

Welcome to the We Want Gospel Podcast! Im your host Mazvita :)

WeWantGospel Podcast

My new podcast is finally live. Hit that play button and join me for a fun ride

Strangers of time travel

Nation anthem x percs

Since 1997, Loulou and Pollux are LuLúxpo: an inseparable and singular couple that looks like two characters who escaped from an interstellar comic-strip. LuLúxpo is therefore a fusion of two multidisciplinary artists. The duo of contemporary visual artists is influenced by pop-art and fashion. Together, they perform as electro DJs who have fallen from the sky and set fire to every dance floor they attend to. Their “four hands” sets are always memorable. Their motto: Love is Power!

LuLúxpo has its own radio show simply called Let’s Dance, launched in January 2007 on Couleur3/RTS. After ten years as a weekly on the Swiss national radio, it's aired monthly on Radio Meuh from September 2017 to June 2023. Since October 2023 they are residents on Tsugi Radio every 4th Friday of the month, 18h30 C.E.T.

Rebroadcasts on C'rock Radio, Vienne - France, since September 2017.

They launched their own record label @ParadiseChildrenRecords in 2017.

Since June 2022, they regularly produce the radio show "Pop Up", the flagship program of Couleur3/RTS (Swiss national radio).

Since 1997, Loulou and Pollux are LuLúxpo: an inseparable and singular couple that looks like two characters who escaped from an interstellar comic-strip. LuLúxpo is therefore a fusion of two multidisciplinary artists. The duo of contemporary visual artists is influenced by pop-art and fashion. Together, they perform as electro DJs who have fallen from the sky and set fire to every dance floor they attend to. Their “four hands” sets are always memorable. Their motto: Love is Power! LuLúxpo has its own radio show simply called Let’s Dance, launched in January 2007 on Couleur3/RTS. After ten years as a weekly on the Swiss national radio, it's aired monthly on Radio Meuh from September 2017 to June 2023. Since October 2023 they are residents on Tsugi Radio every 4th Friday of the month, 18h30 C.E.T. Rebroadcasts on C'rock Radio, Vienne - France, since September 2017. They launched their own record label @ParadiseChildrenRecords in 2017. Since June 2022, they regularly produce the radio show "Pop Up", the flagship program of Couleur3/RTS (Swiss national radio).

Let's Dance Radio Show

Join five metalheads as they dive into the evolution of 2010s "core" music and today’s heaviest bangers. Expect heavy metal humor, quirky subgenres, and passionate rock and metal analysis. This podcast covers everything from metal scene insights and band interviews to music reviews and commentary. Tune in for laughs, deep dives, and a celebration of metal culture. Perfect for fans of music genre discussions, critiques, and anyone seeking a mix of music humor and metal.

*The respective bands and creators retain all rights to their media, and no ownership or profit is claimed from their work.*

Join five metalheads as they dive into the evolution of 2010s "core" music and today’s heaviest bangers. Expect heavy metal humor, quirky subgenres, and passionate rock and metal analysis. This podcast covers everything from metal scene insights and band interviews to music reviews and commentary. Tune in for laughs, deep dives, and a celebration of metal culture. Perfect for fans of music genre discussions, critiques, and anyone seeking a mix of music humor and metal. *The respective bands and creators retain all rights to their media, and no ownership or profit is claimed from their work.*

Thrash Talk Podcast

Esta lista de palos está hecha por gente que te ama infinitamente 🔥🤘🏼

14 Nicañonazos Bailables Vol.1

Реальное имя - Николай Крупинкин.
Начиналось все с мамы, которая была преподавателем эстрадного и джазового вокала. Мама увидела в ребенке крутого певца с большим будущим. Оказалось, что певец то и не певец особо :) А вот музыкальная аппаратура для записи и создания аранжировок очень сильно заинтересовала.
Первый опыт музицирования был в аркадном DAW MTV Music на Sony Playstation 1. Потом Music 2000, потом связка из первых...

Реальное имя - Николай Крупинкин. Начиналось все с мамы, которая была преподавателем эстрадного и джазового вокала. Мама увидела в ребенке крутого певца с большим будущим. Оказалось, что певец то и не певец особо :) А вот музыкальная аппаратура для записи и создания аранжировок очень сильно заинтересовала. Первый опыт музицирования был в аркадном DAW MTV Music на Sony Playstation 1. Потом Music 2000, потом связка из первых...

