Tape Notes

Thanks to SoundBetter for supporting this episode of Tape Notes.

SoundBetter is the world's leading music production talent marketplace, giving you access to the best mixing & mastering engineers, singers, songwriters, producers, and studio musicians in the industry. You can work with Billie Eilish's drummer, U2's mix engineer, or hire the topliners that wrote on the latest BTS record, these pros are keen to work with Indy artists.

Head to SoundBetter.com to find out more.

In this episode, John is back at Spitfire Audio to reunite with Matty and George of The 1975, to talk about how they wrote, recorded and produced the album ‘Being Funny in a Foreign Language’.

Digging into stems, demos and the musical moments that inspired their writing, Matty and George give us a full behind-the-scenes tour of their creative process, sharing stories of very last-minute album additions and the unreleased songs that might one day be on a 1975 record.

As well as tales from the studio working with producer Jack Antonoff, the pair reveal the tricks they used to create and record some of the most unique sounds and performances on the album, from constructing vast textures of only organic keyboard sounds to Googling the gear and instruments other people use.

Listen to find out how simply soloing individual parts can lead to breakthrough moments when writing, the one scale you need to learn to play any 1975 song, and why Matty has now fully embraced his northern accent when singing.

Tracks discussed: Part of the Band, The 1975, Happiness, When We Are Together

LINKS TO EVERYTHING TAPE NOTES  

linktr.ee/tapenotes 

Listen to ‘Being Funny in a Foreign Language’ here. 

• Dirty Hit

Intro Music - Sunshine Buddy, Laurel Collective - https://songwhip.com/laurelcollective/sunshinebuddy   

GEAR MENTIONS

Gibson ES-330 Guitar

Roland JV-1080

Yamaha CP80 

Yamaha CP-70B

Plugin Alliance Brainworx Focusrite CS

Chandler TG Channel

Korg M1

DynaCord Digital Echo

Binson Echorec

WEM Copicat Tape Echo 

Roland RE-201 Space Echo

Philips Philicorda

Harmonium

ProTools 

Ableton

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If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) 

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Discord: Tape Notes

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HELP SUPPORT THE SHOW

If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) 

Donate

TAPE NOTES TEAM

Will Brown - Executive Producer, Engineer & Editor

Tim Adam-Smith - Executive Producer

Will Lyons - Editor

Herbie Elton-Rowley - Videographer

Nathan Hetherington - PR

Rebecca Ibbotson - Digital Marketing

Learn more about your ad choices. Visit megaphone.fm/adchoices

In this very special live episode in partnership with AIM, MPG and Transgressive, John is joined by Let’s Eat Grandma’s Rosa Walton and producer David Wrench at Signature Brew to talk about how they wrote, recorded and produced the band’s third album ‘Two Ribbons’.

Taking us back to the album’s very beginnings, Rosa and David chart each song’s development, from early bedroom demos complete with mumble melodies and simple energy building tricks, to lyrics finished on the day of recording and adding surprising instruments that bring that extra glitter to their music.

Discussing the way in which the band’s creative process has changed in parallel with their different life experiences, the pair share their thoughts on wanting to take on separate subjects and their methods of unifying them into a singular sonic world.

Listen to find out how to approach a breakup song before you’ve broken up, why sometimes you don’t need to worry about microphones and how many chillies were unknowingly consumed in the making of this album.

Unfortunately, we had a few technical difficulties with the recording and so the sound quality isn’t up to our usual standard, but we hope you enjoy this deep dive into the album nonetheless.

Tracks discussed: Levitation, Sunday, Hall of Mirrors

LINKS TO EVERYTHING TAPE NOTES 

linktr.ee/tapenotes 

Listen to ‘Two Ribbons’ here.

‘Two Ribbons’ - Transgressive

Intro Music - Sunshine Buddy, Laurel Collective

GEAR MENTIONS

Arturia ARP 2600 V 

Arturia Plugins

Moog One

Elka Synthex

BOSS DR-100 “Dr. Rhythm” Analog Drum Machine

Roland TR-808

Sequential Prophet 

Neumann TLM 47 

Fender Stratocaster 

Gibson Guitars

Mellotron

Bell Tree

Ableton - Granulator Plugin

Logic Pro X  

OUR GEAR

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HELP SUPPORT THE SHOW

If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) 

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For behind the scenes photos and the latest updates, make sure to follow us on: 

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Discord: Tape Notes

To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! 

