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Eschucarás anécdotas, filosofías, teorías, puntos de vistas, entrevistas, significados y sensaciones de la imágenes, el cómo y porqué del mundo fotográfico. También aprenderás a ver una fotografía mediante la escucha (e imaginación).
Soy Pablo S. Delgado, fotógrafo y profesor de Geografía; hace muchos años que estoy detrás de las cámaras lo que hizo que actualmente esté en la tarea de hacer descubrir todo lo que se vive (desde este lugar) a aquellos que quieran empaparse del arte.

Eschucarás anécdotas, filosofías, teorías, puntos de vistas, entrevistas, significados y sensaciones de la imágenes, el cómo y porqué del mundo fotográfico. También aprenderás a ver una fotografía mediante la escucha (e imaginación). Soy Pablo S. Delgado, fotógrafo y profesor de Geografía; hace muchos años que estoy detrás de las cámaras lo que hizo que actualmente esté en la tarea de hacer descubrir todo lo que se vive (desde este lugar) a aquellos que quieran empaparse del arte.

Escuchando a la fotografía

A podcast on the tattoos and the stories behind them.

Lovecrow Ink Nest Podcast

一个人使自己成为自己，比什么都重要。
——弗吉尼亚伍尔夫《一间自己的屋子》

一个人使自己成为自己，比什么都重要。 ——弗吉尼亚伍尔夫《一间自己的屋子》

一间自己的屋子

Me trying to record myself and see if it helps.

AL's Talk Show

Histórias Contadas por amigos e parentes para o álbum Memórias Imersivas de Izabella &amp; Erik

Histórias Contadas por amigos e parentes para o álbum Memórias Imersivas de Izabella & Erik

Memórias Imersivas: Izabella & Erik - Histórias Contadas

Este es un espacio de conversación entre profesionales del rubro de la fotografía. Una gran variedad de fotógrafos, modelos, maquillistas, emprendedores del área digital, y personalidades del rubro, darán vida a este Podcast Original, episodio a episodio.
Alejandro Azad y Pablo Villarroel, serán los encargados de llevar cada semana, un nuevo tema hasta tus dulces oídos. ¡Que lo disfrutes!

Este es un espacio de conversación entre profesionales del rubro de la fotografía. Una gran variedad de fotógrafos, modelos, maquillistas, emprendedores del área digital, y personalidades del rubro, darán vida a este Podcast Original, episodio a episodio. Alejandro Azad y Pablo Villarroel, serán los encargados de llevar cada semana, un nuevo tema hasta tus dulces oídos. ¡Que lo disfrutes!

Café con Foto

Ever wondered what it takes to be a successful artist and make a living from your passion?  Explore a life time of prolific works and discover the fascinating life of the extraordinary Canadian artist Paul Ygartua and his wife Joanne, who together have been building a successful art business for over 50 years now.

Ever wondered what it takes to be a successful artist and make a living from your passion? Explore a life time of prolific works and discover the fascinating life of the extraordinary Canadian artist Paul Ygartua and his wife Joanne, who together have been building a successful art business for over 50 years now.

Ygartua Art Chronicles

Écrivain et peintre aujourd'hui mondialement reconnu, Henry Darger est pourtant mort seul et anonyme. Comment ce marginal considéré comme fou est-il devenu l'une des figures de l'art brut ? Son incroyable histoire permet de questionner la place des artistes dans la société, le rapport entre création et santé mentale et l'élitisme des milieux artistiques.&nbsp;Podcast en sept épisodes hebdomadaires, la série d’entretiens OUTSIDER accompagne le nouvel album de Philippe Cohen Solal & Mike Lindsay, qui met en musique l'univers sublime et terrifiant d'Henry Darger.Avec la voix de Denis LavantUn podcast créé par Philippe Cohen SolalRéalisé par César DepouillyÉcrit par Clémentine SpilerMusique: Philippe Cohen Solal & Mike LindsayIllustration : Gabriel JacquelUne production ¡Ya Basta! Records <hr> Hébergé par Acast. Visitez <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> pour plus d'informations.

Écrivain et peintre aujourd'hui mondialement reconnu, Henry Darger est pourtant mort seul et anonyme. Comment ce marginal considéré comme fou est-il devenu l'une des figures de l'art brut ? Son incroyable histoire permet de questionner la place des artistes dans la société, le rapport entre création et santé mentale et l'élitisme des milieux artistiques. Podcast en sept épisodes hebdomadaires, la série d’entretiens OUTSIDER accompagne le nouvel album de Philippe Cohen Solal & Mike Lindsay, qui met en musique l'univers sublime et terrifiant d'Henry Darger.Avec la voix de Denis LavantUn podcast créé par Philippe Cohen SolalRéalisé par César DepouillyÉcrit par Clémentine SpilerMusique: Philippe Cohen Solal & Mike LindsayIllustration : Gabriel JacquelUne production ¡Ya Basta! Records Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Écrivain et peintre aujourd'hui mondialement reconnu, Henry Darger est pourtant mort seul et anonyme. Comment ce marginal considéré comme fou est-il devenu l'une des figures de l'art brut ? Son incroyable histoire permet de questionner la place des artistes dans la société, le rapport entre création et santé mentale et l'élitisme des milieux artistiques.&nbsp;Podcast en sept épisodes hebdomadaires, la série d’entretiens OUTSIDER accompagne le nouvel album de Philippe Cohen Solal &amp; Mike Lindsay, qui met en musique l'univers sublime et terrifiant d'Henry Darger.Avec la voix de Denis LavantUn podcast créé par Philippe Cohen SolalRéalisé par César DepouillyÉcrit par Clémentine SpilerMusique: Philippe Cohen Solal &amp; Mike LindsayIllustration : Gabriel JacquelUne production ¡Ya Basta! Records Hébergé par Acast. Visitez <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> pour plus d'informations.

OUTSIDER, l’incroyable histoire d’Henry Darger

A podcast discussing Music, Art, and Daily Anecdotes

brookeisprettycoolactually's podcast

Podcast com as aulas assíncronas da disciplina O Gênero Musical no Audiovisual, ministrada para a graduação de Estudos de Mídia, UFF.

