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The Te Araroa – or long pathway – dispenses with formalities, taking the Blissful Hiker onto an exposed start of drenching squalls, inconvenient tides and a never-ending roar of the waves.
In this episode:
MUSIC: Pastorale Calchaqui by Hector Gallac as played by Alison Young, flute and Vicki Seldon, piano
available on iTunes
The Te Araroa – or long pathway – dispenses with formalities, taking any hiker who dares onto an exposed start of drenching squalls, inconvenient tides and a never-ending roar of sound that begins as a curious lullaby, but in time, crescendos to a scream.
Fortunately, I’ve been warned about the beach, mostly told not to underestimate how difficult it is even though a simple point A to point B, on flat ground. Even young and healthy hikers manage to injure themselves with painful tendonitis, shin splints or shred their tender city-feet in a mass of blisters. Total exposure to the elements of wind, rain, and sun, no water and loud monotony make this one of the most difficult starts of any thru-hike in the world. It’s a baptism by fire – or more accurately, water.
Beautiful, lovingly built stairs with rubber grips take us steeply down through the bush. Little did I know this would be one of only a handful of well-built and maintained portions of the 3,000 kilometer trail.
It looks like it was my turn for my tent – the alicoop – to crash down on me. It’s no one’s fault, really, certainly not the gear, just that I set behind a wind screen that only protected me for the half of the night before the wind changed directions.
To survive today’s, I make a plan to divide it into thirds. I’ll use each 10k section to consider some ‘deep thoughts.’
1. What causes a person to make the decision to walk for five months?
2. Why does said person need a plan to get through a particularly long, hard day?
3. What must it feel like to be free, like one of these wild horses?
In no time, the wind picks up to dry me off. But this time, it’s straight in my face. At Ahipara, Peter treats me like his own daughter, looking at me with concern when he remarks that I have sand on my cheeks and in the corners of my eyes.
Joining me for a glass of wine he wonders if it would be considered cheating to skip the long, dangerous road walk to Kaitaia and allow him to drive me to the next section.
I tell him not if I don’t tell anyone!
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Send us a text
The Te Araroa – or long pathway – dispenses with formalities, taking the Blissful Hiker onto an exposed start of drenching squalls, inconvenient tides and a never-ending roar of the waves.
In this episode:
MUSIC: Pastorale Calchaqui by Hector Gallac as played by Alison Young, flute and Vicki Seldon, piano
available on iTunes
The Te Araroa – or long pathway – dispenses with formalities, taking any hiker who dares onto an exposed start of drenching squalls, inconvenient tides and a never-ending roar of sound that begins as a curious lullaby, but in time, crescendos to a scream.
Fortunately, I’ve been warned about the beach, mostly told not to underestimate how difficult it is even though a simple point A to point B, on flat ground. Even young and healthy hikers manage to injure themselves with painful tendonitis, shin splints or shred their tender city-feet in a mass of blisters. Total exposure to the elements of wind, rain, and sun, no water and loud monotony make this one of the most difficult starts of any thru-hike in the world. It’s a baptism by fire – or more accurately, water.
Beautiful, lovingly built stairs with rubber grips take us steeply down through the bush. Little did I know this would be one of only a handful of well-built and maintained portions of the 3,000 kilometer trail.
It looks like it was my turn for my tent – the alicoop – to crash down on me. It’s no one’s fault, really, certainly not the gear, just that I set behind a wind screen that only protected me for the half of the night before the wind changed directions.
To survive today’s, I make a plan to divide it into thirds. I’ll use each 10k section to consider some ‘deep thoughts.’
1. What causes a person to make the decision to walk for five months?
2. Why does said person need a plan to get through a particularly long, hard day?
3. What must it feel like to be free, like one of these wild horses?
In no time, the wind picks up to dry me off. But this time, it’s straight in my face. At Ahipara, Peter treats me like his own daughter, looking at me with concern when he remarks that I have sand on my cheeks and in the corners of my eyes.
Joining me for a glass of wine he wonders if it would be considered cheating to skip the long, dangerous road walk to Kaitaia and allow him to drive me to the next section.
I tell him not if I don’t tell anyone!
Support the show
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