The Archive Project

In this episode of The Archive Project, we feature one of the highlights of the 2022 Portland Book Festival. It’s a conversation between two of our most accomplished fiction writers, George Saunders and Jess Walter. Their conversation is by turns hilarious, caustic, tender, and profound.  Our interviewer for the event was OPB’s own Geoff Norcross, who does his usual masterful job moderating.

George Saunders is the #1 New York Times bestselling author of eleven books, including A Swim in a Pond in the Rain; Lincoln in the Bardo, which won the Booker Prize; Congratulations, by the Way; Tenth of December, a finalist for the National Book Award and winner of the inaugural Folio Award; The Braindead Megaphone; and the critically acclaimed collections CivilWarLand in Bad Decline, Pastoralia, and In Persuasion Nation. His most recent book is Liberation Day. He teaches in the creative writing program at Syracuse University.

Jess Walter is the author of ten books, most recently the short story collection The Angel of Rome. His other nine include the national bestseller The Cold Millions and the #1 New York Times bestseller, Beautiful Ruins; The Zero, the finalist for the National Book Award; and Citizen Vince, winner of the Edgar Award. His work has been published in 35 languages and his short fiction has appeared three times in Best American Short Stories.

Geoff Norcross is the Morning Edition host at Oregon Public Broadcasting. Before coming to Oregon, he was the program director at the NPR-affiliate KNAU in Flagstaff, Arizona. A 25-year radio veteran, Geoff has been on air in New York, Florida, Missouri, Illinois, and West Virginia. He joined OPB in 2008. Geoff has received awards from the Public Radio News Directors Inc. for best interview, the Edward R. Murrow Award for best feature reporting, and the Florida Associated Press Award for the best newscast. Geoff graduated from Bradley University with a degree in communications. Geoff lives in Portland with his wife. When he’s not on the air, you can find him rowing on the Willamette River or running and biking around the southwest hills. If you get up early enough, you might catch him hiking the nearby mountains.

This week’s episode of The Archive Project features a conversation from the 2022 Portland Book Festival. Portland-born writer Mitchell S. Jackson interviewed Leila Mottley about her debut novel, Nightcrawling.

Jackson is the author of the novel The Residue Years and the nonfiction book Survival Math. He is the winner of a Whiting Award and he received the Pulitzer Prize in Feature Writing for his piece on Ahmaud Arbery. Leila Mottley is the former youth poet laureate of Oakland, California. Nightcrawling is her first book, and she was just nineteen years old when it was published last year.

We paired Mitchell with Leila because despite their generational differences—there are thirty years between them and they are, of course, at very different points in their careers—they’ve both written novels about the beauty and the darkness that exist side-by-side in their complicated hometowns: Portland and Oakland, respectively. Leila says in the conversation about Oakland, “There is no where I feel more at home and nowhere I feel less safe,” and that those two feelings can exist at once.

A quick note for listeners: Parts of this conversation touch on mature themes of police brutality and sexual assault that may not be suitable for all listeners.

Leila Mottley is the 2018 Oakland Youth Poet Laureate. Her work has been featured in The New York Times and Oprah Daily. She was born and raised in Oakland, where she continues to live. Nightcrawling is her first novel.

Mitchell S. Jackson’s debut novel The Residue Years received wide critical praise. Jackson is the winner of a Whiting Award. His novel also won The Ernest J. Gaines Prize for Literary Excellence and was a finalist for The Center for Fiction Flaherty-Dunnan First Novel Prize, the PEN / Hemingway Award for Debut Fiction, and the Hurston / Wright Legacy Award. His honors include fellowships from the New York Public Library’s Cullman Center, the Lannan Foundation, the Ford Foundation, PEN America, TED, the New York Foundation for the Arts, and the Center for Fiction. His writing has been featured on the cover of the New York Times Book Review, Time Magazine, and Esquire Magazine, as well as in The New Yorker, Harpers, The New York Times Book Review, The Paris Review, The Guardian, The Washington Post Magazine, Harper’s Bazaar, and elsewhere. His nonfiction book Survival Math: Notes on an All-American Family was published in the spring of 2019 and named a best book of the year by fifteen publications, including NPR, Time Magazine, The Paris Review, The Root, Kirkus Reviews, and Buzzfeed. He teaches in the Creative Writing program at the University of Chicago.