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TAPE NOTES TEAM

Will Brown - Executive Producer, Engineer & Editor

Tim Adam-Smith - Executive Producer

Will Lyons - Editor

Herbie Elton-Rowley - Videographer

Andrew Tindall (Roam Film) - Videographer

Nathan Hetherington - PR

Rebecca Ibbotson - Digital Marketing

Learn more about your ad choices. Visit megaphone.fm/adchoices

Thanks to SoundBetter for supporting this episode of Tape Notes.

SoundBetter is the world's leading music production talent marketplace, giving you access to the best mixing & mastering engineers, singers, songwriters, producers, and studio musicians in the industry. You can work with Billie Eilish's drummer, U2's mix engineer, or hire the topliners that wrote on the latest BTS record, these pros are keen to work with Indy artists.

Head to SoundBetter.com to find out more.

In this milestone 100th episode of Tape Notes, John is joined by the Finneas at Lightship95 Studio, to talk about how he wrote, recorded and produced his album ‘Optimist’ and his new single ‘Mona Lisa Mona Lisa’.

Reflecting on the fluidity of his writing process, Finneas talks us through the varied methods and circumstances in which his tracks took shape, from the very first synth sounds that kick-started ideas, to the detailed sonic decisions that helped each element work towards a cohesive goal.

Alongside the production masterclass, Finneas looks back on his career so far, discussing his family’s involvement with his music and the impact they’ve had on his creativity. We hear stories from the early days of making music videos with his mum, vocal mic shootouts with Billie, and the essential advice that he still lives by.

Listen to find out why mediocrity isn’t a bad thing, how finishing a song isn’t too dissimilar to finishing a meal, and why the correct way to do something isn’t always the correct way.

Tracks discussed: How It Ends, Medieval, Mona Lisa Mona Lisa

LINKS TO EVERYTHING TAPE NOTES 

linktr.ee/tapenotes  

Listen to ‘Optimist’ here.

Listen to ‘Mona Lisa Mona Lisa’ here.

OYOY Inc, Interscope Records

Intro Music - Sunshine Buddy, Laurel Collective.

GEAR MENTIONS

Arturia Farfisa

Output Analogue Strings

FabFilter Twin 2

Spectrasonics Trilian

Spectrasonics Omnisphere

Soundtoys Decapitator

Soundtoys Little AlterBoy

Soundtoys Tremolator

Antares Autotune

Native Instruments Bundle

Native Instruments Massive

Valhalla Room

Neumann TLM103

Chandler REDD

Telefunken ELA M 251

Audio Technica AT2020

Shure SM7B

Shure SM57

M-Audio Venom

Sequential Prophet X

Novation UltraNova Synth

Elektron Synth

Fender Acoustasonic

Tube-Tech CL1B Compressor

Cloud Microphones Cloudlifter

Sweetwater Best Seller List

Ableton

Logic Pro

Logic - Compressor Plugin

OUR GEAR

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KEEP UP TO DATE

For behind the scenes photos and the latest updates, make sure to follow us on: 

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Facebook: @tapenotespodcast  

YouTube: Tape Notes Podcast

Discord: Tape Notes

To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! 

Visit our website to join our mailing list: www.tapenotes.co.uk 

HELP SUPPORT THE SHOW

If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) 

Donate

TAPE NOTES TEAM

Will Brown - Executive Producer, Engineer & Editor

Tim Adam-Smith - Executive Producer

Will Lyons - Editor

Herbie Elton-Rowley - Videographer

Rob Leedell - Camera Assistant and Photographer

George Durston - Production Assistant

Nathan Hetherington - PR

Rebecca Ibbotson - Digital Marketing 

Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, John heads to Fiction Studios to catch up with Jon and Alex of Everything Everything to talk about how they wrote, recorded and produced the album ‘Raw Data Feel’.

Taking us through the very first scraps of ideas, Jon and Alex pull apart the elements within each demo they often endeavour to carry into the final songs, from the qualities found within their raw desk mixes to the hidden melodies that end up pulling a whole track together.

