Tape Notes

John is joined by English musician, songwriter, producer and DJ Emma-Jean Thackray to talk about how she wrote, recorded and produced the album Weirdo.

Emma-Jean Thackray is a musical polymath whose creative approach was shaped by playing in brass bands as a child in West Yorkshire and studying jazz composition and performance at university. Her 2021 debut album 'Yellow' topped the UK Jazz Albums Chart and won Jazz FM Album of the Year. Her second album, 'Weirdo', followed in 2025 and was nominated for that year’s Mercury Prize. Entirely written, recorded, performed and produced by Emma-Jean, the record ultimately became a deeply personal grief diary following the sudden death of her partner.

Sitting down at Strongroom Studios in London, Emma-Jean and John delve into how to make yourself like a whole band when you’re just one artist in a room, including layering and techniques for vocal recording and processing. Emma-Jean talks about exploring death and grief musically on ‘Maybe Nowhere’, being a perfectionist, and why a distortion pedal is the most highly insured piece she owns!

Tracks discussed: Wanna Die, Save Me, Maybe Nowhere

TAPE IT

Thanks to our friends at Tape It for supporting the podcast.

Visit tape.it/tapenotes or use the promo code TAPENOTES in the app to get 20% off.

Recorded at Strongroom Studios

QUBE

Find out more about Qube membership here.

MAKE NOISE PRO AUDIO

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LISTEN to ‘Weirdo’ here - https://lynkify.in/album/weirdo/XTgkV1p8 

Warner Music UK Limited and Brownswood Music Limited

LINKS TO EVERYTHING TAPE NOTES  

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Intro Music - Sunshine Buddy, Laurel Collective

GEAR MENTIONS

Valhalla Super Massive

Valhalla Plugins

Prophet 5 V Soft Synth

dbx 160 Compressor

Telefunken ELA M Mic

Moog

Ampeg Bass Amp

Fender P-Bass

Bidirectional Ribbon Mics (Coles 4038)

Boss RE202 Space Echo

Fender Semi Hollow Telecaster

Fender Blues Junior

Roland SH-101

Fender Rhodes

Neve 1073 Clone

OUR GEAR

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HELP SUPPORT THE SHOW

If you'd like to help support the show you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns.

KEEP UP TO DATE

For behind the scenes photos and the latest updates, make sure to follow us on: 

Instagram: @tapenotes 

YouTube: Tape Notes Podcast

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To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! 

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John sits down with Artemas and producer Toby Daintree to discuss how they wrote, recorded and produced the album ‘LOVERCORE’.

Artemas is an English artist and producer. As a teenager he taught himself music production and soon began releasing his dark, alternative pop music, inspired by grunge and new wave sounds. The viral hit ‘if u think i’m pretty’, released in 2024, made him a global star and he released mixtapes ‘pretty’ and ‘yustyna’ the same year. 2024 also saw Artemas’s second viral success with ‘i like the way you kiss me’, which was number one in eight countries. Artemas’s fourth release, ‘LOVERCORE’, with longtime collaborator and producer Toby Daintree, arrived in October 2025.

In this episode, John is joined by Artemas and Toby Daintree at Baltic Studios. The trio discuss techniques for processing vocals and samples. They reveal their top plugins and other software they use to create Artemas’s distinctive sound. They also break down the track ‘i like the way you kiss me’ from its earliest beginnings to Tiktok viral hit.

Tracks discussed:  if u think i'm pretty, I like the way you kiss me, take it easy on me

TAPE IT

Thanks to our friends at Tape It for supporting the podcast.

Visit tape.it/tapenotes or use the promo code TAPENOTES in the app to get 20% off.

Recorded at Baltic Studios.

MUSIVERSAL

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LISTEN to ‘Lovercore’ here.

