Studio 360 with Kurt Andersen

Irish actress Denise Gough tells Kurt about her lean years before her two big breakout roles in London — both of which came to New York. A listener named Sam Cook left the church, but his love of Christian rock remains. In 1963, “The First Family” broke new ground for comedy by openly mocking — and impersonating — a sitting president. And finally Kurt talks with Melissa Spitz, who took to Instagram to document — and better understand  — her mentally ill mother.

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Kurt talks with Ruth Carter, the costume designer who recreated historically accurate clothing for period pictures like “Malcolm X,” “Selma,” and “The Butler,” but for “Black Panther” came up with a bold look for the future. Randy Levin is one of those Billy Joel obsessives who even has recordings of Joel when he played in a psychedelic rock band in the 1960s, but after Levin had kids, he heard one familiar Joel song in a new — and profound — way. Comic Sans is the most hated font, hands down, but Jessamyn West likes it and says you should, too. And John McWhorter tells Kurt why he hates the book that every writer and nitpicky grammarian loves: “The Elements of Style” by Strunk and White. 

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The musical children of musical stars. Sean Lennon on growing up with John and Yoko. Rosanne Cash’s surprising musical guilty pleasure. Joshua Redman on his fellow saxophone player — and father — Dewey Redman. And a performance from Rufus Wainwright. 

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Even in this increasingly fragmented media age, the Super Bowl is one of those rare television events that really captures the country. Nearly one in three Americans -- more than 100 million -- tunes into the game. And while the NFL viewership in past eras has been overwhelmingly male, that’s no longer true: for the Super Bowl, nearly half of television viewers are women. 

And yet, commercials that air during the Super Bowl are infamous for their retrograde, sexist portrayals of women. But in this year of Me Too, will commercials finally reflect a more enlightened view of women? Jeanine Poggi from AdAge joins Kurt to review some of more sexist spots from recent Super Bowls -- and a few feminist moments. 

Poggi says that advertisers -- and their agencies -- should be on notice.

“Any advertiser who this year goes into the Super Bowl with an ad that’s showing women half-dressed or any of the stereotypes we’ve seen in the past, like the nagging woman,” Poggi says, “will get a lot of blowback.”

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Daniela Vega, who stars in the Oscar-nominated film from Chile, “A Fantastic Woman,” tells Kurt about her own experiences as a transgender woman that she brought to the role. How the artist Linden Frederick got writers including Dennis Lehane and Elizabeth Strout to write short stories based on his paintings. A grieving widow finds comfort in the least likely of places: the cheesy movie, “Practical Magic.” And finally Kurt talks with biographer Walter Isaacson, who says that even though Leonardo da Vinci is known as the original Renaissance man, one of his occupations is often overlooked: theater producer. 

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Looking back on the half-century-long legacy of Star Trek, including six television series and 13 feature films. First, Slate cultural critic Marissa Martinelli tells Kurt  about the new TV show, “Star Trek: Discovery.” Writer and producer Ronald D. Moore reveals his childhood fascination with Star Trek and his later experiences as a writer for the show. Linguist Arika Okrent explains the fictional Klingon language. Finally, we hear about how the make-believe products on the show inspired inventors to make them real, and how the Enterprise starship prop from the original series came to be displayed so prominently in the Smithsonian National Air and Space Museum.

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How the oil crisis of the 1970s inspired C.W. McCall's novelty trucker hit "Convoy," launching a national CB radio craze. Theater designer Joshua Dachs tells Kurt how stages have evolved over the centuries -- and why so many productions are now drawn to unconventional spaces. And June Thomas looks at how sexual harassment is depicted on television.

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Kurt Andersen talks with Stevie Salas, whose documentary, “RUMBLE: The Indians Who Rocked the World,” highlights rockers like Link Wray, Jimi Hendrix, Jesse Ed Davis, and Robbie Robertson.  Bestselling Young Adult author Angie Thomas on how the late TLC performer Lisa “Left Eye” Lopes spoke to her at a very troubling point in her life. And the real story by “Naked Came the Stranger,” the 1969 bodice-ripper which turned out to be a hoax by a bunch of bemused newspaper journalists.

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Celebrating a year that couldn’t end quickly enough with some of our favorite segments. Academy Award-winner Thelma Schoonmaker, who has edited every Martin Scorsese movie for the nearly four decades, talks with Kurt about editing Scorsese’s latest film, “Silence,” and some classic scenes she edited in movies including “Raging Bull” and “Goodfellas.”  Yewande Omotoso’s joins Kurt to talk about her new novel, “The Woman Next Door,” which explores racial tension in post-apartheid South Africa. And “The Godfather: Part III” is a movie everyone loves to hate, but critic Ted Gioia believes the film is actually a masterpiece. 

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A theater in Memphis decided to stop showing “Gone with the Wind,” and Aisha Harris, a Slate culture writer and host of the podcast Represent, joins Kurt to talk about what many see as a nostalgia for slavery in the movie. At 50, there are two central questions surrounding the song, “Ode to Billie Joe”: Why did Billie Joe McAllister jump off the Tallahatchie Bridge, and why, decades ago, did the woman who sang it, Bobbie Gentry, disappear from public view? And finally, Kurt talks to another Omahan done good, the director Alexander Payne, about his new movie, “Downsizing.”

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