Smarty Pants

We’re often reminded of the splendors of the night sky—lunar eclipses, blood moons, meteors, stars—but what of the nighttime splendors of the earth? In her Autumn 2024 cover story for The American Scholar, nature writer Leigh Ann Henion keeps her eyes closer to the ground, on the night-blooming tobacco at a North Carolina farm. As these white flowers slowly unfurl, their blossoms attract nocturnal hawk moths so large that they are often mistaken for hummingbirds. But jasmine tobacco isn’t the only attraction of the dark: in her new book, Night Magic, Henion witnesses the electric squirming of glowworms, the dance of fireflies, and the phosphorescence of foxfire. Henion, who begins her exploration just outside her front door in Boone, North Carolina, soon devotes her evenings to Appalachian adventures further afield—bats in Alabama, a moth festival in Ohio, lightning bugs in Tennessee—but returns to the wonders lurking in her back yard.

Go beyond the episode: 

• Read Leigh Ann Henion’s cover story for us, “Moondance,” adapted from her new book, Night Magic: Adventures Among Glowworms, Moon Gardens, and Other Marvels of the Dark
• Explore Foxfire Books, a series of anthologies about Appalachian culture (and cookery!)
• DarkSky International works to protect the night around the world
• Keep an eye out for these annual nighttime events: Mothapalooza, Grandfather Glows, Glowworms in the Dismalites

Tune in every (other) week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek and sponsored by the Phi Beta Kappa Society.

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A tooth is not simply a tooth, as zoologist Bill Schutt writes in his new book, Bite: An Incisive History of Teeth, from Hagfish to Humans. Teeth first showed up among vertebrates some 500 million years ago, and ever since, they’ve had much to do with the survival of many species. There are teeth that sharpen themselves with every snap (as with dogs and wolves), teeth that grow forever (as the poor babirusa knows all too well), and teeth that grow in a conveyer belt (ask a crocodile, but don’t get too close). The shape and appearance of teeth can tell us a lot about how animals evolved—and in the case of humans, where we stand on the social ladder. And there’s much more still to be learned, both about past life on this planet and future innovations in dentistry. Bill Schutt, a vertebrate zoologist and retired biology preofssor, is a research associate at the American Museum of Natural history, and he joins us today from New York. 

Go beyond the episode:

• Bill Schutt’s Bite: An Incisive History of Teeth, from Hagfish to Humans
• Visit our episode page to see some of Patricia J. Wynne's original illustrations for the book

Tune in every (other) week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek and sponsored by the Phi Beta Kappa Society.

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Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!

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On August 22 1831, Nat Turner led a group of enslaved people in a rebellion that resulted in the deaths of more than a hundred people, Black and white, in Virginia’s Southampton County, near the border with North Carolina. Though the conflict only lasted a few days, Nat himself evaded capture for two months, until he surrendered on October 30. Before his execution on November 11, he spoke at length about his thoughts and deeds, which were written down by the lawyer Thomas Gray as The Confessions of Nat Turner. In a new book, the late historian Anthony E. Kaye and his collaborator Gregory P. Downs make the case that the religious dimension of Nat’s uprising has been underplayed or overlooked in popular accounts of his work—despite the prevalence of divine vision both in the Confessions and in prior rebellions. Nat Turner, Black Prophet aims to tell the full story of this “uniquely troublesome historical figure, too dangerous for some, too strange for others.”

Go beyond the episode:

• Nat Turner, Black Prophet: A Visionary History by Anthony E. Kaye with Gregory P. Downs
• Nat’s bible is on view at the National Museum of African American History and Culture
• For more on how the place of religion has changed in modern society—and how religious men like Nat saw themselves in theirs—see Charles Taylor, A Secular Age 
• Historians increasingly write about the Civil War as the largest (and most successful) slave rebellion in history—but W. E. B. DuBois said it first

Tune in every (other) week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek and sponsored by the Phi Beta Kappa Society.

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Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!

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At this year’s Olympics, the men’s gymnastics team made it onto the podium for the first time since 2008, winning bronze thanks to stunning overall performances and a perfect routine from Stephen Nederoscik, the Pommel Horse Guy. Team USA’s stars have, for many years now, been on the women’s team, with Simone Biles the most decorated American gymnast in history. But there’s one record Biles hasn’t beaten yet: the six medals that George Eyser won on a single day in October 1904—which he managed to do on one leg. How this incredible athlete accomplished his feat—and how much else has been forgotten about him besides his disability—is the subject of Joshua Prager’s Summer cover story for The American Scholar, “A Forgotten Turner Classic.” Prager, himself disabled, traces what little we know about George Eyser, from his troubled childhood in Germany to his new home in Denver, Colorado, from his incredible 1904 wins to his devastating 1919 suicide.

