In his award-winning 2003 graphic novel Blankets, Craig Thompson depicted his teenage love and his fall from faith in rural Wisconsin. Now he returns to the story of his life with Ginseng Roots, which focuses on a minor detail that Blankets omitted: namely, 10 summers he spent as a boy weeding and harvesting American ginseng for a dollar an hour. Thompson maps the roots of the 300-year-old global ginseng trade from China and Korea to Marathon, Wisconsin, and profiles the other people tangled in the industry’s whiskers: Hmong harvesters who migrated from Laos, American workers and industrial farmers caught up in the vicissitudes of global agriculture, and wild ginseng hunters the world over.

Go beyond the episode:

• Craig Thompson’s Ginseng Roots: A Memoir
• Read Matthew Denton-Edmunson’s essay about wild ginseng hunters, “The Root Problem”
• Also mentioned: Scout McCloud’s Understanding Comics: The Invisiible Art, Ted J. Kaptchuk’s The Orb That Has No Weaver: Understanding Chinese Medicine, Joe Sacco’s breakthrough works of graphic journalism
• More about the United States’s “Secret War” in Laos

Tune in every (other) week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek and sponsored by the Phi Beta Kappa Society.

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We take our muscles for granted: every time we step or stand—or even fall asleep!—we are experiencing a complex system of muscles moving in concert. And yet our notion of strength is still bogged down in stereotypes and preconceptions, some of them holdovers from 2,000 years ago. In our Spring 2025 issue, Michael Joseph Gross wrote about how the ancient Greeks perceived strength—and muscles themselves—in an entirely different way than we do. This week, Gross joins us to talk about his new book, Stronger: The Untold Story of Muscle in Our Lives, which looks at weight training through historical, social, and medical lenses to show its transformative power over time. His guides are leading scholars in the intersecting fields of kinesiology, classics, gender studies, and medicine, whose work has been shifting the narrative about strength for more than half a century.

Go beyond the episode:

• Michael Joseph Gross’s Stronger: The Untold Story of Muscle in Our Lives
• Read an excerpt, “Mr. Olympia,” from our Spring 2025 Issue
• Explore the Stark Center for Physical Culture and Sports at the University of Texas at Austin

Tune in every (other) week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek and sponsored by the Phi Beta Kappa Society.

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Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!

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Yoko Ono is arguably the most famous Japanese person outside of Japan, and easily the most maligned. She’s spoken of (falsely) as the woman who broke up the Beatles—not the woman who co-wrote “Imagine.” She’s known as a woman who can’t sing—not as a woman who used years of classical music training to subvert norms on more than a dozen experimental albums. Why don’t more people know about her mischievous One Woman Show at MOMA, a performance piece staged outside the museum, without its permission, that slyly railed against its exclusion of female and Asian artists? Or about the clever all-white chess set she once sent to Reagan and Gorbachev at the height of the Cold War in 1987, simply titled Play It By Trust? “Everybody knows her name,” her Beatle husband once said, “but no one knows what she does.” Now, thanks to David Sheff’s new biography, simply titled Yoko, no one has an excuse not to know anymore: about her art, her activism, her music, and her astonishing journey from war-torn Tokyo to the avant-garde art scenes of London and New York. 

Go beyond the episode:

• David Sheff’s Yoko: A Biography
• The artist's official website
• Watch Cut Piece in its 1965 or 1966 incarnations 
• Visitors to the Kunsthaus Zürich reactivated Bag Piece, originally performed in 1966, in 2022 
• Traveling to Berlin before August 31, 2025? See Yoko Ono: Music of the Mind at Gropius Bau
• Read the original Playboy interviews that Sheff conducted with Yoko Ono and John Lennon in September 1980

Tune in every (other) week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek and sponsored by the Phi Beta Kappa Society.

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Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!