Niko Krupinkin

Podcast učenika Gimnazije Antuna Gustava Matoša u Samoboru.

Podcast učenika Gimnazije Antuna Gustava Matoša u Samoboru.

Pinecast

&nbsp;Music is all around us and within us—it defines the very world we live in. From the tiniest particles to the largest galaxies, from the humble amoeba to the community of nations, everything in the manifest world is the playing out of a massive cosmic symphony—if only we had the ears to hear it. In this podcast renowned musician Stanley Jordan invites us to deepen our understanding of music and to appreciate how this musical perspective can help us to decipher the mysteries of the world and our place within it.

 Music is all around us and within us—it defines the very world we live in. From the tiniest particles to the largest galaxies, from the humble amoeba to the community of nations, everything in the manifest world is the playing out of a massive cosmic symphony—if only we had the ears to hear it. In this podcast renowned musician Stanley Jordan invites us to deepen our understanding of music and to appreciate how this musical perspective can help us to decipher the mysteries of the world and our place within it.

Stanley Jordan and The Music Of Life

Amigos del Rock es un programa de periodismo musical que busca colocar las manifestaciones artísticas independientes en la agenda local, abordando temáticas de producción, circulación y consumo del arte de nuestro presente cultural.
Amigos del Rock difunde toda la agenda cultural local &#8211; regional y problematiza el acceso a bienes culturales, teniendo como eje principal, la divulgación de las producciones musicales independiente de nuestra ciudad y la región.

Amigos del Rock es un programa de periodismo musical que busca colocar las manifestaciones artísticas independientes en la agenda local, abordando temáticas de producción, circulación y consumo del arte de nuestro presente cultural. Amigos del Rock difunde toda la agenda cultural local – regional y problematiza el acceso a bienes culturales, teniendo como eje principal, la divulgación de las producciones musicales independiente de nuestra ciudad y la región.

Amigos del Rock es un programa de periodismo musical que busca colocar las manifestaciones artísticas independientes en la agenda local, abordando temáticas de producción, circulación y consumo del arte de nuestro presente cultural.
Amigos del Rock difunde toda la agenda cultural local – regional y problematiza el acceso a bienes culturales, teniendo como eje principal, la divulgación de las producciones musicales independiente de nuestra ciudad y la región.

Podcast de Amigos del Rock

眠れる森

If only this was on Spotify

<a href="http://JazzAnd.Coffee">JazzAnd.Coffee</a> A smooth magazine to ease you into the weekend, new music, chat and general information from the smoothJazz catorgory, syndicated globally to 150+ countries inc. Asia

JazzAnd.Coffee A smooth magazine to ease you into the weekend, new music, chat and general information from the smoothJazz catorgory, syndicated globally to 150+ countries inc. Asia

<a href="http://JazzAnd.Coffee" rel="noopener noreferrer">JazzAnd.Coffee</a> A smooth magazine to ease you into the weekend, new music, chat and general information from the smoothJazz catorgory, syndicated globally to 150+ countries inc. Asia

JazzAnd.Coffee - A Hug In A Mug

Sesiones Argentinas es un podcast dedicado a difundir el «género urbano» argentino y sus principales exponentes. Artistas argentinos que están protagonizando una expansión de su obra tanto en plataformas virtuales como en escenarios internacionales. Bizarrap, Duki, María Becerra, Nicki Nicole, Wos, Trueno, Rusherking, Nathy Peluso, entre otros, tienen su propio episodio en este podcast disponible en idioma.

Sesiones Argentinos

THE GRAND HALL OF

Nerd Acid - 

@acidrecordsbrazil
@bantuhrecords
@labaredarecords

Is the DJ/producer project of artist Davi S. based in Goyaz, state of Brazil.


