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Resound exists to unify the Church, wake a generation, & amplify the heart of God through worship, prayer, & the arts. This podcast features talks recorded at the annual Resound Conference in Boulder, CO and interviews with a wide spectrum of worship leaders & speakers intended to equip and inspire worshippers & creatives.  Listen along if you're a fan of worship leaders such as Kim Walker-Smith, United Pursuit Band, Ascend the Hill, Gungor, Anthony Skinner, Laura Woodley Osman, Laura Hackett, Josh Garrels and many more.

Resound exists to unify the Church, wake a generation, & amplify the heart of God through worship, prayer, & the arts. This podcast features talks recorded at the annual Resound Conference in Boulder, CO and interviews with a wide spectrum of worship leaders & speakers intended to equip and inspire worshippers & creatives. Listen along if you're a fan of worship leaders such as Kim Walker-Smith, United Pursuit Band, Ascend the Hill, Gungor, Anthony Skinner, Laura Woodley Osman, Laura Hackett, Josh Garrels and many more.

Resound exists to unify the Church, wake a generation, &amp; amplify the heart of God through worship, prayer, &amp; the arts. This podcast features talks recorded at the annual Resound Conference in Boulder, CO and interviews with a wide spectrum of worship leaders &amp; speakers intended to equip and inspire worshippers &amp; creatives.  Listen along if you're a fan of worship leaders such as Kim Walker-Smith, United Pursuit Band, Ascend the Hill, Gungor, Anthony Skinner, Laura Woodley Osman, Laura Hackett, Josh Garrels and many more.

Resound Podcast

Charles Sepos interviews performing, visual, and literary artists. Recent guests include Jeffrey Kahane, David Grisman, Kronos Quartet, Anonymous 4, Michael Brecker, Flora Purim, Malcolm Bilson, John Corigliano, François Girard, Marga Gomez, and Elizabeth Blumenstock.

KRCB-FM: Curtain Call

GLT Music Director Jon Norton is talkin' blues with the biggest names from the world of blues. There's a healthy dose of blues history, stories from the road, and, of course, lots of music to enjoy in this weekly podcast.

GLT's Talkin' Blues

Le rendez-vous hebdomadaire des jeunes auditeurs. Du cœur de l’Europe mais ouvert sur le monde.

Pulsations

The Music Podcast For Those Who Like It Spooky

Six Foot Plus

CS Music talks with the movers and shakers of the classical and musical theatre singing world. Listen to insights from the industry experts on how to move your education or career to the next level.

Influencers of Singing

Welcome to IdentiTea, the podcast from No Man’s Land Theatre Company! Featuring new interviews with LGBTQ+ and TGNC artists every Monday, IdentiTea takes a closer look at what identity means and how it affects the art we make. Join Emily and Missy, the co-artistic directors of NML, as they uncover the intersection of personal and artistic identity.

IdentiTea

https://sites.google.com/view/tc2020

Theater Company 2020 
Talking about life, performaning art and story telling craftship, facing facts and fake news, sharing is caring and daring to be open and honest about the truth, even if it is an inconvenient truth. See the reality of a person, a group a location, local Neighbourhood or city and a region or nation and continent, global perspectives on cases and issues that matter. 

STIJN.ONLINE 
https://sites.google.com/view/tc2020/who/players

https://sites.google.com/view/tc2020 Theater Company 2020 Talking about life, performaning art and story telling craftship, facing facts and fake news, sharing is caring and daring to be open and honest about the truth, even if it is an inconvenient truth. See the reality of a person, a group a location, local Neighbourhood or city and a region or nation and continent, global perspectives on cases and issues that matter. STIJN.ONLINE https://sites.google.com/view/tc2020/who/players

THEATER COMPANY 2020 THE START

Each week, host Robert Cannon sits down with members of the speech and debate community to discuss how forensics has impacted their lives.

Figure of Speech

Two adults talking about Disney tv shows and movies.

Hello Morning America

LUKE HOPKINS

Se cerchi un podcast dove si parla di cinema e di film sei nel posto giusto.

Ciak's Sound

Music Memos is a Topeka Capital-Journal podcast that brings you local bands and talks with them about their formation, their goals and songwriting process. Each episode will include original music written by the bands. Who knows, you may be listening to the world's next big act!

Music Memos is a Topeka Capital-Journal podcast that brings you local bands and talks with them about their formation, their goals and songwriting process. Each episode will include original music written by the bands. Who knows, you may be listening to the world's next big act!

