Studio 360 with Kurt Andersen

The writer and poet Hanif Abdurraqib fills in for Kurt Andersen. Hanif talks to fellow writer — and fellow proud Midwesterner — Ashley C. Ford about some of her inspirations, including Toni Morrison (who, yes, was also from the Midwest). Then, with the Notorious B.I.G.’s hip hop classic “Ready to Die” turning 25 this week, we hear from one of its producers, Easy Mo Bee, and music writers Cheo Hodari Coker and Sowmya Krishnamurthy, about how the album first landed — and how its impact is still profound. Finally, Hanif talks with Laetitia Tamko, the indie rock innovator and multi-instrumentalist who performs under the stage name Vagabon.

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Writer and comedian Maeve Higgins fills in as guest host this week, interviewing playwright Michael R. Jackson about his new musical “A Strange Loop” and artist-journalist Molly Crabapple about her illustrations of ISIS-occupied Syria. Plus, the creators and cast of “Felix Starro,” a new musical from the Ma-Yi Theater Company, which is celebrating 30 years of bringing the work of Asian American theater artists to the stage.

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Most artists have to lead a sort of double life: holding down a steady job during the day that allows them to do what they love in their free time. Alex Kramer is an actor who lives in Brooklyn, but he moonlights as an “unannounced standardized patient”: someone who goes into hospital clinics undercover to evaluate residents on their performance. Alex says that at the end of the day, working undercover isn’t all that different from acting on screen. “Ultimately, when it boils down to it, all you’re doing is tricking someone.”

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“The Handmaid’s Tale” is getting a sequel, “The Testaments,” so it’s a good time to look at what originally influenced Margaret Atwood, and how the book continues to influence others. First, Atwood herself talks about her inspirations for the book — the rise of the Christian right in the 1980s and a woman in New England in the 17th century who was accused of being a witch. Then Ann Dowd, who portrays the character Aunt Lydia on the Hulu adaptation, talks with Kurt Andersen about how she has spent a career making scary characters so real and recognizable. Finally, Louise Erdrich and Megan Hunter talk about how their dystopian novels also explore the significance of pregnancy. 

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When noir haunts and inspires. Portishead’s seminal album “Dummy,” which came out 25 years ago this week, was inspired by the band members’ obsession with mid-century spy movies. Karen Russell was struggling writing her first novel when she saw the classic noir film “The Night of the Hunter.” It helped her pull off the critically acclaimed “Swamplandia” and has been an inspiration ever since. And Kurt Andersen talks with Carter Burwell, who has scored most of the Coen Brothers films, beginning with their first, the very noirish “Blood Simple.”

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Laura Lippman is an Edgar Award-winning author of detective fiction, most famously for the Tess Monaghan series. And this summer, she has a new book on the New York Times Best Seller list called “Lady in the Lake.” Kurt Andersen recently visited Baltimore to talk to her for another story we’re working on: an American Icons hour about the tales of Edgar Allan Poe. Poe is best known for his gothic tales and poems, but he also wrote what are considered by many to be the first detective stories. As a mystery writer and lifelong Baltimore resident, Laura gave us her take on Poe’s legacy and the genre he helped create.

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Fifty summers after Woodstock. First, Kurt Andersen talks with Sha Na Na co-founders Robert Leonard and George Leonard about the utter incongruity of a ’50s throwback band taking the stage at the festival. The Jimi Hendrix version of the national anthem on the last day of the festival that embodies the chaos and distortion of the time. How the Sly and the Family Stone album "Stand!"  dropped at a moment of intense cultural and political change, and provided a soundtrack for that fight. And the surprising power of the other Woodstock — the “Peanuts” character named after the festival.

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Nick Waterhouse, the Los Angeles-based musician who has cultivated a ’50s and ’60s inspired sound, joins Kurt Andersen to perform live and talk about his influences and his self-titled fourth album. For our latest installment of Guilty Pleasures, the writer and “This American Life” producer Bim Adewunmi explains how the “Sweet Valley High” series is kind of preposterous and over-the-top — and completely obsessed her. And producer Lauren Hansen explains how a reverence for Leonard Cohen was passed down in her family, and how a group of artists are honoring Cohen’s memory at a new exhibit at the Jewish Museum.

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Toni Morrison, the author of books including “Beloved” and “Song of Solomon,” died on August 5 at the age of 88. Her novels won the Pulitzer Prize and the Nobel Prize, and in 2012, Barack Obama awarded her a Presidential Medal of Freedom. Morrison’s work inspired countless readers … and writers, like “New Yorker” critic Hilton Als.When Als guest hosted Studio 360 in 2014, Toni Morrison was his first choice of interviewee. They spoke at Morrison’s home about her writerly habits and why, at age 39, she decided to become a novelist.

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After a 67-year run, the “usual gang of idiots” will no longer be serving up the snark. After the August 2019 issue of “Mad Magazine,” old material will be reprinted with new covers, but you won’t find any new parodies or cartoons in those pages, aside from the occasional one-off or special feature. To mark this end of an era, we’re revisiting our story on why “Mad” is an American Icon.

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