The Archive Project

In this episode of The Archive Project, we feature a discussion on late writer Ursula K. Le Guin’s legacy of pacifism and environmentalism. Our moderator is Theo Downes-Le Guin, Ursula’s son and literary executor. Theo is in conversation with Oregon-based writers Juhea Kim, author of the novel Beasts of a Little Land, a finalist for the 2022 Dayton Literary Peace Prize, and Michelle Ruiz Keil, author most recently of the young adult novel Summer in the City of Roses, which was a finalist for the inaugural Ursula K. Le Guin Prize for Fiction.

In her speech at the 2014 National Book Awards, accepting the Medal for Distinguished Contribution to American Letters, Ursula said: “Hard times are coming, when we’ll be wanting the voices of writers who can see alternatives to how we live now and can see through our fear-stricken society and its obsessive technologies to other ways of being, and even imagine some real grounds for hope.”

Juhea Kim and Michelle Ruiz Keil are two of those voices that we need now. In this conversation, Juhea and Michelle discuss how they came—and returned—to Le Guin’s work, her influence on their writing, and how they are carrying her legacy forward, including the responsibility of the artist as a humanitarian.

This conversation was recorded in front of a live audience at Literary Arts on July 15, 2022.

“It is good to have an end to journey toward; but it is the journey that matters, in the end.” ― Ursula K. Le Guin

Ursula K. Le Guin (1929-2018) was a celebrated author whose body of work includes 23 novels, 12 volumes of short stories, 11 volumes of poetry, 13 children’s books, five essay collections, and four works of translation. The breadth and imagination of her work earned her six Nebula Awards, seven Hugo Awards, and SFWA’s Grand Master, along with the PEN/Malamud and many other awards. In 2014 she was awarded the National Book Foundation Medal for Distinguished Contribution to American Letters, and in 2016 joined the short list of authors to be published in their lifetimes by the Library of America.

Michelle Ruiz Keil is an author, playwright, and tarot reader with an eye for the enchanted and way with animals. She is the author of the critically acclaimed young adult novels All of Us With Wings and Summer In The City of Roses. Her writing for adults can be found most recently in Bitch, Cosmonauts Avenue, and the anthology Dispatches From Anarres: Tales in Tribute to Ursula K. Le Guin. She is a 2021 Tin House Scholar and the recipient of residencies from Hedgebrook, The Sitka Center for Art and Ecology, and the Bloedel Reserve. Born in San Francisco, Michelle has lived in Portland, Oregon for many years where she curates the fairytale reading series All Kinds of Fur and lives with her family in a cottage where the forest meets the city.

Juhea Kim is a writer, artist, and advocate based in Portland, Oregon. Her bestselling debut novel Beasts of a Little Land was named a finalist for the 2022 Dayton Literary Peace Prize and a Best Book of 2021 by Harper’s Bazaar, Real Simple, Ms., and Portland Monthly. Her writing has been published in Granta, Slice, The Massachusetts Review, Zyzzyva, Guernica, Catapult, Times Literary Supplement, The Independent, Sierra Magazine, and elsewhere. She is the founder and editor ofPeaceful Dumpling, an online magazine at the intersection of sustainable lifestyle and ecological literature. She has received fellowship support from the Bread Loaf Environmental Writers’ Conference, the Regional Arts & Culture Council, and Virginia G. Piper Center for Creative Writing at Arizona State University. She earned her BA in Art and Archaeology from Princeton University.

In this episode of The Archive Project, we feature a talk by Russell Banks from 1999. Banks was the author twenty-one books of fiction, nonfiction, and poetry. He was twice a nominee for the Pulitzer Prize, first in 1985 for his seminal work of fiction Continental Drift, and then again in 1998 for Cloudsplitter. The New York Times lauded his “vivid portrayals of working-class Americans grappling with issues of poverty, race, and class” and placed him “among the first ranks of contemporary novelists.”

Banks also worked extensively in Hollywood, beginning when two of his novels—The Sweet Hereafter and Affliction—were made into feature-length movies.

In this talk, Banks talks about the uneasy and sometimes downright hostile history between authors and Hollywood with some hilarious anecdotes. And while this tension continues today, there’s also another fascinating contemporary resonance in his talk. At the time, the digital transition in filmmaking was dramatically lowering the cost of production, allowing serious films to be made from literary fiction and nonfiction. A blossoming of these so-called indie films resulted in the late-90s and the aughts. Today, another revolution has taken hold: streaming.  It too has brought us another wave of incredible novelistic narratives on the screen, but this time on what we traditionally have called TV.