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The Irish Potato Famine, which began in 1845, looms large not only in the imagination of that country, but also here in the United States, where so many Irish migrants arrived in desperation. Phytophthora infestans caused blight across Europe—but only in Ireland did crop failures result in devastation so vast that the period is known in that country simply as the “Great Hunger.” Why did the blight strike Ireland, newly part of the United Kingdom, so much harder than it did elsewhere in Europe? In Rot: An Imperial History of the Irish Famine, historian Padraic X. Scanlan identifies the policies of the British Empire as the primary reason for the deaths of roughly a million people and the exodus of two million more. But Britain didn’t perpetuate a genocide, Scanlan argues—its choices reflected deep political beliefs in market forces that would reveal themselves to be anything but natural.

Go beyond the episode:

• Padraic X. Scanlan’s Rot: An Imperial History of the Irish Famine
• For more on the famines that struck the rest of the British Empire, check out Mike Davis’s Late Victorian Holocausts: El Niño Famines and the Making of the Third World
• CATU Ireland organizes around housing and community issues across the island
• It’s true: Tana French’s Dublin Murder Squad series is all about the Irish housing market

Tune in every (other) week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek and sponsored by the Phi Beta Kappa Society.

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Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!

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Lists of canonical works of fiction should inspire skepticism—we all bring our own notions of quality to the books we read. But every so often, we encounter an acknowledged classic that so captures our imagination as to make us wonder why we didn’t come to it earlier. Smarty Pants host Stephanie Bastek, for example, recently read Erich Maria Remarque’s All Quiet on the Western Front, originally published in 1929, for the first time. And she’s glad she waited: Kurt Beals’s new translation faithfully mirrors the original German. Beals brings an immediacy to what has been called the greatest war novel of all time, refreshing the text for a new generation of readers who might have only seen the Netflix version of Paul Bäumer and his comrades navigating the trenches of the First World War. Reworking a classic is challenging, but, as Beals writes in his introduction, the greater ordeal was “to spend months with these young soldiers, in the trenches and in their heads, to know them intimately enough to give them new voices in a new language, and then to watch them die.”

Go beyond the episode:

• Kurt Beals’s new translation of All Quiet on the Western Front by Erich Maria Remarque
• Watch the original 1930 American adaptation of the novel
• War poets who wrote in the trenches: August Stramm, Wilfred Owen, Rupert Brooke

Tune in every (other) week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek and sponsored by the Phi Beta Kappa Society.

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Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!

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Since the publication of King: A Biography in 1970, the historian David Levering Lewis has been chronicling the lives of Black Americans in award-winning volumes that tell the American story from an African-American perspective. Now, for the first time, Lewis turns his attention to his own family history in a new book,The Stained Glass Window, inspired by a moment of reflection in the Atlanta church where his family has prayed for generations—and where, in the archives, he began a search that led to the discovery of a previously unknown forbear. Lewis's lineage reveals the tortuous and tortured racial history of our nation, as he follows the historical trail to two prominent white slaveholding families in Georgia, and a family of free persons of color who themselves owned slaves in South Carolina. Twice the winner of the Pulitzer Prize, one for each volume of his biography of W. E. B. Du Bois, David Levering Lewis joins us from New York City to tell his own family's story.

Go beyond the episode:

• David Levering Lewis’s The Stained Glass Window: A Family History as the American Story, 1790-1958
• Read his 2021 essay on why Black biography matters ( “A Prophet and a President”) and “The Autobiography of Biography” 

Tune in every (other) week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek and sponsored by the Phi Beta Kappa Society.

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Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!

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Vikings and Valkyries have captivated our imaginations for centuries, with greater and lesser degrees of historical accuracy. But as so often happens, the very people reading Snorri Sturluson or the Sagas of Icelanders today are the ones who were left out of history to begin with—the ordinary people doing the quietly heroic work of farming, midwifing, blacksmithing, and any number of difficult daily tasks. In her new book, Embers of the Hands: Hidden Histories of the Viking Age, the historian Eleanor Barraclough puts ordinary people at the center of the story. The sagas may tell of “warriors scrubbing beer kegs and Valkyries pouring glasses of wine in the afterlife,” but the exploits of the everyday Viking were just as interesting. Their stories bring to life a world of “wood, wool, flax, bone, stone, leather and antler, hand-wrought and fashioned”—a world that remains endlessly captivating, from the runes women carved to fetch their lovers home from the pub to the scribblings of a wee child.

