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Today on the Tales of a Red Clay Rambler Podcast I have a panel on nonacademic paths for learning wood firing featuring Robin Dupont, Jody Johnstone, Scott Parady, Martin Tagseth, and Tara Wilson. The panelists discuss a wide range of personal experience from Johnstone's time in a traditional Japanese apprenticeship to Parady establishing his Cobb Mountain Art & Ecology Project to teach wood firing and ecology. To see examples of the panelists work and find out more about each artist visit www.culturalconfluencewoodfiresymposium.com/artists. The presentation was given at the Cultural Confluence Wood Fire Symposium, held in Helena, MT in October 2018.
Hey Red Clay Rambler fans, I want to take a minute to talk to you about our sustaining membership program. As we head into 2019, I want to appeal to you directly to help us meet our new goal of having 120 patrons by April 1st. I'm asking you to make a $5 pledge today at patreon.com/redclayrambler. That's only $1.25 per episode to help me document the field of ceramics. This new goal will help me record interviews with Canadian artists on my upcoming trip in April. If you prefer you can make a one-time donation through the Pay Pal portal at www.talesofaredclayrambler.com. If you have been thinking about getting involved don't wait any longer. Every dollar helps, and no donation is too small. Thanks again for supporting the podcast!
Today on the Tales of a Red Clay Rambler Podcast I have a panel on education featuring John Neely, Matthew Blakely, Pascal Geoffroy, Sandy Lockwood, and Linda Lid. The panelists discuss how they came to learn wood firing and the current status of the firing technique in educational institutions in Australia, the United States, and Western Europe. To see examples of the panelists work and find out more about each artist visit www.culturalconfluencewoodfiresymposium.com/artists. The lecture was given at the Cultural Confluence Wood Fire Symposium, held in Helena, MT in October 2018.
Hey Red Clay Rambler fans, I want to take a minute to talk to you about our sustaining membership program. As we head into 2019, I want to appeal to you directly to help us meet our new goal of having 120 patrons by April 1st. I'm asking you to make a $5 pledge today at patreon.com/redclayrambler. That's only $1.25 per episode to help me document the field of ceramics. This new goal will help me record interviews with Canadian artists on my upcoming trip in April. If you prefer you can make a one-time donation through the Pay Pal portal at www.talesofaredclayrambler.com. If you have been thinking about getting involved don't wait any longer. Every dollar helps, and no donation is too small. Thanks again for supporting the podcast!
Today on the Tales of a Red Clay Rambler Podcast I have a panel on applied aesthetics. Denny Gerwin, Linda Christianson, Shirobey Kobayashi, Trevor Dunn, and Neil Hoffman talk about the objects and experiences that have shaped their artistic worldviews. To see examples of their work and find out more about each artist visit www.culturalconfluencewoodfiresymposium.com/artists. The lecture was given at the Cultural Confluence Wood Fire Symposium, held in Helena, MT in October 2018.
Hey Red Clay Rambler fans, I want to take a minute to talk to you about our sustaining membership program. As we head into 2019, I want to appeal to you directly to help us meet our new goal of having 120 patrons by April 1st. I'm asking you to make a $5 pledge today at patreon.com/redclayrambler. That's only $1.25 per episode to help me document the field of ceramics. This new goal will help me record interviews with Canadian artists on my upcoming trip in April. If you prefer you can make a one-time donation through the Pay Pal portal at www.talesofaredclayrambler.com. If you have been thinking about getting involved don't wait any longer. Every dollar helps, and no donation is too small. Thanks again for supporting the podcast!
Today on the Tales of a Red Clay Rambler Podcast I have a lecture from Daniel Lafferty on building wood fired kilns based on Islamic architecture. He uses the squinch arch, which allows him to improvise kiln characteristics to meet the specific needs of the user. In his talk he discusses building without form work, the pros and cons of burying the majority of the kiln underground, and building with diatomaceous earth bricks. To find out more about Daniel visit www.daniellafferty.bigcartel.com. The lecture was given at the Cultural Confluence Wood Fire Symposium, held in Helena, MT in October 2018.
Hey Red Clay Rambler fans, I want to take a minute to talk to you about our sustaining membership program. As we head into 2019, I want to appeal to you directly to help us meet our new goal of having 120 patrons by April 1st. I'm asking you to make a $5 pledge today at patreon.com/redclayrambler. That's only $1.25 per episode to help me document the field of ceramics. This new goal will help me record interviews with Canadian artists on my upcoming trip in April. If you prefer you can make a one-time donation through the Pay Pal portal at www.talesofaredclayrambler.com. If you have been thinking about getting involved don't wait any longer. Every dollar helps, and no donation is too small. Thanks again for supporting the podcast!
Today on the Tales of a Red Clay Rambler Podcast I have a lecture from noted physicist and ceramic artist Hideo Mabuchi. He is currently working on a joint research project with Utah State University to better understand the behavior of iron in atmospheric kilns. In this lecture Hideo talks about the concept of vital materiality and his research into the unique colors that form when iron-bearing clays are reduction cooled. Hideo is a Professor of Applied Physics at Stanford University and was named a MacArthur Fellow in 2000 for his work using optical methods to understand quantum states. To find out more about Hideo visit www.firemouse.me. The lecture was given at the Cultural Confluence Wood Fire Symposium, held in Helena, MT in October 2018.
Hey Red Clay Rambler fans, I want to take a minute to talk to you about our sustaining membership program. As we head into 2019, I want to appeal to you directly to help us meet our new goal of having 120 patrons by April 1st. I'm asking you to make a $5 pledge today at patreon.com/redclayrambler. That's only $1.25 per episode to help me document the field of ceramics. This new goal will help me record interviews with Canadian artists on my upcoming trip in April. If you prefer you can make a one-time donation through the Pay Pal portal at www.talesofaredclayrambler.com. If you have been thinking about getting involved don't wait any longer. Every dollar helps, and no donation is too small. Thanks again for supporting the podcast!
