Kurt Andersen talks with Amy Sherald, who painted the official Michelle Obama portrait, about her strict religious upbringing, the surreal experience of interviewing with the Obamas and why she’ll only ever paint African Americans. Our latest American Icons feature: “96 Tears” by ? and the Mysterians, and how the band of Mexican American teens managed to top the charts and help fuel the growing Latin influence on pop music in the 1960s.

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Charleston band Ranky Tanky draws on the musical traditions of the Gullah culture from the Lowcountry region of the Southeastern U.S. They perform live in Studio 360 and then break the music down into its essential components, explaining what exactly makes this “Gullah” and how that cultural heritage has informed American jazz. 

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Two highlights from our American Icons special series. First, producer Arun Venugopal revisits “The Searchers,” the John Ford film starring John Wayne that is widely regarded as a masterpiece, but which many see as racially problematic in the way that Wayne’s character pursues revenge against the Comanche who killed his family in a raid. Then, producer June Thomas on the unlikely history of “The Rocky Horror Picture Show,” the movie that flopped in theaters when it was released in 1975, only to become an interactive movie experience where audiences shouted back at the screen, brandished water pistols and delighted in the film’s risqué raucousness.

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This Woman’s Work is a series of stories from Classic Album Sundays and Studio 360 highlighting classic albums by female artists who have made a lasting impact on music and pop culture. This time we’re looking at the artist who inspired the name of this series: the singer-songwriter, dancer and producer Kate Bush. With its sophisticated arrangements and embrace of technology, her self-produced 1985 album “Hounds of Love” pushed the boundaries of musical structure and personal expression. Classic Albums host Colleen “Cosmo” Murphy discusses Kate Bush's “Hounds of Love” with singer Julia Holter and Outkast’s Big Boi. 

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Our latest Americans Icons segment is about “I Know Why the Caged Bird Sings.” Maya Angelou’s first book broke boundaries when it was published 50 years ago and still profoundly resonates with readers today. And Kurt Andersen talks with Liz Phair, the trailblazing indie rocker who’s just published a memoir.

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Kurt Anderson talks with Antonio Banderas about “Pain and Glory,” where he plays his longtime friend and collaborator –– and the director of this same movie –– Pedro Almodóvar. With the opening of “Joker,” starring Joaquin Phoenix, Kurt talks with Rick Baker, the celebrated makeup artist, about how Hollywood has clowned around with the character over the decades. This week marks 50 years since the release of the Jackson 5’s “I Want You Back,” a remarkable pop song recorded when Michael Jackson was so young that, in the wake of the latest allegations of molestation against him, even some people who stopped listening to his solo work still enjoy.

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David Byrne’s stage show “American Utopia” is heading to Broadway in October. The show will feature songs from his latest album of the same name, as well as some older works from his former band, Talking Heads. This month also marks the 35th anniversary of “Stop Making Sense,” the brilliant Talking Heads’ concert film, made by Jonathan Demme.

Kurt Andersen spoke with David Byrne in 2012 about the group’s early years. In an era of punk decadence, Talking Heads created a pop revolution by combining tight, funk-based rhythms, a clean-cut image, and themes of anxiety and social isolation. Kurt brings up the early song “I’m Not in Love,” in which Byrne wonders, “Do people really fall in love?” “I was just asking all the most super-obvious questions,” explains Byrne, who has said that he may have had Asperger’s syndrome as a young person. “Why do humans, people, we do these things? And how does it work?”

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Conceptual artist Fred Wilson has spent much of his career examining how museum collections are chosen and exhibited, so Kurt Andersen meets Wilson at the Metropolitan Museum of Art for a chat and a tour. With this year marking the centennial of the birth of Uta Hagen, the actress who also became a revered acting teacher, we hear from her students and colleagues, including F. Murray Abraham, Mercedes Ruehl and David Hyde Pierce. Plus, the story behind the song known as "The Most Mysterious Song on the Internet."

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Stepping in for Kurt Andersen this week, guest host Hari Kondabolu, the stand-up comic, gets the hour started with a conversation with fellow comic Hannah Gadsby. They discuss the success (and blowback) from Gadsby’s Netflix special last year, “Nanette,” her new show that she’s currently touring in the US, and her hilariously surreal encounter with Jennifer Anniston. Then Hari bravely reveals how in the mid-'90s, when all of his buddies were watching action movies, he at 14 was secretly obsessing over a romantic drama, "Untamed Heart." Finally, Hari closes with a conversation with Sophia Chang, who has a new audio-only memoir on Audible about her remarkable career in hip hop and her decades-long friendship with the Wu-Tang Clan.

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Studio 360’s American Icon series has explored dozens of influential works of art and entertainment that have shaped who we are as Americans. Now we turn to our hometown of New York for a new batch of Icons stories about works of art that were born in the city and impacted the lives of people everywhere. This time: the album “Siembra” by Willie Colón and Ruben Blades, which many salsa fanatics thought was doomed when it came out on Fania Records in 1978.

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