In this episode of The Archive Project, we bring you an event from the 2022 Portland Book Festival, which took place on Saturday, November 5, 2022. The hour is split into two halves of thematically related conversations. Up first, OPB’s Tiffany Camhi interviews writer Melissa Febos about her essay collection, Girlhood; in the second half of the show, OPB’s Jenn Chavez speaks with music critic and New Yorker staff writer Hua Hsu about his memoir, Stay True. 

We paired Melissa and Hua for this festival event because their books share themes of adolescence and coming of age, of exploring identity through art-making and finding your voice, and of searching for and finding your people, finding belonging and a community. Melissa and Hua each speak about how processing the large and small events and emotions of their lives through writing has been a way they understand their lives and a way to find meaning.

They also both talk about how writing about events or traumas in their past, including revisiting writing from their younger selves, has helped them realize how their relationship to that event or trauma changes over time. I think that you hear in these conversations that for Melissa and Hua, writing about their experiences created a new compassion for their younger, messier, angrier, selves.

Melissa Febos is the bestselling author of four books, including Girlhood—LAMBDA Award finalist and winner of the National Book Critics Circle Award in Criticism, and Body Work: The Radical Power of Personal Narrative. Her fifth book, The Dry Season, is forthcoming from Alfred A. Knopf. Her awards and fellowships include those from the Guggenheim Foundation, LAMBDA Literary, the National Endowment for the Arts, Lower Manhattan Cultural Council, The British Library, The Black Mountain Institute, MacDowell, the Bogliasco Foundation, and others. Her work has recently appeared in The Paris Review, The Sun, The New York Times Magazine, Kenyon Review, The Best American Essays, Vogue, and New York Review of Books. Febos is an associate professor at the University of Iowa and lives in Iowa City with her wife, the poet Donika Kelly.

Hua Hsu is a staff writer at The New Yorker and an associate professor of English at Vassar College. Hsu serves on the executive board of the Asian American Writers’ Workshop. He was formerly a fellow at the New American foundation and the Dorothy and Lewis B. Cullman Center for Scholars and Writers at the New York Public Library. He lives in Brooklyn, New York, with his family.

Tiffany Camhi is a multimedia journalist focusing on arts, culture and environment reporting. You can hear her throughout the state of Oregon on OPB. She spent six years at KQED Public Radio in the San Francisco Bay Area as a host, producer, reporter and all-around audio gopher. Tiffany is an alumni of the City University of New York, Craig Newmark Graduate School of Journalism. When Tiffany’s not on the radio you can usually find her riding a motorcycle…or trying to figure out a way to talk about motorcycles on the radio.

Jenn Chávez is a radio host, announcer and producer with Oregon Public Broadcasting. Jenn has been making radio in Portland for over a decade. Prior to joining OPB in 2017, she hosted and produced the local news radio show “The Five Quadrants of Portland” on XRAY-FM, reporting on issues impacting underrepresented communities. She has a BA in literature and writing from the University of California, Santa Barbara. She spent her younger days as a film-nerdy video store clerk, and remains a source of unsolicited movie recommendations.

This week’s episode of The Archive Project features Reza Aslan discussing his new book, An American Martyr in Persia: The Epic Life and Tragic Death of Howard Baskerville. Aslan was interviewed by Literary Arts executive director Andrew Proctor at the 2022 Portland Book Festival, presented by Bank of America, which took place on Saturday, November 5 in downtown Portland.

Iran has been in the news this fall for a new wave of protests in reaction to the death of 22-year-old Mahsa Amini, who was arrested by the morality police for not wearing her hijab “properly” and died while in police custody. The protests have been remarkably widespread, and the government response severe. Aslan asserts this current movement is a fourth Iranian revolution, after 1979, 1953, and the 1906 constitutional revolution his book focuses on.