Banks’ career was long and varied and he made an incredible and enduring contribution to our national culture. Russell Banks died on January 8, 2023 at the age of 82.

“Writing and reading literary fiction and poetry are activities almost too intimate to talk about. Literature is intimate behavior between strangers.”

Russell Banks, twice a finalist for the Pulitzer Prize, was one of America’s most prestigious fiction writers, a past president of the International Parliament of Writers, and a member of the American Academy of Arts and Letters. His work has been translated into twenty languages and has received numerous prizes and awards, including the Common Wealth Award for Literature. Banks passed away in January 2023 at the age of 82.

In this episode of The Archive Project, we reach back to the year 2000 to highlight one of the best conversations about writing found in our archives: A special event with Amy Bloom and Michael Cunningham.

Amy Bloom had just published a collection of stories entitled, A Blind Man Can See How Much I Love You, and Cunningham had published one his most important and bestselling novels, The Hours, just two years earlier. The Hours went on to become a movie that received nine Academy Award nominations and just last year was made into an opera that was performed in Philadelphia and New York, among other cities.

These two old friends are among the best fiction writers at work in this county. At the time of this conversation they were both at the height of their powers, making their talk both intimate and profound. There’s not an ounce of pretension or snobbery between them; they express nothing but humility and respect for the difficulties of writing fiction. In fact, the opening question of the conversation challenges the very the reason their work even exists when Cunningham and Bloom struggle to answer: Why write? They seem to forget that there is an audience of more than 2,000 watching them, as they discuss their art and what it means to them, and what the art form might mean in the larger world.

Amy Bloom is the author of four novels: White Houses, Lucky Us, Away, and Love Invents Us; and three collections of short stories: Where the God Of Love Hangs Out, Come to Me (finalist for the National Book Award), and A Blind Man Can See How Much I Love You (finalist for the National Book Critics Circle Award). Her first book of nonfiction, Normal: Transsexual CEOs, Crossdressing Cops and Hermaphrodites with Attitudes, is a staple of university sociology and biology courses. Her most recent book is the widely acclaimed New York Times bestselling memoir, In Love. She has written for magazines such as The New Yorker, The New York Times Magazine, Vogue, Elle, The Atlantic, Slate, and Salon, and her work has been translated into fifteen languages. She is the Director of the Shapiro Center at Wesleyan University.

Michael Cunningham is the author of the novels A Home at the End of the World, Flesh and Blood, Specimen Days, By Nightfall, and The Snow Queen, as well as the collection A Wild Swan and Other Tales, and the nonfiction book Land’s End: A Walk in Provincetown. He is the recipient of a Whiting Award and a Guggenheim Fellowship, and his work has appeared in The New Yorker and The Best American Short Stories. The Hours was a New York Times bestseller, and the winner of both the PEN/Faulkner Award and the Pulitzer Prize. Raised in Los Angeles, Michael Cunningham lives in New York City, and is a senior lecturer at Yale University.

This episode of The Archive Project features notable funny woman, Elaine May, in a talk from 1997. Elaine May may be one of the most important Broadway and Hollywood stars you’ve never heard of. In 2019, The New York Times wrote a long appreciation of her in which they referred to her ability to “fuse verbal and physical comedy” as possibly singular, and called her a “criminally underappreciated filmmaker.”

May began her career on stage doing improvised comedy with Mike Nichols in the early 1950s, helped found a comedy troupe that found the iconic Second City Improv in Chicago, became wildly famous on Broadway in the 60s, made four important films in the 70s, contributed countless films as a writer, and has had over ten plays produced as a playwright, many on Broadway.

She is considered by many a comedic genius who was not been taken seriously enough, and that may purely be because she is a woman. In 2013, President Barak Obama awarded her a National Medal of Arts, and I have to think this award was an attempt to correct the record of her career.

“Depth is easy. Comedy is hard.”

Elaine May is an American comedian, screenwriter, director, and actress. She made her initial impact in the 1950s from her improvisational comedy routines with Mike Nichols, performing as Nichols and May. After her duo with Nichols ended, May subsequently developed a career as a director and screenwriter, best known for A New Leaf (1971), The Bird Cage (1996), Primary Colors (1998), and Small Time Crooks (2000). In 2013, President Barak Obama awarded her a National Medal of Arts, and in 2019, at the age of 86, New York’s Film Forum payed tribute to her.