In 2014, after several studies on music production, the Nerd Acid project which focuses on progressive, psychedelic, sinister, limbic, storyteller, smart, dark and heavy bassline music.



booking contact: + 55 (61) 99300-2424 (Davi)

Nerd Acid - @acidrecordsbrazil @bantuhrecords @labaredarecords Is the DJ/producer project of artist Davi S. based in Goyaz, state of Brazil. In 2014, after several studies on music production, the Nerd Acid project which focuses on progressive, psychedelic, sinister, limbic, storyteller, smart, dark and heavy bassline music. booking contact: + 55 (61) 99300-2424 (Davi)

Nerd Acid

El 10 de diciembre de 2023, se cumplirán 40 años de la recuperación de la democracia. Desde el área de medios digitales de Radio Nacional presentamos una serie de podcast dedicado a repasar la mirada del séptimo arte al proceso democrático de nuestro país. Este recorrido sonoro nos permite, por una parte, hacer un repaso del contexto histórico en que fueron realizadas las películas documentales y las películas de ficción, de las que invitamos a escuchar fragmentos y testimonios de sus protagonistas.

Cine y democracia

Ville Dinero

Keli&nbsp;is a new audio drama written and composed by Martin Green and co-created and directed by Wils Wilson, starring James Cosmo and Anna Russell Martin. This fictional story of a talented but troubled young horn player stars Anna Russell-Martin, with a sonorous score recorded by a bespoke band including principal players from Black Dyke, Grimethorpe, Fairey and Brighouse, and featuring BBC Young Musician of the Year, Sheona White as “the voice of Keli” on tenor horn.&nbsp;Martin Green has spent the last year immersing himself in brass banding, surrounded by the communities, the competition and the legacy of coal. Inspired by the resilient, creative individuals he has met, he’s produced&nbsp;a three-part BBC documentary,&nbsp;Love, Spit and Valve Oil,&nbsp;a new piece of music&nbsp;Split The Air&nbsp;and this&nbsp;Audio Drama,Keli, commissioned by The Lyceum and created with Lyceum associate artist Wils Wilson with whom Martin made last year's acclaimed audio drama&nbsp;The Portal.​​​CASTWillie&nbsp;James CosmoMG&nbsp;Martin GreenStoryteller&nbsp;Edie GreenKlara&nbsp;Sandra KassmanBus Driver&nbsp;Jamie KennaLady Snaresgrove&nbsp;Liz KettleAmy&nbsp;Laura LovemoreBrian&nbsp;Billy MackPoliceman/Compere&nbsp;Ross MannJayne&nbsp;Carmen Pieraccini&nbsp;Keli&nbsp;Anna Russell Martin&nbsp;Saskia&nbsp;Gemma Stroyan​ORCHESTRAMark Harrison&nbsp;Soprano Cornet,&nbsp;Tom Smith&nbsp;Principal Cornet,&nbsp;Thomas Fountain&nbsp;Solo Cornet,&nbsp;Ian Culcross&nbsp;Solo Cornet,&nbsp;Stephen Murphy&nbsp;Solo Cornet,&nbsp;Kirsty Abbotts&nbsp;Repiano Cornet,&nbsp;Alicia Davis&nbsp;2nd Cornet,&nbsp;Laura Conway&nbsp;2nd Cornet,&nbsp;Niall Mulvoy&nbsp;3rd Cornet,&nbsp;Hayley Moore&nbsp;3rd Cornet,&nbsp;Dave Moore&nbsp;Flugal,&nbsp;Sheona White&nbsp;Solo Tenor Horn,&nbsp;Siobhan Bates&nbsp;1st Tenor Horn,&nbsp;Emma Conway&nbsp;2nd Tenor Horn,&nbsp;Gary Curtin&nbsp;Solo Euphonium,&nbsp;Dave Thornton&nbsp;2nd Euphonium,&nbsp;Amy Ewen&nbsp;Solo Baritone,&nbsp;Ben Smith&nbsp;2nd Baritone,&nbsp;Tom Berry&nbsp;Solo TromboneEllena Newton&nbsp;2nd Trombone,&nbsp;Alex Kelly&nbsp;Bass Trombone,&nbsp;Harry Cunningham&nbsp;Solo E-flat Bass,&nbsp;Andy Mallon&nbsp;E-flat Bass,&nbsp;Stuart Beard&nbsp;Solo B-flat Bass,&nbsp;Matt Wade&nbsp;B-flat Bass​​Written and created by&nbsp;Martin GreenDirected and co-created by&nbsp;Wils WilsonMusic composed by&nbsp;Martin GreenScore orchestrated by&nbsp;Benjamin WoodgatesConducted by&nbsp;Mark HeronSound effects by&nbsp;Eloise WhitmoreMusic recorded by and audio drama mixed by&nbsp;Calum and Cameron Malcolm Producer&nbsp;Martin AtkinsonAssistant Producer&nbsp;Mikaela Atkins BlakeProduction Manager&nbsp;Louis BlatherwickScript Editor&nbsp;Kate LeysExecutive Producer for Lepus Productions&nbsp;Martin AtkinsonCreated by&nbsp;Lepus ProductionsWith thanks to&nbsp;Sandy Butler, Jon Calvert, Bilge Nur Yilmaz, Becca Gaskell Funded by&nbsp;PRS Foundation, Creative Scotland, The Marchus Trust&nbsp;and&nbsp;The Space.