Esta disciplina é o estágio docência dos mestrandos Caio Melo da Silva e Luiza Costa, supervisionados pela professora Ariane Holzbach.

Podcast com as aulas assíncronas da disciplina O Gênero Musical no Audiovisual, ministrada para a graduação de Estudos de Mídia, UFF. Esta disciplina é o estágio docência dos mestrandos Caio Melo da Silva e Luiza Costa, supervisionados pela professora Ariane Holzbach.

Falando, Cantando & Dançando!

Mais um podcast sobre filmes, porém sem a pretensão de ter qualidade.

Tristeza

Focusing on the inner workings of creativity within the frame.
Hosted by Twayne (@twayner_) and Zeik (@zeikgraphic).

Focusing on the inner workings of creativity within the frame. Hosted by Twayne (@twayner_) and Zeik (@zeikgraphic).

Inframe Podcast

Pasang Telinga merupakan gelombang suara yang mempertemukan pegiat kreatif, seni, dan budaya. Spesial dipersembahkan oleh SkolMus hanya untuk kamu.

Pasang Telinga

Fernando fingindo que tem uma rádio, e falando sozinho

Rádio do meu quarto

Jayden and Kris document their journey to getting good at 3D art and computer graphics. Listen to see what you can learn from our mistakes!

Update: Kris, much like some kind of marauding warlord, has taken over control of the Audio Only feed from Jayden and to herald in his new reign has scheduled all of the back logged episodes to release, two per week, over the holiday break. You're welcome internet.
Also, neeewww logo! WWWAAAAAAHHH? I know right?

Join the discord to get news and join the community!

Discord Invite Party Link of Awesome: 
https://discord.gg/bhxgUChT

Jayden and Kris document their journey to getting good at 3D art and computer graphics. Listen to see what you can learn from our mistakes! Update: Kris, much like some kind of marauding warlord, has taken over control of the Audio Only feed from Jayden and to herald in his new reign has scheduled all of the back logged episodes to release, two per week, over the holiday break. You're welcome internet. Also, neeewww logo! WWWAAAAAAHHH? I know right? Join the discord to get news and join the community! Discord Invite Party Link of Awesome: https://discord.gg/bhxgUChT

Gitgud.CG

Um podcast sobre tatuagem, tecnologia ou tudo isso junto e misturado.

Ministrado por Leo Freitas - Instagram.com/tatuinque

Dicas, dúvidas e reclamações no: fala@tatuinque.com.br

Um podcast sobre tatuagem, tecnologia ou tudo isso junto e misturado. Ministrado por Leo Freitas - Instagram.com/tatuinque Dicas, dúvidas e reclamações no: fala@tatuinque.com.br

FALA, TATUINQUE!

Trata de como debemos parar con la discriminación por personas con religión diferente, edad,discapacidad y orientacion sexual etc.

Igualdad De Derechos Y No Discriminación

40k-podden

Sonia Gomes - Barroco, mesmo - MG

Encouraging stories, images, poetry, inquiries and dares from the Muse at Intentional Creativity® <a href="https://teawiththemuse.substack.com?utm_medium=podcast">teawiththemuse.substack.com</a>

Encouraging stories, images, poetry, inquiries and dares from the Muse at Intentional Creativity® teawiththemuse.substack.com

Encouraging stories, images, poetry, inquiries and dares from the Muse at Intentional Creativity® <a href="https://teawiththemuse.substack.com?utm_medium=podcast" rel="noopener noreferrer">teawiththemuse.substack.com</a>

Tea with the Muse

Isn't philosophy supposed to help us live a more meaningful life? Then why does it feel so... stuffy? Academic? Unrealistic. It's time for Philosophy to bust out of the lecture hall and take her rightful place at the corner of curiosity and creativity. Welcome to The Unwritten Aesthetic, where the intellectual rigor of philosophy meets the creative pursuit of an artful life. A place for two friends, to be passionate about philosophy as an artistic pursuit, ask life’s most important questions, create something we believe in, and to be two silly gooses.Be a part of the Collective and tune in to The Unwritten Aesthetic every other Tuesday.To find Lauren's work: <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.laurenbushpaints.com/">https://www.laurenbushpaints.com/</a>To work with Reese: <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.thecoherecollective.com/life-coaching">https://www.thecoherecollective.com/life-coaching</a>Follow The Cohere Collective: <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/thecoherecollective/">https://www.instagram.com/thecoherecollective/</a> <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.tiktok.com/@thecoherecollective">https://www.tiktok.com/@thecoherecollective</a> Follow Lauren: <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/laurenbushpaints/">https://www.instagram.com/laurenbushpaints/</a>For more information, head to <a target="_blank" rel="noopener noreferrer nofollow" href="http://www.thecoherecollective.com">www.thecoherecollective.com</a>With artful Coherence,Reese and Lauren

Isn't philosophy supposed to help us live a more meaningful life? Then why does it feel so... stuffy? Academic? Unrealistic. It's time for Philosophy to bust out of the lecture hall and take her rightful place at the corner of curiosity and creativity. Welcome to The Unwritten Aesthetic, where the intellectual rigor of philosophy meets the creative pursuit of an artful life. A place for two friends, to be passionate about philosophy as an artistic pursuit, ask life’s most important questions, create something we believe in, and to be two silly gooses. Be a part of the Collective and tune in to The Unwritten Aesthetic every other Tuesday. To find Lauren's work: https://www.laurenbushpaints.com/ To work with Reese: https://www.thecoherecollective.com/life-coaching Follow The Cohere Collective: https://www.instagram.com/thecoherecollective/ https://www.tiktok.com/@thecoherecollective Follow Lauren: https://www.instagram.com/laurenbushpaints/ For more information, head to www.thecoherecollective.com With artful Coherence, Reese and Lauren