Music Memos

Kalam Bandagi

李清照（1084年3月13日—约1155年），号<a target="_blank" style="text-decoration: none;color:#4990E2">易安</a>居士，<a target="_blank" style="text-decoration: none;color:#4990E2">汉族</a>，齐州济南（今<a target="_blank" style="text-decoration: none;color:#4990E2">山东省</a><a target="_blank" style="text-decoration: none;color:#4990E2">济南市</a><a target="_blank" style="text-decoration: none;color:#4990E2">章丘区</a>）人。<a target="_blank" style="text-decoration: none;color:#4990E2">宋代</a>女词人，婉约词派代表，有“千古第一才女”之称。李清照出生于<a target="_blank" style="text-decoration: none;color:#4990E2">书香门第</a>，早期生活优裕，其父<a target="_blank" style="text-decoration: none;color:#4990E2">李格非</a>藏书甚富，她小时候就在良好的家庭环境中打下文学基础。出嫁后与夫<a target="_blank" style="text-decoration: none;color:#4990E2">赵明诚</a>共同致力于书画金石的搜集整理。金兵入据中原时，流寓南方，境遇孤苦。所作词，前期多写其悠闲生活，后期多悲叹身世，情调感伤。形式上善用白描手法，自辟途径，语言清丽。论词强调协律，崇尚典雅，提出词“别是一家”之说，反对以作诗文之法作词。能诗，留存不多，部分篇章感时咏史，情辞<a target="_blank" style="text-decoration: none;color:#4990E2">慷慨</a>，与其词风不同。

李清照（1084年3月13日—约1155年），号易安居士，汉族，齐州济南（今山东省济南市章丘区）人。宋代女词人，婉约词派代表，有“千古第一才女”之称。李清照出生于书香门第，早期生活优裕，其父李格非藏书甚富，她小时候就在良好的家庭环境中打下文学基础。出嫁后与夫赵明诚共同致力于书画金石的搜集整理。金兵入据中原时，流寓南方，境遇孤苦。所作词，前期多写其悠闲生活，后期多悲叹身世，情调感伤。形式上善用白描手法，自辟途径，语言清丽。论词强调协律，崇尚典雅，提出词“别是一家”之说，反对以作诗文之法作词。能诗，留存不多，部分篇章感时咏史，情辞慷慨，与其词风不同。

李清照（1084年3月13日—约1155年），号<a rel="noopener noreferrer">易安</a>居士，<a rel="noopener noreferrer">汉族</a>，齐州济南（今<a rel="noopener noreferrer">山东省</a><a rel="noopener noreferrer">济南市</a><a rel="noopener noreferrer">章丘区</a>）人。<a rel="noopener noreferrer">宋代</a>女词人，婉约词派代表，有“千古第一才女”之称。李清照出生于<a rel="noopener noreferrer">书香门第</a>，早期生活优裕，其父<a rel="noopener noreferrer">李格非</a>藏书甚富，她小时候就在良好的家庭环境中打下文学基础。出嫁后与夫<a rel="noopener noreferrer">赵明诚</a>共同致力于书画金石的搜集整理。金兵入据中原时，流寓南方，境遇孤苦。所作词，前期多写其悠闲生活，后期多悲叹身世，情调感伤。形式上善用白描手法，自辟途径，语言清丽。论词强调协律，崇尚典雅，提出词“别是一家”之说，反对以作诗文之法作词。能诗，留存不多，部分篇章感时咏史，情辞<a rel="noopener noreferrer">慷慨</a>，与其词风不同。

李清照词配乐朗诵

These lessons from the theater for raising ourselves and our kids came about after the life altering revelation I made that my MFA in acting trained me for life as a mommy, better than life as a full-time actor. This sometimes musical dramedy in 3 acts, 1 intermission, the length of a sitcom is designed to give mama’s (and any caregiver) a break in the day to breathe and reset along with a much needed audio hug. We'll explore some challenging questions, I'll share some stories, and we'll kick things off with the Raise a Glass series. From the Method to mommy meltdowns and all the moments in between, welcome to MFA.

MFA: The Parenting Edition

Covert Operations is a podcast hosted by The Trinity (Spade, Kurt, and V.) which talks about Magic, Sleight of Hand and it’s theory and application. The podcast aims to cater to magicians and sleight of hand artists who are experienced in the craft. Moreover, the podcasts main goal is to make the art of Magic and Sleight of Hand more known as a community that shares ideas, principles and theories to one another compared to the stigma that relates the craft to gambling. 

Visit Covert Operations on the Interweb!
Twitter - @_CovertOps
Instagram - @CovertOpsPodcast
Facebook - Covert Operations

Covert Operations is a podcast hosted by The Trinity (Spade, Kurt, and V.) which talks about Magic, Sleight of Hand and it’s theory and application. The podcast aims to cater to magicians and sleight of hand artists who are experienced in the craft. Moreover, the podcasts main goal is to make the art of Magic and Sleight of Hand more known as a community that shares ideas, principles and theories to one another compared to the stigma that relates the craft to gambling. Visit Covert Operations on the Interweb! Twitter - @_CovertOps Instagram - @CovertOpsPodcast Facebook - Covert Operations

