In 2017, Zelda Perkins broke an NDA of more than 20 years to speak out against Harvey Weinstein. Since then, she’s tirelessly campaigned to end the misuse and abuse of NDAS – non-disclosure agreements – used to silence victims. Her campaigning included setting up Can’t Buy My Silence in 2021, and Mick chatted to her about that at the time. 

Earlier this month, the Government announced it will ban NDAs designed to silence victims of workplace harassment and discrimination, a change that will be implemented through amendments to the Employment Rights Bill. A week later, the Lords passed it. This is a huge victory for Zelda – and the many brave people who have broken NDAs – after tireless campaigning, so obviously Mick got her back on the podcast to talk about the whats, whys, hows and what’s next.

For the full interview, get involved with our Patreon: https://www.patreon.com/c/StandardIssue

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Joel Schumacher’s sci-fi psychological horror exploring the boundaries between life, death and redemption was chock-a-block with early 1990s Hollywood's hottest property. But who gets redeemed and why? What happens when Bacon meets ham? And for the love of God, why won’t someone turn on a light?

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In 2024, alongside Steph McCall and Olympic athlete Rose Harvey, Natasha Edwards co-founded BOLDLI running club, a response to safety concerns around women runners. Now, BOLDLI provides resources to help women gain the confidence to run when and where they want, and this year they’ve teamed up with the Altra Kielder Marathon to launch the Stay Out There: She Runs Free initiative.

Jen was tickled pink to catch up not only with Natasha but also with former world, European and Commonwealth champion, Paula Radcliffe –

You can find out more information about the Altra Kielder

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Karis Kelly's award-winning play Consumed is about to tour the UK, so Hannah grabbed the chance to chat with the playwright about Northern Ireland in the arts, mother-daughter relationships, religion, superstition, OCD, trans-generational trauma, blood on stage and a lot more.

Tickets for Consumed can be bought here:  https://painesplough.com/productions/consumed/

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Sally Gardner has had a long career of writing for children, for adults, and for everyone between. She chats to Hannah about her latest novel, The Bride Stone, growing up in London's Gray's Inn and about her belief that being dyslexic helped rather than hindered her writing career.

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Are you ready for our close ups? Maybe not, but tuck in anyway as we watch Gloria Swanson's glorious swansong in Billy Wilder's dark comedy about lost fame, madness and how to arrange a funeral for a chimpanzee. 

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Adventurer, award-winning travel writer and Director of Creative Writing at the University of East Anglia, Jean McNeil knows a lot about the world and our ever-more threadbare connection to it. 

She chats to Mickey about her latest book, Latitudes: Encounters with a Changing Planet, a front-line witness account of the impact of climate change, and about her travels to and writing about remote, inhospitable places. Which started with being raised in one. And the fact Jean trained as a walking safari guide? Well, that’s (big) catnip to our Mick. 

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During her career as a midwife, Dr Laura Abbott – now an associate professor in research at the University of Hertfordshire – became interested in the plight of women who gave birth in prison, or were separated from their babies by incarceration. And so she founded the Lost Mothers Project: a research project exploring the effects of mandatory separation of babies from women with Criminal Justice System involvement. As the Lost Mothers Project prepares to take its findings to Parliament, Jen chats to Laura about the vital work being done, an increased awareness of the England and Wales prison system for women, and why change needs to come now.

You can find out more about the work of the Lost Mother’s Project, including Scenes From Lost Mothers, here.

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Starring Michael J Fox, Christopher Lloyd and a genuinely beautiful school building, Robert Zemeckis’s time travel comedy blockbuster continues to be a cultural touchstone. At the time, it dazzled at the box office and with critics alike. But 40 years on, how does it fare with Mick, Hannah and Jen? Do the inevitable time travel plotholes matter? How much did the young Jen fancy the young Fox? Does Mick own this 1980s smash on DVD? And, perhaps most importantly, what in the Doc Brown is going on with Hannah’s hair? 

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