&nbsp;KELI&nbsp;has been commissioned by&nbsp;The Lyceum&nbsp;and&nbsp;Shetland Arts.&nbsp;KELI&nbsp;contains elements of&nbsp;The Servant&nbsp;by Hermynia Zur Mühlen and translated by Jack Zipes.​Photography and filming by&nbsp;Sandy Butler​ <a target='_blank' rel='noopener noreferrer' href="https://open.acast.com/public/patreon/fanSubscribe/5827031">Get bonus content on Patreon</a><hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Keli is a new audio drama written and composed by Martin Green and co-created and directed by Wils Wilson, starring James Cosmo and Anna Russell Martin. This fictional story of a talented but troubled young horn player stars Anna Russell-Martin, with a sonorous score recorded by a bespoke band including principal players from Black Dyke, Grimethorpe, Fairey and Brighouse, and featuring BBC Young Musician of the Year, Sheona White as “the voice of Keli” on tenor horn.   Martin Green has spent the last year immersing himself in brass banding, surrounded by the communities, the competition and the legacy of coal. Inspired by the resilient, creative individuals he has met, he’s produced a three-part BBC documentary, Love, Spit and Valve Oil, a new piece of music Split The Air and this Audio Drama,Keli, commissioned by The Lyceum and created with Lyceum associate artist Wils Wilson with whom Martin made last year's acclaimed audio drama The Portal. ​ ​​ CAST Willie James Cosmo MG Martin Green Storyteller Edie Green Klara Sandra Kassman Bus Driver Jamie Kenna Lady Snaresgrove Liz Kettle Amy Laura Lovemore Brian Billy Mack Policeman/Compere Ross Mann Jayne Carmen Pieraccini  Keli Anna Russell Martin  Saskia Gemma Stroyan ​ ORCHESTRA Mark Harrison Soprano Cornet, Tom Smith Principal Cornet, Thomas Fountain Solo Cornet, Ian Culcross Solo Cornet, Stephen Murphy Solo Cornet, Kirsty Abbotts Repiano Cornet, Alicia Davis 2nd Cornet, Laura Conway 2nd Cornet, Niall Mulvoy 3rd Cornet, Hayley Moore 3rd Cornet, Dave Moore Flugal, Sheona White Solo Tenor Horn, Siobhan Bates 1st Tenor Horn, Emma Conway 2nd Tenor Horn, Gary Curtin Solo Euphonium, Dave Thornton 2nd Euphonium, Amy Ewen Solo Baritone, Ben Smith 2nd Baritone, Tom Berry Solo Trombone Ellena Newton 2nd Trombone, Alex Kelly Bass Trombone, Harry Cunningham Solo E-flat Bass, Andy Mallon E-flat Bass, Stuart Beard Solo B-flat Bass, Matt Wade B-flat Bass ​​ Written and created by Martin Green Directed and co-created by Wils Wilson Music composed by Martin Green Score orchestrated by Benjamin Woodgates Conducted by Mark Heron Sound effects by Eloise Whitmore Music recorded by and audio drama mixed by Calum and Cameron Malcolm Producer Martin Atkinson Assistant Producer Mikaela Atkins Blake Production Manager Louis Blatherwick Script Editor Kate Leys Executive Producer for Lepus Productions Martin Atkinson Created by Lepus Productions With thanks to Sandy Butler, Jon Calvert, Bilge Nur Yilmaz, Becca Gaskell Funded by PRS Foundation, Creative Scotland, The Marchus Trust and The Space. KELI has been commissioned by The Lyceum and Shetland