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Portable Recorder supports Nathan Toft and Jane Smith’s Grade 5 music program.  It houses all the materials students will need to practice for their individualized tests. This site has 21 “belts” organized by level of difficulty.  Each belt specifies the notes, rhythms and song which must be performed in order to earn it.

Portable Recorder supports Nathan Toft and Jane Smith’s Grade 5 music program. It houses all the materials students will need to practice for their individualized tests. This site has 21 “belts” organized by level of difficulty. Each belt specifies the notes, rhythms and song which must be performed in order to earn it.

Portable Recorder Podcast

Beeldende Kunst  - Nacht van het Goede Leven - KRO

The greatest WordPress.com site in all the land!

Hauser – Mixed in motion

Canvas - arts and ideas on FBi 94.5FM. Sunday mornings 10-12 with Matt Levinson.

FBi's Canvas

Vernski bringing your monthly fix of trance, progressive, psy trance and techno. Fresh beats every month!!!!

Trance - Fusions Hosted By DJ Vernski

Entrez dans l'air du soir, autour d'un thème qui explore les métamorphoses musicales.

Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur <a href="http://www.francemusique.fr/emission/dans-l-air-du-soir?at_campaign=desc_podcast&at_medium=lien_RSS">Radio France</a>.

Entrez dans l'air du soir, autour d'un thème qui explore les métamorphoses musicales. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France.

Entrez dans l'air du soir, autour d'un thème qui explore les métamorphoses musicales.

Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur <a href="http://www.francemusique.fr/emission/dans-l-air-du-soir?at_campaign=desc_podcast&amp;at_medium=lien_RSS" rel="noopener noreferrer">Radio France</a>.

Dans l air du soir

Listen to Lyrical Genius with Sarah. BFF.fm is a San Francisco-based community radio station. Our mission is to support emerging and underground artists and bring the Bay Area music scene to the world.

Lyrical Genius on BFF.fm

Hosted by Darren Makins (Singer/Songwriter, Musician), Ron DiSilvestro (Billboard-Charting Producer, Audio Engineer, Drummer) and Michael Marks (Audio Engineer, Musician), Musicians’ Guide to the Music Industry is an in-depth look at the Music Industry, its past, and future. Each episode, they talk about the music biz, and give advice on how to navigate the tumultuous waters that is the current state of the Music Industry. They also chat with an industry professionals about their role within the business.

Musicians Guide to the Music Industry

A discussion of music and community over a shared pot of tea or coffee

Picking and Percolating

Recently Played is a podcast hosted by comedian, Kyle Forsyth, where he talks by himself or with a guest about what music he or the guest is listening to lately and why.

Recently Played with Kyle Forsyth

YOUR FRIDAYS JUST GOT EVEN BETTER; REPRESENTING THE AFRO-NATION “SILVA DA DJ” BRINGS THE WEEKEND VIBE TO YOU, STRAIGHT FROM THE RESURRECTED YOUTH RADIO HEADQUATERS.

LETS PLAY AFRO

This is a podcast with me and my friends. We'll be talking about topics ranging from music, pop culture and current events to mindfulness, consciousness, and spirituality. Thanks for listening.

Wes Hoffman with Friends

Future Octave Radio

Um podcast que fala tudo sobre o universo da produção de rap, trap e todos os gêneros da cultura hip-hop.

ProBeats

Un viaje al pasado para recordar los primeros sonidos y nuestras raíces 
musicales. Un recorrido para revivir historias con música.

Un viaje al pasado para recordar los primeros sonidos y nuestras raíces musicales. Un recorrido para revivir historias con música.

Raíces musicales

Programas especiales de Fin de Año, emitidos en ActualityFM

Actuality’s Hits - Especiales Navideños

MUSICPANAMA507

HoH Dj RockerfaRi Reggae, Jungle, Drum &amp; Bass, &amp; Multi-gene-House Party DJ Been helped &amp; Trained by the best in King Tafari Love Muzic Sound System, Roughman Connections ,The Aces Crew. Been there &amp; done, Festivals, Inc Glastonbury  Many Underground Free Parties, illegal Raves, small and medium sized clubs. Am Part of the Deaf Rave Crew &amp; The Aces Crew, Brighton Collective. &amp; Just recently joined the Codesouth Family Looking forward to bigger and better new gigs in the near future. News Update: catch me on Every  Sunday  18:00-20:00 <a href="https://www.codesouth.fm/">https://www.codesouth.fm/</a> 😎

HoH Dj RockerfaRi Reggae, Jungle, Drum & Bass, & Multi-gene-House Party DJ Been helped & Trained by the best in King Tafari Love Muzic Sound System, Roughman Connections ,The Aces Crew. Been there & done, Festivals, Inc Glastonbury Many Underground Free Parties, illegal Raves, small and medium sized clubs. Am Part of the Deaf Rave Crew & The Aces Crew, Brighton Collective. & Just recently joined the Codesouth Family Looking forward to bigger and better new gigs in the near future. News Update: catch me on Every Sunday 18:00-20:00 https://www.codesouth.fm/ 😎

HoH Dj RockerfaRi Reggae, Jungle, Drum &amp; Bass, &amp; Multi-gene-House Party DJ Been helped &amp; Trained by the best in King Tafari Love Muzic Sound System, Roughman Connections ,The Aces Crew. Been there &amp; done, Festivals, Inc Glastonbury&nbsp; Many Underground Free Parties, illegal Raves, small and medium sized clubs. Am Part of the Deaf Rave Crew &amp; The Aces Crew, Brighton Collective. &amp; Just recently joined the Codesouth Family Looking forward to bigger and better new gigs in the near future. News Update: catch me on Every&nbsp; Sunday&nbsp; 18:00-20:00 <a href="https://www.codesouth.fm/" rel="noopener noreferrer">https://www.codesouth.fm/</a> 😎

RockerfaRi Drum & Bass Jungle Sessions

Space Music vol.2 (mixed by DJ Out Sky)

Djpageboy

The Needle es un espacio en el que hablaremos de acontecimientos y curiosidades relacionadas con la música Jazz, Soul, Funk, Disco y otros géneros musicales

The Needle

My perspective on drums, music, games and travel.