‘Artemas’

LINKS TO EVERYTHING TAPE NOTES  

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Intro Music - Sunshine Buddy, Laurel Collective - https://lynkify.in/song/sunshine-buddy/YT47TLFI 

GEAR MENTIONS

SoundToys Decapitator

SoundToys Echoboy

Waves Vocal Doubler

Slate Digital Fresh Air

Zynaptiq Pitchmap

Oeksound Soothe 2

Xfer Serum

Arturia Mello-Fi

UAD SSL Bus Compressor

UAD Moog Minimoog

UAD PolyMAX

UAD Brigade Chorus

UA Apollo

XLN Audio RC-20

Sonic Academy ANA 2.5 Software Synthesizer

Omnisphere

PORTAL by Output

Telefunken ELA M251E

Fender Rhodes

Sequential Prophet

Korg Opsix

Neumann TLM 103

Genelec 8010

CapCut

Ableton Live

OUR GEAR

https://linktr.ee/tapenotes_ourgear

HELP SUPPORT THE SHOW

If you'd like to help support the show you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns.

KEEP UP TO DATE

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We’ve been having a look back through the Tape Notes archive to bring back some of our favourite early episodes that you may have missed. This selection is our conversation with Rina Sawayama and producer Clarence Clarity.

EPISODE NOTES

In this episode, John catches up with Rina Sawayama and producer Clarence Clarity to talk about how they wrote, recorded and produced Rina’s debut album ‘Sawayama’.  

Diving deep into the almost 100 track sessions, Rina and Clarence reflect on how the album took shape, from writing demos in Rina’s bedroom to spending months in an LA studio. We hear the pair’s philosophies on creativity and the hustle of making it in the world of music, along with the secrets in crafting their fusion of R&B, noughties pop and nu-metal.  

Listen to find out why Rina tries includes at least 10 hooks in each song, how Clarence tried to match a trap beat to Rina’s mum’s Beethoven performance and which member of The 1975 made a secret appearance on the record. 

Tracks discussed: Dynasty, Love Me 4 Me, Snakeskin

LINKS TO EVERYTHING TAPE NOTES 

https://linktr.ee/tapenotes 

Listen to 'Sawayama' here.

'Sawayama' - Dirty Hit

Intro Music - Sunshine Buddy, Laurel Collective 

GEAR MENTIONS

Ableton

Sontronics Saturn

Soundelux U99

OUR GEAR

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HELP SUPPORT THE SHOW

If you'd like to help support the show you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns.

KEEP UP TO DATE

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To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! 

Visit our website to join our mailing list: www.tapenotes.co.uk

TAPE NOTES TEAM

John Kennedy

Will Brown 

Tim Adam-Smith 

Will Lyons 

Nico Varanese 

Guy Nicholls 

Jessica Clucas

Ali Lewis

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In this special Xmas episode, John is joined by Adam Buxton and producer Joe Mount to discuss how they wrote, recorded and produced the album Buckle Up.

Adam Buxton is a podcaster, actor, comedian and musician, best known for his long-running, award-winning Adam Buxton Podcast. Since launching in 2015, he’s become one of the UK’s most popular podcasters, with guests ranging from Paul McCartney to Tom Hanks. He’s also appeared in films including Hot Fuzz and Stardust, and published two acclaimed memoirs. With his popular jingles at the heart of segments on his podcast and mid-2000s radio show, Adam began work on his debut record Buckle Up in 2022, enlisting Metronomy’s Joe Mount as producer.

Sitting down at Strongroom Studios, Adam and Joe dig into the sounds and ideas behind Buckle Up, exploring how to balance comedy with more serious songwriting, and why stripping back production can help reveal something more authentic.

Tracks discussed: Dancing in The Middle, My Feelings, Skip This Track, Tea Towel

GEAR GIVEAWAY COMPETITION

Join the Christmas Giveaway on the Tape Notes Patreon Page

TAPE IT

Thanks to our friends at Tape It for supporting the podcast.

Visit tape.it/tapenotes or use the promo code TAPENOTES in the app to get 20% off.

QUBE

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MAKENOISE PRO AUDIO

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MUSIVERSAL

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LISTEN to ‘Buckle Up’ here: https://lynkify.in/album/buckle-up/RmIMrCSB 

Decca Records

LINKS TO EVERYTHING TAPE NOTES  

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Intro Music - Sunshine Buddy, Laurel Collective - https://lynkify.in/song/sunshine-buddy/YT47TLFI 

GEAR MENTIONS

The God Particle

Soniccouture

Native Instruments

Roland System 100

Yamaha NS-10 Speakers

Yamaha QY-20

Yamaha QY-70

Yamaha QY-100

Fender Stratocaster

Tupperware

Logic Pro

OUR GEAR

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HELP SUPPORT THE SHOW

If you'd like to help support the show you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns.