Arts. KELI contains elements of The Servant by Hermynia Zur Mühlen and translated by Jack Zipes. ​ Photography and filming by Sandy Butler​ Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Keli&nbsp;is a new audio drama written and composed by Martin Green and co-created and directed by Wils Wilson, starring James Cosmo and Anna Russell Martin. This fictional story of a talented but troubled young horn player stars Anna Russell-Martin, with a sonorous score recorded by a bespoke band including principal players from Black Dyke, Grimethorpe, Fairey and Brighouse, and featuring BBC Young Musician of the Year, Sheona White as “the voice of Keli” on tenor horn.&nbsp;Martin Green has spent the last year immersing himself in brass banding, surrounded by the communities, the competition and the legacy of coal. Inspired by the resilient, creative individuals he has met, he’s produced&nbsp;a three-part BBC documentary,&nbsp;Love, Spit and Valve Oil,&nbsp;a new piece of music&nbsp;Split The Air&nbsp;and this&nbsp;Audio Drama,Keli, commissioned by The Lyceum and created with Lyceum associate artist Wils Wilson with whom Martin made last year's acclaimed audio drama&nbsp;The Portal.​​​CASTWillie&nbsp;James CosmoMG&nbsp;Martin GreenStoryteller&nbsp;Edie GreenKlara&nbsp;Sandra KassmanBus Driver&nbsp;Jamie KennaLady Snaresgrove&nbsp;Liz KettleAmy&nbsp;Laura LovemoreBrian&nbsp;Billy MackPoliceman/Compere&nbsp;Ross MannJayne&nbsp;Carmen Pieraccini&nbsp;Keli&nbsp;Anna Russell Martin&nbsp;Saskia&nbsp;Gemma Stroyan​ORCHESTRAMark Harrison&nbsp;Soprano Cornet,&nbsp;Tom Smith&nbsp;Principal Cornet,&nbsp;Thomas Fountain&nbsp;Solo Cornet,&nbsp;Ian Culcross&nbsp;Solo Cornet,&nbsp;Stephen Murphy&nbsp;Solo Cornet,&nbsp;Kirsty Abbotts&nbsp;Repiano Cornet,&nbsp;Alicia Davis&nbsp;2nd Cornet,&nbsp;Laura Conway&nbsp;2nd Cornet,&nbsp;Niall Mulvoy&nbsp;3rd Cornet,&nbsp;Hayley Moore&nbsp;3rd Cornet,&nbsp;Dave Moore&nbsp;Flugal,&nbsp;Sheona White&nbsp;Solo Tenor Horn,&nbsp;Siobhan Bates&nbsp;1st Tenor Horn,&nbsp;Emma Conway&nbsp;2nd Tenor Horn,&nbsp;Gary Curtin&nbsp;Solo Euphonium,&nbsp;Dave Thornton&nbsp;2nd Euphonium,&nbsp;Amy Ewen&nbsp;Solo Baritone,&nbsp;Ben Smith&nbsp;2nd Baritone,&nbsp;Tom Berry&nbsp;Solo TromboneEllena Newton&nbsp;2nd Trombone,&nbsp;Alex Kelly&nbsp;Bass Trombone,&nbsp;Harry Cunningham&nbsp;Solo E-flat Bass,&nbsp;Andy Mallon&nbsp;E-flat Bass,&nbsp;Stuart Beard&nbsp;Solo B-flat Bass,&nbsp;Matt Wade&nbsp;B-flat Bass​​Written and created by&nbsp;Martin GreenDirected and co-created by&nbsp;Wils WilsonMusic composed by&nbsp;Martin GreenScore orchestrated by&nbsp;Benjamin WoodgatesConducted by&nbsp;Mark HeronSound effects by&nbsp;Eloise WhitmoreMusic recorded by and audio drama mixed by&nbsp;Calum and Cameron Malcolm Producer&nbsp;Martin AtkinsonAssistant Producer&nbsp;Mikaela Atkins BlakeProduction Manager&nbsp;Louis BlatherwickScript Editor&nbsp;Kate LeysExecutive Producer for Lepus Productions&nbsp;Martin AtkinsonCreated by&nbsp;Lepus ProductionsWith thanks to&nbsp;Sandy Butler, Jon Calvert, Bilge Nur Yilmaz, Becca Gaskell Funded by&nbsp;PRS Foundation, Creative Scotland, The Marchus Trust&nbsp;and&nbsp;The Space.&nbsp;KELI&nbsp;has been commissioned by&nbsp;The Lyceum&nbsp;and&nbsp;Shetland Arts.&nbsp;KELI&nbsp;contains elements of&nbsp;The Servant&nbsp;by Hermynia Zur Mühlen and translated by Jack Zipes.​Photography and filming by&nbsp;Sandy Butler​ <a href="https://open.acast.com/public/patreon/fanSubscribe/5827031" rel="noopener noreferrer">Get bonus content on Patreon</a> Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Keli