Beyond Indrumnity

"Zona de Confort" es un show de entrevistas y música acústica que, café de por medio, propone conocer a los artistas y a sus obras con una mirada más íntima.

Zona de Confort

What’s Kendrick Lamar’s best song? Who had a better flow, Biggie or Doom? Does Frank Ocean have the best two-album run of all time? Tap into TheStereoVision Podcast to listen to our hosts, Spencer Lobdell and Miles Hagan speak on music, fashion, sports, art, culture, and everything in between!

TheStereoVision Podcast

Non-stop house music slammers with BTAY! Including new releases from himself, his 'Archive Anthem', and his 'Under the Radar fire'. Tune in and turn up, this is House Radar!

BTAY's House Radar

Reseñas gráficas de las portadas más icónicas de la música del siglo 20 y 21
Me encuentras en Tiktok y todas las plataformas de podcasts 🎸❤️

Reseñas gráficas de las portadas más icónicas de la música del siglo 20 y 21 Me encuentras en Tiktok y todas las plataformas de podcasts 🎸❤️

SHOCKVINYL

Il podcast del blog Trentuno Ventuno - Prince in italiano.

Trentuno Ventuno

En podcast av Jens och Kristoffer om the Beatles, deras album och låtar. Kolla in oss på Spotify där varje avsnitt släpps med musik och snack, låt för låt. Kom och mys med oss och världens bästa band!
https://www.instagram.com/beatleslatforlatpodcast/
https://open.spotify.com/show/1EYRi3mZJnzbPE0CLaAaeE?si=a81ecb819aea490e

En podcast av Jens och Kristoffer om the Beatles, deras album och låtar. Kolla in oss på Spotify där varje avsnitt släpps med musik och snack, låt för låt. Kom och mys med oss och världens bästa band! https://www.instagram.com/beatleslatforlatpodcast/ https://open.spotify.com/show/1EYRi3mZJnzbPE0CLaAaeE?si=a81ecb819aea490e

Beatles låt för låt podcast

Genre-hopping record label and events collective - Manchester and worldwide.

From back street basements to loft galleries to an array of disused industrial warehouses - Love Dose is bringing a touch of sunshine to the UK's rainy city. Procurers of electronic music with feeling; road tested on our dance floors and ready to share with lovers around the globe.

Residents and label artists include; Kerouac, Efenar, Josimar, Rabbithole, Seelie, Bobby Ganoush, Laura Jackson, Demetae and Bail.

Genre-hopping record label and events collective - Manchester and worldwide. From back street basements to loft galleries to an array of disused industrial warehouses - Love Dose is bringing a touch of sunshine to the UK's rainy city. Procurers of electronic music with feeling; road tested on our dance floors and ready to share with lovers around the globe. Residents and label artists include; Kerouac, Efenar, Josimar, Rabbithole, Seelie, Bobby Ganoush, Laura Jackson, Demetae and Bail.

Love Dose Podcast

MUSIKLOKALET er Musiklærerforeningens podcast om musikfaget i de danske grundskoler. Her sættes fagets potentialer og aktuelle udfordringer under lup gennem samtaler med musiklærere, skoleledere, forskere og politikere. Der gives også idéer og inspiration til musiklærerne.

MUSIKLOKALET

Il Piott-cast al Messaggero, con il rapper Tommaso Zanello (il Piotta), il vicedirettore Alvaro Moretti e la cronista Alessia Marani. Tra la lotta politica che permea il quotidiano degli adolescenti dell’epoca e le utopie destinate a sgretolarsi, scorrono le esperienze dei fratelli Zanello, Tommaso, l’artista e Fabio, l’intellettuale, di dieci anni più grande. Nelle pagine di “Corso Trieste” (ed. La nave di Teseo) pulsa il battito di quelle generazioni che volevano cambiare il mondo. Fabio non c’è più e Tommaso ne ha raccolto e arricchito gli scritti inediti, rendendo il loro legame, come le loro vite, indissolubile anche nelle parole. Moretti, coetaneo di Fabio, duetta con Tommaso alla ricerca di scorci e memorie del quartiere Trieste, oggi borghese e modaiolo, a restituire la chiave di lettura di un'epoca allora molto diversa ma non così lontana nel tempo. Dove trovano radici le generazioni successive.