In An American Martyr in Persia, Aslan describes the events of that 1906 revolution through the story of Howard Baskerville, the son of a preacher and a student of Woodrow Wilson, who found himself in Tabriz, Iran in 1907, working as a Presbyterian minister and teacher. What happened next is well-known to Iranians but almost totally unknown to Americans.

“People ask me, ‘What can we do to help the people of Iran?’ Well, when you ask the people of Iran, ‘What do you need?’ they say, ‘Pay attention, that’s what we need.’ We have the ability to say, ‘We hear you. We’re paying attention. We’re going to shine a light on this for as long as it takes.’ That is far, far more powerful and valuable than you think it is.”

Reza Aslan is an acclaimed writer and scholar of religions. He is the author of the #1 New York Times bestseller Zealot, No God but God, and editor of Tablet & Pen: Literary Landscapes from the Modern Middle East. He lives in Los Angeles, California.

Andrew Proctor has been the director of Literary Arts since 2009. Born and raised in Canada, Proctor, earned a bachelor’s degree in English and Music at Concordia University in Montreal, and later worked in London for the Cultural Attaché to the Canadian High Commission. In the UK, he also earned an MA in English Literature at the University of East Anglia under the supervision of England’s then Poet Laureate, Andrew Motion. From 2000-2004 Proctor worked as an editor for HarperCollins in New York City and then as the Membership and Operations Director of the PEN American Center, a global literary and human rights organization focused on the welfare of writers and editors. In total, Proctor has worked in the literary world for over twenty years in the governmental, for profit and nonprofit sectors.

This episode of The Archive Project features Barbara Kingsolver in an interview with Literary Arts executive director Andrew Proctor, as part of the 2012-13 season of Portland Arts & Lectures. The occasion for Kingsolver’s visit was the publication of a long-awaited novel, Flight Behavior. Kingsolver is perhaps best known for her novel The Poisonwood Bible which many critics and readers consider a masterpiece.

In this interview, Kingsolver discusses her most recent book, but also looks back at previous book and her craft over the span of her career, and how it relates to the political or social issues that are her themes. Kingsolver is a writer who embraces so called “political art” and who rejects the idea that it, by definition, it is a lesser form.  This “divorce”, as she calls it in this conversation, between art and the issues, is artificial and distinctly American. And it’s a divorce that can leave American artists dangerously on the sidelines of some of the most important political and social arguments of the day.

Barbara Kingsolver is the author of ten bestselling works of fiction, including the novels Unsheltered, Flight Behavior, The Lacuna, The Poisonwood Bible, Animal Dreams, and The Bean Trees, as well as books of poetry, essays, and creative nonfiction. Her work of narrative nonfiction is the influential bestseller Animal, Vegetable, Miracle: A Year of Food Life. Kingsolver’s work has been translated into more than twenty languages and has earned literary awards and a devoted readership at home and abroad. She was awarded the National Humanities Medal, our country’s highest honor for service through the arts, as well as the Dayton Literary Peace Prize for the body of her work. She lives with her family on a farm in southern Appalachia.

On this episode of The Archive Project, we feature multi-genre bestselling poet and author of thirty-eight books, Kwame Alexander, who discusses his memoir Why Fathers Cry at Night with James Beard award-winning chef of Portland’s Kann, and author of the cookbook Everybody’s Table, Gregory Gourdet. Their conversation was recorded at Powell’s Books in downtown Portland.

Alexander is best-known for his children’s books, including The Door of No Return and The Crossover, which was recently made into a TV series. Last month he published a memoir, Why Fathers Cry at Night: A Memoir in Love Poems, Letters, Recipes, and Remembrances. Alexander said that he started the book as love poems for his daughters, not knowing it would become the memoir and a mix of poetry, prose, recipes, and more as he explored his past and his present.

The conversation is remarkably open and honest, as Alexander shares stories ranging from learning to cook his mother’s fried chicken—an especially challenging project while living in buttermilk-less London—in order to connect not only with his late mother but with his daughter; growing up with a strict, book-loving father and how that affected his relationship to books and literature; and actively working to become a better father, partner, and friend by pushing himself to be more vulnerable with the people in his life. Although the word “father” is in the title, the book and the conversation touch on all kinds of friend and family relationships, beyond father-child.