The Covert Operations Podcast

The "Sleeping Giant Dreams" podcast is a part of Eleanor Bauer's ongoing research as a PhD candidate in Choreography at Stockholm University of the Arts. "At its foundation, my research concerns the media-specificity of thought. As such, I ask how we can consider dancing as a kind of thinking, which, in practices of choreography, performs and informs the medium of thought of writing. My research project is called 'choreo | graphy,’ with a line between the two to denote the difference between and open up a reflection on the relation between ‘choreo-' from khoreia, meaning 'dancing together,' and ‘-graphy' from graphia, or ‘writing.' Therefore, at its heart, my research is also interdisciplinary. Conversation is a form of sustenance for me in my own research as way of thinking through and with others. The social and collaborative effort of oral communication feels for me closer to dancing - musically and structurally and emotionally - than writing alone. So conversation as such is a part of my contemplation on the way dance and writing can meet each other halfway. Furthermore, since interdisciplinary discourse and exchange is a foundational value of knowledge production in my artistic practice and research, I purposefully extend my curiosity to others who can engage my choreographic questions from multiple positions and perspectives that I myself am not expert in. Therefore, the guests on this podcast are scattered in their fields of expertise. This new podcast is called 'Sleeping Giant Dreams’ because the figure of the sleeping giant is a container to reflect on the moment of large scale arrest (and unrest) caused by the global condition of COVID-19. As our human bodies are no longer moving in habitual pathways throughout the world, caused by a micro-body whose behaviours we are still coming to understand, bodies of all scales are an increasingly present container for awareness of the values that structure and limit our movement abilities through spacetime. I am interested to look at different scales of the ‘bodies' one may inhabit, from micro to macro (cell, organ, human, home, chosen or unchosen family, community, institution, city, state, land, planet) as well as the plurality of bodies on and within each meta-body, in order to think about speed, rhythm, scale, relation, orchestration, and how we make sense of it all with our senses, from different angles of expertise and through different 'media of thought.' I am interested to think about choreography as a relation between micro and macro, from the multiplicity of embodied intelligences orchestrated in the polyphonic chorus of a moving mody-bind (body + mind) to the macro-cosmologies and values that structure our behaviours and decisions. The institutional, organisational, and emergent translations between the micro and macro are perhaps where one can say the ‘writing' of choreography takes form, in various modes of formation and formality that coordinate our collective movements. Beyond a discourse of choreography as expanded practice, or even dance as expanded practice, I am rather curious about the critical interfaces of influence (influenza) whereby bodies of all scales are informed-by, assume form within, and in turn inform each other in a dynamic ecosystem. In these conversations I am interested in the insights and reflections that may come from this moment of transformation and adaptation, to see what values and practices emerge in alignment towards ever shifting horizons. In the relatively arrested momentum of human movement on a large scale, in the reduction of each our own physical largesse and mobility, various transformations, adaptations, and demands in scale and speed are heightened in each of our lived experience. How does this sleeping giant toss and turn, dream and integrate these unforeseen lessons? And how might we tickle this giant in its sleep so as to transform it in its waking?”

The "Sleeping Giant Dreams" podcast is a part of Eleanor Bauer's ongoing research as a PhD candidate in Choreography at Stockholm University of the Arts. "At its foundation, my research concerns the media-specificity of thought. As such, I ask how we can consider dancing as a kind of thinking, which, in practices of choreography, performs and informs the medium of thought of writing. My research project is called 'choreo | graphy,’ with a line between the two to denote the difference between and open up a reflection on the relation between ‘choreo-' from khoreia, meaning 'dancing together,' and ‘-graphy' from graphia, or ‘writing.' Therefore, at its heart, my research is also interdisciplinary. Conversation is a form of sustenance for me in my own research as way of thinking through and with others. The social and collaborative effort of oral communication feels for me closer to dancing - musically and structurally and emotionally - than writing alone. So conversation as such is a part of my contemplation on the way dance and writing can meet each other halfway. Furthermore, since interdisciplinary discourse and exchange is a foundational value of knowledge production in my artistic practice and research, I purposefully extend my curiosity to others who can engage my choreographic questions from multiple positions and perspectives that I myself am not expert in. Therefore, the guests on this podcast are scattered in their fields of expertise. This new podcast is called 'Sleeping Giant Dreams’ because the figure of the sleeping giant is a container to reflect on the moment of large scale arrest (and unrest) caused by the global condition of COVID-19. As our human bodies are no longer moving in habitual pathways throughout the world, caused by a micro-body whose behaviours we are still coming to understand, bodies of all scales are an increasingly present container for awareness of the values that structure and limit our movement abilities through spacetime. I am interested to look at different scales of the ‘bodies' one may inhabit, from micro to macro (cell, organ, human, home, chosen or unchosen family, community, institution, city, state, land, planet) as well as the plurality of bodies on and within each meta-body, in order to think about speed, rhythm, scale, relation, orchestration, and how we make sense of it all with our senses, from different angles of expertise and through different 'media of thought.' I am interested to think about choreography as a relation between micro and macro, from the multiplicity of embodied intelligences orchestrated in the polyphonic chorus of a moving mody-bind (body + mind) to the macro-cosmologies and values that structure our behaviours and decisions. The institutional, organisational, and emergent translations between the micro and macro are perhaps where one can say the ‘writing' of choreography takes form, in various modes of formation and formality that coordinate our collective movements. Beyond a discourse of choreography as expanded practice, or even dance as expanded practice, I am rather curious about the critical interfaces of influence (influenza) whereby bodies of all scales are informed-by, assume form within, and in turn inform each other in a dynamic ecosystem. In these conversations I am interested in the insights and reflections that may come from this moment of transformation and adaptation, to see what values and practices emerge in alignment towards ever shifting horizons.In the relatively arrested momentum of human movement on a large scale, in the reduction of each our own physical largesse and mobility, various transformations, adaptations, and demands in scale and speed are heightened in each of our lived experience. How does this sleeping giant toss and turn, dream and integrate these unforeseen lessons? And how might we tickle this giant in its sleep so as to transform it in its waking?”