The Clearing House speaks with artists from all mediums that move to fully express their authentic selves without limitation. TCH is dedicated to uplifting humanity by harnessing the power of music, art, and culture to expand collective consciousness toward unity and oneness. The Clearing House goes above and beyond definitions or being pigeonholed or limited to a set genre or category, TCH has an unique ideology that focuses on one’s true intentions and viewpoints in order to create an original stance or statement as an artist.

The Clearing House speaks with artists from all mediums that move to fully express their authentic selves without limitation. TCH is dedicated to uplifting humanity by harnessing the power of music, art, and culture to expand collective consciousness toward unity and oneness. The Clearing House goes above and beyond definitions or being pigeonholed or limited to a set genre or category, TCH has an unique ideology that focuses on one’s true intentions and viewpoints in order to create an original stance or statement as an artist.

All Of The Above presents                    The Clearing House

This is the Front Row Unplugged Podcast. The ultimate podcast for all of you concert enthusiasts out there! Join your hosts, Vash &amp; Cretia, as they take you on a wild ride through the concert scene, straight from the eyes of of the ticket holder.

This is the Front Row Unplugged Podcast. The ultimate podcast for all of you concert enthusiasts out there! Join your hosts, Vash & Cretia, as they take you on a wild ride through the concert scene, straight from the eyes of of the ticket holder.

Front Row Unplugged Podcast

This podcast is temporarily offline while we search for a new host.Get in your feels with special dedications and requests from the WBAM listeners. Fill your hearts with love, gratefulness, forgiveness, and wisdom every other week on Saturday nights at 9pm ET.&nbsp;

This podcast is temporarily offline while we search for a new host. Get in your feels with special dedications and requests from the WBAM listeners. Fill your hearts with love, gratefulness, forgiveness, and wisdom every other week on Saturday nights at 9pm ET. 

Dedicated

DJ MARLEY LEMOS

Construção Musical da Liberdade é uma série de oito programas que procura explorar as conexões entre experiência estética e emancipação social a partir da música. O programa, concebido por Vladimir Safatle, se baseia em uma proposta de análise das obras a partir das questões produzidas pela forma estética. Além da apresentação do repertório musical, traz análises feitas por Safatle, muitas delas derivadas de seu livro Em um com o impulso: experiência estética e emancipação social. Cada programa tem um tema específico.

Construção Musical da Liberdade - USP

Music that’s not on Spotify

Bienvenidos a este portal, donde la música electrónica te hará volar con temas de ayer y hoy. Estás mezclas son para ustedes, espero las disfruten tanto como un servidor. Bienvenidos a Zona House

Bienvenidos a este portal, donde la música electrónica te hará volar con temas de ayer y hoy. Estás mezclas son para ustedes, espero las disfruten tanto como un servidor. Bienvenidos a Zona House

Zona House by DPlay

Podcast de contenido musical y biográfico de mujeres y disidencias sexogenéricas

Podcast de contenido musical y biográfico de mujeres y disidencias sexogenéricas

OPUESTAS

Carlos tomicic is a dj & undergroud music producer born in chile in the early 80's. Equipped with a captivating technique and versatility capable of generating exceptional atmospheres from the most intimate to the moment of greatest enthusiasm. Its influences coming from minimalist styles and deep house. His creations play in favor of the groove impregnating with happiness and hypnotizing the dance floor

Carlos tomicic is a dj &amp; undergroud music producer born in chile in the early 80's. Equipped with a captivating technique and versatility capable of generating exceptional atmospheres from the most intimate to the moment of greatest enthusiasm. Its influences coming from minimalist styles and deep house. His creations play in favor of the groove impregnating with happiness and hypnotizing the dance floor

Carlos Tomicic

Sérgio Mendes Pipoy
Artista/Compositor 🎼
#Rapper 🔥

Sérgio Mendes Pipoy Artista/Compositor 🎼 #Rapper 🔥

El Pipoyy ✨

The Amplifier Show!