Il Piott-cast al Messaggero, con il rapper Tommaso Zanello (il Piotta), il vicedirettore Alvaro Moretti e la cronista Alessia Marani. Tra la lotta politica che permea il quotidiano degli adolescenti dell’epoca e le utopie destinate a sgretolarsi, scorrono le esperienze dei fratelli Zanello, Tommaso, l’artista e Fabio, l’intellettuale, di dieci anni più grande. Nelle pagine di “Corso Trieste” (ed. La nave di Teseo) pulsa il battito di quelle generazioni che volevano cambiare il mondo. Fabio non c’è più e Tommaso ne ha raccolto e arricchito gli scritti inediti, rendendo il loro legame, come le loro vite, indissolubile anche nelle parole. Moretti, coetaneo di Fabio, duetta con Tommaso alla ricerca di scorci e memorie del quartiere Trieste, oggi borghese e modaiolo, a restituire la chiave di lettura di un'epoca allora molto diversa ma non così lontana nel tempo. Dove trovano radici le generazioni successive.

Il Piott-cast al Messaggero, con il rapper Tommaso Zanello (il Piotta), il vicedirettore Alvaro Moretti e la cronista Alessia Marani. Tra la lotta politica che permea il quotidiano degli adolescenti dell’epoca e le utopie destinate a sgretolarsi, scorrono le esperienze dei fratelli Zanello, Tommaso, l’artista e Fabio, l’intellettuale, di dieci anni più grande. Nelle pagine di “Corso Trieste” (ed. La nave di Teseo) pulsa il battito di quelle generazioni che volevano cambiare il mondo. Fabio non c’è più e Tommaso ne ha raccolto e arricchito gli scritti inediti, rendendo il loro legame, come le loro vite, indissolubile anche nelle parole.&nbsp;Moretti, coetaneo di Fabio, duetta con Tommaso alla ricerca di scorci e memorie del quartiere Trieste, oggi&nbsp;borghese e modaiolo, a restituire la chiave di lettura di un'epoca allora molto diversa ma non così lontana nel tempo. Dove trovano radici le generazioni successive.