Alongside Jon’s tips on writing to suit different people’s vocal ranges and Alex’s deep dive into his modular synth collection, we’re given a glimpse into the influence and use of AI on the album, including a sneak peek at the lyrics generated when a system is fed with text from Beowulf, Tumblr feeds and the LinkedIn T&Cs.

Listen to find out how a studio clean out led to a slide guitar feature, why limitation is such a useful tool and what to start cutting out when you’re bored with a track.

Tracks discussed: Jennifer, Leviathan, Software Greatman

Listen to ‘Raw Data Feel’ here.

‘Raw Data Feel’ - Infinity Industries LLP, AWAL Recordings Ltd

Intro Music - Sunshine Buddy, Laurel Collective

LINKS TO EVERYTHING TAPE NOTES 

https://linktr.ee/tapenotes 

GEAR MENTIONS

Linnstrument

Roli Seaboard

Verbos Sequencer

Verbos Electronics

Verbos Harmonic Oscillator

SOMA Pulsar 23

Cwejman S1

Cwejman MMF 2 Filter

Zoom 4040 Pedal

Metal Zone Pedals

Valhalla Reverbs

Neumann U67

Ableton - CV Tools

Ableton

OUR GEAR

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KEEP UP TO DATE

For behind the scenes photos and the latest updates, make sure to follow us on: 

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Twitter: @tapenotes 

Facebook: @tapenotespodcast  

YouTube: Tape Notes Podcast

Discord: Tape Notes

To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! 

Visit our website to join our mailing list: www.tapenotes.co.uk 

HELP SUPPORT THE SHOW

If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) 

Donate

TAPE NOTES TEAM

Will Brown - Executive Producer, Engineer & Editor

Tim Adam-Smith - Executive Producer

Will Lyons - Editor

Herbie Elton-Rowley - Videographer

George Durston - Production Assistant

Nathan Hetherington - PR

Rebecca Ibbotson - Digital Marketing

Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, John links up with Lykke Li and producer Bjorn Yttling to talk about how they wrote, recorded and produced Lykke’s latest album ‘EYEYE’.

Digging into the truly multi-dimensional record, Lykke and Bjorn look back on their process of creating the sonic world in which the tracks all live, from finding different angles to songs by playing them on different instruments, to the breakthrough moments in the studio when an idea just unlocks.

Alongside sharing thoughts on feeling the beat and what makes a very Swedish sounding riff, the conversation turns to Lykke’s start in music, the star quality she possessed that drew Bjorn to her despite some vocal and songwriting flaws, and the constant resistance she faces as an artist.

Listen to why condoms can be helpful tools when micing up, what headphone-phobia does to your recordings, and how to truly tap into the divine within music.

Tracks discussed: OVER, CAROUSEL, u&i

Listen to ‘EYEYE’ here.

'EYEYE' - Play It Again Sam/Crush Music

Intro Music - Sunshine Buddy, Laurel Collective

LINKS TO EVERYTHING TAPE NOTES 

https://linktr.ee/tapenotes 

GEAR MENTIONS

Soundtoys Microshift

Shure SM58

AKG D190e

Soma Synths The Pipe

Casio 101

Moog Rogue

Crumar String Synth

Levin Guitars

Hagstrom Amps

Roland Amp (Battery Operated)

OUR GEAR

https://linktr.ee/tapenotes_ourgear 

HELP SUPPORT THE SHOW

If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) 

Donate

KEEP UP TO DATE

For behind the scenes photos and the latest updates, make sure to follow us on: 

Instagram: @tapenotes 

Twitter: @tapenotes 

Facebook: @tapenotespodcast  

YouTube: Tape Notes Podcast

Discord: Tape Notes

To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! 

Visit our website to join our mailing list: www.tapenotes.co.uk 

TAPE NOTES TEAM

Will Brown - Executive Producer, Engineer & Editor

Tim Adam-Smith - Executive Producer

Will Lyons - Editor

Herbie Elton-Rowley - Videographer

George Durston - Production Assistant

Nathan Hetherington - PR

Rebecca Ibbotson - Digital Marketing 

Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, John is back at Spitfire Audio to catch up with Yannis and Jimmy of Foals, to discuss how they wrote, recorded and produced their new album ‘Life Is Yours’.