The "Sleeping Giant Dreams" podcast is a part of Eleanor Bauer's ongoing research as a PhD candidate in Choreography at Stockholm University of the Arts. "At its foundation, my research concerns the media-specificity of thought. As such, I ask how we can consider dancing as a kind of thinking, which, in practices of choreography, performs and informs the medium of thought of writing. My research project is called 'choreo | graphy,’ with a line between the two to denote the difference between and open up a reflection on the relation between ‘choreo-' from khoreia, meaning 'dancing together,' and ‘-graphy' from graphia, or ‘writing.' Therefore, at its heart, my research is also interdisciplinary. Conversation is a form of sustenance for me in my own research as way of thinking through and with others. The social and collaborative effort of oral communication feels for me closer to dancing - musically and structurally and emotionally - than writing alone. So conversation as such is a part of my contemplation on the way dance and writing can meet each other halfway. Furthermore, since interdisciplinary discourse and exchange is a foundational value of knowledge production in my artistic practice and research, I purposefully extend my curiosity to others who can engage my choreographic questions from multiple positions and perspectives that I myself am not expert in. Therefore, the guests on this podcast are scattered in their fields of expertise. This new podcast is called 'Sleeping Giant Dreams’ because the figure of the sleeping giant is a container to reflect on the moment of large scale arrest (and unrest) caused by the global condition of COVID-19. As our human bodies are no longer moving in habitual pathways throughout the world, caused by a micro-body whose behaviours we are still coming to understand, bodies of all scales are an increasingly present container for awareness of the values that structure and limit our movement abilities through spacetime. I am interested to look at different scales of the ‘bodies' one may inhabit, from micro to macro (cell, organ, human, home, chosen or unchosen family, community, institution, city, state, land, planet) as well as the plurality of bodies on and within each meta-body, in order to think about speed, rhythm, scale, relation, orchestration, and how we make sense of it all with our senses, from different angles of expertise and through different 'media of thought.' I am interested to think about choreography as a relation between micro and macro, from the multiplicity of embodied intelligences orchestrated in the polyphonic chorus of a moving mody-bind (body + mind) to the macro-cosmologies and values that structure our behaviours and decisions. The institutional, organisational, and emergent translations between the micro and macro are perhaps where one can say the ‘writing' of choreography takes form, in various modes of formation and formality that coordinate our collective movements. Beyond a discourse of choreography as expanded practice, or even dance as expanded practice, I am rather curious about the critical interfaces of influence (influenza) whereby bodies of all scales are informed-by, assume form within, and in turn inform each other in a dynamic ecosystem. In these conversations I am interested in the insights and reflections that may come from this moment of transformation and adaptation, to see what values and practices emerge in alignment towards ever shifting horizons. In the relatively arrested momentum of human movement on a large scale, in the reduction of each our own physical largesse and mobility, various transformations, adaptations, and demands in scale and speed are heightened in each of our lived experience. How does this sleeping giant toss and turn, dream and integrate these unforeseen lessons? And how might we tickle this giant in its sleep so as to transform it in its waking?”

Sleeping Giant Dreams podcast with Eleanor Bauer & Guests

Podcast di una compagnia teatrale di non professionisti di Brescia, registrato con mezzi di fortuna durante una pandemia globale. Che cosa potrebbe andare storto?

DietroLeTrame

Ashima Suri is an award-winning Established Dance Artist (Mississauga Arts Council 2015). She is the Artistic Director of Limitless Productions, a company that uses performance art and story-telling as a tool for social change. Her work as a community advocate, contemporary dance performer and choreographer has taken her on tour to places such as Japan, France and London.  Ashima is a trained Bharatanatyam and Contemporary Dancer specializing in physical theatre. Ashima was the Toronto Arts Council grant recipient in 2017. She has also been awarded grants from ArtReach Toronto, Laidlaw and East End Arts. In addition, she has been selected twice as a top 10 BMO Neighbourhood Arts Network finalist. 

Ashima has produced and created her own shows, two of which were featured at the Toronto Fringe Festival. In addition, she has co-produced female-led shows to raise the voices of women of colour. Ashima has worked with Choreographers such as Tedd Robinson, Hiroshi Miyamto, Takako Segawa and Lata Pada. Ashima has performed for Jamii Esplanade at Nuit Blanche in 2015 and 2016. Is 2017, Ashima was selected to perform and deliver Masterclasses at the World Dance Alliance Global Summit. 