Isn't philosophy supposed to help us live a more meaningful life? Then why does it feel so... stuffy? Academic? Unrealistic. It's time for Philosophy to bust out of the lecture hall and take her rightful place at the corner of curiosity and creativity. Welcome to The Unwritten Aesthetic, where the intellectual rigor of philosophy meets the creative pursuit of an artful life. A place for two friends, to be passionate about philosophy as an artistic pursuit, ask life’s most important questions, create something we believe in, and to be two silly gooses.Be a part of the Collective and tune in to The Unwritten Aesthetic every other Tuesday.To find Lauren's work: <a href="https://www.laurenbushpaints.com/" rel="noopener noreferrer">https://www.laurenbushpaints.com/</a>To work with Reese: <a href="https://www.thecoherecollective.com/life-coaching" rel="noopener noreferrer">https://www.thecoherecollective.com/life-coaching</a>Follow The Cohere Collective: <a href="https://www.instagram.com/thecoherecollective/" rel="noopener noreferrer">https://www.instagram.com/thecoherecollective/</a> <a href="https://www.tiktok.com/@thecoherecollective" rel="noopener noreferrer">https://www.tiktok.com/@thecoherecollective</a> Follow Lauren: <a href="https://www.instagram.com/laurenbushpaints/" rel="noopener noreferrer">https://www.instagram.com/laurenbushpaints/</a>For more information, head to <a href="http://www.thecoherecollective.com" rel="noopener noreferrer">www.thecoherecollective.com</a>With artful Coherence,Reese and Lauren

The Unwritten Aesthetic

Is it possible that creative expression is an infinite language? What are the reaches of this creative language we call the arts? This podcast navigates the intersections of literature, visual art, and the creative process, reverently roaming the terrains of the boundless.

An Infinite Language

Onderweg zijn in het leven en alles wat daarbij komt kijken. Dat is het nieuwe thema van Museum Nienoord. Althans, na de huidige verbouwing want onder de projectnaam Museum Nienoord vernieuwt! wordt er druk gezaagd, geboord en geverfd. 

Mijn naam is Rik Klaucke en in deze podcastserie neem ik je mee voor een kijkje achter de schermen van Nienoord. Dat doe ik uiteraard samen met de mensen die bij dit grootse project betrokken zijn. Van directeur tot vrijwilliger.  

Deze podcastserie is gemaakt door: Rik Klaucke van Studio Klaucke, 
In opdracht van: Museum Nienoord
Het artwork is gemaakt door: Helga de Graaf van Studio Eye Candy
De podcast is financieel mede mogelijk gemaakt door:  

Vriendenloterij, Provincie Groningen, Gemeente Westerkwartier, Scholten Kammingafonds, VSB-fonds, Stichting Dioraphte, Stichting K.P. Boon, Mondriaanfonds, Cultuurfonds, Gravin Van Bijlandt Stichting, Emmaplein Foundation, Dijk Weeringfonds, Rabobank, Stichting Steunfonds Rotary C Roden-Leek, Ondernemersvereniging SOB Leek, Stichting Beringer Hazewinkel  en enkele anonieme donateurs.

Onderweg zijn in het leven en alles wat daarbij komt kijken. Dat is het nieuwe thema van Museum Nienoord. Althans, na de huidige verbouwing want onder de projectnaam Museum Nienoord vernieuwt! wordt er druk gezaagd, geboord en geverfd. Mijn naam is Rik Klaucke en in deze podcastserie neem ik je mee voor een kijkje achter de schermen van Nienoord. Dat doe ik uiteraard samen met de mensen die bij dit grootse project betrokken zijn. Van directeur tot vrijwilliger. Deze podcastserie is gemaakt door: Rik Klaucke van Studio Klaucke, In opdracht van: Museum Nienoord Het artwork is gemaakt door: Helga de Graaf van Studio Eye Candy De podcast is financieel mede mogelijk gemaakt door: Vriendenloterij, Provincie Groningen, Gemeente Westerkwartier, Scholten Kammingafonds, VSB-fonds, Stichting Dioraphte, Stichting K.P. Boon, Mondriaanfonds, Cultuurfonds, Gravin Van Bijlandt Stichting, Emmaplein Foundation, Dijk Weeringfonds, Rabobank, Stichting Steunfonds Rotary C Roden-Leek, Ondernemersvereniging SOB Leek, Stichting Beringer Hazewinkel en enkele anonieme donateurs.

Museum Nienoord vernieuwt! - De podcast

From beginners to pros, I'm taking you from photography basics to creative challenges to find your unique passion for photography.

From beginners to pros, I'm taking you from photography basics to creative challenges to find your unique passion for photography.

Better Photos

Discovering & re-discovering comics, one back issue at a time.

Discovering &amp; re-discovering comics, one back issue at a time.

The Lonely End of the Rack

mahamusic

Welcome to the Art Lawyers Association Podcast, a podcast that is dedicated to the discussion of the interesting issues, quirks, stories, rumours and, yes, legal cases that have arisen, or which remain current issues in the Art World, and which we lucky lawyers, very often are asked to try to resolve. 

The Art World is truly a wonderful place to work in, and it is filled with all of the great attributes good stories need, wealth, beauty, honesty and dishonesty - and it is inhabited by by some similarly colourful characters, some of whom we are looking forward to introducing you to over the course of the next few months and weeks.

Welcome to the Art Lawyers Association Podcast, a podcast that is dedicated to the discussion of the interesting issues, quirks, stories, rumours and, yes, legal cases that have arisen, or which remain current issues in the Art World, and which we lucky lawyers, very often are asked to try to resolve. The Art World is truly a wonderful place to work in, and it is filled with all of the great attributes good stories need, wealth, beauty, honesty and dishonesty - and it is inhabited by by some similarly colourful characters, some of whom we are looking forward to introducing you to over the course of the next few months and weeks.

Art Lawyers Association podcast

Gedanken und Denkanstöße zur Fotografie. Mal philosophisch, mal praxisorientiert.