Kwame Alexander is the New York Times bestselling author of more than thirty books, including his Newbery Medal-winning novel The Crossover and The Undefeated, winner of the Caldecott Medal and Newbery Honor. He is the founding editor of Versify, which aims to change the world one word at a time.

Gregory Gourdet is a celebrated chef, best-selling author, and television personality. He is best known for his award-winning cuisine, bevy of TV appearances, and trendsetting role in the culinary boom of Portland. Gregory ran the kitchen at Portland’s Departure Restaurant + Lounge for 10 years, leaving in 2019 to focus on opening Kann. He was named “Chef of the Year” by both Eater Portland and the Oregon Department of Agriculture, and is a James Beard Award nominee and two-time Bravo Top Chef finalist. In 2021, Gregory released his first cookbook, Everyone’s Table: Global Recipes for Modern Health, which was a national bestseller and won the James Beard Award for Best General Cookbook.

In this episode of The Archive Project, we feature a talk from Edwidge Danticat from Portland Arts & Lectures on May 12, 2022.

Danticat became nationally recognized with her debut novel published in 1994 Breath, Eyes, Memory which was an Oprah Book Club selection and national bestseller. Since then, she has gone on to publish more than a dozen books in multiple genres—novels, short fiction, memoir, literary criticism, young adult, and children’s books—many which were bestsellers including the Farming of Bones, The Dew Breaker, and Claire of the Sea of Light.

In her talk, Danticat gives an intimate picture of her life, from her childhood in Haiti to her immigration as a young adult to Brooklyn. The talk is structured around her mother’s diagnosis and treatment of cancer. It explores Danticat’s life growing up in an extended family in two countries and the beauty and struggles this life brought her. She offers us a portrait of Haitian culture that reveals it beauty, joy and strength rather than centering the tragedies that nation has suffered as is so often the case. In all, this an inspirational talk about intergenerational and international families, migration, and holding multiple cultures within oneself. It gives a deeper understanding of Danticat as a writer, and sheds important light on a culture often misunderstood here in the United States.

Edwidge Danticat is the author of numerous books, including The Art of Death, a National Book Critics Circle finalist; Claire of the Sea Light, a New York Times Notable Book; Brother, I’m Dying, a National Book Critics Circle Award winner and National Book Award finalist; The Dew Breaker, a PEN/Faulkner Award finalist and winner of the inaugural Story Prize; The Farming of Bones, an American Book Award winner; Breath, Eyes, Memory, an Oprah’s Book Club selection; and Krik? Krak!, also a National Book Award finalist. A 2018 Neustadt International Prize for Literature winner and the recipient of a MacArthur “Genius” grant, she has been published in The New Yorker, The New York Times, Harper’s Magazine, and elsewhere.

On this episode of The Archive Project, we feature a conversation between Kiese Laymon and Imbolo Mbue on storytelling, environmental racism, and activism, recorded at the 2023 AWP Conference in Seattle, Washington.

Set in a fictional African village being polluted by an oil company, Imbolo Mbue’s latest novel, How Beautiful We Were, confronts environmental devastation, corporate colonialism and activism. Kiese Laymon, author of the memoir Heavy, has multigenerational roots in Mississippi have led him to consider climate justice and the ways that extractive agriculture, corporate interests, and the legacy of slavery impact communities of color in the US.

Kiese Laymon is a Black southern writer from Jackson, Mississippi. Laymon is the Libby Shearn Moody Professor of English and Creative Writing at Rice University. Laymon is the author of Long Division, which won the 2022 NAACP Image Award for fiction, and the essay collection, How to Slowly Kill Yourself and Others in America, named a notable book of 2021 by the New York Times critics. Laymon’s bestselling memoir, Heavy: An American Memoir, won the Andrew Carnegie Medal for Excellence in Nonfiction, the Christopher Isherwood Prize for Autobiographical Prose, the Barnes and Noble Discovery Award, the Austen Riggs Erikson Prize for Excellence in Mental Health Media, and was named one of the 50 Best Memoirs of the Past 50 Years by The New York Times. The audiobook, read by the author, was named the Audible 2018 Audiobook of the Year. Laymon is the recipient of 2020-2021 Radcliffe Fellowship at Harvard. Laymon is at work on the books, Good God, and City Summer, Country Summer, and a number of other film and television projects. He is the founder of “The Catherine Coleman Literary Arts and Justice Initiative,” a program based out of the Margaret Walker Center at Jackson State University, aimed at aiding young people in Jackson get more comfortable reading, writing, revising and sharing on their on their own terms, in their own communities. Kiese Laymon was awarded a MacArthur Fellowship in 2022.