Corso Trieste

Phil Lesh, the bassist and founding member of the Grateful Dead, shaped an era of music and influenced the American cultural landscape in ways that remain vibrant today. From his early years in Berkeley, California, through his groundbreaking work with the Grateful Dead and later musical pursuits, Lesh’s journey reflects a life dedicated to innovation, community, and the profound impact of music. Early Life and Musical Influences Born: March 15, 1940, in Berkeley, California Died: October 25, 2024, at age 84 Phil Lesh grew up in a musically rich household, which laid the foundation for his later explorations into various genres. His father, a skilled carpenter, and his mother, a pianist, encouraged him to engage with music early on. Initially, Lesh gravitated towards classical music, particularly enjoying the works of composers like Igor Stravinsky and Bela Bartok. By the time he was in high school, Lesh was an avid trumpet player, and he soon developed an interest in jazz, which was gaining prominence in the mid-20th century. Lesh’s talent was clear, and he attended San Francisco State University, where he studied music composition, before moving on to study with Italian composer Luciano Berio at Mills College. In a move that would have a lasting effect on rock music, Lesh eventually switched from trumpet to bass guitar. This decision was largely encouraged by Jerry Garcia, who was instrumental in founding the Grateful Dead and became a lifelong friend and collaborator. Garcia saw potential in Lesh’s understanding of harmony and improvisation—skills often associated with jazz—and felt these abilities would complement the Dead’s unconventional sound. The Formation of the Grateful Dead The 1960s marked an era of social upheaval, experimentation, and the emergence of a powerful counterculture, and Phil Lesh found himself at the heart of it. In 1965, along with Garcia, Bob Weir, Ron "Pigpen" McKernan, and Bill Kreutzmann, he co-founded what would become one of the most influential and enduring bands in American music history. At its inception, the group was known as the Warlocks, but after learning of another band with the same name, they adopted the moniker that would go down in history: the Grateful Dead. The Grateful Dead was no ordinary rock band; they defied convention with a sound that blended folk, blues, bluegrass, and rock, punctuated by long, freeform improvisations. Lesh’s classical training gave him a different approach to the bass guitar, which traditionally served as a rhythmic foundation for a band. In contrast, Lesh treated the bass as a melodic instrument, weaving complex, fluid lines that elevated the role of bass in rock music. His work influenced generations of bassists and gave the Grateful Dead's music a unique character. This unique approach soon garnered a loyal following that would famously be known as "Deadheads," a dedicated and distinctive fanbase drawn to the band's transcendent live shows and free-spirited ethos. For Deadheads, the Grateful Dead wasn't just a band—it was a lifestyle and community, with Phil Lesh at its core. The San Francisco Sound and the Psychedelic Scene In the mid-1960s, the Grateful Dead became central figures in the San Francisco music scene, where Lesh and the band collaborated with other icons of the era, such as Jefferson Airplane and Janis Joplin. The city’s Haight-Ashbury district was alive with the colors, sounds, and movements that defined the psychedelic movement, and the Grateful Dead’s experimental, improvisational music became emblematic of that time. Lesh’s approach was heavily influenced by avant-garde and experimental music, with inspirations ranging from John Cage to jazz bassist Charles Mingus. He would often use the bass guitar to explore dissonant chords and harmonic explorations, and the band would go off on complex, seemingly directionless jams that would transform into musical journeys. This led to the creation of their signature “space” segments during concerts, where Lesh’s bass played a pivotal role in crafting these soundscapes, captivating audiences under the influence of the era’s experimental culture. Life on the Road and Legacy of Live Performances The Grateful Dead's legacy rests heavily on their reputation as one of the greatest live bands of all time, largely due to their constant touring and commitment to performing unique shows every night. Lesh played a central role in this ethos; the band’s concerts were less about replicating studio recordings and more about capturing the spontaneity of musical creation. Their live shows were renowned for featuring different setlists each night, often spanning hours as the band moved seamlessly between extended jams and beloved songs. This dedication to live performance created a bond between the band and their fans, who became part of the experience. The Grateful Dead encouraged fans to record shows, which helped cultivate the “taping” community. Today, thousands of live recordings circulate among fans, each capturing a different moment in the band’s evolution. Lesh’s contributions to this era of the band were indispensable; he had an ear for harmony that lent a distinct flavor to their live improvisations. By the late 1970s and early 1980s, the Grateful Dead had solidified their place as icons of rock music, and their influence extended well beyond the confines of the music industry. They were symbols of freedom, rebellion, and unity, and Lesh’s bass playing continued to push boundaries. Health Challenges and Phil’s Liver Transplant Lesh faced serious health issues throughout his career, particularly in the 1990s, which would lead to one of the most difficult periods of his life. In 1998, he was diagnosed with liver disease and was in urgent need of a transplant. Thanks to an organ donation, Lesh received a new liver, and his recovery marked a turning point for him, both personally and professionally. Grateful for his second chance at life, he became an outspoken advocate for organ donation, sharing his story and encouraging others to consider becoming donors. This experience also deepened his sense of purpose, and he felt a renewed commitment to music and to fostering connections within the Grateful Dead community. Lesh returned to performing and began organizing “Phil Lesh &amp; Friends,” a project that allowed him to continue playing Grateful Dead music with a rotating lineup of talented musicians. Phil Lesh &amp; Friends: A New Chapter “Phil Lesh &amp; Friends” became a significant project in Lesh’s post-Grateful Dead career, bringing together musicians from various backgrounds to reinterpret the Dead’s music while infusing new ideas and sounds. The project allowed Lesh to experiment with the Dead’s music outside the framework of the original band. Musicians such as Warren Haynes, Derek Trucks, and John Scofield have all played with Lesh, showcasing his enduring influence and musical openness. This endeavor was more than a continuation of his previous work; it was a laboratory for musical exploration that kept the spirit of the Grateful Dead alive. Each incarnation of Phil Lesh &amp; Friends created new sounds and expanded on the legacy of improvisational music. Lesh’s collaborative spirit helped inspire a new generation of musicians who continued to celebrate the Dead’s music and ethos. Terrapin Crossroads and Community Building In 2012, Lesh took his commitment to community a step further by co-founding Terrapin Crossroads, a music venue and cultural hub in Marin County, California. Terrapin Crossroads quickly became a beloved spot for live music, offering fans a chance to experience the Grateful Dead’s music in an intimate setting. The venue embodied Lesh’s vision of music as a communal activity, where musicians and fans could connect on a personal level. Through Terrapin Crossroads, Lesh was able to create an inclusive space for musicians from all backgrounds to perform, collaborate, and celebrate the joy of live music. He regularly performed at the venue, often with family members and longtime collaborators, and it became a sanctuary for fans and musicians alike. Terrapin Crossroads epitomized Lesh’s values of community, creativity, and lifelong learning. Lasting Influence and Passing Phil Lesh’s influence extends far beyond his recordings and live performances; his approach to the bass redefined the instrument’s role in rock music, encouraging bassists to think melodically and creatively. He was a pioneer of improvisational music, helping to create the “jam band” genre and inspiring bands such as Phish and Widespread Panic. On October 25, 2024, Phil Lesh passed away at the age of 84. His death was a profound loss for his family, friends, and countless fans worldwide. Musicians and admirers alike have paid tribute to him, celebrating a life dedicated to art, community, and the boundless possibilities of music. Phil Lesh’s legacy endures through the music he helped create, the community he fostered, and the lives he touched. The Grateful Dead’s music remains a cultural cornerstone, and Lesh’s contributions are woven into its fabric. His unique approach to the bass, his commitment to live performance, and his dedication to building a musical community will continue to resonate with generations to come. As a musician, a mentor, and a symbol of the 1960s counterculture, Phil Lesh leaves behind a legacy that transcends his life and work, reminding us of music’s power to inspire and unite. This has been a Quiet Please production. Head over to Quiet Please dot A I to “Hear What Matters”