Content about the world of web3.

Brought to you by AMP NFT. <a href="https://ampnft.substack.com?utm_medium=podcast">ampnft.substack.com</a>

The Amplifier Show! Content about the world of web3. Brought to you by AMP NFT. ampnft.substack.com

The Amplifier Show!

Content about the world of web3.

Brought to you by AMP NFT. <a href="https://ampnft.substack.com?utm_medium=podcast" rel="noopener noreferrer">ampnft.substack.com</a>

The Amplifier Show

Ääni edellä -podcast on TUNEMENTin luoma keskusteluohjelma, joka sukeltaa äänen, äänibrändäyksen ja audioviestinnän maailmaan. Podcast käsittelee äänen vaikutusta brändeihin, käyttäytymiseen ja tunteisiin, tarjoten syväluotaavia keskusteluja niin TUNEMENTin asiantuntijoiden kuin vieraidenkin kanssa.

Ääni Edellä

Each month, your hosts Chris and Chris discuss the very best and sometimes worst in Rock, Metal and Alternative music. We discuss what's been happening in the news and we discuss a vaguely interesting topic. Expect, opinions, potty mouthed language, lots of the 'back in my day' rose tinted chat and a healthy dose of nonsense. <a target='_blank' rel='noopener noreferrer' href="https://open.acast.com/public/patreon/fanSubscribe/9382035">Get bonus content on Patreon</a><hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Each month, your hosts Chris and Chris discuss the very best and sometimes worst in Rock, Metal and Alternative music. We discuss what's been happening in the news and we discuss a vaguely interesting topic. Expect, opinions, potty mouthed language, lots of the 'back in my day' rose tinted chat and a healthy dose of nonsense. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Each month, your hosts Chris and Chris discuss the very best and sometimes worst in Rock, Metal and Alternative music. We discuss what's been happening in the news and we discuss a vaguely interesting topic. Expect, opinions, potty mouthed language, lots of the 'back in my day' rose tinted chat and a healthy dose of nonsense. <a href="https://open.acast.com/public/patreon/fanSubscribe/9382035" rel="noopener noreferrer">Get bonus content on Patreon</a> Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Stone Bald Crazy

🎧 DJ | Producer 🎛
📍Iquitos - Perú 🇵🇪
📩 Bookings + Info: djdeedsg@gmail.com

🎧 DJ | Producer 🎛 📍Iquitos - Perú 🇵🇪 📩 Bookings + Info: djdeedsg@gmail.com

Dj Deeds

At the beginning of this happy year, we say praise and gratitude for the one and only one.For the grace we are always given this opportunity.Here are things that must be considered in joining or contributing or participatingin RETUNERECORD activities or contributions. Or other activities thatRETUNERECORD does.here we will tell you some of the most important things in participatingand an in every event or schedule scheduled.

 

• MUSIC PRODUCTION – Through this procedure encourages each creator of the work and invitesseveral levels of local and non-local art workers to contribute both inpaid or unpaid. Depends on what RETUNERECORD expectsin every activity. It's good that we support against art creators who havestrong desire and has a degree in the creation of works for commercial or forhimself.because every work made is the result of the work itself for himselfand for others.

 

• MUSIC DISTRIBUTION – Every piece wants to be tasted and produce its own satisfactionfor every work that has been produced whether it is from any genre / genre of music that is increate.always we expect more value than what has been done. Sofrom that RETUNERECORD suggests and at the same time in every work made Inits music production is capable of being distributed individually or commercially for anyrelease in terms of physical as well as the current digital era that is advancing.

 

• MUSIC RIGHTS/COPYRIGHT – Both in terms of release and production. RETUNERECORD senastiasahope that what is created has its own record of each work or forits creators. Not only music production and release but we work on andaccept any finished or pre-finished work to obtain copyrights orcopyright of any work that has been created or has been worked on. be it in the versiondemo track or single music single live or performance live track. but in the wordanything else about it. The music played must be a separate essay andself-creation or creation of collaboration and participation.(note : The retunerecord party will not bear any liability for anything ifthere is an error in the copyright procedure).