“It’s so hard to say what comedy is because it’s only when you laugh. …You can immediately prove comedy because if nobody laughs, it isn’t funny.”

In this episode, we feature an event from the 2020 Portland Book Festival, moderated by author and editor, John Freeman. The event title keyed off of Freeman’s anthology of the same name: Tales of Two Planets: Stories of Climate Change and Inequality in a Divided World. Freeman sat down with authors Aimee Nezhukumatathil and Kawai Strong Washburn to talk about writing and the environment, and the conversation naturally turns to language and its relationship to history, connection, identity and the natural world. How and why do we write about a natural world in crisis? What are the ethics of doing so? What lesson can we draw on from biodiversity for our own cultures?

Aimee Nezhukumatathil is an acclaimed poet and author of the illustrated essay collection World of Wonders. It’s a book about the natural world and the way its inhabitants can teach, support, and inspire us.  Kawai Strong Washburn’s debut novel Sharks in the Time of Saviors is about the supernatural events that force a family to reckon with the meaning of heritage and the cost of survival.

Aimee Nezhukumatathil is the author World of Wonders, an illustrated essay collection, as well as of four books of poetry, most recently, Oceanic, winner of the Mississippi Institute of Arts and Letters Award. Other awards for her writing include fellowships and grants from the National Endowment for the Arts, Mississippi Arts Council, and MacDowell. Her writing appears in Poetry, the New York Times Magazine, ESPN, and Tin House. She serves as poetry faculty for the Writing Workshops in Greece and is professor of English and Creative Writing in the University of Mississippi’s MFA program.

Kawai Strong Washburn was born and raised on the Hamakua coast of the Big Island of Hawai‘i. His work has appeared in Best American Nonrequired Reading, McSweeney’s, and Electric Literature’s Recommended Reading, among other outlets. He was a 2015 Tin House Summer Scholar and 2015 Bread Loaf work-study scholar. Today, he lives with his wife and daughters in Minneapolis. Sharks in the Time of Saviors is his first novel.

John Freeman is the editor of Freeman’s, a literary annual published by Grove Press, and executive editor at Alfred A. Knopf. He has written several books of nonfiction including, How to Read a Novelist and Dictionary of the Undoing, as well as three collections of poems, Maps , The Park, and the forthcoming Wind, Trees. Between 2014 and 2020, he edited a series of anthologies on inequality, concluding with Tales of Two Planets, which focuses on the climate crisis and global inequality. His latest books are The Penguin Book of the Modern American Short Story and, with Tracy K. Smith, There’s a Revolution Outside, My Love, in which poets, novelists and essayists create a space to respond to catastrophes and racialized violence of 2020. Freeman’s work has been translated into more than 20 languages and appears in The New Yorker, The Paris Review, and Zyzzyva. He lives in London.

In this episode of The Archive Project, we feature a conversation from Pickathon 2022. Literary Arts partnered with the Pickathon music festival to program on-stage author readings, and for a live recording of The Archive Project at the Lucky Barn stage. At The Archive Project live, Oregon poet laureate Anis Mojgani led a wide-ranging conversation with Portland-based multidisciplinary writers and artists Dao Strom, author most recently of the music and poetry project Traveler’s Ode/Instrument; and Jon Raymond, author of the recent novel Denial and screenwriter of First Cow and many more projects.

The trio talks about what their processes are like as artists with multiple and often hybrid modes of creativity, how they started as artists and how their genres have changed over the years as they move between music, visual art, filmmaking, fiction, poetry, written versus spoken literary work, and more. It’s interesting to hear how they think about the different pros and cons, as an artist, of more solitary versus collaborative work depending on the kind of art they are making. It’s a wonderfully curious, inquisitive, and open conversation about art and art-making, and we’re grateful to our friends at Pickathon for providing a platform for literary arts at this year’s festival.

Jon Raymond is the author of the novels The Half-Life, Rain Dragon, and Freebird, and the story collection Livability, winner of the Oregon Book Award. He has collaborated on six films with the director Kelly Reichardt, including Old Joy, Wendy and Lucy, Meek’s Cutoff, Night Moves, First Cow, and the forthcoming Showing Up, numerous of which have been based on his fiction. He also received an Emmy Award nomination for his screenwriting on the HBO miniseries Mildred Pierce directed by Todd Haynes and starring Kate Winslet. He was the editor of Plazm Magazine, associate and contributing editor at Tin House magazine, and a member of the Board of Directors at Literary Arts. His writing has appeared in Zoetrope, Playboy, Tin House, The Village Voice, Artforum, Bookforum, and other places. He lives in Portland, Oregon.