Giving us a fascinating insight into their process and how they adapted it for their current 3 piece line up, the pair look back on how they kept their creativity organic and spontaneous, as well as the impact of each new producer along the way.

With writing-room demos and plenty of stories from the studio, we’re given a full rundown of the elements that went into shaping the band’s updated sound, from the list of keywords they wrote before even playing a note through to the almost hour-long jams. 

Listen to find out how they sneak discarded ideas back in to the lives show, why it’s so important for the groove of a song to be set before anything else, and what producers often do to keep their production secrets under wraps.

Tracks discussed: Wild Green, 2001

Listen to ‘Life Is Yours’ here

‘Life Is Yours’- Warner Music UK

Intro Music - Sunshine Buddy, Laurel Collective

LINKS TO EVERYTHING TAPE NOTES 

https://linktr.ee/tapenotes  

GEAR MENTIONS

Electro Harmonix POG Pedal

Prometheus DLX Resonant Filter

Strymon Pedal

Roland Jupiter 4

Korg Minilogue

Sequential Mopho

Travis Bean Guitars 

Gibson Hollowbody Bass

Selmer Zodiac Amp

Leslie Rotary Speaker

Reaper

OUR GEAR

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HELP SUPPORT THE SHOW

If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) 

Donate

KEEP UP TO DATE

For behind the scenes photos and the latest updates, make sure to follow us on: 

Instagram: @tapenotes 

Twitter: @tapenotes 

YouTube: Tape Notes Podcast

Facebook: @tapenotespodcast  

Discord: Tape Notes

To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! 

Visit our website to join our mailing list: www.tapenotes.co.uk 

TAPE NOTES TEAM

Will Brown - Executive Producer, Engineer & Editor

Tim Adam-Smith - Executive Producer

Will Lyons - Editor

Herbie Elton-Rowley - Videographer

George Durston - Assistant

Nathan Hetherington - PR

Rebecca Ibbotson - Digital Marketing 

Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, John heads over to Spitfire Audio to chat with Mahalia and producer JD. Reid about how they wrote, recorded and produced the EP ‘Letter To Ur Ex’.

Looking back on their early writing sessions together, the pair reflect on their very first meeting and the approach they took to get the best out of one another. From scatting line after line over a beat and jamming ideas until something just sticks, to the promise of food as a reward for finishing each section of a song.

Alongside sharing their thoughts on blending the worlds of hip-hop and R&B, we’re treated to a production deep dive, looking at the intricate relationships between the parts that make up a beat and the small yet essential ingredients that add so much to each track in such subtle ways.

Listen to find out why Mahalia sometimes sings with a man’s voice, what moments just scream out for a Talk Box, and why it’s always important to look at a track as more than just an instrumental and vocal.

Tracks discussed: Letter To Ur N(ex)t, Whatever Simon Says, In The Club

Listen to ‘Letter To Ur Ex’ here.

‘Letter To Ur Ex’ - Warner Music UK

Intro Music - Sunshine Buddy, Laurel Collective

LINKS TO EVERYTHING TAPE NOTES 

https://linktr.ee/tapenotes 

GEAR MENTIONS

Wavesfactory Cassette Tape Saturation

Goodhertz Lossy

Spectrasonics Omnisphere

Arturia CS80

Arturia Mellotron

Arturia Juno Chorus 

Antares Autotune

Keyscape Rhodes

UAD Empirical Labs Distressor

UAD Empirical Labs Pultec

Universal Audio Apollo Twin (JD’s Interface)

Native Instruments Rickenbacker Bass

Native Instruments Reaktor

Native Instruments Kontakt

Valhalla Reverbs

Valhalla Shimmer

Spitfire Strings

Spitfire Audio

Talk Box

MicroKorg

Shure SM7B

Splice

Logic Pro

OUR GEAR

https://linktr.ee/tapenotes_ourgear 

HELP SUPPORT THE SHOW

If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) 

Donate

KEEP UP TO DATE

For behind the scenes photos and the latest updates, make sure to follow us on: 

Instagram: @tapenotes 

Twitter: @tapenotes 

YouTube: Tape Notes Podcast

Facebook: @tapenotespodcast 

Discord: Tape Notes

To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! 