KEEP UP TO DATE

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To let us know the artists you’d like to hear, slide into our DMs, send us an email or even a letter. We’d love to hear! 

Visit our website to join our mailing list: www.tapenotes.co.uk

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John is joined by Haim and producer Rostam Batmanglij to discuss how they wrote, recorded and produced the album ‘I Quit’.

Haim are an American pop-rock band from Los Angeles, made up of multi-instrumentalist sisters Danielle, Este and Alana Haim. Playing together in their family band growing up, they formed Haim in 2007 and released their debut EP, ‘Forever’, in 2012. 

Their debut album, ‘Days Are Gone’, arrived in 2013 and earned them a Grammy nomination for Best New Artist. Their follow-up records, 2017’s ‘Something to Tell You’ and 2020’s ‘Women in Music Pt. III’, both received widespread critical acclaim, with ‘Women in Music Pt. III’ also securing a Grammy nomination for Album of the Year. Haim released their fourth album, ‘I Quit’, in June this year, once again collaborating with longtime producer Rostam.

In this episode, John is joined by Danielle and Rostam, from Rostam’s LA studio where much of the album was recorded. The trio discuss everything from garageband demos to recording and reamping drums, as well as techniques for producing Haim’s distinctive vocals and being influenced by multiple genres and sounds.

Tracks discussed: Relationships, Down to be wrong, Now it’s time, Everybody’s trying to figure me out

GEAR GIVEAWAY COMPETITION

Join the Christmas Giveaway on the Tape Notes Patreon Page

TAPE IT

Thanks to our friends at Tape It for supporting the podcast.

Visit tape.it/tapenotes or use the promo code TAPENOTES in the app to get 20% off.

QUBE

Get 20% off at Qube Studio: https://www.theqube.com/

MAKENOISE PRO AUDIO

Get 20% off all Franklin Audio products at https://makenoiseproaudio.com/

MUSIVERSAL

Skip the waitlist and get your discount HERE

LISTEN to ‘I Quit’ here: I quit by HAIM, 

Polydor Records

LINKS TO EVERYTHING TAPE NOTES  

linktr.ee/tapenotes 

Intro Music - Sunshine Buddy, Laurel Collective

GEAR MENTIONS

D16 Repeater Delay

Waves Soundshifter Plugin

E-Mu Emulator ii Vintage Synth

Solaris Synth

Universal Audio AMS-DMX

Roland Juno

Gretsch Round Badge Drums

Ludwig Steel Snare

SPL Transient Designer

Korg Trident

Eventide Harmonizer

UnderToneAudio Unfairchild

Korg A5 Multi-Effects Pedalboard

E-Bow

Oberheim OB-8 Synthesiser

Electro-Voice RE20

RCA KU-3A Vintage

Arturia Mellotron

GarageBand

OUR GEAR

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HELP SUPPORT THE SHOW

If you'd like to help support the show you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns.

KEEP UP TO DATE

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Patreon: Tape Notes

YouTube: Tape Notes Podcast

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To let us know the artists you’d like to hear, slide into our DMs, send us an email or even a letter. We’d love to hear! 

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John is joined by Parcels to discuss how they wrote, recorded and produced the album “LOVED”. 

Parcels are an Australian electropop band consisting of Jules Crommelin, Louie Swain, Noah Hill, Patrick Hetherington and Anatole Serret. After moving from Australia to Berlin, Parcels signed a deal with French label Kitsuné. However, it was their collaboration with seminal dance duo Daft Punk, who produced their 2017 single “Overnight”, that led to their breakthrough. Since then the band have released three studio albums, their self-titled debut in 2018, and the ambitious double LP ‘Day/Night’, in 2021. Parcels’ third album “LOVED”, released in September 2025, draws on the five-piece’s eclectic music taste, taking their signature disco sound in new directions. 

In this episode, John is joined by Jules and Patrick in LA. The trio discuss the band’s early years busking in Australia, being inspired by 2000s pop songs in their youth, Parcels’ techniques for creating their signature multi-track vocal harmonies and how their vocals and instrumentation are designed to make songs sound like memories. 