Imbolo Mbue is the author of the New York Times bestseller Behold the Dreamers, which won the PEN/Faulkner Award for Fiction and was an Oprah’s Book Club selection. The novel has been adapted into an opera and a stage play, and optioned for a miniseries. Her second novel, How Beautiful We Were, about a fictional African village’s fight against an against American oil company, was named by the New York Times as “One of the 10 Best Books” of 2021. Her works have been translated into eighteen languages and published in dozens of countries. A native of Limbe, Cameroon, and a graduate of Rutgers and Columbia Universities, Mbue lives in New York.

In this episode of The Archive Project, we feature some of the incredible slam poets who performed as part of Verselandia!—the annual, city-wide youth poetry slam championship event, presented by Literary Arts—in 2022.

Each year, youth spend months writing and competing in slams on high school campuses across the city. Then, each April, about twenty student finalists compete for the title of city-wide Portland slam champ.

What is important about this episode is that these young poets are thrilling to hear. They will give you the chills, make you laugh, and perhaps bring tears to your eyes. And what’s more, 2022 was the first time we’d been able to present the competition live since 2019, and it was an especially emotional evening. So, at this moment when it feels our society is cleaved with deep divisions—race, geography, economics and age—it is so important to take the time to really listen to young voices, who are, after all the future. These young writers come from all walks of life in Portland, and have incredible stories to tell.

Anis Mojgani is Oregon’s current Poet Laureate and the author of five books of poetry. His work has appeared on HBO, NPR, and in journals Bat City Review, Rattle, Buzzfeed Reader, Thrush, and Forklift Ohio, amongst others. A two time National Poetry Slam Champion and winner of the International World Cup Poetry Slam, Anis has done commissioned work for the Getty Museum, the Peabody Essex Museum, and the Portland Timbers, and has been awarded artist residencies from the Vermont Studio Center, AIR Serenbe, and the Bloedel Nature Reserve. Originally from New Orleans, Anis currently lives in Portland, OR, where he serves on the Board of Directors for Literary Arts. His latest collection is In the Pockets of Small Gods.

In this episode of The Archive Project, we hear from beloved, best-selling novelist, essayist, and bookstore owner Ann Patchett. The talk in this episode is from her appearance at Portland Arts & Lectures in 2013. Patchett joined us on the publication of a collection of essays titled This Is the Story of a Happy Marriage.

This talk is powerful because, while her devotion to craft and exceptional talent is clear from her many award-winning novels, we learn that her writing life is also one filled with false starts, detours, happy accidents, and acts of generosity.  It is also consumed, at least in the first part of her career, with the practical need to make a living, and the compromises and survival techniques required to do so. And so, she tells the story of her life as a writer with a wry sense of humor, sharp insight, and refreshingly practical attitude.

“Well, what it turned out the story of my happy marriage was, was the never ending history of divorce in my family. Everyone in my family for as far as the eye can see, in any direction, has been divorced. And when I sat down to write about marriage, it was really fascinating to realize that everything I know about marriage comes from divorce, and that divorce is the bedrock of my marriage.” —Ann Patchett

Ann Patchett is the author of novels, works of nonfiction, and children’s books. She has been the recipient of numerous awards including the PEN/Faulkner, the Women’s Prize in the U.K., and the Book Sense Book of the Year. Her novel The Dutch House was a finalist for the Pulitzer Prize. Her work has been translated into more than thirty languages. TIME magazine named her one of the 100 Most Influential People in the World. President Biden awarded her the National Humanities Medal in recognition of her contributions to American culture. She lives in Nashville, Tennessee, where she is the owner of Parnassus Books.