Fotogedanken

Welcome to the Behind The Artist Podcast. I founded Behind The Artist back in March 2023 and have since interviewed an array of fantastic pioneering artists, providing an insight behind the artist and their work. I am fascinated by learning the process of how one's imagination can transpire into a work of art and become a masterpiece, treasured by society for years to come. As I delve into the personal lives of artists, I will discover the highs of pursuing their passion as a career and explore the challenges they may endure as an a modern society.

Welcome to the Behind The Artist Podcast. I founded Behind The Artist back in March 2023 and have since interviewed an array of fantastic pioneering artists, providing an insight behind the artist and their work. I am fascinated by learning the process of how one's imagination can transpire into a work of art and become a masterpiece, treasured by society for years to come. As I delve into the personal lives of artists, I will discover the highs of pursuing their passion as a career and explore the challenges they may endure as an a modern society.

Behind The Artist

Jeito RADIO est le podcast de Jeito PHOTO, un lieu situé 15 rue de la Résistance à Saint-Étienne et tout entier consacré à la Photographie.Dans ce lieu photosensible, accompagné de photographes, nous animerons régulièrement une émission concernant les expositions qui leur sont consacré.Pour nous aider à accomplir cette tache, nous serons en compagnie de Louis Perrin ( @louisperrin () ), fondateur de l'espace et de Maxime Pronchery ( @maxime_pronchery () ) qui l'aide à mettre en place les expositions, nous discuterons aussi bien technique photographique que choix artistique.Vous pouvez suivre les activités de Jeito PHOTO sur INSTAGRAM : ( @jeito_photo () ) et sur internet : www.jeitophoto.com (http://www.jeitophoto.com) Jeito RADIO est une émission produite, présenté et réalisé par Maxime Lejeune : @maxlejeune7 ()Rédaction : Maxime Pronchery et Maxime LejeuneMontage : Terry Courbon ( @choxywink () ) et Maxime LejeuneMusique et mixage : Terry Courbon
Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.

Jeito RADIO est le podcast de Jeito PHOTO, un lieu situé 15 rue de la Résistance à Saint-Étienne et tout entier consacré à la Photographie.Dans ce lieu photosensible, accompagné de photographes, nous animerons régulièrement une émission concernant les expositions qui leur sont consacré.Pour nous aider à accomplir cette tache, nous serons en compagnie de Louis Perrin ( @louisperrin () ), fondateur de l'espace et de Maxime Pronchery ( @maxime_pronchery () ) qui l'aide à mettre en place les expositions, nous discuterons aussi bien technique photographique que choix artistique.Vous pouvez suivre les activités de Jeito PHOTO sur INSTAGRAM : ( @jeito_photo () ) et sur internet : www.jeitophoto.com (http://www.jeitophoto.com) Jeito RADIO est une émission produite, présenté et réalisé par Maxime Lejeune : @maxlejeune7 ()Rédaction : Maxime Pronchery et Maxime LejeuneMontage : Terry Courbon ( @choxywink () ) et Maxime LejeuneMusique et mixage : Terry Courbon Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.