Tracks discussed: Tobeloved, Ifyoucall, Iwanttobeyourlightagain

TAPE IT

Thanks to our friends at Tape It for supporting the podcast.

Visit tape.it/tapenotes or use the promo code TAPENOTES in the app to get 20% off.

QUBE

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MAKENOISE PRO AUDIO

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MUSIVERSAL

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LISTEN to ‘LOVED’ HERE: LOVED by Parcels

‘ Because Music SAS’

LINKS TO EVERYTHING TAPE NOTES  

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Intro Music - Sunshine Buddy, Laurel Collective

GEAR MENTIONS

Korg M1 

Shure SM7B

Logic Pro

Wurlitzer

Moog Synth

Roland Juno

Neumann U87

Roland SH-101

Fender Rhodes

Critter & Guitari Organelle

Shure SM57

Neumann U67

Valhalla Reverbs

OUR GEAR

https://linktr.ee/tapenotes_ourgear

HELP SUPPORT THE SHOW

If you'd like to help support the show you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns.

KEEP UP TO DATE

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Visit our website to join our mailing list: www.tapenotes.co.uk

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John is joined by Scottish musician and producer Sam Gellaitry.

Described as “your favourite producer’s favourite producer”, Sam’s innovative, genre-blending electronic music and superb production skills have earned him a loyal fan following and industry respect over the past decade. 

Sam signed his first deal, with XL Recordings, at just 18. While early EPs were purely instrumental, Sam started to incorporate his own vocals on fifth EP, IV (2021). The track ‘Assumptions’ from the EP became his biggest hit to date, reaching No. 5 on the US Dance Chart. In 2022, Sam’s collaboration with Pink Pantheress, ‘Picture in my Mind’, brought him to mainstream attention. The same year, he released his mixtape VF VOL II and was named by EDM as one of the 10 best producers of the year. Sam has toured extensively with artists including Kaytranada and Justice whilst continuing to release singles and selling out a multiple-night residency at cult London club Phonox. Sam’s debut album, ‘ANYWHERE HERE IS PERFECT’ was released on 7th November 2025.

Sitting down at Baltic Studios in London, Sam talks John through how the gear he uses has evolved over the years and the bespoke approaches he takes to create his unique, 80s-influenced sound. Sam talks about how having synaesthesia (experiencing music as colours) since childhood has been central to his creative process, his techniques for producing vocals and string sounds on the album, and much more!

Tracks discussed: ON&ON, DON’T TRY, YOU MIGHT FIND THE ONE

Recorded at Baltic - Studio 1

TAPE IT

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LANDR 

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MUSIVERSAL

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LISTEN to ‘ANYWHERE HERE IS PERFECT’ here

LINKS TO EVERYTHING TAPE NOTES  

linktr.ee/tapenotes 

Intro Music - Sunshine Buddy, Laurel Collective

GEAR MENTIONS

Reason Studios

Ableton Live

Magix Acid Pro

Audacity

FL Studio

UVI Falcon

UVI Vintage Vault

NI Kontakt

RME Babyface

RME UFX ii

Shure SM58

Neve 1073

Brusfri Klevgrand

Neumann U87

Furman power supply

Antares Autotune

Klevgrand Korvpressor

Klevgrand De-Esser

Soundtoys Echoboy

Emu Emulator 2

Digitech Talker

Sequential OB-6

Moog One

Moog Matriarch

Fender Mustang

Fender Jaguar

Fender Mustang Bass

EastWest Quantum Leap

Virharmonic Bohemian Violin

OUR GEAR

https://linktr.ee/tapenotes_ourgear

HELP SUPPORT THE SHOW

If you'd like to help support the show you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns.

KEEP UP TO DATE

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Patreon: Tape Notes

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Visit our website to join our mailing list: www.tapenotes.co.uk

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John is joined by Kae Tempest and Fraser T. Smith to discuss how they wrote and recorded the album “Self-Titled”.