As a community advocate, Ashima works as an Arts Educator and works with Newcomer and Refugee students and parents in high-priority neighbourhoods and schools. In 2018, she animated the Thorncliffe Park Public School gym into a photo art gallery called VOICES. She worked closely with newcomer students and parents to create installations and show images through creative projection and photography work. In 2019, she won the TDSB award for Innovation.

Ashima Suri is an award-winning Established Dance Artist (Mississauga Arts Council 2015). She is the Artistic Director of Limitless Productions, a company that uses performance art and story-telling as a tool for social change. Her work as a community advocate, contemporary dance performer and choreographer has taken her on tour to places such as Japan, France and London. Ashima is a trained Bharatanatyam and Contemporary Dancer specializing in physical theatre. Ashima was the Toronto Arts Council grant recipient in 2017. She has also been awarded grants from ArtReach Toronto, Laidlaw and East End Arts. In addition, she has been selected twice as a top 10 BMO Neighbourhood Arts Network finalist. Ashima has produced and created her own shows, two of which were featured at the Toronto Fringe Festival. In addition, she has co-produced female-led shows to raise the voices of women of colour. Ashima has worked with Choreographers such as Tedd Robinson, Hiroshi Miyamto, Takako Segawa and Lata Pada. Ashima has performed for Jamii Esplanade at Nuit Blanche in 2015 and 2016. Is 2017, Ashima was selected to perform and deliver Masterclasses at the World Dance Alliance Global Summit. As a community advocate, Ashima works as an Arts Educator and works with Newcomer and Refugee students and parents in high-priority neighbourhoods and schools. In 2018, she animated the Thorncliffe Park Public School gym into a photo art gallery called VOICES. She worked closely with newcomer students and parents to create installations and show images through creative projection and photography work. In 2019, she won the TDSB award for Innovation.

Didi's Diary

Pequliar Arts Podcast

Here I narrate you some Kutty stories,cringe incidents,interviewing some common folks and tales that keeps moving my life💥

Kubelka MuNk Tales

Canım sıkıldıkça gelip boş yapabilmek için açtığım bu güzide programı 3 tane dinleyicime sunmaktan mutluluk ve purur duyuyorum. Canım ne isterse ondan yapıcam.

Bana Kadar Boş Hoş

A podcast about Broadway flops and bizarre Off-Off-Off-Broadway gems by Julia Prescott <h1>🎉 COMING WINTER 2023 🎉</h1> Hosted, produced and edited by Julia Prescott <hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

A podcast about Broadway flops and bizarre Off-Off-Off-Broadway gems by Julia Prescott 🎉 COMING WINTER 2023 🎉 Hosted, produced and edited by Julia Prescott Hosted on Acast. See acast.com/privacy for more information.

A podcast about Broadway flops and bizarre Off-Off-Off-Broadway gems by Julia Prescott 🎉 COMING WINTER 2023 🎉 Hosted, produced and edited by Julia Prescott Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

The Worst Plays in the World

吃瓜能手小分队，资深吹水看娱人

少数派对

BroadwayRadio and This Week on Broadway is a series of discussions about Broadway and theater around the world.

BroadwayRadio

テック業界で働く3人が、テクノロジーとクリエイティブに関するトピックを、視点を行き交わしながら語り合います及川卓也 &nbsp; <a href="https://twitter.com/takoratta">@takoratta</a> プロダクトマネジメントとプロダクト開発組織づくりの専門家 自己紹介エピソード <a href="https://x-crossing.com/ep1.html">ep1</a>, <a href="https://x-crossing.com/ep2.html">ep2</a>&nbsp;関信浩 &nbsp; <a href="https://twitter.com/NobuhiroSeki">@NobuhiroSeki</a> アメリカ・ニューヨークでスタートアップ投資を行う、何でも屋 自己紹介エピソード <a href="https://x-crossing.com/ep52.html">ep52</a>&nbsp;上野美香 &nbsp; <a href="https://twitter.com/mikamika59">@mikamika59</a> マーケティング・プロダクトマネジメントを手掛けるフリーランス 自己紹介エピソード <a href="https://x-crossing.com/ep53.html">ep53</a>&nbsp; XCrossingについて XCrossing（エックス・クロッシング）。英語で「スクランブル交差点」を意味します。趣味も、世代も、住んできた街も違う3人が、スクランブル交差点で出会うように、様々な話題を行き交わせる、おしゃべりの交差点です。今日のエックス・クロッシングであなたが出会うのは、どんな話題でしょう。Official X <a href="https://twitter.com/x_crossing_">@x_crossing_</a> Website <a href="https://x-crossing.com/">https://x-crossing.com</a>