Dao Strom is an artist who works with three “voices”—written, sung, visual—to explore hybridity and contemplate the intersection of personal and collective histories. Using practices of polyvocality, fragmentation, and (re)assemblage, Strom writes arrangements of poetry, music, image, song and sound, to be experienced as performance, installation, multimedia, recordings, and inside the spaces of a book. Strom is the author of a bilingual poetry/art book, You Will Always Be Someone From Somewhere Else, (Hanoi: AJAR, 2018), a hybrid-form memoir, We Were Meant To Be a Gentle People, with song-cycle, East/West, and two books of fiction. She is a recipient of a 2016 Creative Capital Award and a 2020 Oregon Literary Arts Career Fellowship. She has received support from RACC, Precipice Fund, Oregon Arts Commission, NEA, and others.

Anis Mojgani is Oregon’s current Poet Laureate and the author of five books of poetry. His work has appeared on HBO, NPR, and in journals Bat City Review, Rattle, Buzzfeed Reader, Thrush, and Forklift Ohio, amongst others. A two time National Poetry Slam Champion and winner of the International World Cup Poetry Slam, Anis has done commissioned work for the Getty Museum, the Peabody Essex Museum, and the Portland Timbers, and has been awarded artist residencies from the Vermont Studio Center, AIR Serenbe, and the Bloedel Nature Reserve. Originally from New Orleans, Anis currently lives in Portland, OR, where he serves on the Board of Directors for Literary Arts. His latest collection is In the Pockets of Small Gods.

In this episode of The Archive Project, we feature Scottish novelist Douglas Stuart, winner of the Booker Prize for his debut novel, Shuggie Bain. He speaks about his new novel, Young Mungo, with Portland-based author and Oregon Book Award winner Omar El Akkad. They discuss the desire and longing at the heart of the story of the love between two working class young men from different religious backgrounds in Glasgow. A highlight is Stuart’s description of how his previous career in the textile industry relates to his work as a writer.

The conversation between Douglas Stuart and Omar El Akkad was recorded in front of a live audience at Powell’s City of Books in Portland on May 5th, 2022. For a complete lineup of Powell’s upcoming in-person and virtual author event programming, please visit them at powells.com/events.

We’ll join Douglas and Omar at the beginning of the event, with a moving introduction from Powell’s employee Nick Yandell.

Douglas Stuart is a Scottish-American author. His New York Times-bestselling debut novel Shuggie Bain won the 2020 Booker Prize and the Sue Kaufman Prize from the American Academy of Arts and Letters. It was the winner of two British Book Awards, including Book of the Year, and was a finalist for the National Book Award, PEN/Hemingway Award, National Book Critics Circle John Leonard Prize, Kirkus Prize, as well as several other literary awards. Stuart’s writing has appeared in the New Yorker and Literary Hub.

Omar El Akkad is an author and a journalist. He has reported from Afghanistan, Guantánamo Bay, and many other locations around the world. His work earned Canada’s National Newspaper Award for Investigative Journalism and the Goff Penny Award for young journalists. His writing has appeared in The Guardian, Le Monde, Guernica, GQ, and many other newspapers and magazines. His debut novel, American War, is an international bestseller and has been translated into thirteen languages. It won the Pacific Northwest Booksellers Association Award, the Oregon Book Award for fiction, and the Kobo Emerging Writer Prize, and has been nominated for more than ten other awards. It was listed as one of the best books of the year by The New York Times, The Washington Post, GQ, NPR, and Esquire, and was selected by the BBC as one of 100 Novels That Shaped Our World.

This week’s episode of The Archive Project features Reza Aslan discussing his new book, An American Martyr in Persia: The Epic Life and Tragic Death of Howard Baskerville. Aslan was interviewed by Literary Arts executive director Andrew Proctor at the 2022 Portland Book Festival, presented by Bank of America, which took place on Saturday, November 5 in downtown Portland.