Phil Lesh, the bassist and founding member of the Grateful Dead, shaped an era of music and influenced the American cultural landscape in ways that remain vibrant today. From his early years in Berkeley, California, through his groundbreaking work with the Grateful Dead and later musical pursuits, Lesh’s journey reflects a life dedicated to innovation, community, and the profound impact of music. Early Life and Musical Influences Born: March 15, 1940, in Berkeley, CaliforniaDied: October 25, 2024, at age 84 Phil Lesh grew up in a musically rich household, which laid the foundation for his later explorations into various genres. His father, a skilled carpenter, and his mother, a pianist, encouraged him to engage with music early on. Initially, Lesh gravitated towards classical music, particularly enjoying the works of composers like Igor Stravinsky and Bela Bartok. By the time he was in high school, Lesh was an avid trumpet player, and he soon developed an interest in jazz, which was gaining prominence in the mid-20th century. Lesh’s talent was clear, and he attended San Francisco State University, where he studied music composition, before moving on to study with Italian composer Luciano Berio at Mills College. In a move that would have a lasting effect on rock music, Lesh eventually switched from trumpet to bass guitar. This decision was largely encouraged by Jerry Garcia, who was instrumental in founding the Grateful Dead and became a lifelong friend and collaborator. Garcia saw potential in Lesh’s understanding of harmony and improvisation—skills often associated with jazz—and felt these abilities would complement the Dead’s unconventional sound. The Formation of the Grateful Dead The 1960s marked an era of social upheaval, experimentation, and the emergence of a powerful counterculture, and Phil Lesh found himself at the heart of it. In 1965, along with Garcia, Bob Weir, Ron "Pigpen" McKernan, and Bill Kreutzmann, he co-founded what would become one of the most influential and enduring bands in American music history. At its inception, the group was known as the Warlocks, but after learning of another band with the same name, they adopted the moniker that would go down in history: the Grateful Dead. The Grateful Dead was no ordinary rock band; they defied convention with a sound that blended folk, blues, bluegrass, and rock, punctuated by long, freeform improvisations. Lesh’s classical training gave him a different approach to the bass guitar, which traditionally served as a rhythmic foundation for a band. In contrast, Lesh treated the bass as a melodic instrument, weaving complex, fluid lines that elevated the role of bass in rock music. His work influenced generations of bassists and gave the Grateful Dead's music a unique character. This unique approach soon garnered a loyal following that would famously be known as "Deadheads," a dedicated and distinctive fanbase drawn to the band's transcendent live shows and free-spirited ethos. For Deadheads, the Grateful Dead wasn't just a band—it was a lifestyle and community, with Phil Lesh at its core. The San Francisco Sound and the Psychedelic Scene In the mid-1960s, the Grateful Dead became central figures in the San Francisco music scene, where Lesh and the band collaborated with other icons of the era, such as Jefferson Airplane and Janis Joplin. The city’s Haight-Ashbury district was alive with the colors, sounds, and movements that defined the psychedelic movement, and the Grateful Dead’s experimental, improvisational music became emblematic of that time. Lesh’s approach was heavily influenced by avant-garde and experimental music, with inspirations ranging from John Cage to jazz bassist Charles Mingus. He would often use the bass guitar to explore dissonant chords and harmonic explorations, and the band would go off on complex, seemingly directionless jams that would transform into musical journeys. This led to the creation of their signature “space” segments during concerts, where Lesh’s bass played a pivotal role in crafting these soundscapes, captivating audiences under the influence of the era’s experimental culture. Life on the Road and Legacy of Live Performances The Grateful Dead's legacy rests heavily on their reputation as one of the greatest live bands of all time, largely due to their constant touring and commitment to performing unique shows every night. Lesh played a central role in this ethos; the band’s concerts were less about replicating studio recordings and more about capturing the spontaneity of musical creation. Their live shows were renowned for featuring different setlists each night, often spanning hours as the band moved seamlessly between extended jams and beloved songs. This dedication to live performance created a bond between the band and their fans, who became part of the experience. The Grateful Dead encouraged fans to record shows, which helped cultivate the “taping” community. Today, thousands of live recordings circulate among fans, each capturing a different moment in the band’s evolution. Lesh’s contributions to this era of the band were indispensable; he had an ear for harmony that lent a distinct flavor to their live improvisations. By the late 1970s and early 1980s, the Grateful Dead had solidified their place as icons of rock music, and their influence extended well beyond the confines of the music industry. They were symbols of freedom, rebellion, and unity, and Lesh’s bass playing continued to push boundaries. Health Challenges and Phil’s Liver Transplant Lesh faced serious health issues throughout his career, particularly in the 1990s, which would lead to one of the most difficult periods of his life. In 1998, he was diagnosed with liver disease and was in urgent need of a transplant. Thanks to an organ donation, Lesh received a new liver, and his recovery marked a turning point for him, both personally and professionally. Grateful for his second chance at life, he became an outspoken advocate for organ donation, sharing his story and encouraging others to consider becoming donors. This experience also deepened his sense of purpose, and he felt a renewed commitment to music and to fostering connections within the Grateful Dead community. Lesh returned to performing and began organizing “Phil Lesh & Friends,” a project that allowed him to continue playing Grateful Dead music with a rotating lineup of talented musicians. Phil Lesh & Friends: A New Chapter “Phil Lesh & Friends” became a significant project in Lesh’s post-Grateful Dead career, bringing together musicians from various backgrounds to reinterpret the Dead’s music while infusing new ideas and sounds. The project allowed Lesh to experiment with the Dead’s music outside the framework of the original band. Musicians such as Warren Haynes, Derek Trucks, and John Scofield have all played with Lesh, showcasing his enduring influence and musical openness. This endeavor was more than a continuation of his previous work; it was a laboratory for musical exploration that kept the spirit of the Grateful Dead alive. Each incarnation of Phil Lesh & Friends created new sounds and expanded on the legacy of improvisational music. Lesh’s collaborative spirit helped inspire a new generation of musicians who continued to celebrate the Dead’s music and ethos. Terrapin Crossroads and Community Building In 2012, Lesh took his commitment to community a step further by co-founding Terrapin Crossroads, a music venue and cultural hub in Marin County, California. Terrapin Crossroads quickly became a beloved spot for live music, offering fans a chance to experience the Grateful Dead’s music in an intimate setting. The venue embodied Lesh’s vision of music as a communal activity, where musicians and fans could connect on a personal level. Through Terrapin Crossroads, Lesh was able to create an inclusive space for musicians from all backgrounds to perform, collaborate, and celebrate the joy of live music. He regularly performed at the venue, often with family members and longtime collaborators, and it became a sanctuary for fans and musicians alike. Terrapin Crossroads epitomized Lesh’s values of community, creativity, and lifelong learning. Lasting Influence and Passing Phil Lesh’s influence extends far beyond his recordings and live performances; his approach to the bass redefined the instrument’s role in rock music, encouraging bassists to think melodically and creatively. He was a pioneer of improvisational music, helping to create the “jam band” genre and inspiring bands such as Phish and Widespread Panic. On October 25, 2024, Phil Lesh passed away at the age of 84. His death was a profound loss for his family, friends, and countless fans worldwide. Musicians and admirers alike have paid tribute to him, celebrating a life dedicated to art, community, and the boundless possibilities of music. Phil Lesh’s legacy endures through the music he helped create, the community he fostered, and the lives he touched. The Grateful Dead’s music remains a cultural cornerstone, and Lesh’s contributions are woven into its fabric. His unique approach to the bass, his commitment to live performance, and his dedication to building a musical community will continue to resonate with generations to come. As a musician, a mentor, and a symbol of the 1960s counterculture, Phil Lesh leaves behind a legacy that transcends his life and work, reminding us of music’s power to inspire and unite. This has been a Quiet Please production. Head over to Quiet Please dot A I to “Hear What Matters”