Visit our website to join our mailing list: www.tapenotes.co.uk 

TAPE NOTES TEAM

Will Brown - Executive Producer, Engineer & Editor

Tim Adam-Smith - Executive Producer

Will Lyons - Editor

Herbie Elton-Rowley - Videographer

George Durston - Assistant

Nathan Hetherington - PR

Rebecca Ibbotson - Digital Marketing 

Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, John links up with Chaz Bear, the mind behind Toro y Moi, to talk about how he wrote, recorded and produced the album ‘MAHAL’.

Digging into jam sessions dating back to 2015 with all of the original recordings to hand, Chaz gives us the lowdown on how his musical ideas formulate, and the simple yet impactful journey they undertake to arrive as fully fleshed out tracks.

Reflecting on life as an all-round creative, Chaz looks back on how he got started in music, from the early days using his parent's karaoke machine, to the importance of community and collaboration in today's music world.

Listen to find out what in The Godfather had such a huge influence on a song, why it’s so difficult to create completely emotionless performances, and how to fearlessly explore ideas in your music.

Tracks discussed: Déjà Vu, Magazine, The Loop

Listen to ‘MAHAL’ here.

‘MAHAL’ - Dead Oceans

Intro Music - Sunshine Buddy, Laurel Collective

LINKS TO EVERYTHING TAPE NOTES 

https://linktr.ee/tapenotes 

GEAR MENTIONS

Shure SM7B

Shure SM57

Neumann Mics

API Channel Strip

Hofner Bass

Reason

Ableton

FL Studio

Fostex Multitracker

Wurlitzer Piano

OUR GEAR

https://linktr.ee/tapenotes_ourgear 

HELP SUPPORT THE SHOW

If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) 

Donate

KEEP UP TO DATE

For behind the scenes photos and the latest updates, make sure to follow us on: 

Instagram: @tapenotes 

Twitter: @tapenotes 

Facebook: @tapenotespodcast  

YouTube: Tape Notes Podcast

Discord: Tape Notes

To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! 

Visit our website to join our mailing list: www.tapenotes.co.uk 

TAPE NOTES TEAM

Will Brown - Executive Producer, Engineer & Editor

Tim Adam-Smith - Executive Producer

Will Lyons - Editor

Herbie Elton-Rowley - Videographer

George Durston - Assistant

Nathan Hetherington - PR

Rebecca Ibbotson - Digital Marketing 

Learn more about your ad choices. Visit megaphone.fm/adchoices

Thanks to SoundBetter for supporting this episode of Tape Notes.

SoundBetter is the world's leading music production talent marketplace, giving you access to the best mixing & mastering engineers, singers, songwriters, producers, and studio musicians in the industry. You can work with Billie Eilish's drummer, U2's mix engineer, or hire the topliners that wrote on the latest BTS record, these pros are keen to work with Indy artists.

Head to SoundBetter.com to find out more.

In this episode, John links up with Harley Streten, better known as Flume, to talk through how he wrote, recorded and produced the four opening tracks from his mixtape and three albums - ‘Flume’, ‘Skin’, ‘Hi This Is Flume’ and ‘Palaces’.

Digging out files from sessions dating back to his early adventures travelling around Europe, Harley gives us a rundown on some of the key parts of his life in music and how his approach to producing has changed over the years. From his early days using cereal box software to his approach to fixing writer’s block and the mental strain of life in music.

As well as the long list of failed experiments that never made the final tracks, we’re given a full tour of the painstaking tweaks and subtle changes Harley teases into his work to humanise a production.

Listen to find out what question Harley always asks when visiting synth stores, why you shouldn’t be afraid to rip off other people, and what some of the key elements to consider are when navigating success.

Tracks discussed: Sintra, Helix, Hi This Is Flume, Highest Building

Listen to ‘Palaces’ here. 

Listen to ‘Skin’ here.

Listen to ‘Flume’ here.

Listen to ‘Hi This Is Flume’ here.