Jeito RADIO

Richard Serra, born on November 2, 1938, in San Francisco, California, is an American artist known for his monumental, site-specific sculptures made of industrial materials, particularly Cor-Ten steel. His work has redefined the boundaries of sculpture and has had a profound impact on the art world, making him one of the most influential and celebrated artists of the postwar era. Early Life and Education Serra grew up in a working-class family in San Francisco. His father, Tony Serra, was a Spanish-native who worked as a pipe-fitter in the shipyards, while his mother, Gladys Feinberg, was a Russian Jewish immigrant. From an early age, Serra showed an interest in art and was encouraged by his parents to pursue his passion. After graduating from Lowell High School in 1957, Serra attended the University of California, Berkeley, where he studied English literature. He also took art classes and was introduced to the work of Abstract Expressionist painters such as Willem de Kooning and Jackson Pollock, which would greatly influence his artistic development. In 1961, Serra graduated from Berkeley with a Bachelor of Arts degree in English literature. He then traveled to Europe, where he spent a year studying at the Accademia di Belle Arti in Florence, Italy. During this time, he was exposed to the works of Italian Renaissance artists, as well as the avant-garde art scene in Europe. Upon returning to the United States, Serra enrolled in the Master of Fine Arts program at Yale University. There, he studied under the influential art theorist and critic, Josef Albers, who had a profound impact on his artistic philosophy. Serra graduated from Yale in 1964 with an MFA in painting. Early Career and Artistic Development After completing his studies, Serra moved to New York City, where he became involved in the vibrant art scene of the 1960s. He worked as a painter and a sculptor, experimenting with various materials and techniques. In 1966, he began creating sculptures using non-traditional materials such as rubber, neon, and lead, which he often installed directly on the floor or wall of the gallery space. Serra's early sculptures were influenced by the minimalist and conceptual art movements of the time. He was interested in the inherent properties of materials and the ways in which they could be manipulated to create new forms and experiences. His work often challenged traditional notions of sculpture as a static, object-based medium and instead emphasized the viewer's physical and perceptual experience of the work. In 1968, Serra created his first large-scale outdoor sculpture, "To Encircle Base Plate Hexagram, Right Angles Inverted," which consisted of a steel plate measuring 26 feet in diameter, with a hexagonal hole cut into the center. The sculpture was installed on a beach in Long Island, New York, and was designed to be experienced by walking around and through it. Throughout the late 1960s and early 1970s, Serra continued to explore the possibilities of large-scale sculpture using industrial materials such as steel, lead, and concrete. He began to create works that were site-specific, meaning that they were designed to respond to and engage with the unique characteristics of the location in which they were installed. One of Serra's most famous site-specific works from this period is "Shift," which he created in 1970-72. The sculpture consists of six large concrete walls, each measuring 60 feet long and 10 feet high, that are arranged in a zigzag pattern across a field in King City, Ontario, Canada. The walls create a sense of movement and rhythm as the viewer walks through the work, and the shifting perspectives and sight lines create a dynamic and immersive experience. International Recognition and Public Commissions In the mid-1970s, Serra began to receive international recognition for his work. He was invited to create large-scale public sculptures in cities around the world, including Barcelona, Berlin, and Tokyo. These commissions allowed him to work on an even larger scale and to engage with the unique social, political, and historical contexts of each location. One of Serra's most famous public sculptures is "Tilted Arc," which he created in 1981 for the Federal Plaza in New York City. The sculpture consisted of a single, curved steel plate that measured 120 feet long and 12 feet high, and was installed in the center of the plaza. The sculpture was controversial from the start, with many people complaining that it disrupted the flow of pedestrian traffic and created a sense of unease and disorientation. In 1985, the U.S. General Services Administration held a public hearing to decide the fate of "Tilted Arc." Despite Serra's arguments that the sculpture was an integral part of the site and could not be removed without destroying its meaning and integrity, the hearing ultimately resulted in a decision to remove the sculpture. The controversy surrounding "Tilted Arc" sparked a national debate about the role of public art and the relationship between artists, audiences, and the government. Despite the controversy, Serra continued to receive commissions for large-scale public sculptures throughout the 1980s and 1990s. Some of his most notable works from this period include "The Matter of Time" (1994-2005), a series of eight massive steel sculptures installed in the Guggenheim Museum Bilbao in Spain, and "Snake" (1994-1997), a 180-foot-long steel sculpture installed in the Guggenheim Museum in Bilbao. In addition to his public commissions, Serra also continued to create smaller-scale sculptures and works on paper throughout his career. His drawings and prints often explore similar themes and ideas as his sculptures, such as the relationship between form, space, and the viewer's perception. Later Career and Legacy In the 2000s and 2010s, Serra continued to create monumental sculptures and installations that pushed the boundaries of what was possible with industrial materials. Some of his most notable works from this period include "7" (2011), a series of seven massive steel sculptures installed in Doha, Qatar, and "East-West/West-East" (2014), four steel plates installed in the Qatari desert that measure up to 55 feet tall and span over a kilometer in length. Serra's work has been widely exhibited and collected by major museums and institutions around the world, including the Museum of Modern Art in New York, the Tate Modern in London, and the Pompidou Center in Paris. He has received numerous awards and honors throughout his career, including the Leone d'Oro for lifetime achievement at the Venice Biennale in 2001 and the Presidential Medal of Arts in 2010. In addition to his artistic practice, Serra has also been an influential teacher and mentor to generations of younger artists. He has taught at Yale University, the California Institute of the Arts, and the School of Visual Arts in New York, among other institutions. Serra's legacy as an artist is one of innovation, experimentation, and a deep commitment to the physical and perceptual experience of art. His work has had a profound impact on the development of contemporary sculpture and has challenged traditional notions of what art can be and how it can engage with the world around us. In interviews and writings throughout his career, Serra has emphasized the importance of the viewer's direct experience of his work. He has argued that sculpture should not be seen as a static object to be looked at from a distance, but rather as a dynamic and immersive environment that the viewer can enter into and engage with on a physical and perceptual level. Serra's emphasis on the viewer's experience has had a profound influence on the development of installation art and site-specific sculpture in the late 20th and early 21st centuries. His work has inspired generations of artists to think beyond the traditional boundaries of sculpture and to explore new ways of engaging with space, materials, and the human body. In recent years, Serra has continued to push the boundaries of what is possible with industrial materials and large-scale sculpture. In 2015, he completed "East-West/West-East," his largest and most ambitious work to date. The sculpture consists of four massive steel plates, each measuring up to 55 feet tall and weighing up to 220 tons, installed in the Qatari desert over a distance of more than a kilometer. The sculpture is a testament to Serra's ongoing fascination with the relationship between art, landscape, and the human experience. By placing these monumental forms in the vast expanse of the desert, Serra invites viewers to reflect on their own place in the world and to consider the ways in which art can transform our understanding of space and time. Despite his age, Serra shows no signs of slowing down. In interviews, he has expressed his ongoing commitment to his artistic practice and his desire to continue exploring new ideas and possibilities. "I'm still learning," he has said. "I'm still trying to figure out what I'm doing. And I hope I never stop." As Serra enters his ninth decade, his legacy as one of the most important and influential artists of the postwar era seems secure. His work has challenged and inspired generations of artists and viewers, and his contributions to the development of contemporary sculpture will continue to be felt for years to come. At the same time, Serra's work remains as relevant and urgent as ever in a world that is increasingly shaped by technology, globalization, and environmental crisis. His emphasis on the physical and perceptual experience of art, his engagement with the social and political dimensions of public space, and his commitment to pushing the boundaries of what is possible with industrial materials all speak to the ongoing importance of art in shaping our under