Phil Lesh, the bassist and founding member of the Grateful Dead, shaped an era of music and influenced the American cultural landscape in ways that remain vibrant today. From his early years in Berkeley, California, through his groundbreaking work with the Grateful Dead and later musical pursuits, Lesh’s journey reflects a life dedicated to innovation, community, and the profound impact of music. Early Life and Musical Influences Born: March 15, 1940, in Berkeley, California Died: October 25, 2024, at age 84 Phil Lesh grew up in a musically rich household, which laid the foundation for his later explorations into various genres. His father, a skilled carpenter, and his mother, a pianist, encouraged him to engage with music early on. Initially, Lesh gravitated towards classical music, particularly enjoying the works of composers like Igor Stravinsky and Bela Bartok. By the time he was in high school, Lesh was an avid trumpet player, and he soon developed an interest in jazz, which was gaining prominence in the mid-20th century. Lesh’s talent was clear, and he attended San Francisco State University, where he studied music composition, before moving on to study with Italian composer Luciano Berio at Mills College. In a move that would have a lasting effect on rock music, Lesh eventually switched from trumpet to bass guitar. This decision was largely encouraged by Jerry Garcia, who was instrumental in founding the Grateful Dead and became a lifelong friend and collaborator. Garcia saw potential in Lesh’s understanding of harmony and improvisation—skills often associated with jazz—and felt these abilities would complement the Dead’s unconventional sound. The Formation of the Grateful Dead The 1960s marked an era of social upheaval, experimentation, and the emergence of a powerful counterculture, and Phil Lesh found himself at the heart of it. In 1965, along with Garcia, Bob Weir, Ron "Pigpen" McKernan, and Bill Kreutzmann, he co-founded what would become one of the most influential and enduring bands in American music history. At its inception, the group was known as the Warlocks, but after learning of another band with the same name, they adopted the moniker that would go down in history: the Grateful Dead. The Grateful Dead was no ordinary rock band; they defied convention with a sound that blended folk, blues, bluegrass, and rock, punctuated by long, freeform improvisations. Lesh’s classical training gave him a different approach to the bass guitar, which traditionally served as a rhythmic foundation for a band. In contrast, Lesh treated the bass as a melodic instrument, weaving complex, fluid lines that elevated the role of bass in rock music. His work influenced generations of bassists and gave the Grateful Dead's music a unique character. This unique approach soon garnered a loyal following that would famously be known as "Deadheads," a dedicated and distinctive fanbase drawn to the band's transcendent live shows and free-spirited ethos. For Deadheads, the Grateful Dead wasn't just a band—it was a lifestyle and community, with Phil Lesh at its core. The San Francisco Sound and the Psychedelic Scene In the mid-1960s, the Grateful Dead became central figures in the San Francisco music scene, where Lesh and the band collaborated with other icons of the era, such as Jefferson Airplane and Janis Joplin. The city’s Haight-Ashbury district was alive with the colors, sounds, and movements that defined the psychedelic movement, and the Grateful Dead’s experimental, improvisational music became emblematic of that time. Lesh’s approach was heavily influenced by avant-garde and experimental music, with inspirations ranging from John Cage to jazz bassist Charles Mingus. He would often use the bass guitar to explore dissonant chords and harmonic explorations, and the band would go off on complex, seemingly directionless jams that would transform into musical journeys. This led to the creation of their signature “space” segments during concerts, where Lesh’s bass played a pivotal role in crafting these soundscapes, captivating audiences under the influence of the era’s experimental culture. Life on the Road and Legacy of Live Performances The Grateful Dead's legacy rests heavily on their reputation as one of the greatest live bands of all time, largely due to their constant touring and commitment to performing unique shows every night. Lesh played a central role in this ethos; the band’s concerts were less about replicating studio recordings and more about capturing the spontaneity of musical creation. Their live shows were renowned for featuring different setlists each night, often spanning hours as the band moved seamlessly between extended jams and beloved songs. This dedication to live performance created a bond between the band and their fans, who became part of the experience. The Grateful Dead encouraged fans to record shows, which helped cultivate the “taping” community. Today, thousands of live recordings circulate among fans, each capturing a different moment in the band’s evolution. Lesh’s contributions to this era of the band were indispensable; he had an ear for harmony that lent a distinct flavor to their live improvisations. By the late 1970s and early 1980s, the Grateful Dead had solidified their place as icons of rock music, and their influence extended well beyond the confines of the music industry. They were symbols of freedom, rebellion, and unity, and Lesh’s bass playing continued to push boundaries. Health Challenges and Phil’s Liver Transplant Lesh faced serious health issues throughout his career, particularly in the 1990s, which would lead to one of the most difficult periods of his life. In 1998, he was diagnosed with liver disease and was in urgent need of a transplant. Thanks to an organ donation, Lesh received a new liver, and his recovery marked a turning point for him, both personally and professionally. Grateful for his second chance at life, he became an outspoken advocate for organ donation, sharing his story and encouraging others to consider becoming donors. This experience also deepened his sense of purpose, and he felt a renewed commitment to music and to fostering connections within the Grateful Dead community. Lesh returned to performing and began organizing “Phil Lesh &amp; Friends,” a project that allowed him to continue playing Grateful Dead music with a rotating lineup of talented musicians. Phil Lesh &amp; Friends: A New Chapter “Phil Lesh &amp; Friends” became a significant project in Lesh’s post-Grateful Dead career, bringing together musicians from various backgrounds to reinterpret the Dead’s music while infusing new ideas and sounds. The project allowed Lesh to experiment with the Dead’s music outside the framework of the original band. Musicians such as Warren Haynes, Derek Trucks, and John Scofield have all played with Lesh, showcasing his enduring influence and musical openness. This endeavor was more than a continuation of his previous work; it was a laboratory for musical exploration that kept the spirit of the Grateful Dead alive. Each incarnation of Phil Lesh &amp; Friends created new sounds and expanded on the legacy of improvisational music. Lesh’s collaborative spirit helped inspire a new generation of musicians who continued to celebrate the Dead’s music and ethos. Terrapin Crossroads and Community Building In 2012, Lesh took his commitment to community a step further by co-founding Terrapin Crossroads, a music venue and cultural hub in Marin County, California. Terrapin Crossroads quickly became a beloved spot for live music, offering fans a chance to experience the Grateful Dead’s music in an intimate setting. The venue embodied Lesh’s vision of music as a communal activity, where musicians and fans could connect on a personal level. Through Terrapin Crossroads, Lesh was able to create an inclusive space for musicians from all backgrounds to perform, collaborate, and celebrate the joy of live music. He regularly performed at the venue, often with family members and longtime collaborators, and it became a sanctuary for fans and musicians alike. Terrapin Crossroads epitomized Lesh’s values of community, creativity, and lifelong learning. Lasting Influence and Passing Phil Lesh’s influence extends far beyond his recordings and live performances; his approach to the bass redefined the instrument’s role in rock music, encouraging bassists to think melodically and creatively. He was a pioneer of improvisational music, helping to create the “jam band” genre and inspiring bands such as Phish and Widespread Panic. On October 25, 2024, Phil Lesh passed away at the age of 84. His death was a profound loss for his family, friends, and countless fans worldwide. Musicians and admirers alike have paid tribute to him, celebrating a life dedicated to art, community, and the boundless possibilities of music. Phil Lesh’s legacy endures through the music he helped create, the community he fostered, and the lives he touched. The Grateful Dead’s music remains a cultural cornerstone, and Lesh’s contributions are woven into its fabric. His unique approach to the bass, his commitment to live performance, and his dedication to building a musical community will continue to resonate with generations to come. As a musician, a mentor, and a symbol of the 1960s counterculture, Phil Lesh leaves behind a legacy that transcends his life and work, reminding us of music’s power to inspire and unite. This has been a Quiet Please production. Head over to Quiet Please dot A I to “Hear What Matters”