Kae Tempest is an English recording artist and author. He began his career performing at open mic nights around London, quickly gaining a reputation for his powerful lyrical performances blending rap and spoken word poetry. Between 2008 and 2012 he toured internationally with his band Sound of Rum, launching a solo career with debut album ‘Everybody Down’ in 2014. It and second album ‘Let Them Eat Chaos’, released in 2015, were both nominated for the Mercury Prize. Kae has since released three further solo albums, including BRIT Award-nominated ‘The Line Is A Curve’. Kae is widely recognised as one of the UK alternative scene’s most essential voices, acclaimed for his exceptional lyricism and acute social commentary. Both are particularly evident on his fifth studio album, ‘Self Titled’, released earlier this year. ‘Self-Titled’ is Kae’s first collaboration with multi-award winning UK producer, songwriter and musician Fraser T. Smith.

The trio sit down at Fraser’s studio, Utopia, where the album was written and recorded, to discuss developing creative harmony working together for the first time, the process of building a song using ProTools, the influence of drum textures and bass sounds on the record, how one creative choice can completely change the direction of a track and much more.

Tracks discussed: Statue In The Square, Forever, Till Morning

TAPE IT

Thanks to our friends at Tape It for supporting the podcast.

Visit tape.it/tapenotes or use the promo code TAPENOTES in the app to get 20% off.

LANDR 

Get 20% off LANDR Distribution and Studio at landr.com/tapenotes

MUSIVERSAL

Skip the waitlist and get your discount HERE

LISTEN to ‘Self Titled’ here - Self Titled by Kae Tempest

LINKS TO EVERYTHING TAPE NOTES  

linktr.ee/tapenotes 

Intro Music - Sunshine Buddy, Laurel Collective - https://lynkify.in/song/sunshine-buddy/YT47TLFI 

GEAR MENTIONS

Ableton Live

Avid Pro Tools

Soundtoys Phase Mistress

Valhalla reverb

XLN RC-20 Retro Colour

Akai MPC4000

Akai MPC-X

Steven Slate Trigger

Oeksound Soothe 2

Soundtoys FilterFreak

AMS RMX16

Roland SH-101

Boss RE-202 Space Echo Pedal

Moog Voyager

Soundtoys Decapitator

Pultec EQP-1A

Mellotron

Shure SM7B

Manley Gold microphone

Tubetech CL 1B

Undertone Audio Unfairchild

Eventide H3000 Harmoniser

Eventide MicroPitch

Undertone Audio MPDI-4

Waves H-Delay

OUR GEAR

https://linktr.ee/tapenotes_ourgear

HELP SUPPORT THE SHOW

If you'd like to help support the show you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns.

KEEP UP TO DATE

For behind the scenes photos and the latest updates, make sure to follow us on: 

Instagram: @tapenotes 

YouTube: Tape Notes Podcast

Patreon: Tape Notes

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To let us know the artists you’d like to hear, slide into our DMs, message us on Patreon, send us an email or even a letter. We’d love to hear! 

Visit our website to join our mailing list: www.tapenotes.co.uk

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John is joined by Hayley Williams and producer Daniel James to discuss how they wrote and recorded the album ‘Ego Death At A Bachelorette Party’. 

Hayley Williams is an American pop-punk and rock musician. She began writing songs in her early teens, signing a deal with Atlantic Records at just 15 years old. The label wanted her to be a solo artist, but Hayley had other ideas, instead forming the band Paramore with three school friends. Paramore released their first album ‘All We Know Is Falling’ when Hayley was still only 16. They quickly built a loyal fanbase as audiences resonated with the energy and passion in their music. The band went on to release five more albums and win numerous awards including three Grammys. In 2020 Hayley released her first, highly acclaimed solo album ‘Petals for Armor’. Sophomore album ‘FLOWERS for VASES/descansos’ followed in 2021 to further critical praise. ‘Ego Death At A Bachelorette Party’, released in August this year on Hayley’s own label Post Atlantic, is her third collaboration with musician, producer and longtime friend Daniel James.

In this episode, Hayley and Daniel sit down with John at Platoon Studios to discuss how it felt setting out to record songs without an album in mind, how writing solo music differs from writing for Paramore for Hayley, the record’s diverse influences, the vocal recording techniques they used and much more. 

Tracks discussed: Kill Me, Love Me Different, Parachute

TAPE IT

Thanks to our friends at Tape It for supporting the podcast.

Visit tape.it/tapenotes or use the promo code TAPENOTES in the app to get 20% off.