テック業界で働く3人が、テクノロジーとクリエイティブに関するトピックを、視点を行き交わしながら語り合います 及川卓也   @takoratta プロダクトマネジメントとプロダクト開発組織づくりの専門家 自己紹介エピソード ep1, ep2  関信浩   @NobuhiroSeki アメリカ・ニューヨークでスタートアップ投資を行う、何でも屋 自己紹介エピソード ep52  上野美香   @mikamika59 マーケティング・プロダクトマネジメントを手掛けるフリーランス 自己紹介エピソード ep53  XCrossingについて XCrossing（エックス・クロッシング）。英語で「スクランブル交差点」を意味します。趣味も、世代も、住んできた街も違う3人が、スクランブル交差点で出会うように、様々な話題を行き交わせる、おしゃべりの交差点です。今日のエックス・クロッシングであなたが出会うのは、どんな話題でしょう。 Official X @x_crossing_ Website https://x-crossing.com

テック業界で働く3人が、テクノロジーとクリエイティブに関するトピックを、視点を行き交わしながら語り合います及川卓也 &nbsp; <a href="https://twitter.com/takoratta" rel="noopener noreferrer">@takoratta</a> プロダクトマネジメントとプロダクト開発組織づくりの専門家 自己紹介エピソード <a href="https://x-crossing.com/ep1.html" rel="noopener noreferrer">ep1</a>, <a href="https://x-crossing.com/ep2.html" rel="noopener noreferrer">ep2</a>&nbsp;関信浩 &nbsp; <a href="https://twitter.com/NobuhiroSeki" rel="noopener noreferrer">@NobuhiroSeki</a> アメリカ・ニューヨークでスタートアップ投資を行う、何でも屋 自己紹介エピソード <a href="https://x-crossing.com/ep52.html" rel="noopener noreferrer">ep52</a>&nbsp;上野美香 &nbsp; <a href="https://twitter.com/mikamika59" rel="noopener noreferrer">@mikamika59</a> マーケティング・プロダクトマネジメントを手掛けるフリーランス 自己紹介エピソード <a href="https://x-crossing.com/ep53.html" rel="noopener noreferrer">ep53</a>&nbsp; XCrossingについて XCrossing（エックス・クロッシング）。英語で「スクランブル交差点」を意味します。趣味も、世代も、住んできた街も違う3人が、スクランブル交差点で出会うように、様々な話題を行き交わせる、おしゃべりの交差点です。今日のエックス・クロッシングであなたが出会うのは、どんな話題でしょう。Official X <a href="https://twitter.com/x_crossing_" rel="noopener noreferrer">@x_crossing_</a> Website <a href="https://x-crossing.com/" rel="noopener noreferrer">https://x-crossing.com</a>

XCrossing

Husband and wife tag team discuss the current events of the wrestling industry.

Husband and wife tag team discuss the current events of the wrestling industry.

The Main Event with The Sweeneys

los 3 cerditos podcast

Test Show

TAGLINE:Boomers, Gen X, and Millennials say, "It's Jesus Christ Superstar meets Sister Act, with a hint of Godspell, a twist of The Wizard of Oz, a taste of West Side Story, and a smidge of Little Shop of Horrors". Gen Z/Zoomers say, “It’s the ‘Hamilton’ of the New Testament”..DESCRIPTION:Inspired by the four gospels of the New Testament and the Sister Act franchise, in its entirety, this fun-filled family-oriented musical drama is comprised of 30 original songs, with catchy tunes, and memorable lyrics. They introduce a new variety of hip hop, pop, R&amp;B, and light rock genres everyone will enjoy..OUR STORY BEGINS ... in a local parish that has a chronic problem with a shrinking attendance. Mary, a self-conscious and shy, yet remarkably witty sister, is one of a modest skeleton crew. In addition to doing her chores, she spends a lot of time in her room watching her favorite reality tv show "Dancing With The Super Stars". This is done in secret on a tv she is forbidden to have. Once discovered, Sister Mary is forced by her superiors to go out among the people, and convince them to visit the parish. Reluctantly, she obeys. All the while, she imagines herself as a formidable contestant on her favorite reality tv show. A place she would much rather be..However, once out into the world, Sister Mary suffers a traumatic ordeal that magically teleports her to biblical times. It's not long before Sister Mary stumbles upon a plot exacted by dark forces that would prevent Christianity from ever coming into existence. Although her jump on history provides a unique advantage, she must overcome the commonplace sexist attitudes that challenge her attempts to intervene. In addition, the disciple Judas (intimidated by her unorthodox ideas and gutsy attitude [for a woman]), is determined to derail her every effort.Will Sister Mary's unprecedented 21st century way of thinking be enough to save Christianity?