Richard Serra, born on November 2, 1938, in San Francisco, California, is an American artist known for his monumental, site-specific sculptures made of industrial materials, particularly Cor-Ten steel. His work has redefined the boundaries of sculpture and has had a profound impact on the art world, making him one of the most influential and celebrated artists of the postwar era. Early Life and Education Serra grew up in a working-class family in San Francisco. His father, Tony Serra, was a Spanish-native who worked as a pipe-fitter in the shipyards, while his mother, Gladys Feinberg, was a Russian Jewish immigrant. From an early age, Serra showed an interest in art and was encouraged by his parents to pursue his passion. After graduating from Lowell High School in 1957, Serra attended the University of California, Berkeley, where he studied English literature. He also took art classes and was introduced to the work of Abstract Expressionist painters such as Willem de Kooning and Jackson Pollock, which would greatly influence his artistic development. In 1961, Serra graduated from Berkeley with a Bachelor of Arts degree in English literature. He then traveled to Europe, where he spent a year studying at the Accademia di Belle Arti in Florence, Italy. During this time, he was exposed to the works of Italian Renaissance artists, as well as the avant-garde art scene in Europe. Upon returning to the United States, Serra enrolled in the Master of Fine Arts program at Yale University. There, he studied under the influential art theorist and critic, Josef Albers, who had a profound impact on his artistic philosophy. Serra graduated from Yale in 1964 with an MFA in painting. Early Career and Artistic Development After completing his studies, Serra moved to New York City, where he became involved in the vibrant art scene of the 1960s. He worked as a painter and a sculptor, experimenting with various materials and techniques. In 1966, he began creating sculptures using non-traditional materials such as rubber, neon, and lead, which he often installed directly on the floor or wall of the gallery space. Serra's early sculptures were influenced by the minimalist and conceptual art movements of the time. He was interested in the inherent properties of materials and the ways in which they could be manipulated to create new forms and experiences. His work often challenged traditional notions of sculpture as a static, object-based medium and instead emphasized the viewer's physical and perceptual experience of the work. In 1968, Serra created his first large-scale outdoor sculpture, "To Encircle Base Plate Hexagram, Right Angles Inverted," which consisted of a steel plate measuring 26 feet in diameter, with a hexagonal hole cut into the center. The sculpture was installed on a beach in Long Island, New York, and was designed to be experienced by walking around and through it. Throughout the late 1960s and early 1970s, Serra continued to explore the possibilities of large-scale sculpture using industrial materials such as steel, lead, and concrete. He began to create works that were site-specific, meaning that they were designed to respond to and engage with the unique characteristics of the location in which they were installed. One of Serra's most famous site-specific works from this period is "Shift," which he created in 1970-72. The sculpture consists of six large concrete walls, each measuring 60 feet long and 10 feet high, that are arranged in a zigzag pattern across a field in King City, Ontario, Canada. The walls create a sense of movement and rhythm as the viewer walks through the work, and the shifting perspectives and sight lines create a dynamic and immersive experience. International Recognition and Public Commissions In the mid-1970s, Serra began to receive international recognition for his work. He was invited to create large-scale public sculptures in cities around the world, including Barcelona, Berlin, and Tokyo. These commissions allowed him to work on an even larger scale and to engage with the unique social, political, and historical contexts of each location. One of Serra's most famous public sculptures is "Tilted Arc," which he created in 1981 for the Federal Plaza in New York City. The sculpture consisted of a single, curved steel plate that measured 120 feet long and 12 feet high, and was installed in the center of the plaza. The sculpture was controversial from the start, with many people complaining that it disrupted the flow of pedestrian traffic and created a sense of unease and disorientation. In 1985, the U.S. General Services Administration held a public hearing to decide the fate of "Tilted Arc." Despite Serra's arguments that the sculpture was an integral part of the site and could not be removed without destroying its meaning and integrity, the hearing ultimately resulted in a decision to remove the sculpture. The controversy surrounding "Tilted Arc" sparked a national debate about the role of public art and the relationship between artists, audiences, and the government. Despite the controversy, Serra continued to receive commissions for large-scale public sculptures throughout the 1980s and 1990s. Some of his most notable works from this period include "The Matter of Time" (1994-2005), a series of eight massive steel sculptures installed in the Guggenheim Museum Bilbao in Spain, and "Snake" (1994-1997), a 180-foot-long steel sculpture installed in the Guggenheim Museum in Bilbao. In addition to his public commissions, Serra also continued to create smaller-scale sculptures and works on paper throughout his career. His drawings and prints often explore similar themes and ideas as his sculptures, such as the relationship between form, space, and the viewer's perception. Later Career and Legacy In the 2000s and 2010s, Serra continued to create monumental sculptures and installations that pushed the boundaries of what was possible with industrial materials. Some of his most notable works from this period include "7" (2011), a series of seven massive steel sculptures installed in Doha, Qatar, and "East-West/West-East" (2014), four steel plates installed in the Qatari desert that measure up to 55 feet tall and span over a kilometer in length. Serra's work has been widely exhibited and collected by major museums and institutions around the world, including the Museum of Modern Art in New York, the Tate Modern in London, and the Pompidou Center in Paris. He has received numerous awards and honors throughout his career, including the Leone d'Oro for lifetime achievement at the Venice Biennale in 2001 and the Presidential Medal of Arts in 2010. In addition to his artistic practice, Serra has also been an influential teacher and mentor to generations of younger artists. He has taught at Yale University, the California Institute of the Arts, and the School of Visual Arts in New York, among other institutions. Serra's legacy as an artist is one of innovation, experimentation, and a deep commitment to the physical and perceptual experience of art. His work has had a profound impact on the development of contemporary sculpture and has challenged traditional notions of what art can be and how it can engage with the world around us. In interviews and writings throughout his career, Serra has emphasized the importance of the viewer's direct experience of his work. He has argued that sculpture should not be seen as a static object to be looked at from a distance, but rather as a dynamic and immersive environment that the viewer can enter into and engage with on a physical and perceptual level. Serra's emphasis on the viewer's experience has had a profound influence on the development of installation art and site-specific sculpture in the late 20th and early 21st centuries. His work has inspired generations of artists to think beyond the traditional boundaries of sculpture and to explore new ways of engaging with space, materials, and the human body. In recent years, Serra has continued to push the boundaries of what is possible with industrial materials and large-scale sculpture. In 2015, he completed "East-West/West-East," his largest and most ambitious work to date. The sculpture consists of four massive steel plates, each measuring up to 55 feet tall and weighing up to 220 tons, installed in the Qatari desert over a distance of more than a kilometer. The sculpture is a testament to Serra's ongoing fascination with the relationship between art, landscape, and the human experience. By placing these monumental forms in the vast expanse of the desert, Serra invites viewers to reflect on their own place in the world and to consider the ways in which art can transform our understanding of space and time. Despite his age, Serra shows no signs of slowing down. In interviews, he has expressed his ongoing commitment to his artistic practice and his desire to continue exploring new ideas and possibilities. "I'm still learning," he has said. "I'm still trying to figure out what I'm doing. And I hope I never stop." As Serra enters his ninth decade, his legacy as one of the most important and influential artists of the postwar era seems secure. His work has challenged and inspired generations of artists and viewers, and his contributions to the development of contemporary sculpture will continue to be felt for years to come. At the same time, Serra's work remains as relevant and urgent as ever in a world that is increasingly shaped by technology, globalization, and environmental crisis. His emphasis on the physical and perceptual experience of art, his engagement with the social and political dimensions of public space, and his commitment to pushing the boundaries of what is possible with industrial materials all speak to the ongoing importance of art in shaping our under