 

• ISMN MUSIC/MUSICAL NOTATION/ANNOTATION – In some ways the so-called inabove. Both in terms of captions are expected to be sufficient. But for this time in terms of MusicalNotation. We always expect participation in musicits production or music release distribution. But this will be different because of the thingpublishing for ISMN will fall into the full education category.

At the beginning of this happy year, we say praise and gratitude for the one and only one.For the grace we are always given this opportunity.Here are things that must be considered in joining or contributing or participatingin RETUNERECORD activities or contributions. Or other activities thatRETUNERECORD does.here we will tell you some of the most important things in participatingand an in every event or schedule scheduled. • MUSIC PRODUCTION – Through this procedure encourages each creator of the work and invitesseveral levels of local and non-local art workers to contribute both inpaid or unpaid. Depends on what RETUNERECORD expectsin every activity. It's good that we support against art creators who havestrong desire and has a degree in the creation of works for commercial or forhimself.because every work made is the result of the work itself for himselfand for others. • MUSIC DISTRIBUTION – Every piece wants to be tasted and produce its own satisfactionfor every work that has been produced whether it is from any genre / genre of music that is increate.always we expect more value than what has been done. Sofrom that RETUNERECORD suggests and at the same time in every work made Inits music production is capable of being distributed individually or commercially for anyrelease in terms of physical as well as the current digital era that is advancing. • MUSIC RIGHTS/COPYRIGHT – Both in terms of release and production. RETUNERECORD senastiasahope that what is created has its own record of each work or forits creators. Not only music production and release but we work on andaccept any finished or pre-finished work to obtain copyrights orcopyright of any work that has been created or has been worked on. be it in the versiondemo track or single music single live or performance live track. but in the wordanything else about it. The music played must be a separate essay andself-creation or creation of collaboration and participation.(note : The retunerecord party will not bear any liability for anything ifthere is an error in the copyright procedure). • ISMN MUSIC/MUSICAL NOTATION/ANNOTATION – In some ways the so-called inabove. Both in terms of captions are expected to be sufficient. But for this time in terms of MusicalNotation. We always expect participation in musicits production or music release distribution. But this will be different because of the thingpublishing for ISMN will fall into the full education category.

At the beginning of this happy year, we say praise and gratitude for the one and only one.For the grace we are always given this opportunity.Here are things that must be considered in joining or contributing or participatingin RETUNERECORD activities or contributions. Or other activities thatRETUNERECORD does.here&nbsp;we will tell you some of the most important things in participatingand an in every event or schedule scheduled.

&nbsp;

• MUSIC PRODUCTION – Through this procedure encourages each creator of the work and invitesseveral levels of local and non-local art workers to contribute both inpaid or unpaid. Depends on what RETUNERECORD expectsin every activity. It's good that we support against art creators who havestrong desire and has a degree in the creation of works for commercial or forhimself.because every work made is the result of the work itself for himselfand for others.

&nbsp;

• MUSIC DISTRIBUTION – Every piece wants to be tasted and produce its own satisfactionfor every work that has been produced whether it is from any genre / genre of music that is increate.always we expect more value than what has been done. Sofrom that RETUNERECORD suggests and at the same time in every work made Inits music production is capable of being distributed individually or commercially for anyrelease in terms of physical as well as the current digital era that is advancing.

&nbsp;

• MUSIC RIGHTS/COPYRIGHT – Both in terms of release and production. RETUNERECORD senastiasahope that what is created has its own record of each work or forits creators. Not only music production and release but we work on andaccept any finished or pre-finished work to obtain copyrights orcopyright of any work that has been created or has been worked on. be it in the versiondemo track or single music single live or performance live track. but in the wordanything else about it. The music played must be a separate essay andself-creation or creation of collaboration and participation.(note : The retunerecord party will not bear any liability for anything ifthere is an error in the copyright procedure).

&nbsp;

• ISMN MUSIC/MUSICAL NOTATION/ANNOTATION – In some ways the so-called inabove. Both in terms of captions are expected to be sufficient. But for this time in terms of MusicalNotation. We always expect participation in musicits production or music release distribution. But this will be different because of the thingpublishing for ISMN will fall into the full education category.

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