Atlantic bluefin tuna have been swimming in our oceans, and in the human imagination, for millions of years. Topping out at more than 1,500 pounds apiece, these apex predators face their greatest threat not from sharks or a dwindling food supply but from our unwillingness to stop overfishing them (to say nothing of the occasional catastrophic oil spill). But our understanding of how these majestic creatures navigate the ocean, defined by an imaginary line through the middle of the Atlantic, has been challenged by recent discoveries—and the life story of one tuna in particular. Karen Pinchin’s new book, Kings of Their Own Ocean, tells the story of that fish: an Atlantic bluefin named Amelia, tagged in 2004 by the fisherman Al Anderson off the coast of Rhode Island and recaptured twice more before her ultimate death in the Mediterranean. Pinchin joins the podcast to talk about what Amelia’s tale has to tell us about fishing and climate, science and commerce, and the future of the seas.

Go beyond the episode:

• Karen Pinchin’s Kings of Their Own Ocean: Tuna, Obsession, and the Future of Our Seas
• Let the Monterey Bay Aquarium’s Seafood Watch do the work of choosing sustainable seafood for you (you can even download and print little pocket guides for each region—en español tambien!)
• In our Winter 2023 issue, Juli Berwald considered what coral might teach us about avoiding ecological catastrophe
• John Dos Passos loved fishing for tuna just as much as Papa Hemingway did
• Anna Badhken spoke to us in 2018 about how overfishing and warming waters have devastated a Senegalese fishing community

Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.

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The litany of contemporary conspiracy theories runs long: Pizzagate, QAnon, chemtrails, “jet fuel can’t melt steel beams,” “birds aren’t real.” Some of these are funny—the rumor that Avril Lavigne and/or Paul McCartney have been replaced by doppelgängers—and some have deadly consequences, like the mass murders motivated by replacement theory or the Chronicles of the Elders of Zion. We might like to think this is a recent phenomenon, but the first American president to espouse a conspiracy theory was actually George Washington, a freemason who believed that the Illuminati caused the French Revolution. In his new book, Under the Eye of Power, Colin Dickey asks, “What if paranoia, particularly a paranoia of secret, subversive societies, is not just peripheral to the functioning of democracy, but at its very heart?”

Go beyond the episode:

• Colin Dickey’s Under the Eye of Power: How Fear of Secret Societies Shapes American Democracy
• Listen to our previous conversation about cryptids, aliens, and other weird encounters
• Just a hop, skip, and a jump away from conspiracy theories? Belief in quack Covid cures and New Age elixirs, which Dickey wrote about for us last year
• The “groomers” conspiracy draws on a long history of trans- and homophobia
• For more about the Satanic Panic, listen to this episode of the You’re Wrong About podcast

Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.

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Travel to any of the hundred-odd countries where malaria is endemic, and the mosquito is not merely a pest: it is a killer. Factor in the laundry list of other diseases that this insect can transmit—dengue fever, yellow fever, chikungunya, filiaraisis, and a litany of encephalitises—and the mosquito was responsible for some 830,000 human deaths in 2018 alone. This is the lowest figure on record: for context, one estimate puts the mosquito’s death toll for all of human history at 52 billion, which accounts for almost half our human ancestors. How did such a wee little insect manage all that, and escape every attempt to thwart its deadly power? To answer that question, Timothy C. Winegard wrote The Mosquito, a book spanning human history from its origins in Africa through the present and toward the future of gene-editing. In its 496 pages and 1.6 pounds—the equivalent of 291,000 Anopheles mosquitoes—he outlines how the insect contributed to the rise and fall of Rome, the spread of Christianity, and countless wars—not to mention the conquest of South America, in which the mosquito both sparked the West African slave trade and, ironically, led to its end in the United States. This episode originally aired in 2019.

Go beyond the episode:

• Timothy C. Winegard’s The Mosquito: A Human History of Our Deadliest Predator
• To help you sleep even less at night, here is the WHO’s list of mosquito-borne diseases and a 2019 report on how climate change puts billions more at risk
• We recommend listening to this episode with a citronella candle at hand—and you can consult the CDC’s guidelines for preventing mosquito bites for more tips
• Visit our episode page for a gallery of anti-mosquito efforts, courtesy of Dutton

Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.

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Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.