Future Classic, Transgressive Records Ltd

Intro Music - Sunshine Buddy, Laurel Collective

LINKS TO EVERYTHING TAPE NOTES 

https://linktr.ee/tapenotes 

GEAR MENTIONS

Sonic Charge Synplant

Vengeance Vocal Pack

Native Instruments Razor Synth

Native Instruments Reaktor

Elektron Monomachine

Reason

FL Studio

Cubase

Ableton

OUR GEAR

https://linktr.ee/tapenotes_ourgear 

HELP SUPPORT THE SHOW

If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) 

Donate

KEEP UP TO DATE

For behind the scenes photos and the latest updates, make sure to follow us on: 

Instagram: @tapenotes 

Twitter: @tapenotes 

Facebook: @tapenotespodcast  

YouTube: Tape Notes Podcast

Discord: Tape Notes

To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! 

Visit our website to join our mailing list: www.tapenotes.co.uk 

TAPE NOTES TEAM

Will Brown - Executive Producer, Engineer & Editor

Tim Adam-Smith - Executive Producer

Will Lyons - Editor

Herbie Elton-Rowley - Videographer

George Durston - Production Assistant

Nathan Hetherington - PR

Rebecca Ibbotson - Digital Marketing 

Learn more about your ad choices. Visit megaphone.fm/adchoices

Thanks to SoundBetter for supporting this episode of Tape Notes.

SoundBetter is the world's leading music production talent marketplace, giving you access to the best mixing & mastering engineers, singers, songwriters, producers, and studio musicians in the industry. You can work with Billie Eilish's drummer, U2's mix engineer, or hire the topliners that wrote on the latest BTS record, these pros are keen to work with Indy artists.

Head to SoundBetter.com to find out more.

In this episode, John heads to Miloco’s The Yard Studios to catch up with The Chainsmokers, Alex and Drew, talking through how they wrote, recorded and produced their latest album ‘So Far, So Good’.

Giving us a glimpse into their Hawaii writing sessions and drunken nights in the studio, the duo share the initial sparks and early ideas (both good and not so good) that developed into the final tracks. 

As well as a beat building masterclass, creating drum patterns that no one would ever think up, the pair reflect on removing any pressure from their writing process and the impact it had on their creativity.

Listen to find out how to get away with recycling beats from different songs, why sometimes it pays to be the least organised producer in the game, and what the best question to ask yourself is in order to handle almost every situation.

Tracks discussed: If You’re Serious, iPad, I Love U

Listen to ‘So Far, So Good’ here.

‘So Far, So Good’ - Disruptor Records/Columbia Records

Intro Music - Sunshine Buddy, Laurel Collective 

LINKS TO EVERYTHING TAPE NOTES 

https://linktr.ee/tapenotes 

GEAR MENTIONS

Arturia Analogue Lab

Arturia Plugins

Antares Auto-Tune 

iZotope Trash 2

Output REV

Output EXHALE

Output SIGNAL

Soundtoys AlterBoy

U-He Diva

Xfer LFO Tool

Zynaptiq Pitchmap

Native Instrument FM8 Synth

Apogee Duet Interface

Apogee Symphony Interface

Neumann Mics

Telefunken Mics

Gibson Les Paul

Yamaha Baby Grand Piano

Mason Hamlin Piano

Nord Keyboards

Steinway Pianos

OUR GEAR

https://linktr.ee/tapenotes_ourgear 

HELP SUPPORT THE SHOW

If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) 

Donate

KEEP UP TO DATE

For behind the scenes photos and the latest updates, make sure to follow us on: 

Instagram: @tapenotes 

Twitter: @tapenotes 

Facebook: @tapenotespodcast  

YouTube: Tape Notes Podcast

Discord: Tape Notes

To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! 

Visit our website to join our mailing list: www.tapenotes.co.uk 

TAPE NOTES TEAM

Will Brown - Executive Producer, Engineer & Editor

Tim Adam-Smith - Executive Producer

Will Lyons - Editor

Herbie Elton-Rowley - Videographer

Sam Nahirny - Photographer and Camera Assistant

George Durston - Production Assistant

Nathan Hetherington - PR

Rebecca Ibbotson - Digital Marketing 

Learn more about your ad choices. Visit megaphone.fm/adchoices