Richard Serra, born on November 2, 1938, in San Francisco, California, is an American artist known for his monumental, site-specific sculptures made of industrial materials, particularly Cor-Ten steel. His work has redefined the boundaries of sculpture and has had a profound impact on the art world, making him one of the most influential and celebrated artists of the postwar era. Early Life and Education Serra grew up in a working-class family in San Francisco. His father, Tony Serra, was a Spanish-native who worked as a pipe-fitter in the shipyards, while his mother, Gladys Feinberg, was a Russian Jewish immigrant. From an early age, Serra showed an interest in art and was encouraged by his parents to pursue his passion. After graduating from Lowell High School in 1957, Serra attended the University of California, Berkeley, where he studied English literature. He also took art classes and was introduced to the work of Abstract Expressionist painters such as Willem de Kooning and Jackson Pollock, which would greatly influence his artistic development. In 1961, Serra graduated from Berkeley with a Bachelor of Arts degree in English literature. He then traveled to Europe, where he spent a year studying at the Accademia di Belle Arti in Florence, Italy. During this time, he was exposed to the works of Italian Renaissance artists, as well as the avant-garde art scene in Europe. Upon returning to the United States, Serra enrolled in the Master of Fine Arts program at Yale University. There, he studied under the influential art theorist and critic, Josef Albers, who had a profound impact on his artistic philosophy. Serra graduated from Yale in 1964 with an MFA in painting. Early Career and Artistic Development After completing his studies, Serra moved to New York City, where he became involved in the vibrant art scene of the 1960s. He worked as a painter and a sculptor, experimenting with various materials and techniques. In 1966, he began creating sculptures using non-traditional materials such as rubber, neon, and lead, which he often installed directly on the floor or wall of the gallery space. Serra's early sculptures were influenced by the minimalist and conceptual art movements of the time. He was interested in the inherent properties of materials and the ways in which they could be manipulated to create new forms and experiences. His work often challenged traditional notions of sculpture as a static, object-based medium and instead emphasized the viewer's physical and perceptual experience of the work. In 1968, Serra created his first large-scale outdoor sculpture, "To Encircle Base Plate Hexagram, Right Angles Inverted," which consisted of a steel plate measuring 26 feet in diameter, with a hexagonal hole cut into the center. The sculpture was installed on a beach in Long Island, New York, and was designed to be experienced by walking around and through it. Throughout the late 1960s and early 1970s, Serra continued to explore the possibilities of large-scale sculpture using industrial materials such as steel, lead, and concrete. He began to create works that were site-specific, meaning that they were designed to respond to and engage with the unique characteristics of the location in which they were installed. One of Serra's most famous site-specific works from this period is "Shift," which he created in 1970-72. The sculpture consists of six large concrete walls, each measuring 60 feet long and 10 feet high, that are arranged in a zigzag pattern across a field in King City, Ontario, Canada. The walls create a sense of movement and rhythm as the viewer walks through the work, and the shifting perspectives and sight lines create a dynamic and immersive experience. International Recognition and Public Commissions In the mid-1970s, Serra began to receive international recognition for his work. He was invited to create large-scale public sculptures in cities around the world, including Barcelona, Berlin, and Tokyo. These commissions allowed him to work on an even larger scale and to engage with the unique social, political, and historical contexts of each location. One of Serra's most famous public sculptures is "Tilted Arc," which he created in 1981 for the Federal Plaza in New York City. The sculpture consisted of a single, curved steel plate that measured 120 feet long and 12 feet high, and was installed in the center of the plaza. The sculpture was controversial from the start, with many people complaining that it disrupted the flow of pedestrian traffic and created a sense of unease and disorientation. In 1985, the U.S. General Services Administration held a public hearing to decide the fate of "Tilted Arc." Despite Serra's arguments that the sculpture was an integral part of the site and could not be removed without destroying its meaning and integrity, the hearing ultimately resulted in a decision to remove the sculpture. The controversy surrounding "Tilted Arc" sparked a national debate about the role of public art and the relationship between artists, audiences, and the government. Despite the controversy, Serra continued to receive commissions for large-scale public sculptures throughout the 1980s and 1990s. Some of his most notable works from this period include "The Matter of Time" (1994-2005), a series of eight massive steel sculptures installed in the Guggenheim Museum Bilbao in Spain, and "Snake" (1994-1997), a 180-foot-long steel sculpture installed in the Guggenheim Museum in Bilbao. In addition to his public commissions, Serra also continued to create smaller-scale sculptures and works on paper throughout his career. His drawings and prints often explore similar themes and ideas as his sculptures, such as the relationship between form, space, and the viewer's perception. Later Career and Legacy In the 2000s and 2010s, Serra continued to create monumental sculptures and installations that pushed the boundaries of what was possible with industrial materials. Some of his most notable works from this period include "7" (2011), a series of seven massive steel sculptures installed in Doha, Qatar, and "East-West/West-East" (2014), four steel plates installed in the Qatari desert that measure up to 55 feet tall and span over a kilometer in length. Serra's work has been widely exhibited and collected by major museums and institutions around the world, including the Museum of Modern Art in New York, the Tate Modern in London, and the Pompidou Center in Paris. He has received numerous awards and honors throughout his career, including the Leone d'Oro for lifetime achievement at the Venice Biennale in 2001 and the Presidential Medal of Arts in 2010. In addition to his artistic practice, Serra has also been an influential teacher and mentor to generations of younger artists. He has taught at Yale University, the California Institute of the Arts, and the School of Visual Arts in New York, among other institutions. Serra's legacy as an artist is one of innovation, experimentation, and a deep commitment to the physical and perceptual experience of art. His work has had a profound impact on the development of contemporary sculpture and has challenged traditional notions of what art can be and how it can engage with the world around us. In interviews and writings throughout his career, Serra has emphasized the importance of the viewer's direct experience of his work. He has argued that sculpture should not be seen as a static object to be looked at from a distance, but rather as a dynamic and immersive environment that the viewer can enter into and engage with on a physical and perceptual level. Serra's emphasis on the viewer's experience has had a profound influence on the development of installation art and site-specific sculpture in the late 20th and early 21st centuries. His work has inspired generations of artists to think beyond the traditional boundaries of sculpture and to explore new ways of engaging with space, materials, and the human body. In recent years, Serra has continued to push the boundaries of what is possible with industrial materials and large-scale sculpture. In 2015, he completed "East-West/West-East," his largest and most ambitious work to date. The sculpture consists of four massive steel plates, each measuring up to 55 feet tall and weighing up to 220 tons, installed in the Qatari desert over a distance of more than a kilometer. The sculpture is a testament to Serra's ongoing fascination with the relationship between art, landscape, and the human experience. By placing these monumental forms in the vast expanse of the desert, Serra invites viewers to reflect on their own place in the world and to consider the ways in which art can transform our understanding of space and time. Despite his age, Serra shows no signs of slowing down. In interviews, he has expressed his ongoing commitment to his artistic practice and his desire to continue exploring new ideas and possibilities. "I'm still learning," he has said. "I'm still trying to figure out what I'm doing. And I hope I never stop." As Serra enters his ninth decade, his legacy as one of the most important and influential artists of the postwar era seems secure. His work has challenged and inspired generations of artists and viewers, and his contributions to the development of contemporary sculpture will continue to be felt for years to come. At the same time, Serra's work remains as relevant and urgent as ever in a world that is increasingly shaped by technology, globalization, and environmental crisis. His emphasis on the physical and perceptual experience of art, his engagement with the social and political dimensions of public space, and his commitment to pushing the boundaries of what is possible with industrial materials all speak to the ongoing importance of art in shaping our under