Go beyond the episode:

• Eleanor Barraclough’s Embers of the Hands: Hidden Histories of the Viking Age
• Visit our episode page for primary source links and historical fiction we love

Tune in every (other) week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek and sponsored by the Phi Beta Kappa Society.

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Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!

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Pasta thin as thread, a mirror believed to show your true self, a history passed down for 27 generations of the same family—these may sound like elements of fairy tale, but they exist in our very own modern world. In his new book, Custodians of Wonder, BBC reporter Eliot Stein tells the stories of the people keeping traditions like these alive, across 10 countries and five continents, in an effort to save the cultures that shaped them. Far from being a litany of all the rites we’ve lost over the years, Stein’s book is a paean to human ingenuity in the face of evolving technology and culture, and to the creative spirit that continues to fuel the places that we call home.

Go beyond the episode:

• Eliot Stein’s Custodians of Wonder: Ancient Customs, Profound Traditions, and the Last People Keeping Them Alive
• Watch videos from Stein’s travels on the BBC’s “Custom Made”: the keeper of the 750-year old secret of soy sauce, Taiwan’s last film poster painter, Germany’s matchmaking tree, and, of course, Sardinia’s su filindeu
• Interested in learning a traditional craft? Check out our interview with Alexander Langlands about his book Craeft

Tune in every (other) week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek and sponsored by the Phi Beta Kappa Society.

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Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!

Hosted on Acast. See acast.com/privacy for more information.

Identity can be difficult enough to navigate without bureaucratic interference. For Native people, the question of identity is mired in more than a century of federal intrusion in the form of tribal rolls, blood quantum, and boarding schools—not to mention genocide. And yet, the number of people who identify as Native has increased by 85 percent in just 10 years—from 5.2 million in 2010 to 9.7 million in 2020 according to the U.S. Census. But tribal enrollment, hovering at about two million, has not grown at the same rate. This phenomenon is just one of the things that Carrie Lowry Schuettpelz addresses in her new book, The Indian Card: Who Gets to Be Native in America. Her own story of enrollment in the Lumbee Tribe of North Carolina opens the door to many more stories that reveal how Native life still reverberates with the consequences of 19th-century federal policy.

Go beyond the episode:

• Carrie Lowry Schuettpelz’s The Indian Card: Who Gets to Be Native in America
• For more on citizenship in the Creek nation, listen to our interview with Caleb Gayle on the complicated history of Black enrollment

Tune in every (other) week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek and sponsored by the Phi Beta Kappa Society.

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Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!

Hosted on Acast. See acast.com/privacy for more information.

In his previous book, Junkyard Planet, journalist Adam Minter went around the world to see what happened to American recyclables such as cardboard, shredded cars, and Christmas lights around the world as they became new things. In Secondhand: Travels in the New Global Garage Sale, Minter looks at what happens to all the things that get resold and reused, objects that end up in Arizona thrift stores, Malaysian flea markets, Tokyo vintage shops, and Ghanaian used-electronics shops. Who’s buying the tons of goods that get downsized, decluttered, or discarded every year? Does the fact that we can just pass something off to a thrift shop justify our buying more things? What about the sheer scale of it all? Minter joins us in the studio to talk about how we filled the world with all this stuff, and what really needs to change for us to get out from under it—no matter where we live.

Go beyond the episode:

• Adam Minter’s Secondhand: Travels in the New Global Garage Sale
• Visit our episode page for further reading about fast fashion, the dark side of Goodwill, and the moral hazards of recycling
• Abandon your idols: Mari Kondo has begun selling you junk to replace the junk you just KonMari’d
• Read more about why local textile industries are dying in Ghana and African countries more broadly
• Learn more about the Right to Repair movement

Tune in every (other) week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek and sponsored by the Phi Beta Kappa Society.

Subscribe: iTunes/Apple • Amazon • Google • Acast • Pandora • RSS Feed

Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!

Hosted on Acast. See acast.com/privacy for more information.