TAGLINE: Boomers, Gen X, and Millennials say, "It's Jesus Christ Superstar meets Sister Act, with a hint of Godspell, a twist of The Wizard of Oz, a taste of West Side Story, and a smidge of Little Shop of Horrors". Gen Z/Zoomers say, “It’s the ‘Hamilton’ of the New Testament”. . DESCRIPTION: Inspired by the four gospels of the New Testament and the Sister Act franchise, in its entirety, this fun-filled family-oriented musical drama is comprised of 30 original songs, with catchy tunes, and memorable lyrics. They introduce a new variety of hip hop, pop, R&B, and light rock genres everyone will enjoy. . OUR STORY BEGINS ... in a local parish that has a chronic problem with a shrinking attendance. Mary, a self-conscious and shy, yet remarkably witty sister, is one of a modest skeleton crew. In addition to doing her chores, she spends a lot of time in her room watching her favorite reality tv show "Dancing With The Super Stars". This is done in secret on a tv she is forbidden to have. Once discovered, Sister Mary is forced by her superiors to go out among the people, and convince them to visit the parish. Reluctantly, she obeys. All the while, she imagines herself as a formidable contestant on her favorite reality tv show. A place she would much rather be. . However, once out into the world, Sister Mary suffers a traumatic ordeal that magically teleports her to biblical times. It's not long before Sister Mary stumbles upon a plot exacted by dark forces that would prevent Christianity from ever coming into existence. Although her jump on history provides a unique advantage, she must overcome the commonplace sexist attitudes that challenge her attempts to intervene. In addition, the disciple Judas (intimidated by her unorthodox ideas and gutsy attitude [for a woman]), is determined to derail her every effort. Will Sister Mary's unprecedented 21st century way of thinking be enough to save Christianity?

New Testament Rock (The Podcast Musical)

Cupids Whispers

Fun and lighthearted episodes of Different Eminent Personalities at KhaTea, our host Debasurya Nayak, sits down with the talented Personalities,Recorded in a relaxed &amp; Peacefull outdoor setting, this conversation feels like friends chatting over a cup of tea, bringing a casual and comfortable vibe to the show.They touch on a variety of topics to fun moments from their personal lives.So grab your tea and join us for this chilled conversation! Don’t forget to subscribe for more Fun episodes like this!Khati Your Very Own Odia Talk Show.

Fun and lighthearted episodes of Different Eminent Personalities at KhaTea, our host Debasurya Nayak, sits down with the talented Personalities, Recorded in a relaxed & Peacefull outdoor setting, this conversation feels like friends chatting over a cup of tea, bringing a casual and comfortable vibe to the show. They touch on a variety of topics to fun moments from their personal lives. So grab your tea and join us for this chilled conversation! Don’t forget to subscribe for more Fun episodes like this! Khati Your Very Own Odia Talk Show.

KhaTea With Debasurya

This week hear how we got on chatting with West End star Kerry Ellis ahead of her tour which comes to Norfolk and Suffolk in October, we’ve spoken to the lead in Footloose which is coming to the Wolsey Theatre early next month, we caught up with an Olivier Award-nominated actor who brings three spooky tales to the Quay Theatre and finally we’ve been to review another comedy.  plus we have  a host of up and coming shows you won’t want to miss out on.

This week hear how we got on chatting with West End star Kerry Ellis ahead of her tour which comes to Norfolk and Suffolk in October, we’ve spoken to the lead in Footloose which is coming to the Wolsey Theatre early next month, we caught up with an Olivier Award-nominated actor who brings three spooky tales to the Quay Theatre and finally we’ve been to review another comedy. plus we have a host of up and coming shows you won’t want to miss out on.

Ruby Shoes Podcast episode 51 – Wicked Hauntings with a loose step and good manners

The Railroad Hour was a delightful radio series that aired musical dramas and comedies from the late 1940s to the mid-1950s. Sponsored by the Association of American Railroads, the show condensed beloved musicals and operettas into shorter formats, focusing on works written before 1943. Here are some highlights:<ul><li>Host and Leading Man: The talented Gordon MacRae hosted each episode and played the leading male roles. His leading ladies came from both radio and the Metropolitan Opera.</li><li>Musical Selections: The show featured excerpts from classic musicals such as:</li><li>No, No, Nanette (with co-star Doris Day)</li><li>Brigadoon (with co-star Jane Powell)</li><li>The Desert Song</li><li>Holiday Inn</li><li>The Merry Widow</li><li>The Mikado</li><li>Naughty Marietta</li><li>Show Boat</li><li>Song of Norway</li><li>State Fair</li><li>The Student Prince</li><li>The Vagabond King</li><li>Musical Director: Carmen Dragon led the musical direction, and the show’s theme song was the familiar tune, “I’ve Been Working on the Railroad.”</li></ul> Listen to our radio station Old Time Radio <a href="https://link.radioking.com/otradio" rel="nofollow">https://link.radioking.com/otradio</a>Listen to other Shows at My Classic Radio <a href="https://www.myclassicradio.net/" rel="nofollow">https://www.myclassicradio.net/</a><a href="https://www.patreon.com/entertainment_radio" rel="nofollow">Entertainment Radio | Broadcasting Classic Radio Shows | Patreon</a> Remember that times have changed, and some shows might not reflect the standards of today’s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radi