Go beyond the episode:

• Read Joshua Prager’s cover story, “A Forgotten Turner Classic” 
• Meet the Team USA’s 2024 bronze winners

Tune in every (other) week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek and sponsored by the Phi Beta Kappa Society.

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Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!

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Who defines paradise, and who gets to live in its verdant incarnation on Earth? This is the question animating Olivia Laing’s new book, The Garden Against Time, which ranges across the history of the English landscape, from John Milton’s writing of Paradise Lost to Laing’s own restoration of a walled garden. Alighting on the heartbreaking pastorals of 19th-century poet John Clare and the queer visions of 20th-century artist and filmmaker Derek Jarman, Laing pulls strands of history, literature, and resistance from the green blur that, for now, still surrounds us, even as it deceives us. Landscape architects like Capability Brown—so named for his capability to impose his will on any vista—were, as Laing writes, able “to fake nature so insidiously that even now those landscapes and the power relations they embody are mistaken for being just the way things are, natural, eternal, blandly reassuring, though what has actually taken place is the seizure of once common ground.” The author of five books of nonfiction and a novel, Olivia Laing joins Smarty Pants this week to explore both the powers that shaped the garden as we know it, and the power it has to change how we treat the earth, and ourselves.

Go beyond the episode:

• Olivia Laing’s The Garden Against Time: In Search of a Common Paradise
• Listen to John Clare’s “I Love to See the Summer Beaming Forth” on our sister podcast, Read Me a Poem
• In the essay “Jane Austen’s Ivory Cage,” Mikita Brottman looks over the ha-has of Mansfield Park to see who else might be enclosed alongside the garden
• We have visited stately houses and their grounds twice before on Smarty Pants: with Adrian Tinniswood, who discussed the history of the country house after World War II, and with Hopwood DePree, who was attempting to restore his crumbling ancestral pile

Tune in every (other) week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek and sponsored by the Phi Beta Kappa Society.

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Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!

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Synchronized, scientific, ornamental, fancy, pretty: so many adjectives have been attached over the years to performative swimming, especially when done by women. Now known at the highest level as “artistic swimming,” it was for decades one of the few athletic activities women could pursue, albeit in uncomfortable, baggy, and not exactly aerodynamic attire. Despite—or perhaps because of—its popularity, synchronized swimming's status as a legitimate, elite sport would be contested for just as long—until 1984, in fact, when it finally debuted at the Los Angeles Olympics in all its sparkly glory. In her new book, Swimming Pretty, Scholar contributor Vicki Valosik dives into “the untold story of women in water,” from Victorian starlets like Lurline the Water Queen to Annette Kellerman, the godmother of synchronized swimming and the woman we can all thank for not having to wear petticoats in the water. 

Go beyond the episode:

• Vicki Valosik’s Swimming Pretty: The Untold Story of Women in Water
• Read all about the aquatic theater that Wilbert E. Longfellow devised in the name of safety
• Learn some killer moves from Everard Digby’s 1587 manual The Art of Swimming
• Dip your toes into the films of Esther Williams with this iconic scene from Million Dollar Mermaid, about the life of swimming Annette Kellerman
• Visit our episode page to view more images

Tune in every (other) week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek and sponsored by the Phi Beta Kappa Society.

Subscribe: iTunes/Apple • Amazon • Google • Acast • Pandora • RSS Feed

Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!

Hosted on Acast. See acast.com/privacy for more information.

Our lives are filled with dust: on our desks, under our couches, and in the air we breathe. If we’re very unlucky—like the residents of Laguna Pueblo, New Mexico—it includes uranium blowing off heaps of mining waste. Or the carbon particles carried along by the wood smoke of forest fires. Or microplastics rubbing off car brakes and tires as we screech across the 120 million miles of road in the world. Or a sandy cloud from the Sahara Desert, blowing across the ocean. You get the picture: dust coats the planet, and for the past few centuries, we've been the progenitors of increasing amounts of it. In her book Dust: The Modern World in a Trillion Particles, the London-based writer and researcher Jay Owens argues that we ignore these tiniest byproducts at our own peril, and she demonstrates their consequences in a variety of places: a California lake drained to service LA in the 1930s, the cracked bed of the Aral Sea, icy Greenland, and smog-choked Tudor England.

Go beyond the episode:

• Jay Owens’s Dust: The Modern World in a Trillion Particles
• Sand is a kind of dust—and we’re running out of it
• Jorge Otero-Pailos’s series The Ethics of Dust uses the latex sheets that conservationists use to clean grimy stonework
• John Evelyn’s extraordinary 1661 treatise on air pollution, Fumifugium: or, The inconveniencie of the aer and smoak of London dissipated together with some remedies humbly proposed by J.E. esq. to His Sacred Majestie, and to the Parliament now assembled
• Owens Lake returns

Tune in every (other) week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek and sponsored by the Phi Beta Kappa Society.