Iran has been in the news this fall for a new wave of protests in reaction to the death of 22-year-old Mahsa Amini, who was arrested by the morality police for not wearing her hijab “properly” and died while in police custody. The protests have been remarkably widespread, and the government response severe. Aslan asserts this current movement is a fourth Iranian revolution, after 1979, 1953, and the 1906 constitutional revolution his book focuses on.

In An American Martyr in Persia, Aslan describes the events of that 1906 revolution through the story of Howard Baskerville, the son of a preacher and a student of Woodrow Wilson, who found himself in Tabriz, Iran in 1907, working as a Presbyterian minister and teacher. What happened next is well-known to Iranians but almost totally unknown to Americans.

“People ask me, ‘What can we do to help the people of Iran?’ Well, when you ask the people of Iran, ‘What do you need?’ they say, ‘Pay attention, that’s what we need.’ We have the ability to say, ‘We hear you. We’re paying attention. We’re going to shine a light on this for as long as it takes.’ That is far, far more powerful and valuable than you think it is.”

Reza Aslan is an acclaimed writer and scholar of religions. He is the author of the #1 New York Times bestseller Zealot, No God but God, and editor of Tablet & Pen: Literary Landscapes from the Modern Middle East. He lives in Los Angeles, California.

Andrew Proctor has been the director of Literary Arts since 2009. Born and raised in Canada, Proctor, earned a bachelor’s degree in English and Music at Concordia University in Montreal, and later worked in London for the Cultural Attaché to the Canadian High Commission. In the UK, he also earned an MA in English Literature at the University of East Anglia under the supervision of England’s then Poet Laureate, Andrew Motion. From 2000-2004 Proctor worked as an editor for HarperCollins in New York City and then as the Membership and Operations Director of the PEN American Center, a global literary and human rights organization focused on the welfare of writers and editors. In total, Proctor has worked in the literary world for over twenty years in the governmental, for profit and nonprofit sectors.

In this episode of The Archive Project, we feature Leslie Marmon Silko in conversation with Molly Gloss from a special event in 2010, at Portland State University’s Lincoln Hall.

While Leslie Marmon Silko had begun to publish poems and short stories in the 1960s, it was her iconic and ground-breaking novel, Ceremony, published in 1978, that established her as one our greatest living writers. Since then, Silko has gone on to publish widely and across genres with a distinct voice, deeply rooted in the landscapes and culture of the American Southwest.

She joined us in 2010 as part of the launch of her first book of nonfiction, The Turquoise Ledge, which was a highly anticipated release in part because it was her first book in more than a decade. The Turquoise Ledge has been called a “highly original self-portrait” and is written in fragments that blends nature writing, memoir, history, parables and legends. When asked by an interviewer about the book’s fluid structure and movement between memory and reality, Silko said, “Linear time is itself a fiction which I find tedious and simpleminded.” And as she says in this conversation, linear time can also be very dangerous.

Silko is in conversation with writer Molly Gloss, a celebrated writer of many novels, including the acclaimed The Hearts of Horses, and the winner many prestigious prizes including the Oregon Book Award.

Leslie Marmon Silko was born in New Mexico in 1948 to a family whose ancestry includes Mexican, Laguna Indian, and European forebears. She is the author of ten books of fiction, poetry, and memoir, including Ceremony, Storyteller, Almanac of the Dead, Gardens in the Dunes, and The Turquoise Ledge. Considered by many as one of the most important contemporary Native American writers, Silko’s honors include a MacArthur Foundation “Genius” fellowship, the Christopher Lightfoot Walker Award from the American Academy of Arts and Letters for significant contribution to American literature, and the Robert Kirsch Award from the Los Angeles Times for lifetime achievement by a writer whose work focuses on the American West. She has been named a Living Cultural Treasure by the New Mexico Endowment for the Humanities Council, and has also received the Native Writers’ Circle of the Americas Lifetime Achievement Award.

Molly Gloss is a fourth-generation Oregonian who now lives in Portland on the west side of the Tualatin Hills. She is the author of five novels: The Jump-Off Creek, The Dazzle of Day, Wild Life, The Hearts of Horses, and Falling from Horses, and one collection of stories, Unforseen. Her awards include the Oregon Book Award, a Pacific Northwest Booksellers Award, the PEN West Fiction Prize, the James Tiptree Jr. Award, and a Whiting Writers Award; and her short story, “Lambing Season” was a finalist for the Hugo and Nebula Awards. Her work often concerns the landscape, literature, mythology, and life of the American West.