The Railroad Hour was a delightful radio series that aired musical dramas and comedies from the late 1940s to the mid-1950s. Sponsored by the Association of American Railroads, the show condensed beloved musicals and operettas into shorter formats, focusing on works written before 1943. Here are some highlights:Host and Leading Man: The talented Gordon MacRae hosted each episode and played the leading male roles. His leading ladies came from both radio and the Metropolitan Opera.Musical Selections: The show featured excerpts from classic musicals such as:No, No, Nanette (with co-star Doris Day)Brigadoon (with co-star Jane Powell)The Desert SongHoliday InnThe Merry WidowThe MikadoNaughty MariettaShow BoatSong of NorwayState FairThe Student PrinceThe Vagabond KingMusical Director: Carmen Dragon led the musical direction, and the show’s theme song was the familiar tune, “I’ve Been Working on the Railroad.” Listen to our radio station Old Time Radio https://link.radioking.com/otradio Listen to other Shows at My Classic Radio https://www.myclassicradio.net/ Entertainment Radio | Broadcasting Classic Radio Shows | Patreon Remember that times have changed, and some shows might not reflect the standards of today’s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radi

The Railroad Hour was a delightful radio series that aired musical dramas and comedies from the late 1940s to the mid-1950s. Sponsored by the Association of American Railroads, the show condensed beloved musicals and operettas into shorter formats, focusing on works written before 1943.&nbsp;Here are some highlights:<ul><li>Host and Leading Man: The talented&nbsp;Gordon MacRae&nbsp;hosted each episode and played the leading male roles. His leading ladies came from both radio and the&nbsp;Metropolitan Opera.</li><li>Musical Selections: The show featured excerpts from classic musicals such as:</li><li>No, No, Nanette&nbsp;(with co-star&nbsp;Doris Day)</li><li>Brigadoon&nbsp;(with co-star&nbsp;Jane Powell)</li><li>The Desert Song</li><li>Holiday Inn</li><li>The Merry Widow</li><li>The Mikado</li><li>Naughty Marietta</li><li>Show Boat</li><li>Song of Norway</li><li>State Fair</li><li>The Student Prince</li><li>The Vagabond King</li><li>Musical Director:&nbsp;Carmen Dragon&nbsp;led the musical direction, and the show’s theme song was the familiar tune, “I’ve Been Working on the Railroad.”</li></ul> Listen to our radio station Old Time Radio&nbsp;<a href="https://link.radioking.com/otradio" rel="noopener noreferrer">https://link.radioking.com/otradio</a>Listen to other Shows at My Classic Radio <a href="https://www.myclassicradio.net/" rel="noopener noreferrer">https://www.myclassicradio.net/</a><a href="https://www.patreon.com/entertainment_radio" rel="noopener noreferrer">Entertainment Radio&nbsp;| Broadcasting Classic Radio Shows | Patreon</a> Remember that times have changed, and some shows might not reflect the standards of today’s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radi

Railroad Hour

When you can't seem to connect to what led you to the path of an artist. And you have no idea how to get yourself through that eight-hour rehearsal, 6-month tour, or next stage of your life. Nothing is better than to hear that you are not alone. I'm living the life of a student, a mentor, a creative, and an entrepreneur.  If you need to reconnect to yourself and discover your why and what's next, come sit with me as I speak from the heart sharing my story and the stories of my friends to help you to be at peace, revitalize your joy, and navigate it all,

When you can't seem to connect to what led you to the path of an artist. And you have no idea how to get yourself through that eight-hour rehearsal, 6-month tour, or next stage of your life. Nothing is better than to hear that you are not alone. I'm living the life of a student, a mentor, a creative, and an entrepreneur. If you need to reconnect to yourself and discover your why and what's next, come sit with me as I speak from the heart sharing my story and the stories of my friends to help you to be at peace, revitalize your joy, and navigate it all,

Bring it to the Marley

Знакомство с творчеством режиссера и композитора Александра Орлова, его взглядами на искусство. Александр участвовал в создании первого в СССР негосударственного коммерческого театра, ныне "Драматический театр Колесо имени Глеба Дроздова" работал в его первом составе. В настоящее время ставит спектакли, продолжает писать музыку. Несколько его альбомов можно прослушать на всех музыкальных платформах - Apple Music, Яндекс, Spotify, Deezer  и другие.

Знакомство с творчеством режиссера и композитора Александра Орлова, его взглядами на искусство. Александр участвовал в создании первого в СССР негосударственного коммерческого театра, ныне "Драматический театр Колесо имени Глеба Дроздова" работал в его первом составе. В настоящее время ставит спектакли, продолжает писать музыку. Несколько его альбомов можно прослушать на всех музыкальных платформах - Apple Music, Яндекс, Spotify, Deezer и другие.

Знакомство с творчеством режиссера и композитора Александра Орлова, его взглядами на искусство. Александр участвовал в создании первого в СССР негосударственного коммерческого театра, ныне "Драматический театр Колесо имени Глеба Дроздова" работал в его первом составе. В настоящее время ставит спектакли, продолжает писать музыку. Несколько его альбомов можно прослушать на всех музыкальных платформах - Apple Music, Яндекс, Spotify, Deezer &nbsp;и другие.

Performing Arts Podcasts / Page 506