Richard Serra - Audio Biography

대전건마 오피쓰.𝓒𝓞𝓜 대전건마▴대전 건마 건마대전 대전건마⠏대전건마<a href="http://genomicdata.hacettepe.edu.tr:3000/cheonanop102">http://genomicdata.hacettepe.edu.tr:3000/cheonanop102</a><a href="https://inkscape.org/~seonleungop102/">https://inkscape.org/~seonleungop102/</a><a href="https://www.wpanet.org/profile/cheonanop102/profile">https://www.wpanet.org/profile/cheonanop102/profile</a><a href="https://community.silabs.com/s/profile/005Vm000000I1vJ?language=ko&amp;tabset-5a7ea=1">https://community.silabs.com/s/profile/005Vm000000I1vJ?language=ko&amp;tabset-5a7ea=1</a><a href="https://inkscape.org/~cheongjuop102">https://inkscape.org/~cheongjuop102</a><a href="https://forum.acronis.com/user/609667">https://forum.acronis.com/user/609667</a><a href="https://notabug.org/busanop">https://notabug.org/busanop</a><a href="https://socialtrain.stage.lithium.com/t5/user/viewprofilepage/user-id/46589">https://socialtrain.stage.lithium.com/t5/user/viewprofilepage/user-id/46589</a><a href="https://p.lu/a/busanop/video-channels">https://p.lu/a/busanop/video-channels</a><a href="https://issuu.com/busanop">https://issuu.com/busanop</a>

대전건마 오피쓰.𝓒𝓞𝓜 대전건마▴대전 건마 건마대전 대전건마⠏대전건마 http://genomicdata.hacettepe.edu.tr:3000/cheonanop102 https://inkscape.org/~seonleungop102/ https://www.wpanet.org/profile/cheonanop102/profile https://community.silabs.com/s/profile/005Vm000000I1vJ?language=ko&tabset-5a7ea=1 https://inkscape.org/~cheongjuop102 https://forum.acronis.com/user/609667 https://notabug.org/busanop https://socialtrain.stage.lithium.com/t5/user/viewprofilepage/user-id/46589 https://p.lu/a/busanop/video-channels https://issuu.com/busanop

대전건마 오피쓰.𝓒𝓞𝓜 대전건마▴대전 건마 건마대전 대전건마⠏대전건마<a href="http://genomicdata.hacettepe.edu.tr:3000/cheonanop102" rel="noopener noreferrer">http://genomicdata.hacettepe.edu.tr:3000/cheonanop102</a><a href="https://inkscape.org/~seonleungop102/" rel="noopener noreferrer">https://inkscape.org/~seonleungop102/</a><a href="https://www.wpanet.org/profile/cheonanop102/profile" rel="noopener noreferrer">https://www.wpanet.org/profile/cheonanop102/profile</a><a href="https://community.silabs.com/s/profile/005Vm000000I1vJ?language=ko&amp;tabset-5a7ea=1" rel="noopener noreferrer">https://community.silabs.com/s/profile/005Vm000000I1vJ?language=ko&amp;tabset-5a7ea=1</a><a href="https://inkscape.org/~cheongjuop102" rel="noopener noreferrer">https://inkscape.org/~cheongjuop102</a><a href="https://forum.acronis.com/user/609667" rel="noopener noreferrer">https://forum.acronis.com/user/609667</a><a href="https://notabug.org/busanop" rel="noopener noreferrer">https://notabug.org/busanop</a><a href="https://socialtrain.stage.lithium.com/t5/user/viewprofilepage/user-id/46589" rel="noopener noreferrer">https://socialtrain.stage.lithium.com/t5/user/viewprofilepage/user-id/46589</a><a href="https://p.lu/a/busanop/video-channels" rel="noopener noreferrer">https://p.lu/a/busanop/video-channels</a><a href="https://issuu.com/busanop" rel="noopener noreferrer">https://issuu.com/busanop</a>

Visual Arts Podcasts / Page 321

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Richard Serra - Audio Biography

대전건마 오피쓰.𝓒𝓞𝓜 대전건마▴대전 건마 건마대전 대전건마⠏대전건마