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Through the 19th Century, the US-Mexico border moved repeatedly, and the shifting borderlands were a space of cultural and economic transition that often gave rise to racialized gendered violence.
In this episode I speak with Dr. Bernadine Hernández, Associate Professor of American Literary Studies at the University of New Mexico, an activist with fronteristxs, and author of Border Bodies: Racialized Sexuality, Sexual Capital, and Violence in the Nineteenth-Century Borderlands.
Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The episode image is: “Mexican church at the smelter, El Paso, Texas, United States, ca. 1907,” Detroit Publishing Co. No known restrictions on publication, Accessed via the Library of Congress.
Additional Sources:
By Kelly Therese Pollock4.8
9393 ratings
Through the 19th Century, the US-Mexico border moved repeatedly, and the shifting borderlands were a space of cultural and economic transition that often gave rise to racialized gendered violence.
In this episode I speak with Dr. Bernadine Hernández, Associate Professor of American Literary Studies at the University of New Mexico, an activist with fronteristxs, and author of Border Bodies: Racialized Sexuality, Sexual Capital, and Violence in the Nineteenth-Century Borderlands.
Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The episode image is: “Mexican church at the smelter, El Paso, Texas, United States, ca. 1907,” Detroit Publishing Co. No known restrictions on publication, Accessed via the Library of Congress.
Additional Sources:

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