Jericho was the first Band studio album in sixteen years, and by the time it arrived a lot had changed. Richard Manuel was gone. Robbie Robertson was gone. What remained were Levon Helm, Rick Danko, and Garth Hudson, joined by Jim Weider, Randy Ciarlante, and Richard Bell, trying to figure out what The Band could still sound like in the 1990s.

In this episode, I take a look at how Jericho finally came together after years of touring, a failed attempt at a record, and more than a little loss along the way. We talk through the songs, the players who helped make the album, and what was happening around the band when they stepped back into the studio.

It’s not a return to the past. It’s a later chapter. A record made by musicians who had already lived through the legend and were still trying to keep the music going.

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Before Jericho, there was Tombstone.

In this episode, we examine the Band’s abandoned 1990 Sony sessions, recorded with Jules Shear and ultimately rejected by the label.

Through the music and the context, we piece together what this project was meant to be and what it tells us about the Band’s struggle to redefine themselves in the early 1990s.

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This episode traces the final years of Richard Manuel, from The Band’s relentless touring in 1984–86 to his last night in Winter Park, Florida. We follow the grind of the road, the pressures that built around him, and the moments of beauty still present in his late performances. This is the story of a brilliant singer living through the hardest years of his life, the night everything changed, and the music and tributes he left behind.

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This episode follows guitarist Jim Weider, from growing up in Woodstock to finding his way onto the road with Levon, Rick, Richard, and Garth. We trace how he joined The Band in the mid-’80s, held things together through years of hard touring, helped shape their final studio records in the ’90s.

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In this mini episode, we dive into Robbie Robertson’s Insomnia — a vivid, late-life reflection from one of rock’s most self-mythologizing figures. Less a memoir and more a cinematic vignette, Insomnia captures the years between 1976 and 1980, when Robertson drifted through post-Band life alongside artists, filmmakers, and excess.

The song played during the episode is entitled "At Last" from Scorsese's Raging Bull, produced by Robertson and performed with his former bandmates Richard Manuel and Garth Hudson.

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In this episode, we revisit The Band’s unexpected 1983 reunion six years after The Last Waltz. With Robbie Robertson absent, Levon Helm, Rick Danko, Richard Manuel, and Garth Hudson came together once again, proving their music still carried power and soul.

We trace their individual journeys in the late ’70s and early ’80s, the spark that brought them back, and the raw energy of their “The Band Is Back” tour. From theatre gigs and surprise Bob Dylan appearances to sold-out shows across Canada, Japan, and the U.S., this was more than a comeback, it was a second life.

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On the 54th anniversary of Cahoots, we hear The Band’s most grown-up record. Less legend, more real life. We stay with six songs, “Life Is a Carnival,” “When I Paint My Masterpiece,” “Last of the Blacksmiths,” “Where Do We Go from Here?,” “The Moon Struck One,” and “The River Hymn.” Work, doubt, change, and faith said plainly.

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In our series Odds & Ends we dig into Band deep-cut, “Get Up Jake”. You’ll hear how a scrappy LA studio outtake grew into a live showstopper on Rock of Ages, and even survives as a raw hotel-room demo. We’ll break down its driving groove, Helm’s backbeat, Danko’s bouncing bass and that shout-along chorus and compare the lean, two-minute studio take to the full-throttle live version and the stripped-down Calgary jam.

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Stephen Lewis returns to explore his new book Richard Manuel: His Life and Music, from the Hawks and Bob Dylan to The Band. We explore the life and struggles of Richard Manuel, diving into his early years, his role in the Band, and the toll fame took on his confidence. We talk about the dual identity Richard held—as both a gifted performer and a deeply sensitive songwriter.

The conversation covers the highs and lows of Richard’s career: the creative energy he brought to the group, his battles with addiction, and the tensions that shaped the band’s relationships. They examine the challenges of collaboration, how personal issues affected the music, and the impact of the 1980s on artists like Richard.

Make sure you pre-order the book today.

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Levon Helm’s move to Capitol Records in the early '80s was his final shot at keeping his musical vision alive. His bold choice to record at the iconic Muscle Shoals Sound Studio represented his commitment to authentic Southern rock at a time when synth-pop and MTV hits dominated the airwaves. Featuring a remarkable lineup of musicians, his second solo album, simply titled "Levon Helm," embodied his dedication to musical honesty over commercial success. Songs like "You Can't Win 'Em All" and "Money" showcase Helm’s gritty realism and uncompromising style.

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