Studio 360 with Kurt Andersen

Artists Agnès Varda and JR were born 55 years apart but have so much in common, and made a lovely film, “Faces Places.” Have horror movies jump scares, like when the axe-wielding maniac lurches out of the bushes, gone from a reliable technique to a hackneyed cliché? When he was an adolescent, his male friends’ favorite movies were reliable dude-fare like “Rocky” and “Jurassic Park,” but Hari Kondabolu fell in love with the romantic weepie, “Untamed Heart.” Why you should prescribe to the slow art mindset, and spend a lot more time parked in front of one particular work of art. 

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This is the story of America’s fight against authority.

Ken Kesey had worked in a mental hospital, but his first novel was really a parable of what happens when you stand up to the Man—a counterculture fable that doesn’t end well. Despite his far-reaching influence, Kesey was shut out by filmmakers who turned the story into an Oscar-sweeping phenomenon. “Cuckoo’s Nest”changed how many people thought about mental illness and institutions. Sherman Alexie debunks the myth of the silent Indian; we visit Oregon State Hospital, where the director played himself on screen; a psychiatrist explains how the movie gave mental hospitals a bad name, with tragic consequences; and actress Louise Fletcher takes us into the mind of one of the most fearsome movie villains, the sweet-faced Nurse Ratched. “She doesn’t see her behavior as it really is. Who does? Who sees that they’re really evil?”

(Originally aired September 20, 2013)

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Danny Strong joins Kurt to talk about how he began his career as an actor, evolved into as a writer of movies like “Game Change,” and just made his directorial debut with “Rebel in the Rye,” which is about the circumstances under which J.D. Salinger wrote “The Catcher in the Rye.” The stunning new animated film, “Loving Vincent,” is a biopic of Van Gogh meticulously painted to appear as if Van Gogh paintings had come to life. Michael Chabon recalls his college years in Pittsburgh, when a post-punk band called Carsickness fueled his own coming-of-age story. And Bruce Handy, Kurt, and both writers’ kids sit down in the studio to talk about the enduring power of children’s literature, which Handy writes about in his new book, “Wild Things: The Joy of Reading Children’s Literature as an Adult.” 

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Is the old cliché true — is laughter the best medicine? Kurt Andersen and Mary Harris, a health reporter at WNYC, go to a laughter yoga class to find out. Also, we hear from a neuroscientist who studies laughter and moonlights as a standup comedian. Comic Chris Gethard explains why he resisted getting help for his depression out of fear of losing his humorous edge — and how getting treatment transformed his career. And we find out when medical humor is — and is not — just what the doctor ordered.

(Originally aired July 14, 2016) 

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Steven Spielberg doesn’t like to talk about filmmaking much, but he talked (and talked, and talked) to documentary filmmakerSusan Lacy, who sits down with Kurt Andersen to discuss her definitive portrait of the master. Any classical musician will tell you the worst place to hear a concert is not from the nosebleed seats – it’s from the stage. And BoJack Horseman” creator Raphael Bob-Waksberg tell Kurt about how cartoon characters can get away with saying particularly despicable things, and why Harvard Lampoon alumni are not always the smartest or the funniest. 

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John McPhee is the godfather of a certain kind of long-form creative non-fiction, and over the past half-century, he’s written over 100 articles for The New Yorker. He sits down with Kurt to talk about his new book, which is part memoir, part tutorial for writers. Then B.J. Novak, the writer and actor who starred on the critically acclaimed “The Office,” makes a rousing defense of a show that has been widely panned: “Fuller House.” A Swedish photorealist painter dupes his government, which doesn’t realize that the painting on his license is really a painted self-portrait. And the Malian blues duo Amadou & Mariam perform live. 

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School is back in session, so Studio 360 is hitting the books. Kurt calls up his favorite teacher from high school to compare notes. The novelist Nicholson Baker signs up to be a substitute teacher. And comedian Aparna Nancherla reveals the shocking secret that destroyed her career in science before it started.

(Originally aired September 1, 2016) 

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Some of our favorite recent stories about movies. Kurt talks with Jenny Slate about how her movie career blossomed long after her inglorious stint on Saturday Night Live. Yesi Ramirez breaks down how she cast the Best Picture winner, Moonlight. A film critic defends – and praises! – the movie film nerds love to hate: The Godfather: Part III. And the film composer who’s scored nearly all of the Coen Brothers’ films, Carter Burwell, fills Kurt in on some terms of his trade. 

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Our favorite recent segments about the stage. Kurt talks with Frank Langella about his screen and stage career since his breakout role as Dracula in the 1970s. A budding soprano describes her unusual day job: determining exactly when subtitles should appear during opera performances. And Jack Viertel, a Broadway legend, breaks down the components of a Broadway musical. 

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Some of our favorite recent stories about books and the people who make them. Kurt talks with Claudia Rankine about capturing what racism really feels like in “Citizen: An American Lyric,” and to Helen Oyeyemi about her very un-Disney re-imagining of Snow White. The writer Sadie Stein defends the word “moist” against all those who get the heebie-jeebies saying it. And the novelists Richard Russo and Jenny Boylan talk about the big plot turns in their books – and in their friendship. 

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