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Off the southern tip of South America, the remote and rocky Falkland Islands are home to one of the oddest birds of prey in the world: the striated caracara, which looks like a falcon but acts more like parrot. Charles Darwin had to fend these birds off the hats, compasses, and valuables of the Beagle; the Falkland Islands government had a bounty on their “cheeky” beaks for much of the 20th century; and modern falconers have used their understanding of language to train them to do dog-like tricks. The other nine species of caracara that span the rest of South America are just as odd in their own ways. In his book, A Most Remarkable Creature, Jonathan Meiburg follows their unusual evolutionary path across the continent and describes his encounters with these birds over the past 25 years. He joins us from his home in Texas to introduce us to some new feathered friends. This episode originally aired in 2021.

Go beyond the episode:

• Jonathan Meiburg’s A Most Remarkable Creature
• Read an excerpt about Charles Darwin’s encounters with the bird
• Meet Tina, the striated caracara who can “find Nemo,” and a crested caracara named Kevin
• Here’s some footage of a flock on Saunders Island in the Falklands

Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.

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Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!

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Take any international trip, and the tourist-trap restaurants near the must-see landmarks will all be hawking the “national dish” you simply can’t miss: Greek souvlaki, Japanese ramen, Italian pasta, Mexican mole. Leaving aside the question of whether a restaurant with a laminated English menu could possibly serve good food, we must ask what makes a dish “national”—must it be an old recipe? A common one? Unique to that place? Anya von Bremzen poses these questions and more in her new book, National Dish: Around the World in Search of Food, History, and the Meaning of Home. Beginning in Paris with the 18th-century inauguration of modern French cuisine—and searching for the invention, or perhaps congelation, of pot-au-feu—von Bremzen travels across oceans and continents in search of what defines a country’s cuisine, unraveling notions of identity, nationhood, and politics in the process.

Go beyond the episode:

• Anya von Bremzen’s National Dish: Around the World in Search of Food, History, and the Meaning of Home
• In case you missed it, last week’s episode dealt with what might perhaps be called America’s quixotic national dish: the hot dog
• Dig in to our culinary history, and you’ll find a collection of immigrant women who changed the way American eats
• James Beard did, too
• Picture the food of the future—specifically that of the climate crisis—in this immersive dinner party episode  
• And who could forget the inner organs of beasts and fowls that spill across the pages of Ulysses?

Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.

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Summer cometh: the grills get scraped clean, the buns are split, and hungry Americans get set to boil or broil their wursts, wieners, and sausages. In the summer of 2021, Jamie Loftus drove from coast to coast, tasting the vast array of hot dogs that America has to offer, consuming as many as four a day—and in one notable (or regrettable) instance, five. Chicago-style and the Coney Island special; drive-through and deli; chili and chile: Loftus devoured them all. Her ensuing book, Raw Dog: The Naked Truth About Hot Dogs, brings the glory and the gory. It may be the first to detail not only the different genders of pickle jars one can buy at a gas station, but also the horrific treatment of animals and workers at slaughterhouses, conditions that got distinctly worse during the pandemic. Loftus—stand-up comedian, TV writer, and creator of such illustrious one-season podcasts as “My Year in Mensa” and “Ghost Church”—joins us to talk about the wild world of that iconic American food.

Go beyond the episode:

• Jamie Loftus’s Raw Dog: The Naked Truth About Hot Dogs
• ProPublica’s exposé of the meatpacking industry during Covid revealed awful conditions, and government collusion
• Delight your senses with PBS’s classic A Hot Dog Program
• Visit our episode page for a list of the varieties mentioned in this episode

Loftus’s top five dogs are:

• Rutt’s Hut in Clifton, New Jersey
• Hot Dog Ruiz Los Chipilones in Tucson, Arizona
• King Jong Grillin in Portland, Oregon
• The hot dog carts across the street from the Crypto.com Arena, or near Union Station in Los Angeles, California
• Texas Tavern in Roanoke, Virginia

Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.

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Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!

