Shows are disappearing. Staff are getting axed. Is It greed, or necessary for the networks' survival?

Guest: Julia Alexander

Host: Lizzie O'Leary

Hosted on Acast. See acast.com/privacy for more information.

This week, host Karen Han talks to David Seth Moltz and Kavi Moltz, founders of the perfume company D.S. & Durga. In the interview, David and Kavi explain how their interest in perfume started as a hobby and blossomed into a business. They also discuss the trial and error of creating great scents and argue that perfumery should be considered an art form on the level of writing or music composition. 

After the interview, Karen and co-host Isaac Butler talk about telling stories through scents and how subjective our sense of smell is. 

Send your questions about creativity and any other feedback to [email protected] or give us a call at (304) 933-9675.

Podcast production by Cameron Drews. 

If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Big Mood, Little Mood—and you’ll be supporting the work we do here on Working. Sign up now at slate.com/workingplus.

--

Link to Atlassian Work Check

Learn more about your ad choices. Visit megaphone.fm/adchoices

While authorities searched for missing 22-year-old Gabby Petito, she was everywhere to be found on TikTok, Reddit, and Instagram. Content creators, some well-intentioned and others simply chasing clout and clicks, turned the story of Gabby’s apparent death into the latest in true crime drama. On today’s show, Madison and Rachelle talk about the murkiness of the true crime internet and the ethics of using tragedy for clicks. They’re joined later in the show by Haley Toumaian, a TikTok creator and novice true crime podcast host who says the rapid pace of the news genre means sometimes getting things wrong in front of an audience of millions and willfully sharing misinformation.*

Podcast production by Daniel Schroeder and Derek John.

This episode originally aired on September 22, 2021.

Subscribe to Slate Plus at slate.com/icymiplus

Hosted on Acast. See acast.com/privacy for more information.

This week, Felix Salmon, Emily Peck, and Elizabeth Spiers discuss the Biden administration student loan debt forgiveness plan, the cancellation saga of Dan Price, and AMC’s “APE units”.

In the Plus segment: More on student loan debt forgiveness.

Podcast production by Jessamine Molli.

Hosted on Acast. See acast.com/privacy for more information.

Law Professor and former journalist Amy Gajda joins Dahlia Lithwick to discuss her latest book, Seek and Hide: The Tangled History of the Right to Privacy. They chart a course through early conceptions of privacy to today’s fraught battles over privacy and dignity in the age of surveillance capitalism.

Hosted on Acast. See acast.com/privacy for more information.

So, sure—Billy Joel’s first Top 40 hit, way back in 1974, was “Piano Man,” and the nickname stuck. But for a guy who became famous sitting behind 88 keys, few of his biggest hits are really piano songs. In fact, on all three of his No. 1 hits on the Billboard Hot 100, keyboards are not the primary instrument.

The truth is, Joel isn’t the Piano Man, he’s the pastiche man. He has openly admitted to borrowing genre tropes, vocal styles, and even specific song hooks from his Baby Boom-era heroes, from Ray Charles to the Beatles to the Supremes. He’s been a jazzy crooner, a saloon balladeer, an anthem rocker, even a pseudo-punk. And on his most hit-packed album, he literally tried on a different song mode on every single—and was rewarded for it. This month, Hit Parade breaks down the uncanny success of pop magpie Billy Joel, the guy who would try anything for a hit: the next phase, new wave, dance craze, any ways.

Podcast production by Benjamin Frisch and Kevin Bendis

Hosted on Acast. See acast.com/privacy for more information.

So, sure—Billy Joel’s first Top 40 hit, way back in 1974, was “Piano Man,” and the nickname stuck. But for a guy who became famous sitting behind 88 keys, few of his biggest hits are really piano songs. In fact, on all three of his No. 1 hits on the Billboard Hot 100, keyboards are not the primary instrument.

The truth is, Joel isn’t the Piano Man, he’s the pastiche man. He has openly admitted to borrowing genre tropes, vocal styles, and even specific song hooks from his Baby Boom-era heroes, from Ray Charles to the Beatles to the Supremes. He’s been a jazzy crooner, a saloon balladeer, an anthem rocker, even a pseudo-punk. And on his most hit-packed album, he literally tried on a different song mode on every single—and was rewarded for it. This month, Hit Parade breaks down the uncanny success of pop magpie Billy Joel, the guy who would try anything for a hit: the next phase, new wave, dance craze, any ways.

Podcast production by Benjamin Frisch and Kevin Bendis

Learn more about your ad choices. Visit megaphone.fm/adchoices

Legendary hacker Peiter "Mudge" Zatko’s reputation in the cybersecurity world is unmatched. His allegations against Twitter’s security are all the more damning because of it.

Guest: Joseph Menn

Host: Lizzie O'Leary

Hosted on Acast. See acast.com/privacy for more information.

Are you ready for some football! After decades of being kept out of the quarterback position, more Black quarterbacks are creating success and finding stardom in the NFL. On today’s episode of A Word, Jason Johnson is joined by ESPN’s Jason Reid, author of “Rise of the Black Quarterback: What It Means for America.” They discuss how the business and politics of race have changed for football’s most sought after players, and what challenges remain for Black quarterbacks.

Guest: Sports writer Jason Reid, author of “Rise of the Black Quarterback: What It Means for America”

Podcast production by Yanii Evans

You can skip all the ads in A Word by joining Slate Plus. Sign up now at slate.com/awordplus for just $1 for your first month.

Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, David Plotz, Emily Bazelon, and John Dickerson discuss what the special election results suggest for the midterms, an unprecedented $1.6B donation to a secretive conservative organization; and Biden’s student loan forgiveness and repayment plans.

Here are some notes and references from this week’s show:

The Sum of Us: What Racism Costs Everyone and How We Can Prosper Together, by Heather McGhee

The Sum of Us podcast

Here are this week’s chatters:

John: The Bullshit Generator; The Age of Acrimony: How Americans Fought to Fix Their Democracy, 1865-1915 Hardcover, by Jon Grinspan

Emily: Igor Derysh for Salon: “‘That’s Not What Our Report Said’: Ex-Mueller Prosecutor Says Barr's Trump Memo Is ‘legally Wrong’”; The Bazelon Center for Mental Health Law

David: Courtney E. Smith for Ultimate Classic Rock: “35 Years Ago: Los Lobos’ ‘La Bamba’ Returns Ritchie Valens to Spotlight”

Listener chatter from Rebecca Vernon: Sarina E. Miller for the Washington Post: “Thanks To Middle-Schoolers Like Me, There Are At Last No More Salem ‘Witches’”

For this week’s Slate Plus bonus segment Emily, David, and John discuss Gavin Newsom’s veto of a bill allowing safe injection sites in California.

Tweet us your questions and chatters @SlateGabfest or email us at [email protected]. (Messages may be quoted by name unless the writer stipulates otherwise.)

Podcast production by Cheyna Roth.

Research by Bridgette Dunlap.

Hosted on Acast. See acast.com/privacy for more information.