Phil Lesh - Audio Biography

This podcast is all about what God is doing in Utah through the church, and through the ministry of Open Waters Worship. If you don't know who we are, we are a worship ministry in the heart of Salt Lake City, Utah who's reason for being is JESUS. We want all people to have GROWTH, not only in relationship with our King, but with the people around us as well. We also want people to cultivate a deep and pure INTIMACY with God, and from that intimacy a FREEDOM to be who we are called to be; and to top it off we want the body of Christ to radiate UNITY. The body as a whole can accomplish so much more than one person alone. So we want to ask you, are you ready to join us in an effort to unify the body, and grow in relationship? Are you ready for what true intimacy with the King looks like? If so, come give us a listen! We'd love to hear your feedback as well. Tell us your thoughts and if you have a question feel free to reach out to us! We love you and pray for an overflowing in all avenues of your life &lt;3

This podcast is all about what God is doing in Utah through the church, and through the ministry of Open Waters Worship. If you don't know who we are, we are a worship ministry in the heart of Salt Lake City, Utah who's reason for being is JESUS. We want all people to have GROWTH, not only in relationship with our King, but with the people around us as well. We also want people to cultivate a deep and pure INTIMACY with God, and from that intimacy a FREEDOM to be who we are called to be; and to top it off we want the body of Christ to radiate UNITY. The body as a whole can accomplish so much more than one person alone. So we want to ask you, are you ready to join us in an effort to unify the body, and grow in relationship? Are you ready for what true intimacy with the King looks like? If so, come give us a listen! We'd love to hear your feedback as well. Tell us your thoughts and if you have a question feel free to reach out to us! We love you and pray for an overflowing in all avenues of your life <3

Open Waters Podcast

Los Mejores audios del programa de Lunes a Viernes de 6 a 11 de la mañana, y Sábados de 7 a 10.  Dani Moreno 'El Gallo' y Cristina Boscá te ayudan a madrugar cada día entre las 6 y las 11 de la mañana (hora menos en Canarias) con buena música, buen rollo… ¡y buenos días!