Subscribe: iTunes/Apple • Amazon • Google • Acast • Pandora • RSS Feed

Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!

Hosted on Acast. See acast.com/privacy for more information.

The late Budi Darma, one of Indonesia’s most beloved writers, spent a formative chapter of his life far from home, studying at Indiana University in the 1970s. He wrote a series of strikingly lonely short stories that would go on to form the collection People from Bloomington, first published in Indonesian in 1980. A man befriends his estranged father only to control him and ends up controlled himself. Someone steals his dead roommate’s poetry and enters it into a competition. Another character desperately tries to make contact with the old man across the street who may or may not be trying to shoot people from his attic room. With this absurd but oddly real little collection—and with his next novel, Olenka, also Indiana-inspired—Darma ascended into the pantheon of Indonesian literature, winning numerous awards, including the presidential medal of honor. Budi Darma may be barely known in the United States, but Tiffany Tsao—who has recently translated People from Bloomington for Penguin Classics—hopes that an English-language audience is ready to embrace this unparalleled Indonesian artist.

Go beyond the episode:

• Budi Darma’s People from Bloomington, translated by Tiffany Tsao
• Read Tsao’s post in memory of Budi Darma, who died in August 2021
• Check out these other Indonesian writers mentioned in the episode: Pramoedya Ananta Toer, Umar Kayam, Chairil Anwar, Ajip Rosidi
• Want to hear more about the art of translation? Listen to these conversations with German-English translator Susan Bernofsky, Bible translator Robert Alter, Malagasy writer Naivo and his translator Alison Cherette, and Tibetan-English translator Tenzin Dickie

Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek and sponsored by the Phi Beta Kappa Society.

Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!

Hosted on Acast. See acast.com/privacy for more information.

Over the course of our miniseries Exploding the Canon, Smarty Pants host Stephanie Bastek has examined Reed College students’ efforts in 2016–2017 to fundamentally transform a mandatory freshman humanities course. Now, in the final episode, Bastek looks at how much has really changed since that time. The protestors were ostensibly successful—the Humanities 110 syllabus underwent significant revision. But though the college has bolstered several support programs for students of color, in the last decade Black, Latino, and Indigenous student enrollment at Reed has not increased. Some professors are satisfied with the current humanities program; others would like to see more change. Perhaps the fundamental lesson to be gained from Reed’s upheaval is that the work is hardly finished—and a way forward might be found in how classicists have radically reimagined their discipline in recent years.

Please visit our episode page for a full list of links

• Reed College Office of Institutional Research data on historical enrollment by ethnicity (2002–2024)
• The 2023–24 Hum 110 syllabus, with timelines and maps

Featured voices in this episode: Salim Moore, Brittany Wideman, Paul Marthers, Mary James, Nigel Nicholson, Kritish Rajbhandari, Pancho Savery, Milyon Trulove, alea adigweme, Mary Frankie McFarland Forte, Dan-el Padilla Peralta, T. H. M. Gellar-Goad, Sasha-Mae Eccleston, Jan Mieszkowski, Colin Drumm, Albert Kerelis, Peter Steinberger, Kambiz GhaneaBassiri, and Addison Bates. Thanks to the Reed staff, faculty, and students—past and present—who made this series possible.

Produced and hosted by Stephanie Bastek. Original music by Rhae Royal. Audio storytelling consulting by Mickey Capper.

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We were saddened to learn of Paul Auster’s passing on April 30, at the age of 77. In his memory, revisit this interview, which originally ran on November 5, 2021, on the late author’s favorite writer: Stephen Crane. Exploding the Canon will return next week.

In his decades-long career, the writer Paul Auster has turned his hand to poems, essays, plays, novels, translations, screenplays, memoirs—and now biography. Burning Boy explores the life and work of Stephen Crane, whose short time on earth sputtered out at age 28 from tuberculosis. Like his biographer, Crane, too, spanned genres—poetry, novels, short stories, war reporting, and semi-fictional newspaper “sketches”—striking it big in 1895 with The Red Badge of Courage, which was widely celebrated at the time and is still regarded as his best work. But in Auster’s estimation, the rest of Crane’s output (and there is a surprising amount of it) is sorely neglected, and the pleasure of Burning Boy lies in reading one of the 19th century’s finest writers alongside one of today’s. Paul Auster joins the podcast to talk about the task of restoring Stephen Crane to the American canon.

Go beyond the episode:

• Paul Auster’s Burning Boy
• Read Steven G. Kellman’s review, “Poet of the Extreme”
• Eager for a taste of Stephen Crane beyond the novels? We recommend The Black Riders and Other Lines and “The Open Boat”

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Hosted by Stephanie Bastek. Theme music by Nathan Prillaman. Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us wherever you listen!

Hosted on Acast. See acast.com/privacy for more information.