Today on the Tales of a Red Clay Rambler Podcast I have a lecture from Catherine White. She talks about the intuitive process, where ideas come from and how they shift as they come to fruition. She also describes the development of her dust prints and the visual relationship between ceramic form and written language. To find out more about Catherine visit www.catherinewhite.com. The lecture was given at the Cultural Confluence Wood Fire Symposium, held in Helena, MT in October 2018.
Hey Red Clay Rambler fans, I want to take a minute to talk to you about our sustaining membership program. As we head into 2019, I want to appeal to you directly to help us meet our new goal of having 120 patrons by April 1st. I'm asking you to make a $5 pledge today at patreon.com/redclayrambler. That's only $1.25 per episode to help me document the field of ceramics. This new goal will help me record interviews with Canadian artists on my upcoming trip in April. If you prefer you can make a one-time donation through the Pay Pal portal at www.talesofaredclayrambler.com. If you have been thinking about getting involved don't wait any longer. Every dollar helps, and no donation is too small. Thanks again for supporting the podcast!
Today on the Tales of a Red Clay Rambler Podcast I have a mega panel discussion on the state of wood firing around the world. We start by talking about gender dynamics in the artists home countries before moving onto the environmental impact of firing and finding one's voice in the process. The panel features Lindsay Oesterritter (USA), Nancy Fuller (SCT), Robin Dupont (CAN), Zac Chalmers (AUS), Tristan Chambaud-Heraud (FRA), Shikamaru Takeshita (JPN), John Neely (USA), and Linda Lid (NOR). For more information on each artist visit www.culturalconfluencewoodfiresymposium.com/artists. The panel was recorded at the Cultural Confluence Wood Fire Symposium, held in Helena, MT in October 2018.
I want to send a special thank you to the Studio Potter Journal for sponsoring this episode of the podcast. Since 1972, the Studio Potter non-profit organization has promoted the discussion of technology, criticism, aesthetics, and history within the ceramic's community, through their semi-annual print and online journal. Many guests of this podcast have written for the journal and you can find those articles along with more information and more information about how to subscribe at www.studiopotter.org.
Today on the Tales of a Red Clay Rambler Podcast I have a lecture from Scott Ross about building large scale sculpture for wood kilns. He builds his work by ram casting laminated layers of solid clay, which he then manipulates into geometric forms. In the lecture he discusses ram casting forming methods and the logistics of moving a 900-pound piece into a kiln. Ross is an Assistant Professor of Sculpture at Linfield College in McMinnville, OR. For more information on Scott visit www.scottrossstudio.org. The lecture was given at the Cultural Confluence Wood Fire Symposium, held in Helena, MT in October 2018.
Hey Red Clay Rambler fans, I want to take a minute to talk to you about our sustaining membership program. As we head into 2019, I want to appeal to you directly to help us meet our new goal of having 120 patrons by April 1st. I'm asking you to make a $5 pledge today at patreon.com/redclayrambler. That's only $1.25 per episode to help me document the field of ceramics. This new goal will help me record interviews with Canadian artists on my upcoming trip in April. If you prefer you can make a one-time donation through the Pay Pal portal at www.talesofaredclayrambler.com. If you have been thinking about getting involved don't wait any longer. Every dollar helps, and no donation is too small. Thanks again for supporting the podcast!
Today on the Tales of a Red Clay Rambler Podcast I have a lecture from John Neely about the evolution of the Train Kiln. Neely developed this unique style of wood burning kiln to achieve similar aesthetics to Japanese Anagama. Neely's design however is easier to build and more environmentally friendly, generating heavy ash surfaces using less wood and man power than a tube kiln. Neely is a Professor of Art at Utah State University. For more information on John visit www.usu.edu. The lecture was given at the Cultural Confluence Wood Fire Symposium, held in Helena, MT in October 2018.
Hey Red Clay Rambler fans, I want to take a minute to talk to you about our sustaining membership program. As we head into 2019, I want to appeal to you directly to help us meet our new goal of having 120 patrons by April 1st. I'm asking you to make a $5 pledge today at patreon.com/redclayrambler. That's only $1.25 per episode to help me document the field of ceramics. This new goal will help me record interviews with Canadian artists on my upcoming trip in April. If you prefer you can make a one-time donation through the Pay Pal portal at www.talesofaredclayrambler.com. If you have been thinking about getting involved don't wait any longer. Every dollar helps, and no donation is too small. Thanks again for supporting the podcast!
Today on the Tales of a Red Clay Rambler Podcast I have a lecture from George McCauley. Over his 50-year career he has made pottery, mixed media sculpture, and metal work, as well as being a cowboy, carpenter and movie producer. His self-described "casual" approach to art making highlights the emotive quality of gestural mark making and loose brushwork. In this lecture he talks about his experience with low fire wood firing. For more information on George visit www.georgeshouseofclay.com. The lecture was given at the Cultural Confluence Wood Fire Symposium, held in Helena, MT in October 2018.
Hey Red Clay Rambler fans, I want to take a minute to talk to you about our sustaining membership program. As we head into 2019, I want to appeal to you directly to help us meet our new goal of having 120 patrons by April 1st. I'm asking you to make a $5 pledge today at patreon.com/redclayrambler. That's only $1.25 per episode to help me document the field of ceramics. This new goal will help me record interviews with Canadian artists on my upcoming trip in April. If you prefer you can make a one-time donation through the Pay Pal portal at www.talesofaredclayrambler.com. If you have been thinking about getting involved don't wait any longer. Every dollar helps, and no donation is too small. Thanks again for supporting the podcast!
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