Los Mejores audios del programa de Lunes a Viernes de 6 a 11 de la mañana, y Sábados de 7 a 10. Dani Moreno 'El Gallo' y Cristina Boscá te ayudan a madrugar cada día entre las 6 y las 11 de la mañana (hora menos en Canarias) con buena música, buen rollo… ¡y buenos días!

Anda Ya: El Podcast

Disabled Deutschrap-Fan mit Master in Germanistik.

Mechthild ist nicht mein Name

Plongez au cœur de l’univers des Percussions de Strasbourg : une exploration sonore entre héritage et création, où répertoires d’hier et œuvres contemporaines se rencontrent, et où la transmission du rythme devient une aventure collective.


Avec la participation des musiciens et musiciennes de l'ensemble des Percussions de Strasbourg
Réalisation : Maud de Carpentier
Production exécutive : Making Waves

Plongez au cœur de l’univers des Percussions de Strasbourg : une exploration sonore entre héritage et création, où répertoires d’hier et œuvres contemporaines se rencontrent, et où la transmission du rythme devient une aventure collective. Avec la participation des musiciens et musiciennes de l'ensemble des Percussions de Strasbourg Réalisation : Maud de Carpentier Production exécutive : Making Waves

Répercussions

Welcome to The ChopShop Podcast, where legendary music innovator ChopMaster J, co-founder of Digital Underground, brings his unparalleled insight to the mic. Known as the ‘Hip-Hop Howard Stern,’ ChopMaster J fuses his deep knowledge of music history, current events, and pop culture with his unfiltered, brutally honest perspective and signature comedic wit.
On The ChopShop Podcast, ChopMaster J and his dynamic crew, including S.O.T.U. and Judy Klein, dive into the latest in music, sports, politics, social issues, and more. Expect thought-provoking discussions, sharp commentary, and entertaining banter that challenges the status quo. Whether he's dissecting the music industry or exploring the price of fame, ChopMaster J keeps the conversation real, relevant, and always engaging.
Join ChopMaster J and his guests—from industry legends to cultural commentators—as they chop up the topics that matter and sometimes the ones that don’t. Tune in to The ChopShop Podcast on the Pantheon Network, where every episode is a megaphone to the planet, bringing you weekly gems, humor, and insights that will keep you coming back for more.

Welcome to The ChopShop Podcast, where legendary music innovator ChopMaster J, co-founder of Digital Underground, brings his unparalleled insight to the mic. Known as the ‘Hip-Hop Howard Stern,’ ChopMaster J fuses his deep knowledge of music history, current events, and pop culture with his unfiltered, brutally honest perspective and signature comedic wit. On The ChopShop Podcast, ChopMaster J and his dynamic crew, including S.O.T.U. and Judy Klein, dive into the latest in music, sports, politics, social issues, and more. Expect thought-provoking discussions, sharp commentary, and entertaining banter that challenges the status quo. Whether he's dissecting the music industry or exploring the price of fame, ChopMaster J keeps the conversation real, relevant, and always engaging. Join ChopMaster J and his guests—from industry legends to cultural commentators—as they chop up the topics that matter and sometimes the ones that don’t. Tune in to The ChopShop Podcast on the Pantheon Network, where every episode is a megaphone to the planet, bringing you weekly gems, humor, and insights that will keep you coming back for more.

The ChopShop Podcast with ChopMaster J

Bruno Bartra (Sultán Balkanero) presenta las novedades de la música del mundo. así como algunos álbumes emblemáticos del género, desde África hasta Oceanía. También hay entrevistas con algunas figuras de la world music. Si te gusta el raï, Afrobeat, Balkan, cumbia digital, y demás fusiones entre el folkore, rock y electrónica, este es el lugar adecuado...

UN MUNDO NOS ESCUCHA

Music Weapon of The Future is a podcast about Music, Creativity, Life, Philosophy and People. We explore these topics through digging in deep into musicians lives and finding out the real essense of these creative people.

Music: Weapon of The Future

What happens when humans and AI partner up for some storytelling?&nbsp; It gets interesting!&nbsp; Sciophonic is a diverse collection of compelling short-stories.&nbsp; They’re all true and&nbsp; delivered in a fun and engaging&nbsp; style you’ve probably never heard before.&nbsp; Listening is a perfect way for on-the-go personalities to fill their free gaps of time with content that is both entertaining AND productive.&nbsp; Check out the amazing results from this true fifty-fifty collaboration between a curious ER doctor and artificial intelligence.

What happens when humans and AI partner up for some storytelling?  It gets interesting!  Sciophonic is a diverse collection of compelling short-stories.  They’re all true and  delivered in a fun and engaging  style you’ve probably never heard before.  Listening is a perfect way for on-the-go personalities to fill their free gaps of time with content that is both entertaining AND productive.  Check out the amazing results from this true fifty-fifty collaboration between a curious ER doctor and artificial intelligence.

Music Podcasts / Page 2498