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The idea of “Western civilization” looms large in the popular imagination, but it’s no longer taken seriously in academia. In her new book, The West: A New History in Fourteen Lives, historian Naoíse Mac Sweeney examines why the West won’t die and, in the process, dismantles ahistorical concepts like the “clash of civilizations” and the notion of a linear progression from Greek and Roman ideals to those of our present day—“from Plato to NATO.” Through biographical portraits of figures both well-known and forgotten—Herodotus and Francis Bacon, Livilla and Phyllis Wheatley, Tullia d’Aragona and Abu Yusuf Yaqub ibn Ishaq al-Kindi—Mac Sweeney assembles a history that resembles less of a grand narrative than a spiderweb of influence. Successive empires (whether Ottoman, Holy Roman, British, or American) built up self-mythologies in the service of their expansionist, patriarchal, or, later, racist ideologies. Mac Sweeney joins the podcast to talk about why the West has been such a dominant idea and on what values we might base a new vision of contemporary “western” identity.

Go beyond the episode:

• Naoíse Mac Sweeney’s The West: A New History in Fourteen Lives
• We have covered Greece and Rome in previous episodes, as well as Njinga of Angola
• In our Summer 2023 issue, Sarah Ruden considers how modern biographers distort Vergil

Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.

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Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!

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In 1956, John Okada wrote the first Japanese-American novel, No-No Boy, a story about a Nisei draft-resister who returns home to Seattle after years in prison. It should have been a sensation: American literature had seen nothing like it before. But the book went out of print, Okada never published again, and the writer died in obscurity in 1971. That would have been the end of the story, were it not for a band of Asian-American writers in 1970s California who stumbled upon the landmark novel in a used bookshop. Frank Abe, one of the co-editors of a new book about Okada—and a friend to the “CARP boys” who discovered him—joins us to talk about the era in which No-No Boy was written and what the novel can teach us about our own moment in history. This episode originally aired in 2018.

Go beyond the episode:

• John Okada: The Life and Rediscovered Work of the Author of No-No Boy
• No-No Boy by John Okada
• Watch Frank Abe’s film about the Japanese-American draft resisters, Conscience and the Constitution
• Read Julian Saporiti’s essay in our Summer 2023 issue, “Last Dance”

Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.

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Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.

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Siblings Ruthie and Nathan Prillaman are classically trained musicians who have put their knowledge of counterpoint and unusual time signatures to use in their medieval-inspired folk band, Small Fools. Renaissance madrigal meets contemporary queer meme in songs like “Crying in My Subaru” (also the title of their debut EP) and “Horseradish,” inspired by the words on a pickle jar. Such strange musical pairings—the marriage of Gregorian chant with lighthearted lyrics about gnomes, for example—might sound gimmicky, but in the siblings’ hands, they somehow achieve transcendence. The Prillamans join the podcast this week to talk about Small Fools, big ideas, and which 16th-century mystics they find most inspiring.

Go beyond the episode:

• Listen to Small Fools on Spotify or Apple Music
• We dare you not to hum the hook in “Horseradish” 
• Check out the Small Fools TikTok
• Read more about the lives of anchoresses in this article by Mary Wellesley, cohost of The London Review of Books’s Medieval Beginnings podcast (and a one-time guest on this podcast)
• Polymath Hildegard of Bingen, one of the first named composers, is still one of the most famous female composers

Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.

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Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!

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Russia launched its full-scale invasion of Ukraine in February 2022, but Vladimir Putin’s forces have been nibbling at the edges of the country since 2014. Or one could say that the war began “long before 2014 by way of colonial imperial politics, suppression of language cultures, mass hunger, and terror,” as the poets Carolyn Forché and Ilya Kaminsky write in the introduction to In the Hour of War, their new anthology of contemporary Ukrainian poetry. “This is a poetry marked by a radical confrontation with the evil of genocide,” they write. “Does poetry have the tensile strength to embody such a confrontation?” The anthology seeks to answer that question with the help of its diverse contributors: “soldier poets, rock-star poets, poets who write in more than one language, poets whose hometowns have been bombed and who have escaped to the West, poets who stayed in their hometowns despite bombardments, poets who have spoken to parliaments and on TV, poets who refused to give interviews, poets who said that metaphors don’t work in wartime and poets whose metaphors startle.” Forché joins us this week on the podcast to talk about the surprising “life-giving force of these poems.”

Go beyond the episode:

• In the Hour of War: Poetry from Ukraine, edited by Carolyn Forché and Ilya Kaminsky
• Listen to Serhiy Zhadan’s “Take Only What Is Most Important” on our Read Me a Poem podcast
• Read Megan Buskey’s essay on the long, unfortunate history of Ukrainian displacement

Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.

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Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.

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