Studio 360 with Kurt Andersen

Ranky Tanky performs live in our studio, and explains to Kurt Andersen how their music is rooted in the regional Gullah culture — descendants of West African slaves who lived on isolated islands along the coasts of Georgia and the Carolinas. For our Guilty Pleasures series, comic Tig Notaro says why she loves the widely loathed band Nickelback, especially their song “Photograph.” And mezzo-soprano Jamie Barton, a rising star of the opera world, performs love songs directed at women that were meant to be sung by men, and tells Slate’s June Thomas how a sense of bisexual pride drives such performances.

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Garry Winogrand was a master of street photography, even though he disavowed that label. He photographed across the United States, including Texas and California, but his hometown, New York City, remained his greatest inspiration. His 1967 Central Park Zoo photo, of a white woman and a black man holding chimpanzees dressed in human clothes, is one of his most widely exhibited — and controversial — images. Despite its popularity, its ultimate success as a photograph was always an open question for Winogrand.

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A half century later, Stanley Kubrick’s “2001: A Space Odyssey” is still shaping our future. With no help from CGI, the movie predicted private space travel, artificial intelligence and much of Apple’s product line. It showed the promise and perils of technology and explored life’s biggest mystery: Are we alone in the universe? In Part Two of our look at the movie in our American Icons series, we visit the same IBM research lab that helped inspire HAL. We meet CIMON, a real-life AI robot on the International Space Station and Garrett Reisman, a former NASA astronaut who blasted the “Blue Danube” in the space shuttle. Plus we speak to New York Times critic Wesley Morris, filmmakers Christopher Nolan and Tom Hanks, artist James Turrell and former U.S. poet laureate Tracy K. Smith.

American Icons is made possible by a grant from the National Endowment for the Humanities.

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A half century later, Stanley Kubrick’s “2001: A Space Odyssey” is still shaping our future. With no help from CGI, the movie predicted private space travel, artificial intelligence and half of Apple’s product line. It showed the promise and perils of technology and explored life’s biggest mystery: Are we alone in the universe? In Part One, we look at the movie’s origins in 1960s New York and how it went from opening night bomb to counterculture icon. We’ll hear from effects wizard Doug Trumbull, actor Keir Dullea and superfan Tom Hanks, who has seen the movie more than 200 times.

American Icons is made possible by a grant from the National Endowment for the Humanities.

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Kurt Andersen’s version of a Christmas story doesn’t have your typical talking snowman or mistletoe. Instead, this holiday tale involves extraterrestrial surveillance and melting polar ice caps.

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Our latest New York Icons segment is about Midtown Manhattan’s Brill Building era, when songwriters like Carole King, Ellie Greenwich and Cynthia Weil churned out hit after hit for artists like The Shirelles, The Crystals and Little Eva. And producer Evan Chung investigates the strange story of a song from that era about a craze that was most definitely not a craze, “Mugmates.”

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To celebrate the 75th anniversary of Tennessee Williams’ classic play, “The Glass Menagerie,” Studio 360 is devoting a whole hour to the art of glass. Kurt Andersen and architect Frances Bronet tour the glass towers of Midtown Manhattan to see firsthand the architectural legacy of the Bauhaus. After Hillary Clinton failed to break the glass ceiling in 2016, artist Bunny Burson found a use for her unused victory confetti. And Philip Glass shares how he went from taxi driver to star composer overnight.

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For a few years in the late 1950s and early ‘60s, the heart of the music industry was an 11-story structure in midtown Manhattan: The Brill Building. There, and at the nearby 1650 Broadway, a group of very young songwriters including Carole King, Ellie Greenwich, and Cynthia Weil crafted their own take on rock and roll that was heavily influenced by their New York City setting. They churned out hit after hit for artists like The Shirelles, The Crystals, and Little Eva. But when the British Invasion hit in the mid-1960s, the Brill Building songwriters’ moment was over almost as soon as it began.

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Our latest American Icons feature explores Patricia Highsmith’s series that began with “The Talented Mr. Ripley,” and how Tom Ripley fits into an American tradition of protagonists struggling with identity and morality. Kurt Andersen visits perfumer Tanwi Nandini Islam as she concocts a fragrance based on Toni Morrison’s “Beloved.” And a favorite from our Guilty Pleasures series: Writer Sadie Stein on the word that so many find icky but that she really likes: “moist.”

American Icons is made possible by a grant from the National Endowment for the Humanities.

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On this Studio 360 extra, we’re sharing a podcast called “Aria Code.” Produced by WQXR and the Metropolitan Opera, it features singers and opera observers revealing the magic of a single song from an opera, followed by the aria uninterrupted. In this episode, host Rhiannon Giddens and her guests explore the power of hope in Puccini's tragic “Madama Butterfly,” as well as in a real-world Butterfly story. Then, you'll hear Ana María Martínez sing the complete “Un bel dì vedremo” aria onstage at the Metropolitan Opera.

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