LANDR 

Get 20% off LANDR Distribution and Studio at landr.com/tapenotes

MUSIVERSAL

Skip the waitlist and get your discount HERE

LISTEN to ‘Ego Death At A Bachelorette Party’ here: Ego Death At A Bachelorette Party by Hayley Williams

LINKS TO EVERYTHING TAPE NOTES  

linktr.ee/tapenotes 

Intro Music - Sunshine Buddy, Laurel Collective

GEAR MENTIONS

Portal - granular synthesis engine

Apple Logic Pro

Apple Logic Pro Retrosynth (stock plugin)

Arturia Mellotron

Stellar Echo SD-201

Valhalla VintageVerb

UAD Capitol Chambers

Soundtoys Phase Mistress

Remo drums

Output Arcade

Soundtoys Microshift

Neural DSP

Shure SM7 mic

Neumann U67 mic

Avid Pro Tools Studio

Taylor GS Mini acoustic guitar

Gibson Les Paul Junior 1959

Thermal by Output

Fender Rhodes electric piano plugin

Teletone

Roland Juno 106

Akai MPC 3000

Splice sample library

Astra by Splice

E-Bow for guitar

Neve 1073LB

UAD Urei 1176

Korg MS20

Sequential Circuits Prophet 5

OUR GEAR

https://linktr.ee/tapenotes_ourgear

HELP SUPPORT THE SHOW

If you'd like to help support the show you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns.

KEEP UP TO DATE

For behind the scenes photos and the latest updates, make sure to follow us on: 

Instagram: @tapenotes 

YouTube: Tape Notes Podcast

Patreon: Tape Notes

Discord: Tape Notes

To let us know the artists you’d like to hear, slide into our DMs, message us on Patreon, send us an email or even a letter. We’d love to hear! 

Visit our website to join our mailing list: www.tapenotes.co.uk

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John is joined by The Favors, a duo composed of producer/singer-songwriter FINNEAS and singer-songwriter Ashe, to discuss how they wrote and recorded the album ‘The Dream’. 

FINNEAS is a Grammy Award-winning producer best known for his longtime collaboration with his younger sister, Billie Eilish. As her primary producer, songwriter and touring partner, FINNEAS has played a key role in shaping her sound, earning 10 Grammy Awards along the way. Beyond his work with Eilish, Finneas has established himself as a rising alt-pop artist. Ashe began her career singing demos in Nashville before gaining widespread recognition with her viral single ‘Moral of the Story’. Since then, she has released several acclaimed EPs and three studio albums. Having previously collaborated on a number of projects, FINNEAS and Ashe decided to form The Favors. They released the album ‘The Dream’ on 19th September 2025.

In this episode, FINNEAS and Ashe sit down with John to discuss their techniques for producing vocals, the essential plug-ins they used to create the album’s sound, how ‘The Phantom of the Opera’ influenced their lyric-writing, why devoting time to drum production really matters and some simple yet very effective production tips!

Tracks discussed: The Little Mess You Made, David’s Brother, Moonshine

TAPE IT

Thanks to our friends at Tape It for supporting the podcast.

Visit tape.it/tapenotes or use the promo code TAPENOTES in the app to get 20% off.

LANDR 

Get 20% off LANDR Distribution and Studio at landr.com/tapenotes

MUSIVERSAL

Skip the waitlist and get your discount HERE

LISTEN to ‘The Dream’ here - The Dream by The Favors, FINNEAS, Ashe

LINKS TO EVERYTHING TAPE NOTES  

linktr.ee/tapenotes 

Intro Music - Sunshine Buddy, Laurel Collective - https://lynkify.in/song/sunshine-buddy/YT47TLFI 

GEAR MENTIONS

Yamaha CP80

Ludwig Superbeat

Revelle Snare

Earthquaker Devices Delay

VOX AC30

Valhalla Room

Fabfilter Pro-Q 4

Waves Scheps Omni

Native Instruments Guitar Rig

Sphere Recording Console

Logic Pro

Ace Tone TOP-6

Soundtoys Decapitator

Earthworks sr314

Liquidsonics Lustrous Plates

Soundtoys Echo Boy Jr

Lindell API Channel

Fender Rhodes Piano Bass mk2

Native Instruments Kontakt

The Fiddle

Spectrasonics Keyscape Rhodes Piano Bass

OUR GEAR

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