Justin Benson and Aaron Moorhead are a duo who don’t wait for permission and refuse to let small budgets reign in their storytelling ambitions. Since announcing themselves as a fierce new force in independent filmmaking a decade ago with the meta-horror Resolution, the pair have released a further four films, each one a staggeringly original triumph of imagination over budgetary restraints. Spring was a low-cost Lovecraftian tale set on a gorgeous stretch of Italian coast that corkscrewed between romance and brutal body-horror. The Endless was a time-loop sci-fi head-scratcher involving a UFO cult that proved similarly spell-binding made on a similar shoestring. By 2019’s Synchronic, about a designer drug that allows users to step through time, they had A-list actors like Anthony Mackie and Jamie Dornan queuing up to work with them, and superhero studios keen to collaborate (they’ve since helmed episodes of Marvel’s Moon Knight and Loki). Together, they're storytellers capable of building epic worlds without requiring epic resources.

While Benson and Moorhead have enjoyed their recent excursions into the MCU, unsettling paranormal puzzles made on a dime are where they say their hearts truly lie. Which is why, when the pandemic struck and the world was thrown into lockdown, they began planning a supernatural mystery they could shoot in Benson’s apartment, star in themselves (the duo often act in their own movies) and craft almost entirely themselves. Something In The Dirt – their most compelling film to date – tells the tale of neighbours John and Levi, drawn into an unlikely friendship by unexplainable phenomenons in their apartment block. They decide to document this activity in search of fame and fortune – but can each party trust the other, as revelations about their secretive lives follow them down a rabbit hole into the unknown?

We met with Benson and Moorhead in person last summer, before Something In The Dirt’s release, while they were filming Loki season two. They told us about their writing habits and helped us decode one of the most jigsaw-like cult dramas in decades – a must-watch for fans of David Robert Mitchell’s Under The Silver Lake and films like it. This is a spoiler conversation so be sure to catch the film before tuning in – it’s available on Hulu for our listeners in America, and video on demand if you’re tuning in from the UK.

Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Twitter and Instagram, or email us on [email protected].

Support for this episode comes from ScreenCraft, Arc Studio Pro and WeScreenplay.

To get ad-free episodes and exclusive content, join us on Patreon.

Support the show

Hosted on Acast. See acast.com/privacy for more information.